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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E93E it is the complementary color #4A16C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E93E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E93E shade: #BAE939, #CBFB4C, #DCFF5F, #EDFF72 and #FEFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E93E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E93E shade: #B5E93E, #A4D72B, #93C518, #82B305 and #71A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E93E shade: #B5EA3E, #E4EA3E, #EAC13E, #EA933E and #EA653E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E93E shade: #B5EA3E, #87EA3E, #59EA3E, #3EEA52 and #3EEA80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E93E shade matches the following richer shades: #B5EA3E and #BCFB2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E93E shade: #B5EA3E, #AFD850, #A8C761, #A1B672 and #9AA484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E93E shade: #EAC23E, #E4EA3E, #B6EA3E, #88EA3E and #5BEA3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E93E shade: #8CC015, #A7E519, #B5EA3E, #C4EE63 and #D2F288

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E93E shade: #B5E93E, #3EEA94 and #D83EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E93E shade: #B5E93E, #3EB6EA and #EA3EB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E93E shade: #B5E93E, #3EEA94, #723EEA and #EA3E94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E93E shade: #B5E93E, #3EEAC7, #723EEA and #EA3E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 73 / 9

HEX #B5E93E

RGB 181 233 62

HSL 78.25, 0.8%, 0.58%

LAB 86.23, -39.56, 72.55

 

Complementary color

CMYK 62 / 89 / 0 / 24

HEX #4A16C1

RGB 74 22 193

HSL 258.25, 0.8%, 0.42%

LAB 29.11, 61.43, -77.47

 

CMYK 20 / 0 / 76 / 9

HEX #BAE939

RGB 186 233 57

HSL 76.02, 0.8%, 0.57%

LAB 86.51, -37.89, 74.49

 

CMYK 19 / 0 / 70 / 2

HEX #CBFB4C

RGB 203 251 76

HSL 76.46, 0.96%, 0.64%

LAB 92.67, -38.46, 74.59

 

CMYK 14 / 0 / 63 / 0

HEX #DCFF5F

RGB 220 255 95

HSL 73.13, 1%, 0.69%

LAB 94.98, -32.6, 70.23

 

CMYK 7 / 0 / 55 / 0

HEX #EDFF72

RGB 237 255 114

HSL 67.66, 1%, 0.72%

LAB 96.3, -24.66, 64.14

 

CMYK 0 / 0 / 48 / 0

HEX #FEFF85

RGB 254 255 133

HSL 60.49, 1%, 0.76%

LAB 97.75, -16.5, 57.66

 

CMYK 22 / 0 / 73 / 9

HEX #B5E93E

RGB 181 233 62

HSL 78.25, 0.8%, 0.58%

LAB 86.23, -39.56, 72.55

 

CMYK 24 / 0 / 80 / 16

HEX #A4D72B

RGB 164 215 43

HSL 77.79, 0.68%, 0.51%

LAB 79.99, -38.92, 72.04

 

CMYK 25 / 0 / 88 / 23

HEX #93C518

RGB 147 197 24

HSL 77.34, 0.78%, 0.43%

LAB 73.68, -38.11, 70.55

 

CMYK 27 / 0 / 97 / 30

HEX #82B305

RGB 130 179 5

HSL 76.9, 0.95%, 0.36%

LAB 67.27, -37.08, 67.69

 

CMYK 30 / 0 / 100 / 37

HEX #71A100

RGB 113 161 0

HSL 77.89, 1%, 0.32%

LAB 60.78, -35.78, 62.89

 

CMYK 23 / 0 / 74 / 8

HEX #B5EA3E

RGB 181 234 62

HSL 78.49, 0.8%, 0.58%

LAB 86.51, -40, 72.82

 

CMYK 3 / 0 / 74 / 8

HEX #E4EA3E

RGB 228 234 62

HSL 62.09, 0.8%, 0.58%

LAB 89.71, -21.36, 76.98

 

