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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5F4CF it is the complementary color #4A0B30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5F4CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5F4CF shade: #BAF4CA, #CBFFDD, #DCFFF0, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5F4CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5F4CF shade: #B5F4CF, #A4E2BC, #93D0A9, #82BE96 and #71AC83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5F4CF shade: #B4F4CE, #B4F4BD, #BCF4B4, #CDF4B4 and #DEF4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5F4CF shade: #B4F4CE, #B4F4DF, #B4F4F1, #B4E6F4 and #B4D4F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5F4CF shade matches the following richer shades: #B4F4CE and #ADFBCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5F4CF shade: #B4F4CE, #BBEDCF, #C2E6D0, #C9DFD2 and #D0D8D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5F4CF shade: #BCF4B4, #B4F4BC, #B4F4CD, #B4F4DE and #B4F4EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5F4CF shade: #6CE99F, #90EEB7, #B4F4CE, #D7F9E5 and #FBFEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5F4CF shade: #B5F4CF, #B4CDF4 and #F4B4B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5F4CF shade: #B5F4CF, #CDB4F4 and #F4CDB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5F4CF shade: #B5F4CF, #B4CDF4, #F4B4DA and #F4DAB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5F4CF shade: #B5F4CF, #B4BAF4, #F4B4DA and #F4EDB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 15 / 4

HEX #B5F4CF

RGB 181 244 207

HSL 144.76, 0.74%, 0.83%

LAB 91.25, -27.09, 11.49

 

Complementary color

CMYK 0 / 85 / 35 / 71

HEX #4A0B30

RGB 74 11 48

HSL 324.76, 0.74%, 0.17%

LAB 15, 32.36, -6.83

 

CMYK 24 / 0 / 17 / 4

HEX #BAF4CA

RGB 186 244 202

HSL 136.55, 0.73%, 0.84%

LAB 91.42, -26.45, 14.36

 

CMYK 20 / 0 / 13 / 0

HEX #CBFFDD

RGB 203 255 221

HSL 140.77, 1%, 0.9%

LAB 95.76, -22.92, 10.88

 

CMYK 14 / 0 / 6 / 0

HEX #DCFFF0

RGB 220 255 240

HSL 154.29, 1%, 0.93%

LAB 97.24, -14.05, 3.38

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 26 / 0 / 15 / 4

HEX #B5F4CF

RGB 181 244 207

HSL 144.76, 0.74%, 0.83%

LAB 91.25, -27.09, 11.49

 

CMYK 27 / 0 / 17 / 11

HEX #A4E2BC

RGB 164 226 188

HSL 143.23, 0.52%, 0.76%

LAB 84.95, -27.3, 12.32

 

CMYK 29 / 0 / 19 / 18

HEX #93D0A9

RGB 147 208 169

HSL 141.64, 0.39%, 0.7%

LAB 78.57, -27.53, 13.2

 

CMYK 32 / 0 / 21 / 25

HEX #82BE96

RGB 130 190 150

HSL 140, 0.32%, 0.63%

LAB 72.08, -27.78, 14.13

 

CMYK 34 / 0 / 24 / 33

HEX #71AC83

RGB 113 172 131

HSL 138.31, 0.26%, 0.56%

LAB 65.48, -28.05, 15.13

 

CMYK 26 / 0 / 16 / 4

HEX #B4F4CE

RGB 180 244 206

HSL 144.38, 0.74%, 0.83%

LAB 91.17, -27.58, 11.89

 

CMYK 26 / 0 / 23 / 4

HEX #B4F4BD

RGB 180 244 189

HSL 128.44, 0.74%, 0.83%

LAB 90.82, -30.64, 20.17

 

CMYK 23 / 0 / 26 / 4

HEX #BCF4B4

RGB 188 244 180

HSL 112.5, 0.74%, 0.83%

LAB 91.09, -29.55, 25.23

 

