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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5F69E it is the complementary color #4A0961. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5F69E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5F69E shade: #BAF699, #CBFFAC, #DCFFBF, #EDFFD2 and #FEFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5F69E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5F69E shade: #B5F69E, #A4E48B, #93D278, #82C065 and #71AE52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5F69E shade: #B4F69D, #CCF69D, #E4F69D, #F6F09D and #F6D89D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5F69E shade: #B4F69D, #9DF69E, #9DF6B6, #9DF6CE and #9DF6E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5F69E shade matches the following richer shades: #B4F69D and #B0FF94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5F69E shade: #B4F69D, #B8EDA6, #BDE5AE, #C1DCB7 and #C5D3C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5F69E shade: #E4F69D, #CCF69D, #B5F69D, #9DF69D and #9DF6B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5F69E shade: #7BEF51, #97F277, #B4F69D, #D1F9C3 and #EEFDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5F69E shade: #B5F69E, #9DF6F0 and #F69DD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5F69E shade: #B5F69E, #9DB5F6 and #F69DB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5F69E shade: #B5F69E, #9DF6F0, #DE9DF6 and #F69DA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5F69E shade: #B5F69E, #9DE1F6, #DE9DF6 and #F6B29D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 36 / 4

HEX #B5F69E

RGB 181 246 158

HSL 104.32, 0.83%, 0.79%

LAB 90.87, -36.11, 35.98

 

Complementary color

CMYK 24 / 91 / 0 / 62

HEX #4A0961

RGB 74 9 97

HSL 284.32, 0.83%, 0.21%

LAB 17.98, 41.85, -36.02

 

CMYK 24 / 0 / 38 / 4

HEX #BAF699

RGB 186 246 153

HSL 98.71, 0.84%, 0.78%

LAB 91.08, -35.12, 38.78

 

CMYK 20 / 0 / 33 / 0

HEX #CBFFAC

RGB 203 255 172

HSL 97.59, 1%, 0.84%

LAB 94.82, -30.85, 34.46

 

CMYK 14 / 0 / 25 / 0

HEX #DCFFBF

RGB 220 255 191

HSL 92.81, 1%, 0.87%

LAB 96.2, -22.25, 26.95

 

CMYK 7 / 0 / 18 / 0

HEX #EDFFD2

RGB 237 255 210

HSL 84, 1%, 0.91%

LAB 97.7, -13.5, 19.56

 

CMYK 0 / 0 / 10 / 0

HEX #FEFFE5

RGB 254 255 229

HSL 62.31, 1%, 0.95%

LAB 99.32, -4.67, 12.31

 

CMYK 26 / 0 / 36 / 4

HEX #B5F69E

RGB 181 246 158

HSL 104.32, 0.83%, 0.79%

LAB 90.87, -36.11, 35.98

 

CMYK 28 / 0 / 39 / 11

HEX #A4E48B

RGB 164 228 139

HSL 103.15, 0.62%, 0.72%

LAB 84.61, -36.28, 37.11

 

CMYK 30 / 0 / 43 / 18

HEX #93D278

RGB 147 210 120

HSL 102, 0.5%, 0.65%

LAB 78.26, -36.43, 38.28

 

CMYK 32 / 0 / 47 / 25

HEX #82C065

RGB 130 192 101

HSL 100.88, 0.42%, 0.57%

LAB 71.82, -36.56, 39.48

 

CMYK 35 / 0 / 53 / 32

HEX #71AE52

RGB 113 174 82

HSL 99.78, 0.36%, 0.5%

LAB 65.27, -36.63, 40.68

 

CMYK 27 / 0 / 36 / 4

HEX #B4F69D

RGB 180 246 157

HSL 104.49, 0.83%, 0.79%

LAB 90.8, -36.59, 36.38

 

CMYK 17 / 0 / 36 / 4

HEX #CCF69D

RGB 204 246 157

HSL 88.31, 0.83%, 0.79%

LAB 92.21, -28.32, 38.49

 

