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Color name
HEX #B6116F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6116F it is the complementary color #49EE90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6116F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6116F shade: #BB116A, #CC237D, #DD3590, #EE47A3 and #FF59B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6116F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6116F shade: #B6116F, #A5005C, #940049, #830036 and #720023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6116F shade: #B6116F, #B61142, #B61116 and #B61111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6116F shade: #B6116F, #B6119B, #A411B6, #7711B6 and #4B11B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6116F shade matches the following richer shades: #B6116F and #C60171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6116F shade: #B6116F, #A6216D, #96316A, #864168 and #765166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6116F shade: #A311B6, #B6119D, #B61171, #B61145 and #B61119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6116F shade: #6A0A41, #900D58, #B6116F, #DC1486 and #EC2E9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6116F shade: #B6116F, #B67711 and #11B3B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6116F shade: #B6116F, #71B611 and #1171B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6116F shade: #B6116F, #B67711, #11B656 and #1150B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6116F shade: #B6116F, #B6A811, #11B656 and #111FB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

Complementary color

CMYK 69 / 0 / 39 / 7

HEX #49EE90

RGB 73 238 144

HSL 145.82, 0.83%, 0.61%

LAB 84.27, -62.69, 33.52

 

CMYK 0 / 91 / 43 / 27

HEX #BB116A

RGB 187 17 106

HSL 328.59, 0.83%, 0.4%

LAB 41.23, 66.24, -3.99

 

CMYK 0 / 83 / 39 / 20

HEX #CC237D

RGB 204 35 125

HSL 328.05, 0.71%, 0.47%

LAB 46.34, 68.7, -7.81

 

CMYK 0 / 76 / 35 / 13

HEX #DD3590

RGB 221 53 144

HSL 327.5, 0.71%, 0.54%

LAB 51.76, 70.11, -10.85

 

CMYK 0 / 70 / 32 / 7

HEX #EE47A3

RGB 238 71 163

HSL 326.95, 0.83%, 0.61%

LAB 57.39, 70.8, -13.29

 

CMYK 0 / 65 / 29 / 0

HEX #FF59B6

RGB 255 89 182

HSL 326.39, 1%, 0.67%

LAB 63.16, 70.99, -15.29

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 100 / 44 / 35

HEX #A5005C

RGB 165 0 92

HSL 326.55, 1%, 0.32%

LAB 35.54, 62.01, -4

 

CMYK 0 / 100 / 51 / 42

HEX #940049

RGB 148 0 73

HSL 330.41, 1%, 0.29%

LAB 31.29, 56.48, 1.79

 

CMYK 0 / 100 / 59 / 49

HEX #830036

RGB 131 0 54

HSL 335.27, 1%, 0.26%

LAB 26.99, 50.93, 7.95

 

CMYK 0 / 100 / 69 / 55

HEX #720023

RGB 114 0 35

HSL 341.58, 1%, 0.22%

LAB 22.65, 45.39, 14.56

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 91 / 64 / 29

HEX #B61142

RGB 182 17 66

HSL 342.18, 0.83%, 0.39%

LAB 39.14, 62.07, 18.34

 

CMYK 0 / 91 / 88 / 29

HEX #B61116

RGB 182 17 22

HSL 358.18, 0.83%, 0.39%

LAB 38.56, 60.42, 43.76

 

CMYK 0 / 91 / 91 / 29

HEX #B61111

RGB 182 17 17

HSL 0, 0.83%, 0.39%

LAB 38.53, 60.33, 46.04

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 91 / 15 / 29

HEX #B6119B

RGB 182 17 155

HSL 309.82, 0.83%, 0.39%

LAB 42.33, 70.68, -32.58

 

CMYK 10 / 91 / 0 / 29

HEX #A411B6

RGB 164 17 182

HSL 293.45, 0.83%, 0.39%

LAB 40.69, 71.48, -51.51

 

CMYK 35 / 91 / 0 / 29

HEX #7711B6

RGB 119 17 182

HSL 277.09, 0.83%, 0.39%

LAB 33.35, 64.8, -63.76

 

CMYK 59 / 91 / 0 / 29

HEX #4B11B6

RGB 75 17 182

HSL 261.09, 0.83%, 0.39%

LAB 27.5, 60.12, -73.6

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 99 / 43 / 22

HEX #C60171

RGB 198 1 113

HSL 325.89, 0.99%, 0.39%

LAB 43.09, 71.03, -5.36

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 80 / 34 / 35

HEX #A6216D

RGB 166 33 109

HSL 325.71, 0.67%, 0.39%

LAB 38.37, 58.14, -10.58

 

