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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5EBCD it is the complementary color #4A1432. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5EBCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5EBCD shade: #BAEBC8, #CBFDDB, #DCFFEE, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5EBCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5EBCD shade: #B5EBCD, #A4D9BA, #93C7A7, #82B594 and #71A381

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5EBCD shade: #B6EBCE, #B6EBC0, #BBEBB6, #CAEBB6 and #D8EBB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5EBCD shade: #B6EBCE, #B6EBDC, #B6EBEA, #B6DDEB and #B6CFEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5EBCD shade matches the following richer shades: #B6EBCE, #AFF2CD and #A8FACC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5EBCD shade: #B6EBCE, #BEE3CF, #C5DCCF, #CDD4D0 and #D4CDD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5EBCD shade: #BCEBB6, #B6EBBF, #B6EBCD, #B6EBDB and #B6EBE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5EBCD shade: #76D9A2, #96E2B8, #B6EBCE, #D7F4E4 and #F7FDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5EBCD shade: #B5EBCD, #B6CAEB and #EBB8B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5EBCD shade: #B5EBCD, #CDB6EB and #EBCDB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5EBCD shade: #B5EBCD, #B6CAEB, #EBB6D4 and #EBD8B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5EBCD shade: #B5EBCD, #B6BAEB, #EBB6D4 and #EBE7B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 13 / 8

HEX #B5EBCD

RGB 181 235 205

HSL 146.67, 0.57%, 0.82%

LAB 88.76, -23.13, 8.97

 

Complementary color

CMYK 0 / 73 / 32 / 71

HEX #4A1432

RGB 74 20 50

HSL 326.67, 0.57%, 0.18%

LAB 16.44, 28.87, -6.1

 

CMYK 21 / 0 / 15 / 8

HEX #BAEBC8

RGB 186 235 200

HSL 137.14, 0.55%, 0.83%

LAB 88.93, -22.48, 11.87

 

CMYK 20 / 0 / 13 / 1

HEX #CBFDDB

RGB 203 253 219

HSL 139.2, 0.93%, 0.89%

LAB 95.19, -22.32, 11.09

 

CMYK 14 / 0 / 7 / 0

HEX #DCFFEE

RGB 220 255 238

HSL 150.86, 1%, 0.93%

LAB 97.19, -14.42, 4.34

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 23 / 0 / 13 / 8

HEX #B5EBCD

RGB 181 235 205

HSL 146.67, 0.57%, 0.82%

LAB 88.76, -23.13, 8.97

 

CMYK 24 / 0 / 14 / 15

HEX #A4D9BA

RGB 164 217 186

HSL 144.91, 0.41%, 0.75%

LAB 82.41, -23.31, 9.76

 

CMYK 26 / 0 / 16 / 22

HEX #93C7A7

RGB 147 199 167

HSL 143.08, 0.32%, 0.68%

LAB 75.97, -23.52, 10.59

 

CMYK 28 / 0 / 18 / 29

HEX #82B594

RGB 130 181 148

HSL 141.18, 0.26%, 0.61%

LAB 69.42, -23.74, 11.48

 

CMYK 31 / 0 / 21 / 36

HEX #71A381

RGB 113 163 129

HSL 139.2, 0.21%, 0.54%

LAB 62.75, -23.99, 12.42

 

CMYK 23 / 0 / 12 / 8

HEX #B6EBCE

RGB 182 235 206

HSL 147.17, 0.57%, 0.82%

LAB 88.84, -22.63, 8.57

 

CMYK 23 / 0 / 18 / 8

HEX #B6EBC0

RGB 182 235 192

HSL 131.32, 0.57%, 0.82%

LAB 88.53, -25.2, 15.43

 

CMYK 20 / 0 / 23 / 8

HEX #BBEBB6

RGB 187 235 182

HSL 114.34, 0.57%, 0.82%

LAB 88.62, -25.28, 20.78

 