CMYK 7 / 0 / 36 / 4

HEX #E4F69D

RGB 228 246 157

HSL 72.13, 0.83%, 0.79%

LAB 93.81, -19.59, 40.88

 

CMYK 0 / 2 / 36 / 4

HEX #F6F09D

RGB 246 240 157

HSL 55.96, 0.83%, 0.79%

LAB 93.6, -9.86, 40.87

 

CMYK 0 / 12 / 36 / 4

HEX #F6D89D

RGB 246 216 157

HSL 39.78, 0.83%, 0.79%

LAB 87.55, 2.26, 32.94

 

CMYK 27 / 0 / 36 / 4

HEX #B4F69D

RGB 180 246 157

HSL 104.49, 0.83%, 0.79%

LAB 90.8, -36.59, 36.38

 

CMYK 36 / 0 / 36 / 4

HEX #9DF69E

RGB 157 246 158

HSL 120.67, 0.83%, 0.79%

LAB 89.65, -43.76, 34.14

 

CMYK 36 / 0 / 26 / 4

HEX #9DF6B6

RGB 157 246 182

HSL 136.85, 0.83%, 0.79%

LAB 90.07, -39.78, 22.55

 

CMYK 36 / 0 / 16 / 4

HEX #9DF6CE

RGB 157 246 206

HSL 153.03, 0.83%, 0.79%

LAB 90.57, -35.24, 10.88

 

CMYK 36 / 0 / 7 / 4

HEX #9DF6E6

RGB 157 246 230

HSL 169.21, 0.83%, 0.79%

LAB 91.14, -30.19, -0.76

 

CMYK 27 / 0 / 36 / 4

HEX #B4F69D

RGB 180 246 157

HSL 104.49, 0.83%, 0.79%

LAB 90.8, -36.59, 36.38

 

CMYK 31 / 0 / 42 / 0

HEX #B0FF94

RGB 176 255 148

HSL 104.3, 1%, 0.79%

LAB 92.97, -43.13, 43.56

 

CMYK 27 / 0 / 36 / 4

HEX #B4F69D

RGB 180 246 157

HSL 104.49, 0.83%, 0.79%

LAB 90.8, -36.59, 36.38

 

CMYK 22 / 0 / 30 / 7

HEX #B8EDA6

RGB 184 237 166

HSL 104.79, 0.66%, 0.79%

LAB 88.69, -29.77, 29.07

 

CMYK 17 / 0 / 24 / 10

HEX #BDE5AE

RGB 189 229 174

HSL 103.64, 0.51%, 0.79%

LAB 86.95, -23, 22.64

 

CMYK 12 / 0 / 17 / 14

HEX #C1DCB7

RGB 193 220 183

HSL 103.78, 0.35%, 0.79%

LAB 84.97, -15.71, 15.22

 

CMYK 7 / 0 / 9 / 17

HEX #C5D3C0

RGB 197 211 192

HSL 104.21, 0.18%, 0.79%

LAB 83.05, -8.2, 7.78

 

CMYK 7 / 0 / 36 / 4

HEX #E4F69D

RGB 228 246 157

HSL 72.13, 0.83%, 0.79%

LAB 93.81, -19.59, 40.88

 

CMYK 17 / 0 / 36 / 4

HEX #CCF69D

RGB 204 246 157

HSL 88.31, 0.83%, 0.79%

LAB 92.21, -28.32, 38.49

 

CMYK 26 / 0 / 36 / 4

HEX #B5F69D

RGB 181 246 157

HSL 103.82, 0.83%, 0.79%

LAB 90.86, -36.26, 36.46

 

CMYK 36 / 0 / 36 / 4

HEX #9DF69D

RGB 157 246 157

HSL 120, 0.83%, 0.79%

LAB 89.63, -43.91, 34.62

 

CMYK 36 / 0 / 26 / 4

HEX #9DF6B5

RGB 157 246 181

HSL 136.18, 0.83%, 0.79%

LAB 90.05, -39.96, 23.03

 

