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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E982 it is the complementary color #4A167D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E982 shade: #BAE97D, #CBFB90, #DCFFA3, #EDFFB6 and #FEFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E982 shade: #B5E982, #A4D76F, #93C55C, #82B349 and #71A136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E982 shade: #B5E981, #D0E981, #E9E581, #E9C981 and #E9AD81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E982 shade: #B5E981, #99E981, #81E986, #81E9A2 and #81E9BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E982 shade matches the following richer shades: #B5E981 and #B4F575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E982 shade: #B5E981, #B5DD8D, #B5D199, #B5C5A5 and #B5B9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E982 shade: #E9E581, #D1E981, #B5E981, #99E981 and #81E985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E982 shade: #8BDC3B, #A0E35E, #B5E981, #C9EFA4 and #DEF5C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E982 shade: #B5E982, #81E9CA and #E981DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E982 shade: #B5E982, #81B5E9 and #E981B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E982 shade: #B5E982, #81E9CA, #B581E9 and #E981A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E982 shade: #B5E982, #81E9E9, #B581E9 and #E98181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 44 / 9

HEX #B5E982

RGB 181 233 130

HSL 90.29, 0.7%, 0.71%

LAB 86.86, -33.82, 44.61

 

Complementary color

CMYK 41 / 82 / 0 / 51

HEX #4A167D

RGB 74 22 125

HSL 270.29, 0.7%, 0.29%

LAB 21.98, 43.98, -47.67

 

CMYK 20 / 0 / 46 / 9

HEX #BAE97D

RGB 186 233 125

HSL 86.11, 0.71%, 0.7%

LAB 87.09, -32.59, 47.38

 

CMYK 19 / 0 / 43 / 2

HEX #CBFB90

RGB 203 251 144

HSL 86.92, 0.93%, 0.77%

LAB 93.32, -32.61, 46.26

 

CMYK 14 / 0 / 36 / 0

HEX #DCFFA3

RGB 220 255 163

HSL 82.83, 1%, 0.82%

LAB 95.74, -26.08, 40.32

 

CMYK 7 / 0 / 29 / 0

HEX #EDFFB6

RGB 237 255 182

HSL 74.79, 1%, 0.86%

LAB 97.19, -17.51, 33.01

 

CMYK 0 / 0 / 21 / 0

HEX #FEFFC9

RGB 254 255 201

HSL 61.11, 1%, 0.89%

LAB 98.75, -8.82, 25.77

 

CMYK 22 / 0 / 44 / 9

HEX #B5E982

RGB 181 233 130

HSL 90.29, 0.7%, 0.71%

LAB 86.86, -33.82, 44.61

 

CMYK 24 / 0 / 48 / 16

HEX #A4D76F

RGB 164 215 111

HSL 89.42, 0.57%, 0.64%

LAB 80.54, -33.83, 45.76

 

CMYK 25 / 0 / 53 / 23

HEX #93C55C

RGB 147 197 92

HSL 88.57, 0.48%, 0.57%

LAB 74.13, -33.8, 46.88

 

CMYK 27 / 0 / 59 / 30

HEX #82B349

RGB 130 179 73

HSL 87.74, 0.42%, 0.49%

LAB 67.63, -33.7, 47.93

 

CMYK 30 / 0 / 66 / 37

HEX #71A136

RGB 113 161 54

HSL 86.92, 0.5%, 0.42%

LAB 61.02, -33.48, 48.76

 

CMYK 22 / 0 / 45 / 9

HEX #B5E981

RGB 181 233 129

HSL 90, 0.7%, 0.71%

LAB 86.84, -33.94, 45.08

 

CMYK 11 / 0 / 45 / 9

HEX #D0E981

RGB 208 233 129

HSL 74.42, 0.7%, 0.71%

LAB 88.58, -23.97, 47.62

 

CMYK 0 / 2 / 45 / 9

HEX #E9E581

RGB 233 229 129

HSL 57.69, 0.7%, 0.71%

LAB 89.37, -12.34, 49.01

 

CMYK 0 / 14 / 45 / 9

HEX #E9C981

RGB 233 201 129

HSL 41.54, 0.7%, 0.71%

LAB 82.21, 1.89, 40.05

 

CMYK 0 / 26 / 45 / 9

HEX #E9AD81

RGB 233 173 129

HSL 25.38, 0.7%, 0.71%

LAB 75.32, 16.63, 31.16

 

CMYK 22 / 0 / 45 / 9

HEX #B5E981

RGB 181 233 129

HSL 90, 0.7%, 0.71%

LAB 86.84, -33.94, 45.08

 

CMYK 34 / 0 / 45 / 9

HEX #99E981

RGB 153 233 129

HSL 106.15, 0.7%, 0.71%

LAB 85.32, -43.48, 42.84

 

CMYK 45 / 0 / 42 / 9

HEX #81E986

RGB 129 233 134

HSL 122.88, 0.7%, 0.71%

LAB 84.31, -50.05, 38.88

 

CMYK 45 / 0 / 30 / 9

HEX #81E9A2

RGB 129 233 162

HSL 139.04, 0.7%, 0.71%

LAB 84.77, -45.48, 25.34

 

CMYK 45 / 0 / 18 / 9

HEX #81E9BE

RGB 129 233 190

HSL 155.19, 0.7%, 0.71%

LAB 85.33, -40.03, 11.59

 

CMYK 22 / 0 / 45 / 9

HEX #B5E981

RGB 181 233 129

HSL 90, 0.7%, 0.71%

LAB 86.84, -33.94, 45.08

 

CMYK 27 / 0 / 52 / 4

HEX #B4F575

RGB 180 245 117

HSL 90.47, 0.86%, 0.71%

LAB 89.99, -41.01, 54.56

 