CMYK 14 / 0 / 23 / 8

HEX #CAEBB6

RGB 202 235 182

HSL 97.36, 0.57%, 0.82%

LAB 89.56, -20.17, 22.23

 

CMYK 8 / 0 / 23 / 8

HEX #D8EBB6

RGB 216 235 182

HSL 81.51, 0.57%, 0.82%

LAB 90.5, -15.25, 23.68

 

CMYK 23 / 0 / 12 / 8

HEX #B6EBCE

RGB 182 235 206

HSL 147.17, 0.57%, 0.82%

LAB 88.84, -22.63, 8.57

 

CMYK 23 / 0 / 6 / 8

HEX #B6EBDC

RGB 182 235 220

HSL 163.02, 0.57%, 0.82%

LAB 89.17, -19.89, 1.74

 

CMYK 23 / 0 / 0 / 8

HEX #B6EBEA

RGB 182 235 234

HSL 178.87, 0.57%, 0.82%

LAB 89.53, -16.98, -5.05

 

CMYK 23 / 6 / 0 / 8

HEX #B6DDEB

RGB 182 221 235

HSL 195.85, 0.57%, 0.82%

LAB 85.83, -9.68, -11.06

 

CMYK 23 / 12 / 0 / 8

HEX #B6CFEB

RGB 182 207 235

HSL 211.7, 0.57%, 0.82%

LAB 82.15, -2.39, -16.59

 

CMYK 23 / 0 / 12 / 8

HEX #B6EBCE

RGB 182 235 206

HSL 147.17, 0.57%, 0.82%

LAB 88.84, -22.63, 8.57

 

CMYK 28 / 0 / 15 / 5

HEX #AFF2CD

RGB 175 242 205

HSL 146.87, 0.72%, 0.82%

LAB 90.33, -28.34, 11.18

 

CMYK 33 / 0 / 18 / 2

HEX #A8FACC

RGB 168 250 204

HSL 146.34, 0.89%, 0.82%

LAB 92.16, -34.36, 14.24

 

CMYK 23 / 0 / 12 / 8

HEX #B6EBCE

RGB 182 235 206

HSL 147.17, 0.57%, 0.82%

LAB 88.84, -22.63, 8.57

 

CMYK 16 / 0 / 9 / 11

HEX #BEE3CF

RGB 190 227 207

HSL 147.57, 0.4%, 0.82%

LAB 87.19, -15.94, 5.74

 

CMYK 10 / 0 / 6 / 14

HEX #C5DCCF

RGB 197 220 207

HSL 146.09, 0.25%, 0.82%

LAB 85.79, -10.1, 3.78

 

CMYK 3 / 0 / 2 / 17

HEX #CDD4D0

RGB 205 212 208

HSL 145.71, 0.08%, 0.82%

LAB 84.29, -3.11, 1.14

 

CMYK 0 / 3 / 1 / 17

HEX #D4CDD1

RGB 212 205 209

HSL 325.71, 0.08%, 0.82%

LAB 83.05, 3.13, -1.13

 

CMYK 20 / 0 / 23 / 8

HEX #BCEBB6

RGB 188 235 182

HSL 113.21, 0.57%, 0.82%

LAB 88.68, -24.94, 20.88

 

CMYK 23 / 0 / 19 / 8

HEX #B6EBBF

RGB 182 235 191

HSL 130.19, 0.57%, 0.82%

LAB 88.51, -25.38, 15.92

 

CMYK 23 / 0 / 13 / 8

HEX #B6EBCD

RGB 182 235 205

HSL 146.04, 0.57%, 0.82%

LAB 88.81, -22.82, 9.06

 

CMYK 23 / 0 / 7 / 8

HEX #B6EBDB

RGB 182 235 219

HSL 161.89, 0.57%, 0.82%

LAB 89.15, -20.09, 2.23

 

CMYK 23 / 0 / 1 / 8

HEX #B6EBE9

RGB 182 235 233

HSL 177.74, 0.57%, 0.82%

LAB 89.51, -17.2, -4.57

 

