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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5FE3E it is the complementary color #4A01C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5FE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5FE3E shade: #BAFE39, #CBFF4C, #DCFF5F, #EDFF72 and #FEFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5FE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5FE3E shade: #B5FE3E, #A4EC2B, #93DA18, #82C805 and #71B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5FE3E shade: #B5FE3E, #E8FE3E, #FEDF3E, #FEAB3E and #FE783E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5FE3E shade: #B5FE3E, #81FE3E, #4DFE3E, #3EFE62 and #3EFE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5FE3E shade matches the following richer shades: #B5FE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5FE3E shade: #B5FE3E, #B1EE4D, #ADDE5D, #A9CE6D and #A6BF7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5FE3E shade: #FEDE3E, #EAFE3E, #B7FE3E, #84FE3E and #51FE3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5FE3E shade: #90E801, #A5FD15, #B5FE3E, #C4FE67 and #D4FE90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5FE3E shade: #B5FE3E, #3EFEAA and #F73EFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5FE3E shade: #B5FE3E, #3EB7FE and #FE3EB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5FE3E shade: #B5FE3E, #3EFEAA, #843EFE and #FE3E91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5FE3E shade: #B5FE3E, #3EFEE4, #843EFE and #FE3E57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

Complementary color

CMYK 62 / 99 / 0 / 24

HEX #4A01C1

RGB 74 1 193

HSL 262.81, 0.99%, 0.38%

LAB 27.65, 65.86, -79.89

 

CMYK 27 / 0 / 78 / 0

HEX #BAFE39

RGB 186 254 57

HSL 80.71, 0.99%, 0.61%

LAB 92.41, -47.03, 79.96

 

CMYK 20 / 0 / 70 / 0

HEX #CBFF4C

RGB 203 255 76

HSL 77.43, 1%, 0.65%

LAB 93.77, -40.23, 75.68

 

CMYK 14 / 0 / 63 / 0

HEX #DCFF5F

RGB 220 255 95

HSL 73.13, 1%, 0.69%

LAB 94.98, -32.6, 70.23

 

CMYK 7 / 0 / 55 / 0

HEX #EDFF72

RGB 237 255 114

HSL 67.66, 1%, 0.72%

LAB 96.3, -24.66, 64.14

 

CMYK 0 / 0 / 48 / 0

HEX #FEFF85

RGB 254 255 133

HSL 60.49, 1%, 0.76%

LAB 97.75, -16.5, 57.66

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 31 / 0 / 82 / 7

HEX #A4EC2B

RGB 164 236 43

HSL 82.38, 0.84%, 0.55%

LAB 86.04, -47.98, 77.41

 

CMYK 33 / 0 / 89 / 15

HEX #93DA18

RGB 147 218 24

HSL 81.96, 0.8%, 0.47%

LAB 79.85, -47.17, 75.66

 

CMYK 35 / 0 / 98 / 22

HEX #82C805

RGB 130 200 5

HSL 81.54, 0.95%, 0.4%

LAB 73.59, -46.15, 72.62

 

CMYK 38 / 0 / 100 / 29

HEX #71B600

RGB 113 182 0

HSL 82.75, 1%, 0.36%

LAB 67.25, -44.86, 67.88

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 9 / 0 / 76 / 0

HEX #E8FE3E

RGB 232 254 62

HSL 66.88, 0.99%, 0.62%

LAB 95.32, -29.19, 82.27

 

CMYK 0 / 12 / 76 / 0

HEX #FEDF3E

RGB 254 223 62

HSL 50.31, 0.99%, 0.62%

LAB 89.01, -5.17, 77.11

 

CMYK 0 / 33 / 76 / 0

HEX #FEAB3E

RGB 254 171 62

HSL 34.06, 0.99%, 0.62%

LAB 76.4, 21.64, 65.2

 

CMYK 0 / 53 / 76 / 0

HEX #FE783E

RGB 254 120 62

HSL 18.13, 0.99%, 0.62%

LAB 65.63, 47.57, 54.5

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 49 / 0 / 76 / 0

HEX #81FE3E

RGB 129 254 62

HSL 99.06, 0.99%, 0.62%

LAB 89.81, -65.34, 75.13

 

CMYK 70 / 0 / 76 / 0

HEX #4DFE3E

RGB 77 254 62

HSL 115.31, 0.99%, 0.62%

LAB 88.36, -77.09, 73.22

 

CMYK 76 / 0 / 61 / 0

HEX #3EFE62

RGB 62 254 98

HSL 131.25, 0.99%, 0.62%

LAB 88.35, -76.23, 59.91

 

