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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61062 it is the complementary color #49EF9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61062 shade: #BB105D, #CC2270, #DD3483, #EE4696 and #FF58A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61062 shade: #B61062, #A5004F, #94003C, #830029 and #720016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61062 shade: #B71062, #B71035 and #B71010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61062 shade: #B71062, #B71090, #B110B7, #8410B7 and #5710B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61062 shade matches the following richer shades: #B71062

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61062 shade: #B71062, #A72063, #973063, #874063 and #775063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61062 shade: #B110B7, #B71090, #B71063, #B71037 and #B71510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61062 shade: #6B093A, #910D4E, #B71062, #DD1377 and #ED2D8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61062 shade: #B61062, #B78510 and #10A6B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61062 shade: #B61062, #63B710 and #1063B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61062 shade: #B61062, #B78510, #10B763 and #1042B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61062 shade: #B61062, #B7B710, #10B763 and #1010B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 46 / 29

HEX #B61062

RGB 182 16 98

HSL 330.36, 0.84%, 0.39%

LAB 39.91, 64.51, -1

 

Complementary color

CMYK 69 / 0 / 34 / 6

HEX #49EF9D

RGB 73 239 157

HSL 150.36, 0.84%, 0.61%

LAB 84.78, -60.66, 27.64

 

CMYK 0 / 91 / 50 / 27

HEX #BB105D

RGB 187 16 93

HSL 332.98, 0.84%, 0.4%

LAB 40.78, 65.28, 3.56

 

CMYK 0 / 83 / 45 / 20

HEX #CC2270

RGB 204 34 112

HSL 332.47, 0.71%, 0.47%

LAB 45.84, 67.71, -0.56

 

CMYK 0 / 76 / 41 / 13

HEX #DD3483

RGB 221 52 131

HSL 331.95, 0.71%, 0.54%

LAB 51.23, 69.09, -3.85

 

CMYK 0 / 71 / 37 / 7

HEX #EE4696

RGB 238 70 150

HSL 331.43, 0.83%, 0.6%

LAB 56.84, 69.74, -6.51

 

CMYK 0 / 65 / 34 / 0

HEX #FF58A9

RGB 255 88 169

HSL 330.9, 1%, 0.67%

LAB 62.6, 69.88, -8.68

 

CMYK 0 / 91 / 46 / 29

HEX #B61062

RGB 182 16 98

HSL 330.36, 0.84%, 0.39%

LAB 39.91, 64.51, -1

 

CMYK 0 / 100 / 52 / 35

HEX #A5004F

RGB 165 0 79

HSL 331.27, 1%, 0.32%

LAB 35.13, 60.93, 3.84

 

CMYK 0 / 100 / 59 / 42

HEX #94003C

RGB 148 0 60

HSL 335.68, 1%, 0.29%

LAB 30.93, 55.51, 9.94

 

CMYK 0 / 100 / 69 / 49

HEX #830029

RGB 131 0 41

HSL 341.22, 1%, 0.26%

LAB 26.69, 50.12, 16.42

 

CMYK 0 / 100 / 81 / 55

HEX #720016

RGB 114 0 22

HSL 348.42, 1%, 0.22%

LAB 22.43, 44.79, 23.18

 

CMYK 0 / 91 / 46 / 28

HEX #B71062

RGB 183 16 98

HSL 330.54, 0.84%, 0.39%

LAB 40.11, 64.74, -0.67

 

CMYK 0 / 91 / 71 / 28

HEX #B71035

RGB 183 16 53

HSL 346.71, 0.84%, 0.39%

LAB 39.06, 61.82, 26.51

 

CMYK 0 / 91 / 91 / 28

HEX #B71010

RGB 183 16 16

HSL 0, 0.84%, 0.39%

LAB 38.68, 60.74, 46.68

 

CMYK 0 / 91 / 46 / 28

HEX #B71062

RGB 183 16 98

HSL 330.54, 0.84%, 0.39%

LAB 40.11, 64.74, -0.67

 

CMYK 0 / 91 / 21 / 28

HEX #B71090

RGB 183 16 144

HSL 314.01, 0.84%, 0.39%

LAB 41.92, 69.6, -26.53

 

CMYK 3 / 91 / 0 / 28

HEX #B110B7

RGB 177 16 183

HSL 297.84, 0.84%, 0.39%

LAB 42.97, 73.96, -48.31

 

CMYK 28 / 91 / 0 / 28

HEX #8410B7

RGB 132 16 183

HSL 281.68, 0.84%, 0.39%

LAB 35.39, 66.94, -60.94

 

CMYK 52 / 91 / 0 / 28

HEX #5710B7

RGB 87 16 183

HSL 265.51, 0.84%, 0.39%

LAB 28.94, 61.65, -71.77

 

CMYK 0 / 91 / 46 / 28

HEX #B71062

RGB 183 16 98

HSL 330.54, 0.84%, 0.39%

LAB 40.11, 64.74, -0.67

 

CMYK 0 / 91 / 46 / 28

HEX #B71062

RGB 183 16 98

HSL 330.54, 0.84%, 0.39%

LAB 40.11, 64.74, -0.67

 

CMYK 0 / 81 / 41 / 35

HEX #A72063

RGB 167 32 99

HSL 330.22, 0.68%, 0.39%

LAB 38.11, 57.6, -4.63

 

