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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5F045 it is the complementary color #4A0FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5F045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5F045 shade: #BAF040, #CBFF53, #DCFF66, #EDFF79 and #FEFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5F045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5F045 shade: #B5F045, #A4DE32, #93CC1F, #82BA0C and #71A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5F045 shade: #B6F047, #E3F047, #F0CF47, #F0A247 and #F07447

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5F045 shade: #B6F047, #88F047, #5BF047, #47F061 and #47F08F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5F045 shade matches the following richer shades: #B6F047

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5F045 shade: #B6F047, #B1E057, #ACD067, #A7C077 and #A2B087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5F045 shade: #F0CE47, #E5F047, #B8F047, #8BF047 and #5EF047

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5F045 shade: #90D311, #A7ED21, #B6F047, #C5F36D and #D4F693

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5F045 shade: #B5F045, #47F0A1 and #E547F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5F045 shade: #B5F045, #47B8F0 and #F047B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5F045 shade: #B5F045, #47F0A1, #7F47F0 and #F04796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5F045 shade: #B5F045, #47F0D4, #7F47F0 and #F04763

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 71 / 6

HEX #B5F045

RGB 181 240 69

HSL 80.7, 0.85%, 0.61%

LAB 88.24, -42.26, 72.17

 

Complementary color

CMYK 60 / 92 / 0 / 27

HEX #4A0FBA

RGB 74 15 186

HSL 260.7, 0.85%, 0.39%

LAB 27.69, 61.52, -75.67

 

CMYK 23 / 0 / 73 / 6

HEX #BAF040

RGB 186 240 64

HSL 78.41, 0.85%, 0.6%

LAB 88.51, -40.66, 74.19

 

CMYK 20 / 0 / 67 / 0

HEX #CBFF53

RGB 203 255 83

HSL 78.14, 1%, 0.66%

LAB 93.81, -39.82, 73.24

 

CMYK 14 / 0 / 60 / 0

HEX #DCFF66

RGB 220 255 102

HSL 73.73, 1%, 0.7%

LAB 95.03, -32.11, 67.47

 

CMYK 7 / 0 / 53 / 0

HEX #EDFF79

RGB 237 255 121

HSL 68.06, 1%, 0.74%

LAB 96.37, -24.1, 61.15

 

CMYK 0 / 0 / 45 / 0

HEX #FEFF8C

RGB 254 255 140

HSL 60.52, 1%, 0.77%

LAB 97.83, -15.87, 54.51

 

CMYK 25 / 0 / 71 / 6

HEX #B5F045

RGB 181 240 69

HSL 80.7, 0.85%, 0.61%

LAB 88.24, -42.26, 72.17

 

CMYK 26 / 0 / 77 / 13

HEX #A4DE32

RGB 164 222 50

HSL 80.23, 0.72%, 0.53%

LAB 82.04, -41.71, 71.94

 

CMYK 28 / 0 / 85 / 20

HEX #93CC1F

RGB 147 204 31

HSL 79.77, 0.74%, 0.46%

LAB 75.75, -41, 70.87

 

CMYK 30 / 0 / 94 / 27

HEX #82BA0C

RGB 130 186 12

HSL 79.31, 0.88%, 0.39%

LAB 69.39, -40.07, 68.53

 

CMYK 33 / 0 / 100 / 34

HEX #71A800

RGB 113 168 0

HSL 79.64, 1%, 0.33%

LAB 62.94, -38.89, 64.55

 

CMYK 24 / 0 / 70 / 6

HEX #B6F047

RGB 182 240 71

HSL 80.59, 0.85%, 0.61%

LAB 88.31, -41.77, 71.57

 

CMYK 5 / 0 / 70 / 6

HEX #E3F047

RGB 227 240 71

HSL 64.62, 0.85%, 0.61%

LAB 91.28, -24.23, 75.49

 

CMYK 0 / 14 / 70 / 6

HEX #F0CF47

RGB 240 207 71

HSL 48.28, 0.85%, 0.61%

LAB 83.76, -2.55, 68.46

 

CMYK 0 / 33 / 70 / 6

HEX #F0A247

RGB 240 162 71

HSL 32.31, 0.85%, 0.61%

LAB 72.77, 20.96, 57.23

 

CMYK 0 / 52 / 70 / 6

HEX #F07447

RGB 240 116 71

HSL 15.98, 0.85%, 0.61%

LAB 62.9, 44.68, 46.55

 

CMYK 24 / 0 / 70 / 6

HEX #B6F047

RGB 182 240 71

HSL 80.59, 0.85%, 0.61%

LAB 88.31, -41.77, 71.57

 

CMYK 43 / 0 / 70 / 6

HEX #88F047

RGB 136 240 71

HSL 96.92, 0.85%, 0.61%

LAB 86.01, -57.51, 68.5

 

CMYK 62 / 0 / 70 / 6

HEX #5BF047

RGB 91 240 71

HSL 112.9, 0.85%, 0.61%

LAB 84.48, -69.32, 66.45

 

CMYK 70 / 0 / 60 / 6

HEX #47F061

RGB 71 240 97

HSL 129.23, 0.85%, 0.61%

LAB 84.24, -70.57, 55.69

 

CMYK 70 / 0 / 40 / 6

HEX #47F08F

RGB 71 240 143

HSL 145.56, 0.85%, 0.61%

LAB 84.81, -63.9, 34.74

 

CMYK 24 / 0 / 70 / 6

HEX #B6F047

RGB 182 240 71

HSL 80.59, 0.85%, 0.61%

LAB 88.31, -41.77, 71.57

 

CMYK 24 / 0 / 70 / 6

HEX #B6F047

RGB 182 240 71

HSL 80.59, 0.85%, 0.61%

LAB 88.31, -41.77, 71.57

 