CMYK 16 / 0 / 26 / 4

HEX #CDF4B4

RGB 205 244 180

HSL 96.56, 0.74%, 0.83%

LAB 92.12, -23.8, 26.8

 

CMYK 9 / 0 / 26 / 4

HEX #DEF4B4

RGB 222 244 180

HSL 80.63, 0.74%, 0.83%

LAB 93.24, -17.82, 28.52

 

CMYK 26 / 0 / 16 / 4

HEX #B4F4CE

RGB 180 244 206

HSL 144.38, 0.74%, 0.83%

LAB 91.17, -27.58, 11.89

 

CMYK 26 / 0 / 9 / 4

HEX #B4F4DF

RGB 180 244 223

HSL 160.31, 0.74%, 0.83%

LAB 91.56, -24.27, 3.64

 

CMYK 26 / 0 / 1 / 4

HEX #B4F4F1

RGB 180 244 241

HSL 177.19, 0.74%, 0.83%

LAB 92.02, -20.52, -5.05

 

CMYK 26 / 6 / 0 / 4

HEX #B4E6F4

RGB 180 230 244

HSL 193.13, 0.74%, 0.83%

LAB 88.37, -12.87, -12.04

 

CMYK 26 / 13 / 0 / 4

HEX #B4D4F4

RGB 180 212 244

HSL 210, 0.74%, 0.83%

LAB 83.61, -3.57, -19.18

 

CMYK 26 / 0 / 16 / 4

HEX #B4F4CE

RGB 180 244 206

HSL 144.38, 0.74%, 0.83%

LAB 91.17, -27.58, 11.89

 

CMYK 31 / 0 / 18 / 2

HEX #ADFBCD

RGB 173 251 205

HSL 144.62, 0.91%, 0.83%

LAB 92.7, -33.17, 14.53

 

CMYK 26 / 0 / 16 / 4

HEX #B4F4CE

RGB 180 244 206

HSL 144.38, 0.74%, 0.83%

LAB 91.17, -27.58, 11.89

 

CMYK 21 / 0 / 13 / 7

HEX #BBEDCF

RGB 187 237 207

HSL 144, 0.58%, 0.83%

LAB 89.69, -21.84, 9.32

 

CMYK 16 / 0 / 10 / 10

HEX #C2E6D0

RGB 194 230 208

HSL 143.33, 0.42%, 0.83%

LAB 88.26, -15.95, 6.8

 

CMYK 10 / 0 / 6 / 13

HEX #C9DFD2

RGB 201 223 210

HSL 144.55, 0.26%, 0.83%

LAB 86.92, -9.74, 3.87

 

CMYK 4 / 0 / 2 / 15

HEX #D0D8D3

RGB 208 216 211

HSL 142.5, 0.09%, 0.83%

LAB 85.62, -3.61, 1.51

 

CMYK 23 / 0 / 26 / 4

HEX #BCF4B4

RGB 188 244 180

HSL 112.5, 0.74%, 0.83%

LAB 91.09, -29.55, 25.23

 

CMYK 26 / 0 / 23 / 4

HEX #B4F4BC

RGB 180 244 188

HSL 127.5, 0.74%, 0.83%

LAB 90.8, -30.81, 20.65

 

CMYK 26 / 0 / 16 / 4

HEX #B4F4CD

RGB 180 244 205

HSL 143.44, 0.74%, 0.83%

LAB 91.15, -27.77, 12.38

 

CMYK 26 / 0 / 9 / 4

HEX #B4F4DE

RGB 180 244 222

HSL 159.38, 0.74%, 0.83%

LAB 91.54, -24.48, 4.12

 

CMYK 26 / 0 / 2 / 4

HEX #B4F4EF

RGB 180 244 239

HSL 175.31, 0.74%, 0.83%

LAB 91.97, -20.95, -4.09

 