CMYK 0 / 68 / 34 / 41

HEX #973063

RGB 151 48 99

HSL 330.29, 0.52%, 0.39%

LAB 37.1, 47.59, -6.44

 

CMYK 0 / 53 / 27 / 47

HEX #874063

RGB 135 64 99

HSL 330.42, 0.36%, 0.39%

LAB 37.33, 34.66, -6.37

 

CMYK 0 / 33 / 17 / 53

HEX #775063

RGB 119 80 99

HSL 330.77, 0.2%, 0.39%

LAB 38.83, 19.48, -4.38

 

CMYK 3 / 91 / 0 / 28

HEX #B110B7

RGB 177 16 183

HSL 297.84, 0.84%, 0.39%

LAB 42.97, 73.96, -48.31

 

CMYK 0 / 91 / 21 / 28

HEX #B71090

RGB 183 16 144

HSL 314.01, 0.84%, 0.39%

LAB 41.92, 69.6, -26.53

 

CMYK 0 / 91 / 46 / 28

HEX #B71063

RGB 183 16 99

HSL 330.18, 0.84%, 0.39%

LAB 40.15, 64.83, -1.26

 

CMYK 0 / 91 / 70 / 28

HEX #B71037

RGB 183 16 55

HSL 345.99, 0.84%, 0.39%

LAB 39.09, 61.91, 25.3

 

CMYK 0 / 89 / 91 / 28

HEX #B71510

RGB 183 21 16

HSL 1.8, 0.84%, 0.39%

LAB 38.97, 59.91, 46.87

 

CMYK 0 / 92 / 46 / 58

HEX #6B093A

RGB 107 9 58

HSL 330, 0.84%, 0.23%

LAB 22.4, 43.33, -2.11

 

CMYK 0 / 91 / 46 / 43

HEX #910D4E

RGB 145 13 78

HSL 330.45, 0.84%, 0.31%

LAB 31.48, 54.25, -1.33

 

CMYK 0 / 91 / 46 / 28

HEX #B71062

RGB 183 16 98

HSL 330.54, 0.84%, 0.39%

LAB 40.11, 64.74, -0.67

 

CMYK 0 / 91 / 46 / 13

HEX #DD1377

RGB 221 19 119

HSL 330.3, 0.84%, 0.47%

LAB 48.47, 74.87, -0.62

 

CMYK 0 / 81 / 41 / 7

HEX #ED2D8C

RGB 237 45 140

HSL 330.31, 0.84%, 0.55%

LAB 53.79, 75.74, -5.13

 

CMYK 0 / 91 / 46 / 29

HEX #B61062

RGB 182 16 98

HSL 330.36, 0.84%, 0.39%

LAB 39.91, 64.51, -1

 

CMYK 0 / 27 / 91 / 28

HEX #B78510

RGB 183 133 16

HSL 42.04, 0.84%, 0.39%

LAB 58.86, 10.05, 61.49

 

CMYK 91 / 9 / 0 / 28

HEX #10A6B7

RGB 16 166 183

HSL 186.11, 0.84%, 0.39%

LAB 62.34, -28.84, -18.78

 

CMYK 0 / 91 / 46 / 29

HEX #B61062

RGB 182 16 98

HSL 330.36, 0.84%, 0.39%

LAB 39.91, 64.51, -1

 

CMYK 46 / 0 / 91 / 28

HEX #63B710

RGB 99 183 16

HSL 90.18, 0.84%, 0.39%

LAB 66.94, -49.72, 65.33

 

CMYK 91 / 46 / 0 / 28

HEX #1063B7

RGB 16 99 183

HSL 210.18, 0.84%, 0.39%

LAB 41.93, 9.39, -50.75

 

CMYK 0 / 91 / 46 / 29

HEX #B61062

RGB 182 16 98

HSL 330.36, 0.84%, 0.39%

LAB 39.91, 64.51, -1

 

CMYK 0 / 27 / 91 / 28

HEX #B78510

RGB 183 133 16

HSL 42.04, 0.84%, 0.39%

LAB 58.86, 10.05, 61.49

 

CMYK 91 / 0 / 46 / 28

HEX #10B763

RGB 16 183 99

HSL 149.82, 0.84%, 0.39%

LAB 65.65, -57.57, 32.01

 

CMYK 91 / 64 / 0 / 28

HEX #1042B7

RGB 16 66 183

HSL 222.04, 0.84%, 0.39%

LAB 32.76, 31.34, -65.65

 

CMYK 0 / 91 / 46 / 29

HEX #B61062

RGB 182 16 98

HSL 330.36, 0.84%, 0.39%

LAB 39.91, 64.51, -1

 

CMYK 0 / 0 / 91 / 28

HEX #B7B710

RGB 183 183 16

HSL 60, 0.84%, 0.39%

LAB 72.21, -16.6, 71.77

 

CMYK 91 / 0 / 46 / 28

HEX #10B763

RGB 16 183 99

HSL 149.82, 0.84%, 0.39%

LAB 65.65, -57.57, 32.01

 

CMYK 91 / 91 / 0 / 28

HEX #1010B7

RGB 16 16 183

HSL 240, 0.84%, 0.39%

LAB 23.34, 57.89, -81.24

 

Description

Color code: HEX #B61062 | qconv.com Color code: HEX #B61062 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 16 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 16 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 46 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 46% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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