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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5EACE it is the complementary color #4A1531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5EACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5EACE shade: #BAEAC9, #CBFCDC, #DCFFEF, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5EACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5EACE shade: #B5EACE, #A4D8BB, #93C6A8, #82B495 and #71A282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5EACE shade: #B3EACD, #B3EABE, #B7EAB3, #C6EAB3 and #D4EAB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5EACE shade: #B3EACD, #B3EADC, #B3E9EA, #B3DAEA and #B3CCEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5EACE shade matches the following richer shades: #B3EACD, #ACF2CD and #A4F9CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5EACE shade: #B3EACD, #BBE2CD, #C3DACE, #CBD2CE and #D3CACF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5EACE shade: #B7EAB3, #B3EABE, #B3EACD, #B3EADB and #B3EAEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5EACE shade: #73D8A2, #93E1B8, #B3EACD, #D4F3E2 and #F4FCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5EACE shade: #B5EACE, #B3C6EA and #EAB7B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5EACE shade: #B5EACE, #CDB3EA and #EACDB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5EACE shade: #B5EACE, #B3C6EA, #EAB3D0 and #EAD8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5EACE shade: #B5EACE, #B3B5EA, #EAB3D0 and #EAE8B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 12 / 8

HEX #B5EACE

RGB 181 234 206

HSL 148.3, 0.56%, 0.81%

LAB 88.51, -22.45, 8.1

 

Complementary color

CMYK 0 / 72 / 34 / 71

HEX #4A1531

RGB 74 21 49

HSL 328.3, 0.56%, 0.19%

LAB 16.57, 28.24, -5.18

 

CMYK 21 / 0 / 14 / 8

HEX #BAEAC9

RGB 186 234 201

HSL 138.75, 0.53%, 0.82%

LAB 88.69, -21.8, 11

 

CMYK 19 / 0 / 13 / 1

HEX #CBFCDC

RGB 203 252 220

HSL 140.82, 0.89%, 0.89%

LAB 94.94, -21.66, 10.22

 

CMYK 14 / 0 / 6 / 0

HEX #DCFFEF

RGB 220 255 239

HSL 152.57, 1%, 0.93%

LAB 97.21, -14.23, 3.86

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 23 / 0 / 12 / 8

HEX #B5EACE

RGB 181 234 206

HSL 148.3, 0.56%, 0.81%

LAB 88.51, -22.45, 8.1

 

CMYK 24 / 0 / 13 / 15

HEX #A4D8BB

RGB 164 216 187

HSL 146.54, 0.4%, 0.75%

LAB 82.16, -22.63, 8.87

 

CMYK 26 / 0 / 15 / 22

HEX #93C6A8

RGB 147 198 168

HSL 144.71, 0.31%, 0.68%

LAB 75.71, -22.83, 9.69

 

CMYK 28 / 0 / 17 / 29

HEX #82B495

RGB 130 180 149

HSL 142.8, 0.25%, 0.61%

LAB 69.15, -23.05, 10.55

 

CMYK 30 / 0 / 20 / 36

HEX #71A282

RGB 113 162 130

HSL 140.82, 0.21%, 0.54%

LAB 62.48, -23.29, 11.47

 

CMYK 24 / 0 / 12 / 8

HEX #B3EACD

RGB 179 234 205

HSL 148.36, 0.57%, 0.81%

LAB 88.37, -23.27, 8.41

 

CMYK 24 / 0 / 19 / 8

HEX #B3EABE

RGB 179 234 190

HSL 132, 0.57%, 0.81%

LAB 88.04, -26.04, 15.76

 

CMYK 22 / 0 / 24 / 8

HEX #B7EAB3

RGB 183 234 179

HSL 115.64, 0.57%, 0.81%

LAB 88.05, -26.62, 21.51

 

CMYK 15 / 0 / 24 / 8

HEX #C6EAB3

RGB 198 234 179

HSL 99.27, 0.57%, 0.81%

LAB 88.97, -21.54, 22.93

 

