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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5FE96 it is the complementary color #4A0169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5FE96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5FE96 shade: #BAFE91, #CBFFA4, #DCFFB7, #EDFFCA and #FEFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5FE96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5FE96 shade: #B5FE96, #A4EC83, #93DA70, #82C85D and #71B64A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5FE96 shade: #B4FE95, #D1FE95, #EDFE95, #FEF395 and #FED695

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5FE96 shade: #B4FE95, #98FE95, #95FEAE, #95FECB and #95FEE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5FE96 shade matches the following richer shades: #B4FE95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5FE96 shade: #B4FE95, #B8F59E, #BBEDA6, #BFE4AF and #C2DBB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5FE96 shade: #ECFE95, #D0FE95, #B4FE95, #98FE95 and #95FEAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5FE96 shade: #7BFD43, #97FE6C, #B4FE95, #D1FEBE and #EEFFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5FE96 shade: #B5FE96, #95FEF3 and #FE95DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5FE96 shade: #B5FE96, #95B4FE and #FE95B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5FE96 shade: #B5FE96, #95FEF3, #DE95FE and #FE959F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5FE96 shade: #B5FE96, #95E9FE, #DE95FE and #FEAA95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 41 / 0

HEX #B5FE96

RGB 181 254 150

HSL 102.12, 0.98%, 0.79%

LAB 92.97, -40.79, 42.65

 

Complementary color

CMYK 30 / 99 / 0 / 59

HEX #4A0169

RGB 74 1 105

HSL 282.12, 0.98%, 0.21%

LAB 17.91, 45.88, -41.42

 

CMYK 27 / 0 / 43 / 0

HEX #BAFE91

RGB 186 254 145

HSL 97.43, 0.98%, 0.78%

LAB 93.17, -39.76, 45.38

 

CMYK 20 / 0 / 36 / 0

HEX #CBFFA4

RGB 203 255 164

HSL 94.29, 1%, 0.82%

LAB 94.69, -31.94, 38.26

 

CMYK 14 / 0 / 28 / 0

HEX #DCFFB7

RGB 220 255 183

HSL 89.17, 1%, 0.86%

LAB 96.06, -23.41, 30.79

 

CMYK 7 / 0 / 21 / 0

HEX #EDFFCA

RGB 237 255 202

HSL 80.38, 1%, 0.9%

LAB 97.55, -14.71, 23.41

 

CMYK 0 / 0 / 13 / 0

HEX #FEFFDD

RGB 254 255 221

HSL 61.76, 1%, 0.93%

LAB 99.15, -5.91, 16.16

 

CMYK 29 / 0 / 41 / 0

HEX #B5FE96

RGB 181 254 150

HSL 102.12, 0.98%, 0.79%

LAB 92.97, -40.79, 42.65

 

CMYK 31 / 0 / 44 / 7

HEX #A4EC83

RGB 164 236 131

HSL 101.14, 0.73%, 0.72%

LAB 86.76, -40.93, 43.81

 

CMYK 33 / 0 / 49 / 15

HEX #93DA70

RGB 147 218 112

HSL 100.19, 0.59%, 0.65%

LAB 80.47, -41.03, 44.98

 

CMYK 35 / 0 / 54 / 22

HEX #82C85D

RGB 130 200 93

HSL 99.25, 0.49%, 0.57%

LAB 74.09, -41.08, 46.13

 

CMYK 38 / 0 / 59 / 29

HEX #71B64A

RGB 113 182 74

HSL 98.33, 0.43%, 0.5%

LAB 67.62, -41.05, 47.22

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 18 / 0 / 41 / 0

HEX #D1FE95

RGB 209 254 149

HSL 85.71, 0.98%, 0.79%

LAB 94.57, -31.26, 45.5

 

CMYK 7 / 0 / 41 / 0

HEX #EDFE95

RGB 237 254 149

HSL 69.71, 0.98%, 0.79%

LAB 96.43, -20.97, 48.25

 

CMYK 0 / 4 / 41 / 0

HEX #FEF395

RGB 254 243 149

HSL 53.71, 0.98%, 0.79%

LAB 94.88, -9.13, 46.56

 

CMYK 0 / 16 / 41 / 0

HEX #FED695

RGB 254 214 149

HSL 37.14, 0.98%, 0.79%

LAB 87.65, 5.52, 37.28

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 40 / 0 / 41 / 0

HEX #98FE95

RGB 152 254 149

HSL 118.29, 0.98%, 0.79%

LAB 91.56, -49.99, 41.05

 

CMYK 41 / 0 / 31 / 0

HEX #95FEAE

RGB 149 254 174

HSL 134.29, 0.98%, 0.79%

LAB 91.83, -46.94, 28.96

 

CMYK 41 / 0 / 20 / 0

HEX #95FECB

RGB 149 254 203

HSL 150.86, 0.98%, 0.79%

LAB 92.39, -41.61, 14.96

 

CMYK 41 / 0 / 9 / 0

HEX #95FEE7

RGB 149 254 231

HSL 166.86, 0.98%, 0.79%

LAB 93.03, -35.73, 1.45

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 25 / 0 / 36 / 4

HEX #B8F59E

RGB 184 245 158

HSL 102.07, 0.81%, 0.79%

LAB 90.76, -34.65, 35.87

 

