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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E90C it is the complementary color #4A16F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E90C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E90C shade: #BAE907, #CBFB1A, #DCFF2D, #EDFF40 and #FEFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E90C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E90C shade: #B5E90C, #A4D700, #93C500, #82B300 and #71A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E90C shade: #B5E90C, #E9E10C, #E9A60C, #E96A0C and #E92F0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E90C shade: #B5E90C, #79E90C, #3EE90C, #0CE916 and #0CE951

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E90C shade matches the following richer shades: #B5E90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E90C shade: #B5E90C, #AAD520, #A0C134, #95AD48 and #8B995B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E90C shade: #E9A60C, #E9E10C, #B5E90C, #7AE90C and #40E90C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E90C shade: #789A08, #96C10A, #B5E90C, #C4F42A and #CFF651

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E90C shade: #B5E90C, #0CE96C and #C40CE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E90C shade: #B5E90C, #0CB5E9 and #E90CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E90C shade: #B5E90C, #0CE96C, #400CE9 and #E90C89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E90C shade: #B5E90C, #0CE9AE, #400CE9 and #E90C47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

Complementary color

CMYK 70 / 91 / 0 / 5

HEX #4A16F3

RGB 74 22 243

HSL 254.12, 0.9%, 0.52%

LAB 35, 73.98, -96.52

 

CMYK 20 / 0 / 97 / 9

HEX #BAE907

RGB 186 233 7

HSL 72.48, 0.94%, 0.47%

LAB 86.37, -39.18, 83.74

 

CMYK 19 / 0 / 90 / 2

HEX #CBFB1A

RGB 203 251 26

HSL 72.8, 0.97%, 0.54%

LAB 92.47, -40.28, 86.96

 

CMYK 14 / 0 / 82 / 0

HEX #DCFF2D

RGB 220 255 45

HSL 70, 1%, 0.59%

LAB 94.71, -34.98, 85.78

 

CMYK 7 / 0 / 75 / 0

HEX #EDFF40

RGB 237 255 64

HSL 65.65, 1%, 0.63%

LAB 95.95, -27.59, 82.39

 

CMYK 0 / 0 / 67 / 0

HEX #FEFF53

RGB 254 255 83

HSL 60.35, 1%, 0.66%

LAB 97.31, -19.92, 77.91

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 24 / 0 / 100 / 16

HEX #A4D700

RGB 164 215 0

HSL 74.23, 1%, 0.42%

LAB 79.89, -39.86, 78.81

 

CMYK 25 / 0 / 100 / 23

HEX #93C500

RGB 147 197 0

HSL 75.23, 1%, 0.39%

LAB 73.63, -38.52, 73.59

 

CMYK 27 / 0 / 100 / 30

HEX #82B300

RGB 130 179 0

HSL 76.42, 1%, 0.35%

LAB 67.27, -37.16, 68.29

 

CMYK 30 / 0 / 100 / 37

HEX #71A100

RGB 113 161 0

HSL 77.89, 1%, 0.32%

LAB 60.78, -35.78, 62.89

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 0 / 3 / 95 / 9

HEX #E9E10C

RGB 233 225 12

HSL 57.83, 0.9%, 0.48%

LAB 87.58, -16.14, 85.73

 

CMYK 0 / 29 / 95 / 9

HEX #E9A60C

RGB 233 166 12

HSL 41.81, 0.9%, 0.48%

LAB 72.64, 14.17, 74.8

 

CMYK 0 / 55 / 95 / 9

HEX #E96A0C

RGB 233 106 12

HSL 25.52, 0.9%, 0.48%

LAB 59.58, 45.22, 65.88

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0C

RGB 233 47 12

HSL 9.5, 0.9%, 0.48%

LAB 51.13, 67.95, 60.77

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 48 / 0 / 95 / 9

HEX #79E90C

RGB 121 233 12

HSL 90.41, 0.9%, 0.48%

LAB 83.11, -61.82, 79.36

 

CMYK 73 / 0 / 95 / 9

HEX #3EE90C

RGB 62 233 12

HSL 106.43, 0.9%, 0.48%

LAB 81.47, -75.25, 77.35

 

CMYK 95 / 0 / 91 / 9

HEX #0CE916

RGB 12 233 22

HSL 122.71, 0.9%, 0.48%

LAB 80.97, -79.68, 75.52

 

CMYK 95 / 0 / 65 / 9

HEX #0CE951

RGB 12 233 81

HSL 138.73, 0.9%, 0.48%

LAB 81.26, -75.9, 58.87

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 20 / 0 / 85 / 16

HEX #AAD520

RGB 170 213 32

HSL 74.25, 0.74%, 0.48%

LAB 79.75, -36.05, 74.61

 