CMYK 21 / 0 / 61 / 12

HEX #B1E057

RGB 177 224 87

HSL 80.58, 0.69%, 0.61%

LAB 83.62, -35.41, 60.41

 

CMYK 17 / 0 / 50 / 18

HEX #ACD067

RGB 172 208 103

HSL 80.57, 0.53%, 0.61%

LAB 78.96, -28.43, 47.8

 

CMYK 13 / 0 / 38 / 25

HEX #A7C077

RGB 167 192 119

HSL 80.55, 0.37%, 0.61%

LAB 74.35, -20.71, 34.02

 

CMYK 8 / 0 / 23 / 31

HEX #A2B087

RGB 162 176 135

HSL 80.49, 0.21%, 0.61%

LAB 69.81, -12.18, 19.42

 

CMYK 0 / 14 / 70 / 6

HEX #F0CE47

RGB 240 206 71

HSL 47.93, 0.85%, 0.61%

LAB 83.51, -2.04, 68.21

 

CMYK 5 / 0 / 70 / 6

HEX #E5F047

RGB 229 240 71

HSL 63.91, 0.85%, 0.61%

LAB 91.43, -23.43, 75.69

 

CMYK 23 / 0 / 70 / 6

HEX #B8F047

RGB 184 240 71

HSL 79.88, 0.85%, 0.61%

LAB 88.43, -41.03, 71.73

 

CMYK 42 / 0 / 70 / 6

HEX #8BF047

RGB 139 240 71

HSL 95.86, 0.85%, 0.61%

LAB 86.14, -56.58, 68.67

 

CMYK 61 / 0 / 70 / 6

HEX #5EF047

RGB 94 240 71

HSL 111.83, 0.85%, 0.61%

LAB 84.56, -68.67, 66.56

 

CMYK 32 / 0 / 92 / 17

HEX #90D311

RGB 144 211 17

HSL 80.72, 0.85%, 0.45%

LAB 77.61, -45.48, 74.81

 

CMYK 30 / 0 / 86 / 7

HEX #A7ED21

RGB 167 237 33

HSL 80.59, 0.85%, 0.53%

LAB 86.45, -47.63, 79.99

 

CMYK 24 / 0 / 70 / 6

HEX #B6F047

RGB 182 240 71

HSL 80.59, 0.85%, 0.61%

LAB 88.31, -41.77, 71.57

 

CMYK 19 / 0 / 55 / 5

HEX #C5F36D

RGB 197 243 109

HSL 80.6, 0.85%, 0.69%

LAB 90.36, -34.73, 58.82

 

CMYK 14 / 0 / 40 / 4

HEX #D4F693

RGB 212 246 147

HSL 80.61, 0.85%, 0.77%

LAB 92.58, -26.67, 43.98

 

CMYK 25 / 0 / 71 / 6

HEX #B5F045

RGB 181 240 69

HSL 80.7, 0.85%, 0.61%

LAB 88.24, -42.26, 72.17

 

CMYK 70 / 0 / 33 / 6

HEX #47F0A1

RGB 71 240 161

HSL 151.95, 0.85%, 0.61%

LAB 85.12, -60.55, 26.04

 

CMYK 5 / 70 / 0 / 6

HEX #E547F0

RGB 229 71 240

HSL 296.09, 0.85%, 0.61%

LAB 59.39, 79.44, -54.23

 

CMYK 25 / 0 / 71 / 6

HEX #B5F045

RGB 181 240 69

HSL 80.7, 0.85%, 0.61%

LAB 88.24, -42.26, 72.17

 

CMYK 70 / 23 / 0 / 6

HEX #47B8F0

RGB 71 184 240

HSL 199.88, 0.85%, 0.61%

LAB 70.81, -14.21, -37.09

 

CMYK 0 / 70 / 23 / 6

HEX #F047B8

RGB 240 71 184

HSL 319.88, 0.85%, 0.61%

LAB 58.5, 73.81, -23.76

 

CMYK 25 / 0 / 71 / 6

HEX #B5F045

RGB 181 240 69

HSL 80.7, 0.85%, 0.61%

LAB 88.24, -42.26, 72.17

 

CMYK 70 / 0 / 33 / 6

HEX #47F0A1

RGB 71 240 161

HSL 151.95, 0.85%, 0.61%

LAB 85.12, -60.55, 26.04

 

CMYK 47 / 70 / 0 / 6

HEX #7F47F0

RGB 127 71 240

HSL 259.88, 0.85%, 0.61%

LAB 46.06, 60.12, -76.43

 

CMYK 0 / 70 / 38 / 6

HEX #F04796

RGB 240 71 150

HSL 331.95, 0.85%, 0.61%

LAB 57.3, 69.93, -5.78

 

CMYK 25 / 0 / 71 / 6

HEX #B5F045

RGB 181 240 69

HSL 80.7, 0.85%, 0.61%

LAB 88.24, -42.26, 72.17

 

CMYK 70 / 0 / 12 / 6

HEX #47F0D4

RGB 71 240 212

HSL 170.06, 0.85%, 0.61%

LAB 86.21, -49.03, 1.11

 

CMYK 47 / 70 / 0 / 6

HEX #7F47F0

RGB 127 71 240

HSL 259.88, 0.85%, 0.61%

LAB 46.06, 60.12, -76.43

 

CMYK 0 / 70 / 59 / 6

HEX #F04763

RGB 240 71 99

HSL 350.06, 0.85%, 0.61%

LAB 56.02, 65.63, 22.53

 

Description

Color code: HEX #B5F045 | qconv.com Color code: HEX #B5F045 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 240 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 240 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 71 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 71% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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