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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5FF48 it is the complementary color #4A00B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5FF48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5FF48 shade: #BAFF43, #CBFF56, #DCFF69, #EDFF7C and #FEFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5FF48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5FF48 shade: #B5FF48, #A4ED35, #93DB22, #82C90F and #71B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5FF48 shade: #B5FF47, #E6FF47, #FFE647, #FFB547 and #FF8347

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5FF48 shade: #B5FF47, #83FF47, #52FF47, #47FF6F and #47FFA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5FF48 shade matches the following richer shades: #B5FF47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5FF48 shade: #B5FF47, #B2F056, #AFE165, #ACD274 and #A9C483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5FF48 shade: #FFE747, #E7FF47, #B6FF47, #85FF47 and #54FF47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5FF48 shade: #91F400, #A4FF1E, #B5FF47, #C5FF71 and #D6FF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5FF48 shade: #B5FF48, #47FFB6 and #FF47FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5FF48 shade: #B5FF48, #47B6FF and #FF47B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5FF48 shade: #B5FF48, #47FFB6, #9147FF and #FF4791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5FF48 shade: #B5FF48, #47FFED, #9147FF and #FF475A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 72 / 0

HEX #B5FF48

RGB 181 255 72

HSL 84.26, 1%, 0.64%

LAB 92.49, -48.51, 75.35

 

Complementary color

CMYK 60 / 100 / 0 / 28

HEX #4A00B7

RGB 74 0 183

HSL 264.26, 1%, 0.36%

LAB 26.37, 63.72, -76.07

 

CMYK 27 / 0 / 74 / 0

HEX #BAFF43

RGB 186 255 67

HSL 82.02, 1%, 0.63%

LAB 92.74, -46.98, 77.3

 

CMYK 20 / 0 / 66 / 0

HEX #CBFF56

RGB 203 255 86

HSL 78.46, 1%, 0.67%

LAB 93.84, -39.64, 72.16

 

CMYK 14 / 0 / 59 / 0

HEX #DCFF69

RGB 220 255 105

HSL 74, 1%, 0.71%

LAB 95.06, -31.89, 66.25

 

CMYK 7 / 0 / 51 / 0

HEX #EDFF7C

RGB 237 255 124

HSL 68.24, 1%, 0.74%

LAB 96.4, -23.85, 59.84

 

CMYK 0 / 0 / 44 / 0

HEX #FEFF8F

RGB 254 255 143

HSL 60.54, 1%, 0.78%

LAB 97.86, -15.59, 53.15

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF48

RGB 181 255 72

HSL 84.26, 1%, 0.64%

LAB 92.49, -48.51, 75.35

 

CMYK 31 / 0 / 78 / 7

HEX #A4ED35

RGB 164 237 53

HSL 83.8, 0.84%, 0.57%

LAB 86.36, -47.99, 75.08

 

CMYK 33 / 0 / 84 / 14

HEX #93DB22

RGB 147 219 34

HSL 83.35, 0.73%, 0.5%

LAB 80.17, -47.31, 74.01

 

CMYK 35 / 0 / 93 / 21

HEX #82C90F

RGB 130 201 15

HSL 82.9, 0.86%, 0.42%

LAB 73.9, -46.41, 71.78

 

CMYK 38 / 0 / 100 / 28

HEX #71B700

RGB 113 183 0

HSL 82.95, 1%, 0.36%

LAB 67.56, -45.27, 68.12

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF47

RGB 181 255 71

HSL 84.13, 1%, 0.64%

LAB 92.49, -48.56, 75.67

 

CMYK 10 / 0 / 72 / 0

HEX #E6FF47

RGB 230 255 71

HSL 68.15, 1%, 0.64%

LAB 95.5, -30.06, 79.62

 

CMYK 0 / 10 / 72 / 0

HEX #FFE647

RGB 255 230 71

HSL 51.85, 1%, 0.64%

LAB 90.92, -7.89, 75.91

 

CMYK 0 / 29 / 72 / 0

HEX #FFB547

RGB 255 181 71

HSL 35.87, 1%, 0.64%

LAB 78.9, 17.21, 64.08

 

CMYK 0 / 49 / 72 / 0

HEX #FF8347

RGB 255 131 71

HSL 19.57, 1%, 0.64%

LAB 67.98, 42.96, 52.72

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF47

RGB 181 255 71

HSL 84.13, 1%, 0.64%

LAB 92.49, -48.56, 75.67

 

CMYK 49 / 0 / 72 / 0

HEX #83FF47

RGB 131 255 71

HSL 100.43, 1%, 0.64%

LAB 90.23, -64.59, 72.69

 

CMYK 68 / 0 / 72 / 0

HEX #52FF47

RGB 82 255 71

HSL 116.41, 1%, 0.64%

LAB 88.81, -75.91, 70.8

 

CMYK 72 / 0 / 56 / 0

HEX #47FF6F

RGB 71 255 111

HSL 133.04, 1%, 0.64%

LAB 88.93, -73.78, 55.02

 

CMYK 72 / 0 / 37 / 0

HEX #47FFA0

RGB 71 255 160

HSL 149.02, 1%, 0.64%

LAB 89.58, -66.24, 32.56

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF47

RGB 181 255 71

HSL 84.13, 1%, 0.64%

LAB 92.49, -48.56, 75.67

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF47

RGB 181 255 71

HSL 84.13, 1%, 0.64%

LAB 92.49, -48.56, 75.67

 

