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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E916 it is the complementary color #4A16E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E916 shade: #BAE911, #CBFB24, #DCFF37, #EDFF4A and #FEFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E916 shade: #B5E916, #A4D703, #93C500, #82B300 and #71A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E916 shade: #B5E916, #E9E416, #E9AB16, #E97216 and #E93916

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E916 shade: #B5E916, #7CE916, #43E916, #16E921 and #16E95A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E916 shade matches the following richer shades: #B5E916 and #C0FE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E916 shade: #B5E916, #ABD52A, #A0C03F, #96AB54 and #8B9768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E916 shade: #E9AA16, #E9E216, #B8E916, #80E916 and #47E916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E916 shade: #7B9E0F, #98C412, #B5E916, #C1ED3B and #CDF061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E916 shade: #B5E916, #16E971 and #C616E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E916 shade: #B5E916, #16B8E9 and #E916B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E916 shade: #B5E916, #16E971, #4716E9 and #E9168E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E916 shade: #B5E916, #16E9B1, #4716E9 and #E9164E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

Complementary color

CMYK 68 / 91 / 0 / 9

HEX #4A16E9

RGB 74 22 233

HSL 254.79, 0.83%, 0.5%

LAB 33.8, 71.51, -92.84

 

CMYK 20 / 0 / 93 / 9

HEX #BAE911

RGB 186 233 17

HSL 73.06, 0.86%, 0.49%

LAB 86.38, -39.06, 82.83

 

CMYK 19 / 0 / 86 / 2

HEX #CBFB24

RGB 203 251 36

HSL 73.4, 0.96%, 0.56%

LAB 92.49, -40.06, 85.33

 

CMYK 14 / 0 / 78 / 0

HEX #DCFF37

RGB 220 255 55

HSL 70.5, 1%, 0.61%

LAB 94.74, -34.66, 83.38

 

CMYK 7 / 0 / 71 / 0

HEX #EDFF4A

RGB 237 255 74

HSL 65.97, 1%, 0.65%

LAB 96, -27.15, 79.3

 

CMYK 0 / 0 / 64 / 0

HEX #FEFF5D

RGB 254 255 93

HSL 60.37, 1%, 0.68%

LAB 97.38, -19.38, 74.28

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 24 / 0 / 99 / 16

HEX #A4D703

RGB 164 215 3

HSL 74.43, 0.97%, 0.43%

LAB 79.9, -39.83, 78.53

 

CMYK 25 / 0 / 100 / 23

HEX #93C500

RGB 147 197 0

HSL 75.23, 1%, 0.39%

LAB 73.63, -38.52, 73.59

 

CMYK 27 / 0 / 100 / 30

HEX #82B300

RGB 130 179 0

HSL 76.42, 1%, 0.35%

LAB 67.27, -37.16, 68.29

 

CMYK 30 / 0 / 100 / 37

HEX #71A100

RGB 113 161 0

HSL 77.89, 1%, 0.32%

LAB 60.78, -35.78, 62.89

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 0 / 2 / 91 / 9

HEX #E9E416

RGB 233 228 22

HSL 58.58, 0.83%, 0.5%

LAB 88.38, -17.49, 85.21

 

CMYK 0 / 27 / 91 / 9

HEX #E9AB16

RGB 233 171 22

HSL 42.37, 0.83%, 0.5%

LAB 73.87, 11.65, 74.12

 

CMYK 0 / 51 / 91 / 9

HEX #E97216

RGB 233 114 22

HSL 26.16, 0.83%, 0.5%

LAB 61.15, 41.43, 64.69

 

CMYK 0 / 76 / 91 / 9

HEX #E93916

RGB 233 57 22

HSL 9.95, 0.83%, 0.5%

LAB 52.18, 65.21, 58.36

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 47 / 0 / 91 / 9

HEX #7CE916

RGB 124 233 22

HSL 91, 0.83%, 0.5%

LAB 83.24, -60.74, 78.34

 

CMYK 71 / 0 / 91 / 9

HEX #43E916

RGB 67 233 22

HSL 107.2, 0.83%, 0.5%

LAB 81.58, -74.24, 76.29

 

CMYK 91 / 0 / 86 / 9

HEX #16E921

RGB 22 233 33

HSL 123.13, 0.83%, 0.5%

LAB 81.05, -78.85, 73.69

 

CMYK 91 / 0 / 61 / 9

HEX #16E95A

RGB 22 233 90

HSL 139.34, 0.83%, 0.5%

LAB 81.39, -74.47, 55.29

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 24 / 0 / 100 / 0

HEX #C0FE01

RGB 192 254 1

HSL 74.7, 0.99%, 0.5%

LAB 92.62, -46.07, 89.14

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 20 / 0 / 80 / 16

HEX #ABD52A

RGB 171 213 42

HSL 74.74, 0.67%, 0.5%

LAB 79.85, -35.33, 72.34

 