CMYK 49 / 0 / 66 / 6

HEX #7BEF51

RGB 123 239 81

HSL 104.05, 0.83%, 0.63%

LAB 85.27, -60.2, 63.85

 

CMYK 38 / 0 / 51 / 5

HEX #97F277

RGB 151 242 119

HSL 104.39, 0.83%, 0.71%

LAB 87.69, -49.18, 50.51

 

CMYK 27 / 0 / 36 / 4

HEX #B4F69D

RGB 180 246 157

HSL 104.49, 0.83%, 0.79%

LAB 90.8, -36.59, 36.38

 

CMYK 16 / 0 / 22 / 2

HEX #D1F9C3

RGB 209 249 195

HSL 104.44, 0.82%, 0.87%

LAB 93.99, -22.51, 21.76

 

CMYK 6 / 0 / 8 / 1

HEX #EEFDE9

RGB 238 253 233

HSL 105, 0.83%, 0.95%

LAB 97.76, -8.43, 7.87

 

CMYK 26 / 0 / 36 / 4

HEX #B5F69E

RGB 181 246 158

HSL 104.32, 0.83%, 0.79%

LAB 90.87, -36.11, 35.98

 

CMYK 36 / 0 / 2 / 4

HEX #9DF6F0

RGB 157 246 240

HSL 175.96, 0.83%, 0.79%

LAB 91.4, -27.94, -5.57

 

CMYK 0 / 36 / 12 / 4

HEX #F69DD8

RGB 246 157 216

HSL 320.22, 0.83%, 0.79%

LAB 75.24, 41.41, -16.17

 

CMYK 26 / 0 / 36 / 4

HEX #B5F69E

RGB 181 246 158

HSL 104.32, 0.83%, 0.79%

LAB 90.87, -36.11, 35.98

 

CMYK 36 / 26 / 0 / 4

HEX #9DB5F6

RGB 157 181 246

HSL 223.82, 0.83%, 0.79%

LAB 74.11, 7.18, -34.92

 

CMYK 0 / 36 / 26 / 4

HEX #F69DB5

RGB 246 157 181

HSL 343.82, 0.83%, 0.79%

LAB 74.22, 36.21, 1.54

 

CMYK 26 / 0 / 36 / 4

HEX #B5F69E

RGB 181 246 158

HSL 104.32, 0.83%, 0.79%

LAB 90.87, -36.11, 35.98

 

CMYK 36 / 0 / 2 / 4

HEX #9DF6F0

RGB 157 246 240

HSL 175.96, 0.83%, 0.79%

LAB 91.4, -27.94, -5.57

 

CMYK 10 / 36 / 0 / 4

HEX #DE9DF6

RGB 222 157 246

HSL 283.82, 0.83%, 0.79%

LAB 73.74, 39.28, -35.06

 

CMYK 0 / 36 / 34 / 4

HEX #F69DA3

RGB 246 157 163

HSL 355.96, 0.83%, 0.79%

LAB 73.77, 33.89, 10.82

 

CMYK 26 / 0 / 36 / 4

HEX #B5F69E

RGB 181 246 158

HSL 104.32, 0.83%, 0.79%

LAB 90.87, -36.11, 35.98

 

CMYK 36 / 9 / 0 / 4

HEX #9DE1F6

RGB 157 225 246

HSL 194.16, 0.83%, 0.79%

LAB 85.84, -16.19, -17

 

CMYK 10 / 36 / 0 / 4

HEX #DE9DF6

RGB 222 157 246

HSL 283.82, 0.83%, 0.79%

LAB 73.74, 39.28, -35.06

 

CMYK 0 / 28 / 36 / 4

HEX #F6B29D

RGB 246 178 157

HSL 14.16, 0.83%, 0.79%

LAB 78.38, 22.12, 20.54

 

Description

Color code: HEX #B5F69E | qconv.com Color code: HEX #B5F69E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 246 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 246 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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