CMYK 9 / 0 / 24 / 8

HEX #D4EAB3

RGB 212 234 179

HSL 84, 0.57%, 0.81%

LAB 89.9, -16.62, 24.36

 

CMYK 24 / 0 / 12 / 8

HEX #B3EACD

RGB 179 234 205

HSL 148.36, 0.57%, 0.81%

LAB 88.37, -23.27, 8.41

 

CMYK 24 / 0 / 6 / 8

HEX #B3EADC

RGB 179 234 220

HSL 164.73, 0.57%, 0.81%

LAB 88.73, -20.3, 1.08

 

CMYK 24 / 0 / 0 / 8

HEX #B3E9EA

RGB 179 233 234

HSL 181.09, 0.57%, 0.81%

LAB 88.83, -16.87, -6.11

 

CMYK 24 / 7 / 0 / 8

HEX #B3DAEA

RGB 179 218 234

HSL 197.45, 0.57%, 0.81%

LAB 84.83, -9.25, -12.06

 

CMYK 24 / 13 / 0 / 8

HEX #B3CCEA

RGB 179 204 234

HSL 212.73, 0.57%, 0.81%

LAB 81.13, -1.93, -17.6

 

CMYK 24 / 0 / 12 / 8

HEX #B3EACD

RGB 179 234 205

HSL 148.36, 0.57%, 0.81%

LAB 88.37, -23.27, 8.41

 

CMYK 29 / 0 / 15 / 5

HEX #ACF2CD

RGB 172 242 205

HSL 148.29, 0.73%, 0.81%

LAB 90.18, -29.25, 10.94

 

CMYK 34 / 0 / 18 / 2

HEX #A4F9CC

RGB 164 249 204

HSL 148.24, 0.88%, 0.81%

LAB 91.69, -35.05, 13.55

 

CMYK 24 / 0 / 12 / 8

HEX #B3EACD

RGB 179 234 205

HSL 148.36, 0.57%, 0.81%

LAB 88.37, -23.27, 8.41

 

CMYK 17 / 0 / 9 / 11

HEX #BBE2CD

RGB 187 226 205

HSL 147.69, 0.4%, 0.81%

LAB 86.68, -16.79, 6.04

 

CMYK 11 / 0 / 6 / 15

HEX #C3DACE

RGB 195 218 206

HSL 148.7, 0.24%, 0.81%

LAB 85.1, -9.93, 3.29

 

CMYK 3 / 0 / 2 / 18

HEX #CBD2CE

RGB 203 210 206

HSL 145.71, 0.07%, 0.81%

LAB 83.57, -3.11, 1.14

 

CMYK 0 / 4 / 2 / 17

HEX #D3CACF

RGB 211 202 207

HSL 326.67, 0.09%, 0.81%

LAB 82.16, 4.01, -1.38

 

CMYK 22 / 0 / 24 / 8

HEX #B7EAB3

RGB 183 234 179

HSL 115.64, 0.57%, 0.81%

LAB 88.05, -26.62, 21.51

 

CMYK 24 / 0 / 19 / 8

HEX #B3EABE

RGB 179 234 190

HSL 132, 0.57%, 0.81%

LAB 88.04, -26.04, 15.76

 

CMYK 24 / 0 / 12 / 8

HEX #B3EACD

RGB 179 234 205

HSL 148.36, 0.57%, 0.81%

LAB 88.37, -23.27, 8.41

 

CMYK 24 / 0 / 6 / 8

HEX #B3EADB

RGB 179 234 219

HSL 163.64, 0.57%, 0.81%

LAB 88.71, -20.51, 1.57

 

CMYK 24 / 0 / 0 / 8

HEX #B3EAEA

RGB 179 234 234

HSL 180, 0.57%, 0.81%

LAB 89.1, -17.37, -5.72

 