CMYK 46 / 0 / 25 / 15

HEX #76D9A2

RGB 118 217 162

HSL 146.67, 0.57%, 0.66%

LAB 79.66, -41.41, 18.24

 

CMYK 34 / 0 / 19 / 11

HEX #96E2B8

RGB 150 226 184

HSL 146.84, 0.57%, 0.74%

LAB 84.14, -32.3, 13.17

 

CMYK 23 / 0 / 12 / 8

HEX #B6EBCE

RGB 182 235 206

HSL 147.17, 0.57%, 0.82%

LAB 88.84, -22.63, 8.57

 

CMYK 12 / 0 / 7 / 4

HEX #D7F4E4

RGB 215 244 228

HSL 146.9, 0.57%, 0.9%

LAB 93.78, -12.41, 4.51

 

CMYK 2 / 0 / 1 / 1

HEX #F7FDFA

RGB 247 253 250

HSL 150, 0.6%, 0.98%

LAB 98.8, -2.5, 0.73

 

CMYK 23 / 0 / 13 / 8

HEX #B5EBCD

RGB 181 235 205

HSL 146.67, 0.57%, 0.82%

LAB 88.76, -23.13, 8.97

 

CMYK 23 / 14 / 0 / 8

HEX #B6CAEB

RGB 182 202 235

HSL 217.36, 0.57%, 0.82%

LAB 80.84, 0.26, -18.55

 

CMYK 0 / 22 / 23 / 8

HEX #EBB8B6

RGB 235 184 182

HSL 2.26, 0.57%, 0.82%

LAB 79.23, 18.09, 8.07

 

CMYK 23 / 0 / 13 / 8

HEX #B5EBCD

RGB 181 235 205

HSL 146.67, 0.57%, 0.82%

LAB 88.76, -23.13, 8.97

 

CMYK 13 / 23 / 0 / 8

HEX #CDB6EB

RGB 205 182 235

HSL 266.04, 0.57%, 0.82%

LAB 77.54, 18.21, -23.4

 

CMYK 0 / 13 / 23 / 8

HEX #EBCDB6

RGB 235 205 182

HSL 26.04, 0.57%, 0.82%

LAB 84.33, 7.01, 15.32

 

CMYK 23 / 0 / 13 / 8

HEX #B5EBCD

RGB 181 235 205

HSL 146.67, 0.57%, 0.82%

LAB 88.76, -23.13, 8.97

 

CMYK 23 / 14 / 0 / 8

HEX #B6CAEB

RGB 182 202 235

HSL 217.36, 0.57%, 0.82%

LAB 80.84, 0.26, -18.55

 

CMYK 0 / 23 / 10 / 8

HEX #EBB6D4

RGB 235 182 212

HSL 326.04, 0.57%, 0.82%

LAB 79.54, 23.84, -7.69

 

CMYK 0 / 8 / 23 / 8

HEX #EBD8B6

RGB 235 216 182

HSL 38.49, 0.57%, 0.82%

LAB 87.07, 1.29, 19.15

 

CMYK 23 / 0 / 13 / 8

HEX #B5EBCD

RGB 181 235 205

HSL 146.67, 0.57%, 0.82%

LAB 88.76, -23.13, 8.97

 

CMYK 23 / 21 / 0 / 8

HEX #B6BAEB

RGB 182 186 235

HSL 235.47, 0.57%, 0.82%

LAB 76.72, 8.9, -24.82

 

CMYK 0 / 23 / 10 / 8

HEX #EBB6D4

RGB 235 182 212

HSL 326.04, 0.57%, 0.82%

LAB 79.54, 23.84, -7.69

 

CMYK 0 / 2 / 23 / 8

HEX #EBE7B6

RGB 235 231 182

HSL 55.47, 0.57%, 0.82%

LAB 90.87, -6.36, 24.4

 

Description

Color code: HEX #B5EBCD | qconv.com Color code: HEX #B5EBCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 235 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 235 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 13 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 13% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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