CMYK 26 / 0 / 64 / 6

HEX #B2F056

RGB 178 240 86

HSL 84.16, 0.84%, 0.64%

LAB 88.19, -42.26, 65.77

 

CMYK 22 / 0 / 55 / 12

HEX #AFE165

RGB 175 225 101

HSL 84.19, 0.67%, 0.64%

LAB 83.92, -35.41, 54.6

 

CMYK 18 / 0 / 45 / 18

HEX #ACD274

RGB 172 210 116

HSL 84.26, 0.51%, 0.64%

LAB 79.68, -27.97, 42.38

 

CMYK 14 / 0 / 33 / 23

HEX #A9C483

RGB 169 196 131

HSL 84.92, 0.36%, 0.64%

LAB 75.79, -20.35, 29.71

 

CMYK 0 / 9 / 72 / 0

HEX #FFE747

RGB 255 231 71

HSL 52.17, 1%, 0.64%

LAB 91.17, -8.38, 76.16

 

CMYK 9 / 0 / 72 / 0

HEX #E7FF47

RGB 231 255 71

HSL 67.83, 1%, 0.64%

LAB 95.57, -29.67, 79.71

 

CMYK 29 / 0 / 72 / 0

HEX #B6FF47

RGB 182 255 71

HSL 83.8, 1%, 0.64%

LAB 92.54, -48.21, 75.75

 

CMYK 48 / 0 / 72 / 0

HEX #85FF47

RGB 133 255 71

HSL 99.78, 1%, 0.64%

LAB 90.3, -64.03, 72.79

 

CMYK 67 / 0 / 72 / 0

HEX #54FF47

RGB 84 255 71

HSL 115.76, 1%, 0.64%

LAB 88.86, -75.55, 70.86

 

CMYK 41 / 0 / 100 / 4

HEX #91F400

RGB 145 244 0

HSL 84.34, 1%, 0.48%

LAB 87.35, -58.6, 84.12

 

CMYK 36 / 0 / 88 / 0

HEX #A4FF1E

RGB 164 255 30

HSL 84.27, 1%, 0.56%

LAB 91.46, -56.1, 84.65

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF47

RGB 181 255 71

HSL 84.13, 1%, 0.64%

LAB 92.49, -48.56, 75.67

 

CMYK 23 / 0 / 56 / 0

HEX #C5FF71

RGB 197 255 113

HSL 84.51, 1%, 0.72%

LAB 93.7, -39.77, 60.92

 

CMYK 16 / 0 / 40 / 0

HEX #D6FF9A

RGB 214 255 154

HSL 84.36, 1%, 0.8%

LAB 95.22, -29.34, 43.98

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF48

RGB 181 255 72

HSL 84.26, 1%, 0.64%

LAB 92.49, -48.51, 75.35

 

CMYK 72 / 0 / 29 / 0

HEX #47FFB6

RGB 71 255 182

HSL 156.2, 1%, 0.64%

LAB 89.97, -61.93, 21.99

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF48

RGB 181 255 72

HSL 84.26, 1%, 0.64%

LAB 92.49, -48.51, 75.35

 

CMYK 72 / 29 / 0 / 0

HEX #47B6FF

RGB 71 182 255

HSL 203.8, 1%, 0.64%

LAB 70.88, -8.17, -45.09

 

CMYK 0 / 72 / 29 / 0

HEX #FF47B6

RGB 255 71 182

HSL 323.8, 1%, 0.64%

LAB 60.91, 77.27, -18.7

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF48

RGB 181 255 72

HSL 84.26, 1%, 0.64%

LAB 92.49, -48.51, 75.35

 

CMYK 72 / 0 / 29 / 0

HEX #47FFB6

RGB 71 255 182

HSL 156.2, 1%, 0.64%

LAB 89.97, -61.93, 21.99

 

CMYK 43 / 72 / 0 / 0

HEX #9147FF

RGB 145 71 255

HSL 264.13, 1%, 0.64%

LAB 49.19, 66.79, -79.62

 

CMYK 0 / 72 / 43 / 0

HEX #FF4791

RGB 255 71 145

HSL 335.87, 1%, 0.64%

LAB 59.72, 73.47, 0.99

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF48

RGB 181 255 72

HSL 84.26, 1%, 0.64%

LAB 92.49, -48.51, 75.35

 

CMYK 72 / 0 / 7 / 0

HEX #47FFED

RGB 71 255 237

HSL 174.13, 1%, 0.64%

LAB 91.22, -48.96, -4.58

 

CMYK 43 / 72 / 0 / 0

HEX #9147FF

RGB 145 71 255

HSL 264.13, 1%, 0.64%

LAB 49.19, 66.79, -79.62

 

CMYK 0 / 72 / 65 / 0

HEX #FF475A

RGB 255 71 90

HSL 353.8, 1%, 0.64%

LAB 58.51, 69.5, 31.53

 

Description

Color code: HEX #B5FF48 | qconv.com Color code: HEX #B5FF48 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 255 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 255 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 72 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 72% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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