CMYK 47 / 0 / 25 / 15

HEX #73D8A2

RGB 115 216 162

HSL 147.92, 0.56%, 0.65%

LAB 79.25, -41.75, 17.65

 

CMYK 35 / 0 / 18 / 12

HEX #93E1B8

RGB 147 225 184

HSL 148.46, 0.57%, 0.73%

LAB 83.71, -32.7, 12.54

 

CMYK 24 / 0 / 12 / 8

HEX #B3EACD

RGB 179 234 205

HSL 148.36, 0.57%, 0.81%

LAB 88.37, -23.27, 8.41

 

CMYK 13 / 0 / 7 / 5

HEX #D4F3E2

RGB 212 243 226

HSL 147.1, 0.56%, 0.89%

LAB 93.27, -13.25, 4.79

 

CMYK 3 / 0 / 2 / 1

HEX #F4FCF8

RGB 244 252 248

HSL 150, 0.57%, 0.97%

LAB 98.29, -3.33, 0.99

 

CMYK 23 / 0 / 12 / 8

HEX #B5EACE

RGB 181 234 206

HSL 148.3, 0.56%, 0.81%

LAB 88.51, -22.45, 8.1

 

CMYK 24 / 15 / 0 / 8

HEX #B3C6EA

RGB 179 198 234

HSL 219.27, 0.57%, 0.81%

LAB 79.56, 1.27, -19.97

 

CMYK 0 / 22 / 24 / 8

HEX #EAB7B3

RGB 234 183 179

HSL 4.36, 0.57%, 0.81%

LAB 78.82, 17.83, 9.1

 

CMYK 23 / 0 / 12 / 8

HEX #B5EACE

RGB 181 234 206

HSL 148.3, 0.56%, 0.81%

LAB 88.51, -22.45, 8.1

 

CMYK 12 / 24 / 0 / 8

HEX #CDB3EA

RGB 205 179 234

HSL 268.36, 0.57%, 0.81%

LAB 76.78, 19.64, -24.02

 

CMYK 0 / 12 / 24 / 8

HEX #EACDB3

RGB 234 205 179

HSL 28.36, 0.57%, 0.81%

LAB 84.18, 6.21, 16.68

 

CMYK 23 / 0 / 12 / 8

HEX #B5EACE

RGB 181 234 206

HSL 148.3, 0.56%, 0.81%

LAB 88.51, -22.45, 8.1

 

CMYK 24 / 15 / 0 / 8

HEX #B3C6EA

RGB 179 198 234

HSL 219.27, 0.57%, 0.81%

LAB 79.56, 1.27, -19.97

 

CMYK 0 / 24 / 11 / 8

HEX #EAB3D0

RGB 234 179 208

HSL 328.36, 0.57%, 0.81%

LAB 78.63, 24.43, -6.89

 

CMYK 0 / 8 / 24 / 8

HEX #EAD8B3

RGB 234 216 179

HSL 40.36, 0.57%, 0.81%

LAB 86.93, 0.5, 20.51

 

CMYK 23 / 0 / 12 / 8

HEX #B5EACE

RGB 181 234 206

HSL 148.3, 0.56%, 0.81%

LAB 88.51, -22.45, 8.1

 

CMYK 24 / 23 / 0 / 8

HEX #B3B5EA

RGB 179 181 234

HSL 237.82, 0.57%, 0.81%

LAB 75.18, 10.5, -26.64

 

CMYK 0 / 24 / 11 / 8

HEX #EAB3D0

RGB 234 179 208

HSL 328.36, 0.57%, 0.81%

LAB 78.63, 24.43, -6.89

 

CMYK 0 / 1 / 24 / 8

HEX #EAE8B3

RGB 234 232 179

HSL 57.82, 0.57%, 0.81%

LAB 90.99, -7.65, 26.1

 

Description

Color code: HEX #B5EACE | qconv.com Color code: HEX #B5EACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 234 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 234 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 12% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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