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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5F836 it is the complementary color #4A07C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5F836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5F836 shade: #BAF831, #CBFF44, #DCFF57, #EDFF6A and #FEFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5F836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5F836 shade: #B5F836, #A4E623, #93D410, #82C200 and #71B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5F836 shade: #B5F835, #E9F835, #F8D235, #F89E35 and #F86935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5F836 shade: #B5F835, #80F835, #4CF835, #35F853 and #35F888

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5F836 shade matches the following richer shades: #B5F835

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5F836 shade: #B5F835, #AFE746, #AAD657, #A5C568 and #A0B479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5F836 shade: #F8D135, #EBF835, #B7F835, #83F835 and #4FF835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5F836 shade: #8DD308, #A6F60D, #B5F835, #C3F95D and #D2FB85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5F836 shade: #B5F836, #35F89D and #EB35F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5F836 shade: #B5F836, #35B7F8 and #F835B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5F836 shade: #B5F836, #35F89D, #7635F8 and #F83590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5F836 shade: #B5F836, #35F8D7, #7635F8 and #F83556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 78 / 3

HEX #B5F836

RGB 181 248 54

HSL 80.72, 0.93%, 0.59%

LAB 90.43, -46.44, 78.87

 

Complementary color

CMYK 63 / 97 / 0 / 21

HEX #4A07C9

RGB 74 7 201

HSL 260.72, 0.93%, 0.41%

LAB 28.97, 66.69, -82.4

 

CMYK 25 / 0 / 80 / 3

HEX #BAF831

RGB 186 248 49

HSL 78.69, 0.93%, 0.58%

LAB 90.69, -44.79, 80.52

 

CMYK 20 / 0 / 73 / 0

HEX #CBFF44

RGB 203 255 68

HSL 76.68, 1%, 0.63%

LAB 93.73, -40.65, 78.27

 

CMYK 14 / 0 / 66 / 0

HEX #DCFF57

RGB 220 255 87

HSL 72.5, 1%, 0.67%

LAB 94.92, -33.12, 73.24

 

CMYK 7 / 0 / 58 / 0

HEX #EDFF6A

RGB 237 255 106

HSL 67.25, 1%, 0.71%

LAB 96.23, -25.26, 67.46

 

CMYK 0 / 0 / 51 / 0

HEX #FEFF7D

RGB 254 255 125

HSL 60.46, 1%, 0.75%

LAB 97.66, -17.17, 61.18

 

CMYK 27 / 0 / 78 / 3

HEX #B5F836

RGB 181 248 54

HSL 80.72, 0.93%, 0.59%

LAB 90.43, -46.44, 78.87

 

CMYK 29 / 0 / 85 / 10

HEX #A4E623

RGB 164 230 35

HSL 80.31, 0.8%, 0.52%

LAB 84.28, -45.72, 77.69

 

CMYK 31 / 0 / 92 / 17

HEX #93D410

RGB 147 212 16

HSL 79.9, 0.86%, 0.45%

LAB 78.07, -44.81, 75.38

 

CMYK 33 / 0 / 100 / 24

HEX #82C200

RGB 130 194 0

HSL 79.79, 1%, 0.38%

LAB 71.78, -43.7, 71.75

 

CMYK 36 / 0 / 100 / 31

HEX #71B000

RGB 113 176 0

HSL 81.48, 1%, 0.35%

LAB 65.41, -42.34, 66.45

 

CMYK 27 / 0 / 79 / 3

HEX #B5F835

RGB 181 248 53

HSL 80.62, 0.93%, 0.59%

LAB 90.42, -46.48, 79.13

 

CMYK 6 / 0 / 79 / 3

HEX #E9F835

RGB 233 248 53

HSL 64.62, 0.93%, 0.59%

LAB 93.76, -26.32, 83.38

 

CMYK 0 / 15 / 79 / 3

HEX #F8D235

RGB 248 210 53

HSL 48.31, 0.93%, 0.59%

LAB 85.15, -1.44, 76.23

 

CMYK 0 / 36 / 79 / 3

HEX #F89E35

RGB 248 158 53

HSL 32.31, 0.93%, 0.59%

LAB 72.67, 25.63, 64.9

 

CMYK 0 / 58 / 79 / 3

HEX #F86935

RGB 248 105 53

HSL 16, 0.93%, 0.59%

LAB 61.93, 52.08, 54.7

 

CMYK 27 / 0 / 79 / 3

HEX #B5F835

RGB 181 248 53

HSL 80.62, 0.93%, 0.59%

LAB 90.42, -46.48, 79.13

 

CMYK 48 / 0 / 79 / 3

HEX #80F835

RGB 128 248 53

HSL 96.92, 0.93%, 0.59%

LAB 87.96, -63.93, 75.97

 

CMYK 69 / 0 / 79 / 3

HEX #4CF835

RGB 76 248 53

HSL 112.92, 0.93%, 0.59%

LAB 86.47, -75.97, 74.04

 

CMYK 79 / 0 / 67 / 3

HEX #35F853

RGB 53 248 83

HSL 129.23, 0.93%, 0.59%

LAB 86.26, -77.04, 63.62

 

CMYK 79 / 0 / 45 / 3

HEX #35F888

RGB 53 248 136

HSL 145.54, 0.93%, 0.59%

LAB 86.83, -70.19, 40.74

 

CMYK 27 / 0 / 79 / 3

HEX #B5F835

RGB 181 248 53

HSL 80.62, 0.93%, 0.59%

LAB 90.42, -46.48, 79.13

 

CMYK 27 / 0 / 79 / 3

HEX #B5F835

RGB 181 248 53

HSL 80.62, 0.93%, 0.59%

LAB 90.42, -46.48, 79.13

 