CMYK 0 / 67 / 29 / 41

HEX #96316A

RGB 150 49 106

HSL 326.14, 0.51%, 0.39%

LAB 37.34, 47.76, -10.53

 

CMYK 0 / 51 / 22 / 47

HEX #864168

RGB 134 65 104

HSL 326.09, 0.35%, 0.39%

LAB 37.57, 34.54, -9.18

 

CMYK 0 / 31 / 14 / 54

HEX #765166

RGB 118 81 102

HSL 325.95, 0.19%, 0.39%

LAB 39.06, 19.03, -5.91

 

CMYK 10 / 91 / 0 / 29

HEX #A311B6

RGB 163 17 182

HSL 293.09, 0.83%, 0.39%

LAB 40.52, 71.32, -51.79

 

CMYK 0 / 91 / 14 / 29

HEX #B6119D

RGB 182 17 157

HSL 309.09, 0.83%, 0.39%

LAB 42.43, 70.95, -33.62

 

CMYK 0 / 91 / 38 / 29

HEX #B61171

RGB 182 17 113

HSL 325.09, 0.83%, 0.39%

LAB 40.47, 65.76, -9.62

 

CMYK 0 / 91 / 62 / 29

HEX #B61145

RGB 182 17 69

HSL 341.09, 0.83%, 0.39%

LAB 39.2, 62.24, 16.5

 

CMYK 0 / 91 / 86 / 29

HEX #B61119

RGB 182 17 25

HSL 357.09, 0.83%, 0.39%

LAB 38.58, 60.48, 42.28

 

CMYK 0 / 91 / 39 / 58

HEX #6A0A41

RGB 106 10 65

HSL 325.63, 0.83%, 0.23%

LAB 22.52, 43.6, -6.78

 

CMYK 0 / 91 / 39 / 44

HEX #900D58

RGB 144 13 88

HSL 325.65, 0.83%, 0.31%

LAB 31.63, 54.98, -7.7

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 91 / 39 / 14

HEX #DC1486

RGB 220 20 134

HSL 325.8, 0.83%, 0.47%

LAB 48.81, 75.84, -9.29

 

CMYK 0 / 81 / 35 / 7

HEX #EC2E9A

RGB 236 46 154

HSL 325.89, 0.83%, 0.55%

LAB 54.15, 76.63, -12.92

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 35 / 91 / 29

HEX #B67711

RGB 182 119 17

HSL 37.09, 0.83%, 0.39%

LAB 55.26, 17.39, 58.46

 

CMYK 91 / 2 / 0 / 29

HEX #11B3B6

RGB 17 179 182

HSL 181.09, 0.83%, 0.39%

LAB 66.32, -35.34, -12.21

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 38 / 0 / 91 / 29

HEX #71B611

RGB 113 182 17

HSL 85.09, 0.83%, 0.39%

LAB 67.28, -44.54, 65.72

 

CMYK 91 / 38 / 0 / 29

HEX #1171B6

RGB 17 113 182

HSL 205.09, 0.83%, 0.39%

LAB 46.05, 0.19, -43.56

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 35 / 91 / 29

HEX #B67711

RGB 182 119 17

HSL 37.09, 0.83%, 0.39%

LAB 55.26, 17.39, 58.46

 

CMYK 91 / 0 / 53 / 29

HEX #11B656

RGB 17 182 86

HSL 145.09, 0.83%, 0.39%

LAB 65.16, -59.33, 37.95

 

CMYK 91 / 56 / 0 / 29

HEX #1150B6

RGB 17 80 182

HSL 217.09, 0.83%, 0.39%

LAB 36.43, 21.61, -59.05

 

CMYK 0 / 91 / 39 / 29

HEX #B6116F

RGB 182 17 111

HSL 325.82, 0.83%, 0.39%

LAB 40.4, 65.56, -8.47

 

CMYK 0 / 8 / 91 / 29

HEX #B6A811

RGB 182 168 17

HSL 54.91, 0.83%, 0.39%

LAB 68.01, -9.31, 68.31

 

CMYK 91 / 0 / 53 / 29

HEX #11B656

RGB 17 182 86

HSL 145.09, 0.83%, 0.39%

LAB 65.16, -59.33, 37.95

 

CMYK 91 / 83 / 0 / 29

HEX #111FB6

RGB 17 31 182

HSL 234.91, 0.83%, 0.39%

LAB 25.19, 51.74, -77.56

 

Description

Color code: HEX #B6116F | qconv.com Color code: HEX #B6116F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 17 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 17 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 39 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 39% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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