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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5FC8F it is the complementary color #4A0370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5FC8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5FC8F shade: #BAFC8A, #CBFF9D, #DCFFB0, #EDFFC3 and #FEFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5FC8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5FC8F shade: #B5FC8F, #A4EA7C, #93D869, #82C656 and #71B443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5FC8F shade: #B3FC8D, #D2FC8D, #F0FC8D, #FCEA8D and #FCCC8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5FC8F shade: #B3FC8D, #95FC8D, #8DFCA2, #8DFCC0 and #8DFCDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5FC8F shade matches the following richer shades: #B3FC8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5FC8F shade: #B3FC8D, #B6F396, #B9E9A0, #BCE0A9 and #BFD6B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5FC8F shade: #EFFC8D, #D1FC8D, #B4FC8D, #96FC8D and #8DFCA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5FC8F shade: #7EFA3C, #99FB64, #B3FC8D, #CEFDB5 and #E9FEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5FC8F shade: #B5FC8F, #8DFCEB and #FC8DE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5FC8F shade: #B5FC8F, #8DB4FC and #FC8DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5FC8F shade: #B5FC8F, #8DFCEB, #D58DFC and #FC8D9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5FC8F shade: #B5FC8F, #8DEBFC, #D58DFC and #FC9D8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 43 / 1

HEX #B5FC8F

RGB 181 252 143

HSL 99.08, 0.95%, 0.77%

LAB 92.32, -40.81, 45.21

 

Complementary color

CMYK 34 / 97 / 0 / 56

HEX #4A0370

RGB 74 3 112

HSL 279.08, 0.95%, 0.23%

LAB 18.76, 46.81, -44.6

 

CMYK 26 / 0 / 45 / 1

HEX #BAFC8A

RGB 186 252 138

HSL 94.74, 0.95%, 0.76%

LAB 92.53, -39.72, 47.92

 

CMYK 20 / 0 / 38 / 0

HEX #CBFF9D

RGB 203 255 157

HSL 91.84, 1%, 0.81%

LAB 94.59, -32.86, 41.56

 

CMYK 14 / 0 / 31 / 0

HEX #DCFFB0

RGB 220 255 176

HSL 86.58, 1%, 0.85%

LAB 95.94, -24.39, 34.14

 

CMYK 7 / 0 / 24 / 0

HEX #EDFFC3

RGB 237 255 195

HSL 78, 1%, 0.88%

LAB 97.42, -15.73, 26.78

 

CMYK 0 / 0 / 16 / 0

HEX #FEFFD6

RGB 254 255 214

HSL 61.46, 1%, 0.92%

LAB 99, -6.96, 19.52

 

CMYK 28 / 0 / 43 / 1

HEX #B5FC8F

RGB 181 252 143

HSL 99.08, 0.95%, 0.77%

LAB 92.32, -40.81, 45.21

 

CMYK 30 / 0 / 47 / 8

HEX #A4EA7C

RGB 164 234 124

HSL 98.18, 0.72%, 0.7%

LAB 86.1, -40.9, 46.36

 

CMYK 32 / 0 / 51 / 15

HEX #93D869

RGB 147 216 105

HSL 97.3, 0.59%, 0.63%

LAB 79.8, -40.96, 47.51

 

CMYK 34 / 0 / 57 / 22

HEX #82C656

RGB 130 198 86

HSL 96.43, 0.5%, 0.56%

LAB 73.42, -40.96, 48.62

 

CMYK 37 / 0 / 63 / 29

HEX #71B443

RGB 113 180 67

HSL 95.58, 0.46%, 0.48%

LAB 66.94, -40.86, 49.59

 

CMYK 29 / 0 / 44 / 1

HEX #B3FC8D

RGB 179 252 141

HSL 99.46, 0.95%, 0.77%

LAB 92.19, -41.72, 45.98

 

CMYK 17 / 0 / 44 / 1

HEX #D2FC8D

RGB 210 252 141

HSL 82.7, 0.95%, 0.77%

LAB 93.99, -30.89, 48.62

 