CMYK 76 / 0 / 41 / 0

HEX #3EFE96

RGB 62 254 150

HSL 147.5, 0.99%, 0.62%

LAB 88.97, -68.84, 36.69

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 26 / 0 / 68 / 7

HEX #B1EE4D

RGB 177 238 77

HSL 82.73, 0.83%, 0.62%

LAB 87.5, -42.37, 68.49

 

CMYK 22 / 0 / 58 / 13

HEX #ADDE5D

RGB 173 222 93

HSL 82.79, 0.66%, 0.62%

LAB 82.87, -35.51, 56.93

 

CMYK 18 / 0 / 47 / 19

HEX #A9CE6D

RGB 169 206 109

HSL 82.89, 0.5%, 0.62%

LAB 78.28, -27.98, 44.03

 

CMYK 13 / 0 / 35 / 25

HEX #A6BF7C

RGB 166 191 124

HSL 82.39, 0.34%, 0.62%

LAB 74.08, -19.94, 31.06

 

CMYK 0 / 13 / 76 / 0

HEX #FEDE3E

RGB 254 222 62

HSL 50, 0.99%, 0.62%

LAB 88.76, -4.67, 76.88

 

CMYK 8 / 0 / 76 / 0

HEX #EAFE3E

RGB 234 254 62

HSL 66.25, 0.99%, 0.62%

LAB 95.46, -28.4, 82.45

 

CMYK 28 / 0 / 76 / 0

HEX #B7FE3E

RGB 183 254 62

HSL 82.19, 0.99%, 0.62%

LAB 92.26, -47.89, 78.32

 

CMYK 48 / 0 / 76 / 0

HEX #84FE3E

RGB 132 254 62

HSL 98.13, 0.99%, 0.62%

LAB 89.92, -64.49, 75.27

 

CMYK 68 / 0 / 76 / 0

HEX #51FE3E

RGB 81 254 62

HSL 114.06, 0.99%, 0.62%

LAB 88.44, -76.4, 73.33

 

CMYK 38 / 0 / 100 / 9

HEX #90E801

RGB 144 232 1

HSL 82.86, 0.99%, 0.46%

LAB 83.78, -54.26, 81.24

 

CMYK 35 / 0 / 92 / 1

HEX #A5FD15

RGB 165 253 21

HSL 82.76, 0.98%, 0.54%

LAB 90.92, -55.15, 85.49

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 23 / 0 / 59 / 0

HEX #C4FE67

RGB 196 254 103

HSL 83.05, 0.99%, 0.7%

LAB 93.28, -40.54, 64.69

 

CMYK 17 / 0 / 43 / 0

HEX #D4FE90

RGB 212 254 144

HSL 82.91, 0.98%, 0.78%

LAB 94.69, -30.75, 48.1

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 76 / 0 / 33 / 0

HEX #3EFEAA

RGB 62 254 170

HSL 153.75, 0.99%, 0.62%

LAB 89.3, -65.11, 27.14

 

CMYK 3 / 76 / 0 / 0

HEX #F73EFE

RGB 247 62 254

HSL 297.81, 0.99%, 0.62%

LAB 61.98, 87.92, -57.72

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 76 / 28 / 0 / 0

HEX #3EB7FE

RGB 62 183 254

HSL 202.19, 0.99%, 0.62%

LAB 70.9, -10.13, -44.54

 

CMYK 0 / 76 / 28 / 0

HEX #FE3EB7

RGB 254 62 183

HSL 322.19, 0.99%, 0.62%

LAB 59.83, 79.83, -20.94

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 76 / 0 / 33 / 0

HEX #3EFEAA

RGB 62 254 170

HSL 153.75, 0.99%, 0.62%

LAB 89.3, -65.11, 27.14

 

CMYK 48 / 76 / 0 / 0

HEX #843EFE

RGB 132 62 254

HSL 261.88, 0.99%, 0.62%

LAB 46.32, 68.48, -83.81

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 29 / 0 / 76 / 0

HEX #B5FE3E

RGB 181 254 62

HSL 82.81, 0.99%, 0.62%

LAB 92.16, -48.61, 78.18

 

CMYK 76 / 0 / 10 / 0

HEX #3EFEE4

RGB 62 254 228

HSL 171.88, 0.99%, 0.62%

LAB 90.56, -51.85, -0.91

 

CMYK 48 / 76 / 0 / 0

HEX #843EFE

RGB 132 62 254

HSL 261.88, 0.99%, 0.62%

LAB 46.32, 68.48, -83.81

 

CMYK 0 / 76 / 66 / 0

HEX #FE3E57

RGB 254 62 87

HSL 352.19, 0.99%, 0.62%

LAB 57.27, 71.88, 31.67

 

Description

Color code: HEX #B5FE3E | qconv.com Color code: HEX #B5FE3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 254 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 254 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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