CMYK 0 / 18 / 74 / 8

HEX #EAC13E

RGB 234 193 62

HSL 45.7, 0.8%, 0.58%

LAB 79.6, 1.71, 67.57

 

CMYK 0 / 37 / 74 / 8

HEX #EA933E

RGB 234 147 62

HSL 29.65, 0.8%, 0.58%

LAB 68.54, 25.98, 56.6

 

CMYK 0 / 57 / 74 / 8

HEX #EA653E

RGB 234 101 62

HSL 13.6, 0.8%, 0.58%

LAB 59.11, 49.23, 46.73

 

CMYK 23 / 0 / 74 / 8

HEX #B5EA3E

RGB 181 234 62

HSL 78.49, 0.8%, 0.58%

LAB 86.51, -40, 72.82

 

CMYK 42 / 0 / 74 / 8

HEX #87EA3E

RGB 135 234 62

HSL 94.53, 0.8%, 0.58%

LAB 84.14, -56.08, 69.71

 

CMYK 62 / 0 / 74 / 8

HEX #59EA3E

RGB 89 234 62

HSL 110.58, 0.8%, 0.58%

LAB 82.55, -68.42, 67.59

 

CMYK 74 / 0 / 65 / 8

HEX #3EEA52

RGB 62 234 82

HSL 126.98, 0.8%, 0.58%

LAB 82.1, -71.65, 59.53

 

CMYK 74 / 0 / 45 / 8

HEX #3EEA80

RGB 62 234 128

HSL 143.02, 0.8%, 0.58%

LAB 82.61, -65.61, 39.27

 

CMYK 23 / 0 / 74 / 8

HEX #B5EA3E

RGB 181 234 62

HSL 78.49, 0.8%, 0.58%

LAB 86.51, -40, 72.82

 

CMYK 25 / 0 / 82 / 2

HEX #BCFB2D

RGB 188 251 45

HSL 78.35, 0.96%, 0.58%

LAB 91.63, -45.48, 82.36

 

CMYK 23 / 0 / 74 / 8

HEX #B5EA3E

RGB 181 234 62

HSL 78.49, 0.8%, 0.58%

LAB 86.51, -40, 72.82

 

CMYK 19 / 0 / 63 / 15

HEX #AFD850

RGB 175 216 80

HSL 78.09, 0.64%, 0.58%

LAB 81.18, -33.04, 60.64

 

CMYK 16 / 0 / 51 / 22

HEX #A8C761

RGB 168 199 97

HSL 78.24, 0.48%, 0.58%

LAB 76.09, -26.26, 47.16

 

CMYK 12 / 0 / 37 / 29

HEX #A1B672

RGB 161 182 114

HSL 78.53, 0.32%, 0.58%

LAB 71.04, -18.64, 32.26

 

CMYK 6 / 0 / 20 / 36

HEX #9AA484

RGB 154 164 132

HSL 78.75, 0.15%, 0.58%

LAB 65.82, -9.35, 15.44

 

CMYK 0 / 17 / 74 / 8

HEX #EAC23E

RGB 234 194 62

HSL 46.05, 0.8%, 0.58%

LAB 79.85, 1.19, 67.81

 

CMYK 3 / 0 / 74 / 8

HEX #E4EA3E

RGB 228 234 62

HSL 62.09, 0.8%, 0.58%

LAB 89.71, -21.36, 76.98

 

CMYK 22 / 0 / 74 / 8

HEX #B6EA3E

RGB 182 234 62

HSL 78.14, 0.8%, 0.58%

LAB 86.57, -39.62, 72.9

 

CMYK 42 / 0 / 74 / 8

HEX #88EA3E

RGB 136 234 62

HSL 94.19, 0.8%, 0.58%

LAB 84.19, -55.76, 69.76

 

CMYK 61 / 0 / 74 / 8

HEX #5BEA3E

RGB 91 234 62

HSL 109.88, 0.8%, 0.58%

LAB 82.6, -67.98, 67.66

 