CMYK 5 / 0 / 44 / 1

HEX #F0FC8D

RGB 240 252 141

HSL 66.49, 0.95%, 0.77%

LAB 96.03, -19.7, 51.6

 

CMYK 0 / 7 / 44 / 1

HEX #FCEA8D

RGB 252 234 141

HSL 50.27, 0.95%, 0.77%

LAB 92.34, -6.22, 47.22

 

CMYK 0 / 19 / 44 / 1

HEX #FCCC8D

RGB 252 204 141

HSL 34.05, 0.95%, 0.77%

LAB 84.9, 9.08, 37.75

 

CMYK 29 / 0 / 44 / 1

HEX #B3FC8D

RGB 179 252 141

HSL 99.46, 0.95%, 0.77%

LAB 92.19, -41.72, 45.98

 

CMYK 41 / 0 / 44 / 1

HEX #95FC8D

RGB 149 252 141

HSL 115.68, 0.95%, 0.77%

LAB 90.75, -51.16, 43.86

 

CMYK 44 / 0 / 36 / 1

HEX #8DFCA2

RGB 141 252 162

HSL 131.35, 0.95%, 0.77%

LAB 90.73, -50.28, 33.45

 

CMYK 44 / 0 / 24 / 1

HEX #8DFCC0

RGB 141 252 192

HSL 147.57, 0.95%, 0.77%

LAB 91.27, -44.95, 18.99

 

CMYK 44 / 0 / 12 / 1

HEX #8DFCDE

RGB 141 252 222

HSL 163.78, 0.95%, 0.77%

LAB 91.93, -38.76, 4.47

 

CMYK 29 / 0 / 44 / 1

HEX #B3FC8D

RGB 179 252 141

HSL 99.46, 0.95%, 0.77%

LAB 92.19, -41.72, 45.98

 

CMYK 29 / 0 / 44 / 1

HEX #B3FC8D

RGB 179 252 141

HSL 99.46, 0.95%, 0.77%

LAB 92.19, -41.72, 45.98

 

CMYK 25 / 0 / 38 / 5

HEX #B6F396

RGB 182 243 150

HSL 99.35, 0.79%, 0.77%

LAB 89.97, -35.52, 38.79

 

CMYK 21 / 0 / 31 / 9

HEX #B9E9A0

RGB 185 233 160

HSL 99.45, 0.62%, 0.77%

LAB 87.55, -28.43, 30.6

 

CMYK 16 / 0 / 25 / 12

HEX #BCE0A9

RGB 188 224 169

HSL 99.27, 0.47%, 0.77%

LAB 85.44, -21.7, 23.13

 

CMYK 11 / 0 / 16 / 16

HEX #BFD6B3

RGB 191 214 179

HSL 99.43, 0.3%, 0.77%

LAB 83.14, -14.05, 14.73

 

CMYK 5 / 0 / 44 / 1

HEX #EFFC8D

RGB 239 252 141

HSL 67.03, 0.95%, 0.77%

LAB 95.95, -20.08, 51.49

 

CMYK 17 / 0 / 44 / 1

HEX #D1FC8D

RGB 209 252 141

HSL 83.24, 0.95%, 0.77%

LAB 93.93, -31.25, 48.53

 

CMYK 29 / 0 / 44 / 1

HEX #B4FC8D

RGB 180 252 141

HSL 98.92, 0.95%, 0.77%

LAB 92.24, -41.39, 46.06

 

CMYK 40 / 0 / 44 / 1

HEX #96FC8D

RGB 150 252 141

HSL 115.14, 0.95%, 0.77%

LAB 90.79, -50.86, 43.92

 

CMYK 44 / 0 / 36 / 1

HEX #8DFCA1

RGB 141 252 161

HSL 130.81, 0.95%, 0.77%

LAB 90.71, -50.44, 33.93

 