CMYK 22 / 0 / 45 / 9

HEX #B5E981

RGB 181 233 129

HSL 90, 0.7%, 0.71%

LAB 86.84, -33.94, 45.08

 

CMYK 18 / 0 / 36 / 13

HEX #B5DD8D

RGB 181 221 141

HSL 90, 0.54%, 0.71%

LAB 83.68, -26.8, 35.09

 

CMYK 13 / 0 / 27 / 18

HEX #B5D199

RGB 181 209 153

HSL 90, 0.38%, 0.71%

LAB 80.59, -19.24, 24.77

 

CMYK 8 / 0 / 16 / 23

HEX #B5C5A5

RGB 181 197 165

HSL 90, 0.22%, 0.71%

LAB 77.56, -11.25, 14.23

 

CMYK 2 / 0 / 4 / 27

HEX #B5B9B1

RGB 181 185 177

HSL 90, 0.05%, 0.71%

LAB 74.63, -2.87, 3.56

 

CMYK 0 / 2 / 45 / 9

HEX #E9E581

RGB 233 229 129

HSL 57.69, 0.7%, 0.71%

LAB 89.37, -12.34, 49.01

 

CMYK 10 / 0 / 45 / 9

HEX #D1E981

RGB 209 233 129

HSL 73.85, 0.7%, 0.71%

LAB 88.65, -23.59, 47.72

 

CMYK 22 / 0 / 45 / 9

HEX #B5E981

RGB 181 233 129

HSL 90, 0.7%, 0.71%

LAB 86.84, -33.94, 45.08

 

CMYK 34 / 0 / 45 / 9

HEX #99E981

RGB 153 233 129

HSL 106.15, 0.7%, 0.71%

LAB 85.32, -43.48, 42.84

 

CMYK 45 / 0 / 43 / 9

HEX #81E985

RGB 129 233 133

HSL 122.31, 0.7%, 0.71%

LAB 84.3, -50.19, 39.36

 

CMYK 37 / 0 / 73 / 14

HEX #8BDC3B

RGB 139 220 59

HSL 90.19, 0.7%, 0.55%

LAB 80.17, -49.36, 66.87

 

CMYK 30 / 0 / 59 / 11

HEX #A0E35E

RGB 160 227 94

HSL 90.23, 0.7%, 0.63%

LAB 83.56, -42.38, 57.07

 

CMYK 22 / 0 / 45 / 9

HEX #B5E981

RGB 181 233 129

HSL 90, 0.7%, 0.71%

LAB 86.84, -33.94, 45.08

 

CMYK 16 / 0 / 31 / 6

HEX #C9EFA4

RGB 201 239 164

HSL 90.4, 0.7%, 0.79%

LAB 90.24, -25.12, 32.35

 

CMYK 9 / 0 / 19 / 4

HEX #DEF5C7

RGB 222 245 199

HSL 90, 0.7%, 0.87%

LAB 93.86, -15.48, 19.67

 

CMYK 22 / 0 / 44 / 9

HEX #B5E982

RGB 181 233 130

HSL 90.29, 0.7%, 0.71%

LAB 86.86, -33.82, 44.61

 

CMYK 45 / 0 / 13 / 9

HEX #81E9CA

RGB 129 233 202

HSL 162.12, 0.7%, 0.71%

LAB 85.61, -37.46, 5.69

 

CMYK 0 / 45 / 5 / 9

HEX #E981DE

RGB 233 129 222

HSL 306.35, 0.7%, 0.71%

LAB 68.24, 52.64, -30.3

 

CMYK 22 / 0 / 44 / 9

HEX #B5E982

RGB 181 233 130

HSL 90.29, 0.7%, 0.71%

LAB 86.86, -33.82, 44.61

 

CMYK 45 / 22 / 0 / 9

HEX #81B5E9

RGB 129 181 233

HSL 210, 0.7%, 0.71%

LAB 71.96, -3.55, -31.33

 

CMYK 0 / 45 / 22 / 9

HEX #E981B5

RGB 233 129 181

HSL 330, 0.7%, 0.71%

LAB 66.79, 46.2, -9.58

 

CMYK 22 / 0 / 44 / 9

HEX #B5E982

RGB 181 233 130

HSL 90.29, 0.7%, 0.71%

LAB 86.86, -33.82, 44.61

 

CMYK 45 / 0 / 13 / 9

HEX #81E9CA

RGB 129 233 202

HSL 162.12, 0.7%, 0.71%

LAB 85.61, -37.46, 5.69

 

CMYK 22 / 45 / 0 / 9

HEX #B581E9

RGB 181 129 233

HSL 270, 0.7%, 0.71%

LAB 62.85, 39.8, -45.24

 

CMYK 0 / 45 / 31 / 9

HEX #E981A0

RGB 233 129 160

HSL 342.12, 0.7%, 0.71%

LAB 66.18, 43.38, 1.38

 

CMYK 22 / 0 / 44 / 9

HEX #B5E982

RGB 181 233 130

HSL 90.29, 0.7%, 0.71%

LAB 86.86, -33.82, 44.61

 

CMYK 45 / 0 / 0 / 9

HEX #81E9E9

RGB 129 233 233

HSL 180, 0.7%, 0.71%

LAB 86.42, -30.18, -9.42

 

CMYK 22 / 45 / 0 / 9

HEX #B581E9

RGB 181 129 233

HSL 270, 0.7%, 0.71%

LAB 62.85, 39.8, -45.24

 

CMYK 0 / 45 / 45 / 9

HEX #E98181

RGB 233 129 129

HSL 0, 0.7%, 0.71%

LAB 65.44, 39.85, 17.86

 

Description

Color code: HEX #B5E982 | qconv.com Color code: HEX #B5E982 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 233 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 233 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 44 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 44% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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