CMYK 21 / 0 / 30 / 7

HEX #BBEDA6

RGB 187 237 166

HSL 102.25, 0.66%, 0.79%

LAB 88.87, -28.75, 29.34

 

CMYK 16 / 0 / 23 / 11

HEX #BFE4AF

RGB 191 228 175

HSL 101.89, 0.5%, 0.79%

LAB 86.83, -21.66, 21.97

 

CMYK 11 / 0 / 16 / 14

HEX #C2DBB8

RGB 194 219 184

HSL 102.86, 0.33%, 0.79%

LAB 84.79, -14.69, 14.45

 

CMYK 7 / 0 / 41 / 0

HEX #ECFE95

RGB 236 254 149

HSL 70.29, 0.98%, 0.79%

LAB 96.36, -21.35, 48.14

 

CMYK 18 / 0 / 41 / 0

HEX #D0FE95

RGB 208 254 149

HSL 86.29, 0.98%, 0.79%

LAB 94.51, -31.62, 45.41

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 40 / 0 / 41 / 0

HEX #98FE95

RGB 152 254 149

HSL 118.29, 0.98%, 0.79%

LAB 91.56, -49.99, 41.05

 

CMYK 41 / 0 / 32 / 0

HEX #95FEAD

RGB 149 254 173

HSL 133.71, 0.98%, 0.79%

LAB 91.81, -47.11, 29.44

 

CMYK 51 / 0 / 74 / 1

HEX #7BFD43

RGB 123 253 67

HSL 101.94, 0.98%, 0.63%

LAB 89.33, -66.32, 73.02

 

CMYK 41 / 0 / 57 / 0

HEX #97FE6C

RGB 151 254 108

HSL 102.33, 0.99%, 0.71%

LAB 91.03, -55.26, 59.4

 

CMYK 29 / 0 / 41 / 0

HEX #B4FE95

RGB 180 254 149

HSL 102.29, 0.98%, 0.79%

LAB 92.91, -41.25, 43.04

 

CMYK 18 / 0 / 25 / 0

HEX #D1FEBE

RGB 209 254 190

HSL 102.19, 0.97%, 0.87%

LAB 95.23, -25.69, 26.01

 

CMYK 7 / 0 / 9 / 0

HEX #EEFFE7

RGB 238 255 231

HSL 102.5, 1%, 0.95%

LAB 98.22, -9.77, 9.56

 

CMYK 29 / 0 / 41 / 0

HEX #B5FE96

RGB 181 254 150

HSL 102.12, 0.98%, 0.79%

LAB 92.97, -40.79, 42.65

 

CMYK 41 / 0 / 4 / 0

HEX #95FEF3

RGB 149 254 243

HSL 173.71, 0.98%, 0.79%

LAB 93.34, -33.01, -4.31

 

CMYK 0 / 41 / 13 / 0

HEX #FE95DE

RGB 254 149 222

HSL 318.29, 0.98%, 0.79%

LAB 74.72, 49.03, -20.15

 

CMYK 29 / 0 / 41 / 0

HEX #B5FE96

RGB 181 254 150

HSL 102.12, 0.98%, 0.79%

LAB 92.97, -40.79, 42.65

 

CMYK 41 / 29 / 0 / 0

HEX #95B4FE

RGB 149 180 254

HSL 222.29, 0.98%, 0.79%

LAB 73.67, 7.78, -39.95

 

CMYK 0 / 41 / 29 / 0

HEX #FE95B4

RGB 254 149 180

HSL 342.29, 0.98%, 0.79%

LAB 73.46, 43, 1.1

 

CMYK 29 / 0 / 41 / 0

HEX #B5FE96

RGB 181 254 150

HSL 102.12, 0.98%, 0.79%

LAB 92.97, -40.79, 42.65

 

CMYK 41 / 0 / 4 / 0

HEX #95FEF3

RGB 149 254 243

HSL 173.71, 0.98%, 0.79%

LAB 93.34, -33.01, -4.31

 

CMYK 13 / 41 / 0 / 0

HEX #DE95FE

RGB 222 149 254

HSL 281.71, 0.98%, 0.79%

LAB 72.35, 45.13, -41.56

 

CMYK 0 / 41 / 37 / 0

HEX #FE959F

RGB 254 149 159

HSL 354.29, 0.98%, 0.79%

LAB 72.94, 40.45, 11.98

 

CMYK 29 / 0 / 41 / 0

HEX #B5FE96

RGB 181 254 150

HSL 102.12, 0.98%, 0.79%

LAB 92.97, -40.79, 42.65

 

CMYK 41 / 8 / 0 / 0

HEX #95E9FE

RGB 149 233 254

HSL 192, 0.98%, 0.79%

LAB 87.88, -20.24, -18.17

 

CMYK 13 / 41 / 0 / 0

HEX #DE95FE

RGB 222 149 254

HSL 281.71, 0.98%, 0.79%

LAB 72.35, 45.13, -41.56

 

CMYK 0 / 33 / 41 / 0

HEX #FEAA95

RGB 254 170 149

HSL 12, 0.98%, 0.79%

LAB 77.27, 28.47, 23.46

 

Description

Color code: HEX #B5FE96 | qconv.com Color code: HEX #B5FE96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 254 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 254 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 41 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 41% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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