CMYK 17 / 0 / 73 / 24

HEX #A0C134

RGB 160 193 52

HSL 74.04, 0.58%, 0.48%

LAB 73.46, -30, 63.11

 

CMYK 14 / 0 / 58 / 32

HEX #95AD48

RGB 149 173 72

HSL 74.26, 0.41%, 0.48%

LAB 67.08, -23.43, 48.11

 

CMYK 9 / 0 / 41 / 40

HEX #8B995B

RGB 139 153 91

HSL 73.55, 0.25%, 0.48%

LAB 60.81, -15.35, 30.91

 

CMYK 0 / 29 / 95 / 9

HEX #E9A60C

RGB 233 166 12

HSL 41.81, 0.9%, 0.48%

LAB 72.64, 14.17, 74.8

 

CMYK 0 / 3 / 95 / 9

HEX #E9E10C

RGB 233 225 12

HSL 57.83, 0.9%, 0.48%

LAB 87.58, -16.14, 85.73

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 48 / 0 / 95 / 9

HEX #7AE90C

RGB 122 233 12

HSL 90.14, 0.9%, 0.48%

LAB 83.15, -61.52, 79.41

 

CMYK 73 / 0 / 95 / 9

HEX #40E90C

RGB 64 233 12

HSL 105.88, 0.9%, 0.48%

LAB 81.51, -74.94, 77.4

 

CMYK 22 / 0 / 95 / 40

HEX #789A08

RGB 120 154 8

HSL 73.97, 0.9%, 0.32%

LAB 59.09, -29.54, 60.59

 

CMYK 22 / 0 / 95 / 24

HEX #96C10A

RGB 150 193 10

HSL 74.1, 0.9%, 0.4%

LAB 72.66, -35.39, 71.86

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 20 / 0 / 83 / 4

HEX #C4F42A

RGB 196 244 42

HSL 74.26, 0.9%, 0.56%

LAB 90.14, -39.5, 81.93

 

CMYK 16 / 0 / 67 / 4

HEX #CFF651

RGB 207 246 81

HSL 74.18, 0.9%, 0.64%

LAB 91.58, -34.39, 71.78

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 95 / 0 / 54 / 9

HEX #0CE96C

RGB 12 233 108

HSL 146.06, 0.9%, 0.48%

LAB 81.53, -72.57, 47.39

 

CMYK 16 / 95 / 0 / 9

HEX #C40CE9

RGB 196 12 233

HSL 289.95, 0.9%, 0.48%

LAB 49.35, 85.37, -66.7

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 95 / 22 / 0 / 9

HEX #0CB5E9

RGB 12 181 233

HSL 194.12, 0.9%, 0.48%

LAB 68.76, -19.75, -36.54

 

CMYK 0 / 95 / 22 / 9

HEX #E90CB5

RGB 233 12 181

HSL 314.12, 0.9%, 0.48%

LAB 52.86, 84.24, -30.83

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 95 / 0 / 54 / 9

HEX #0CE96C

RGB 12 233 108

HSL 146.06, 0.9%, 0.48%

LAB 81.53, -72.57, 47.39

 

CMYK 73 / 95 / 0 / 9

HEX #400CE9

RGB 64 12 233

HSL 254.12, 0.9%, 0.48%

LAB 32.34, 73.1, -95.3

 

CMYK 0 / 95 / 41 / 9

HEX #E90C89

RGB 233 12 137

HSL 326.06, 0.9%, 0.48%

LAB 51.14, 79.74, -7.34

 

CMYK 22 / 0 / 95 / 9

HEX #B5E90C

RGB 181 233 12

HSL 74.12, 0.9%, 0.48%

LAB 86.07, -41.07, 82.96

 

CMYK 95 / 0 / 25 / 9

HEX #0CE9AE

RGB 12 233 174

HSL 163.98, 0.9%, 0.48%

LAB 82.6, -60.14, 15.75

 

CMYK 73 / 95 / 0 / 9

HEX #400CE9

RGB 64 12 233

HSL 254.12, 0.9%, 0.48%

LAB 32.34, 73.1, -95.3

 

CMYK 0 / 95 / 70 / 9

HEX #E90C47

RGB 233 12 71

HSL 343.98, 0.9%, 0.48%

LAB 49.55, 75.42, 30.64

 

Description

Color code: HEX #B5E90C | qconv.com Color code: HEX #B5E90C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 233 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 233 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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