CMYK 27 / 0 / 89 / 25

HEX #8CC015

RGB 140 192 21

HSL 78.25, 0.8%, 0.42%

LAB 71.78, -38.68, 69.35

 

CMYK 27 / 0 / 89 / 10

HEX #A7E519

RGB 167 229 25

HSL 78.24, 0.8%, 0.5%

LAB 84.13, -44.44, 79.47

 

CMYK 23 / 0 / 74 / 8

HEX #B5EA3E

RGB 181 234 62

HSL 78.49, 0.8%, 0.58%

LAB 86.51, -40, 72.82

 

CMYK 18 / 0 / 58 / 7

HEX #C4EE63

RGB 196 238 99

HSL 78.13, 0.8%, 0.66%

LAB 88.82, -33.67, 61.41

 

CMYK 13 / 0 / 44 / 5

HEX #D2F288

RGB 210 242 136

HSL 78.11, 0.8%, 0.74%

LAB 91.23, -26.75, 47.57

 

CMYK 22 / 0 / 73 / 9

HEX #B5E93E

RGB 181 233 62

HSL 78.25, 0.8%, 0.58%

LAB 86.23, -39.56, 72.55

 

CMYK 74 / 0 / 37 / 8

HEX #3EEA94

RGB 62 234 148

HSL 150, 0.8%, 0.58%

LAB 82.92, -62.09, 29.68

 

CMYK 8 / 74 / 0 / 8

HEX #D83EEA

RGB 216 62 234

HSL 293.72, 0.8%, 0.58%

LAB 56.07, 78.73, -56.29

 

CMYK 22 / 0 / 73 / 9

HEX #B5E93E

RGB 181 233 62

HSL 78.25, 0.8%, 0.58%

LAB 86.23, -39.56, 72.55

 

CMYK 74 / 22 / 0 / 8

HEX #3EB6EA

RGB 62 182 234

HSL 198.14, 0.8%, 0.58%

LAB 69.77, -16.27, -35.46

 

CMYK 0 / 74 / 22 / 8

HEX #EA3EB6

RGB 234 62 182

HSL 318.14, 0.8%, 0.58%

LAB 56.4, 75, -25.92

 

CMYK 22 / 0 / 73 / 9

HEX #B5E93E

RGB 181 233 62

HSL 78.25, 0.8%, 0.58%

LAB 86.23, -39.56, 72.55

 

CMYK 74 / 0 / 37 / 8

HEX #3EEA94

RGB 62 234 148

HSL 150, 0.8%, 0.58%

LAB 82.92, -62.09, 29.68

 

CMYK 51 / 74 / 0 / 8

HEX #723EEA

RGB 114 62 234

HSL 258.14, 0.8%, 0.58%

LAB 42.71, 60.83, -78.57

 

CMYK 0 / 74 / 37 / 8

HEX #EA3E94

RGB 234 62 148

HSL 330, 0.8%, 0.58%

LAB 55.15, 71.11, -7.92

 

CMYK 22 / 0 / 73 / 9

HEX #B5E93E

RGB 181 233 62

HSL 78.25, 0.8%, 0.58%

LAB 86.23, -39.56, 72.55

 

CMYK 74 / 0 / 15 / 8

HEX #3EEAC7

RGB 62 234 199

HSL 167.79, 0.8%, 0.58%

LAB 83.96, -50.89, 4.65

 

CMYK 51 / 74 / 0 / 8

HEX #723EEA

RGB 114 62 234

HSL 258.14, 0.8%, 0.58%

LAB 42.71, 60.83, -78.57

 

CMYK 0 / 74 / 59 / 8

HEX #EA3E60

RGB 234 62 96

HSL 348.14, 0.8%, 0.58%

LAB 53.8, 66.74, 21.15

 

Description

Color code: HEX #B5E93E | qconv.com Color code: HEX #B5E93E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 233 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 233 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 73 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 73% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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