CMYK 54 / 0 / 32 / 9

HEX #6CE99F

RGB 108 233 159

HSL 144.48, 0.74%, 0.67%

LAB 83.95, -51.25, 25.64

 

CMYK 39 / 0 / 23 / 7

HEX #90EEB7

RGB 144 238 183

HSL 144.89, 0.73%, 0.75%

LAB 87.24, -39.7, 18.01

 

CMYK 26 / 0 / 16 / 4

HEX #B4F4CE

RGB 180 244 206

HSL 144.38, 0.74%, 0.83%

LAB 91.17, -27.58, 11.89

 

CMYK 14 / 0 / 8 / 2

HEX #D7F9E5

RGB 215 249 229

HSL 144.71, 0.74%, 0.91%

LAB 95.1, -14.71, 5.91

 

CMYK 1 / 0 / 0 / 0

HEX #FBFEFD

RGB 251 254 253

HSL 160, 0.6%, 0.99%

LAB 99.41, -1.16, 0.12

 

CMYK 26 / 0 / 15 / 4

HEX #B5F4CF

RGB 181 244 207

HSL 144.76, 0.74%, 0.83%

LAB 91.25, -27.09, 11.49

 

CMYK 26 / 16 / 0 / 4

HEX #B4CDF4

RGB 180 205 244

HSL 216.56, 0.74%, 0.83%

LAB 81.78, 0.13, -21.95

 

CMYK 0 / 26 / 26 / 4

HEX #F4B4B4

RGB 244 180 180

HSL 0, 0.74%, 0.83%

LAB 79.14, 23.24, 9.15

 

CMYK 26 / 0 / 15 / 4

HEX #B5F4CF

RGB 181 244 207

HSL 144.76, 0.74%, 0.83%

LAB 91.25, -27.09, 11.49

 

CMYK 16 / 26 / 0 / 4

HEX #CDB4F4

RGB 205 180 244

HSL 263.44, 0.74%, 0.83%

LAB 77.37, 21.21, -28.51

 

CMYK 0 / 16 / 26 / 4

HEX #F4CDB4

RGB 244 205 180

HSL 23.44, 0.74%, 0.83%

LAB 85.09, 10.07, 17.56

 

CMYK 26 / 0 / 15 / 4

HEX #B5F4CF

RGB 181 244 207

HSL 144.76, 0.74%, 0.83%

LAB 91.25, -27.09, 11.49

 

CMYK 26 / 16 / 0 / 4

HEX #B4CDF4

RGB 180 205 244

HSL 216.56, 0.74%, 0.83%

LAB 81.78, 0.13, -21.95

 

CMYK 0 / 26 / 11 / 4

HEX #F4B4DA

RGB 244 180 218

HSL 324.38, 0.74%, 0.83%

LAB 80.14, 28.98, -9.94

 

CMYK 0 / 11 / 26 / 4

HEX #F4DAB4

RGB 244 218 180

HSL 35.63, 0.74%, 0.83%

LAB 88.29, 3.33, 22.01

 

CMYK 26 / 0 / 15 / 4

HEX #B5F4CF

RGB 181 244 207

HSL 144.76, 0.74%, 0.83%

LAB 91.25, -27.09, 11.49

 

CMYK 26 / 24 / 0 / 4

HEX #B4BAF4

RGB 180 186 244

HSL 234.38, 0.74%, 0.83%

LAB 76.89, 10.4, -29.41

 

CMYK 0 / 26 / 11 / 4

HEX #F4B4DA

RGB 244 180 218

HSL 324.38, 0.74%, 0.83%

LAB 80.14, 28.98, -9.94

 

CMYK 0 / 3 / 26 / 4

HEX #F4EDB4

RGB 244 237 180

HSL 53.44, 0.74%, 0.83%

LAB 93.06, -6.33, 28.53

 

Description

Color code: HEX #B5F4CF | qconv.com Color code: HEX #B5F4CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 244 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 244 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 15 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 15% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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