CMYK 17 / 0 / 67 / 25

HEX #A0C03F

RGB 160 192 63

HSL 74.88, 0.51%, 0.5%

LAB 73.24, -28.87, 58.82

 

CMYK 12 / 0 / 51 / 33

HEX #96AB54

RGB 150 171 84

HSL 74.48, 0.34%, 0.5%

LAB 66.71, -20.91, 41.97

 

CMYK 8 / 0 / 31 / 41

HEX #8B9768

RGB 139 151 104

HSL 75.32, 0.18%, 0.5%

LAB 60.45, -12.55, 23.39

 

CMYK 0 / 27 / 91 / 9

HEX #E9AA16

RGB 233 170 22

HSL 42.09, 0.83%, 0.5%

LAB 73.63, 12.18, 73.93

 

CMYK 0 / 3 / 91 / 9

HEX #E9E216

RGB 233 226 22

HSL 58.01, 0.83%, 0.5%

LAB 87.86, -16.51, 84.8

 

CMYK 21 / 0 / 91 / 9

HEX #B8E916

RGB 184 233 22

HSL 73.93, 0.83%, 0.5%

LAB 86.27, -39.76, 82.06

 

CMYK 45 / 0 / 91 / 9

HEX #80E916

RGB 128 233 22

HSL 89.86, 0.83%, 0.5%

LAB 83.4, -59.52, 78.54

 

CMYK 70 / 0 / 91 / 9

HEX #47E916

RGB 71 233 22

HSL 106.07, 0.83%, 0.5%

LAB 81.66, -73.55, 76.38

 

CMYK 22 / 0 / 91 / 38

HEX #7B9E0F

RGB 123 158 15

HSL 74.69, 0.83%, 0.34%

LAB 60.52, -30.04, 60.73

 

CMYK 22 / 0 / 91 / 23

HEX #98C412

RGB 152 196 18

HSL 74.83, 0.83%, 0.42%

LAB 73.67, -35.82, 71.69

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 19 / 0 / 75 / 7

HEX #C1ED3B

RGB 193 237 59

HSL 74.83, 0.83%, 0.58%

LAB 88.08, -36.89, 75.51

 

CMYK 15 / 0 / 60 / 6

HEX #CDF061

RGB 205 240 97

HSL 74.69, 0.83%, 0.66%

LAB 89.93, -31.31, 63.66

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 91 / 0 / 52 / 9

HEX #16E971

RGB 22 233 113

HSL 145.88, 0.83%, 0.5%

LAB 81.64, -71.41, 45.19

 

CMYK 15 / 91 / 0 / 9

HEX #C616E9

RGB 198 22 233

HSL 290.05, 0.83%, 0.5%

LAB 50.05, 84.55, -65.56

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 91 / 21 / 0 / 9

HEX #16B8E9

RGB 22 184 233

HSL 193.93, 0.83%, 0.5%

LAB 69.71, -20.94, -35.06

 

CMYK 0 / 91 / 21 / 9

HEX #E916B8

RGB 233 22 184

HSL 313.93, 0.83%, 0.5%

LAB 53.34, 83.6, -31.84

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 91 / 0 / 52 / 9

HEX #16E971

RGB 22 233 113

HSL 145.88, 0.83%, 0.5%

LAB 81.64, -71.41, 45.19

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 0 / 91 / 39 / 9

HEX #E9168E

RGB 233 22 142

HSL 325.88, 0.83%, 0.5%

LAB 51.67, 79.15, -9.57

 

CMYK 22 / 0 / 91 / 9

HEX #B5E916

RGB 181 233 22

HSL 74.79, 0.83%, 0.5%

LAB 86.09, -40.92, 81.84

 

CMYK 91 / 0 / 24 / 9

HEX #16E9B1

RGB 22 233 177

HSL 164.08, 0.83%, 0.5%

LAB 82.71, -59.07, 14.35

 

CMYK 70 / 91 / 0 / 9

HEX #4716E9

RGB 71 22 233

HSL 253.93, 0.83%, 0.5%

LAB 33.56, 71.35, -93.26

 

CMYK 0 / 91 / 67 / 9

HEX #E9164E

RGB 233 22 78

HSL 344.08, 0.83%, 0.5%

LAB 50.03, 74.66, 27.02

 

Description

Color code: HEX #B5E916 | qconv.com Color code: HEX #B5E916 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 233 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 233 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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