CMYK 50 / 0 / 76 / 2

HEX #7EFA3C

RGB 126 250 60

HSL 99.16, 0.95%, 0.61%

LAB 88.51, -64.85, 74.45

 

CMYK 39 / 0 / 60 / 2

HEX #99FB64

RGB 153 251 100

HSL 98.94, 0.95%, 0.69%

LAB 90.18, -54.21, 61.87

 

CMYK 29 / 0 / 44 / 1

HEX #B3FC8D

RGB 179 252 141

HSL 99.46, 0.95%, 0.77%

LAB 92.19, -41.72, 45.98

 

CMYK 19 / 0 / 28 / 1

HEX #CEFDB5

RGB 206 253 181

HSL 99.17, 0.95%, 0.85%

LAB 94.61, -27.59, 29.7

 

CMYK 8 / 0 / 13 / 0

HEX #E9FEDD

RGB 233 254 221

HSL 98.18, 0.94%, 0.93%

LAB 97.4, -12.62, 13.47

 

CMYK 28 / 0 / 43 / 1

HEX #B5FC8F

RGB 181 252 143

HSL 99.08, 0.95%, 0.77%

LAB 92.32, -40.81, 45.21

 

CMYK 44 / 0 / 7 / 1

HEX #8DFCEB

RGB 141 252 235

HSL 170.81, 0.95%, 0.77%

LAB 92.26, -35.83, -1.8

 

CMYK 0 / 44 / 11 / 1

HEX #FC8DE0

RGB 252 141 224

HSL 315.14, 0.95%, 0.77%

LAB 72.98, 52.72, -23.93

 

CMYK 28 / 0 / 43 / 1

HEX #B5FC8F

RGB 181 252 143

HSL 99.08, 0.95%, 0.77%

LAB 92.32, -40.81, 45.21

 

CMYK 44 / 29 / 0 / 1

HEX #8DB4FC

RGB 141 180 252

HSL 218.92, 0.95%, 0.77%

LAB 73.11, 5.24, -39.78

 

CMYK 0 / 44 / 29 / 1

HEX #FC8DB4

RGB 252 141 180

HSL 338.92, 0.95%, 0.77%

LAB 71.58, 46.36, -1.67

 

CMYK 28 / 0 / 43 / 1

HEX #B5FC8F

RGB 181 252 143

HSL 99.08, 0.95%, 0.77%

LAB 92.32, -40.81, 45.21

 

CMYK 44 / 0 / 7 / 1

HEX #8DFCEB

RGB 141 252 235

HSL 170.81, 0.95%, 0.77%

LAB 92.26, -35.83, -1.8

 

CMYK 15 / 44 / 0 / 1

HEX #D58DFC

RGB 213 141 252

HSL 278.92, 0.95%, 0.77%

LAB 69.63, 46.39, -44.8

 

CMYK 0 / 44 / 38 / 1

HEX #FC8D9D

RGB 252 141 157

HSL 351.35, 0.95%, 0.77%

LAB 70.99, 43.58, 10.3

 

CMYK 28 / 0 / 43 / 1

HEX #B5FC8F

RGB 181 252 143

HSL 99.08, 0.95%, 0.77%

LAB 92.32, -40.81, 45.21

 

CMYK 44 / 7 / 0 / 1

HEX #8DEBFC

RGB 141 235 252

HSL 189.19, 0.95%, 0.77%

LAB 88.02, -23.62, -16.95

 

CMYK 15 / 44 / 0 / 1

HEX #D58DFC

RGB 213 141 252

HSL 278.92, 0.95%, 0.77%

LAB 69.63, 46.39, -44.8

 

CMYK 0 / 38 / 44 / 1

HEX #FC9D8D

RGB 252 157 141

HSL 8.65, 0.95%, 0.77%

LAB 74.02, 33.66, 23.33

 

Description

Color code: HEX #B5FC8F | qconv.com Color code: HEX #B5FC8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 252 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 252 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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