CMYK 24 / 0 / 70 / 9

HEX #AFE746

RGB 175 231 70

HSL 80.87, 0.77%, 0.59%

LAB 85.36, -40.48, 68.83

 

CMYK 21 / 0 / 59 / 16

HEX #AAD657

RGB 170 214 87

HSL 80.79, 0.61%, 0.59%

LAB 80.36, -33.48, 56.68

 

CMYK 16 / 0 / 47 / 23

HEX #A5C568

RGB 165 197 104

HSL 80.65, 0.44%, 0.59%

LAB 75.41, -25.72, 42.9

 

CMYK 11 / 0 / 33 / 29

HEX #A0B479

RGB 160 180 121

HSL 80.34, 0.28%, 0.59%

LAB 70.52, -17.07, 27.87

 

CMYK 0 / 16 / 79 / 3

HEX #F8D135

RGB 248 209 53

HSL 48, 0.93%, 0.59%

LAB 84.9, -0.93, 76

 

CMYK 5 / 0 / 79 / 3

HEX #EBF835

RGB 235 248 53

HSL 64, 0.93%, 0.59%

LAB 93.91, -25.51, 83.57

 

CMYK 26 / 0 / 79 / 3

HEX #B7F835

RGB 183 248 53

HSL 80, 0.93%, 0.59%

LAB 90.53, -45.75, 79.28

 

CMYK 47 / 0 / 79 / 3

HEX #83F835

RGB 131 248 53

HSL 96, 0.93%, 0.59%

LAB 88.07, -63.06, 76.12

 

CMYK 68 / 0 / 79 / 3

HEX #4FF835

RGB 79 248 53

HSL 112, 0.93%, 0.59%

LAB 86.53, -75.44, 74.12

 

CMYK 33 / 0 / 96 / 17

HEX #8DD308

RGB 141 211 8

HSL 80.69, 0.93%, 0.43%

LAB 77.44, -46.71, 75.6

 

CMYK 33 / 0 / 95 / 4

HEX #A6F60D

RGB 166 246 13

HSL 80.6, 0.93%, 0.51%

LAB 88.94, -52.1, 84.77

 

CMYK 27 / 0 / 79 / 3

HEX #B5F835

RGB 181 248 53

HSL 80.62, 0.93%, 0.59%

LAB 90.42, -46.48, 79.13

 

CMYK 22 / 0 / 63 / 2

HEX #C3F95D

RGB 195 249 93

HSL 80.77, 0.93%, 0.67%

LAB 91.75, -39.47, 67.1

 

CMYK 16 / 0 / 47 / 2

HEX #D2FB85

RGB 210 251 133

HSL 80.85, 0.94%, 0.75%

LAB 93.62, -31.28, 51.95

 

CMYK 27 / 0 / 78 / 3

HEX #B5F836

RGB 181 248 54

HSL 80.72, 0.93%, 0.59%

LAB 90.43, -46.44, 78.87

 

CMYK 79 / 0 / 37 / 3

HEX #35F89D

RGB 53 248 157

HSL 152, 0.93%, 0.59%

LAB 87.16, -66.48, 30.77

 

CMYK 5 / 79 / 0 / 3

HEX #EB35F8

RGB 235 53 248

HSL 296, 0.93%, 0.59%

LAB 58.96, 87.08, -59.32

 

CMYK 27 / 0 / 78 / 3

HEX #B5F836

RGB 181 248 54

HSL 80.72, 0.93%, 0.59%

LAB 90.43, -46.44, 78.87

 

CMYK 79 / 26 / 0 / 3

HEX #35B7F8

RGB 53 183 248

HSL 200, 0.93%, 0.59%

LAB 70.46, -13.1, -42

 

CMYK 0 / 79 / 26 / 3

HEX #F835B7

RGB 248 53 183

HSL 320, 0.93%, 0.59%

LAB 57.96, 80.83, -23.89

 

CMYK 27 / 0 / 78 / 3

HEX #B5F836

RGB 181 248 54

HSL 80.72, 0.93%, 0.59%

LAB 90.43, -46.44, 78.87

 

CMYK 79 / 0 / 37 / 3

HEX #35F89D

RGB 53 248 157

HSL 152, 0.93%, 0.59%

LAB 87.16, -66.48, 30.77

 

CMYK 52 / 79 / 0 / 3

HEX #7635F8

RGB 118 53 248

HSL 260, 0.93%, 0.59%

LAB 43.03, 68.85, -85.93

 

CMYK 0 / 79 / 42 / 3

HEX #F83590

RGB 248 53 144

HSL 332, 0.93%, 0.59%

LAB 56.6, 76.82, -3.13

 

CMYK 27 / 0 / 78 / 3

HEX #B5F836

RGB 181 248 54

HSL 80.72, 0.93%, 0.59%

LAB 90.43, -46.44, 78.87

 

CMYK 79 / 0 / 13 / 3

HEX #35F8D7

RGB 53 248 215

HSL 169.85, 0.93%, 0.59%

LAB 88.35, -53.56, 2.62

 

CMYK 52 / 79 / 0 / 3

HEX #7635F8

RGB 118 53 248

HSL 260, 0.93%, 0.59%

LAB 43.03, 68.85, -85.93

 

CMYK 0 / 79 / 65 / 3

HEX #F83556

RGB 248 53 86

HSL 349.85, 0.93%, 0.59%

LAB 55.25, 72.7, 29.47

 

Description

Color code: HEX #B5F836 | qconv.com Color code: HEX #B5F836 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 248 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 248 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 78 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 78% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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