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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E879 it is the complementary color #4A1786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E879 shade: #BAE874, #CBFA87, #DCFF9A, #EDFFAD and #FEFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E879 shade: #B5E879, #A4D666, #93C453, #82B240 and #71A02D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E879 shade: #B4E878, #D3E878, #E8DF78, #E8C178 and #E8A378

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E879 shade: #B4E878, #96E878, #78E878, #78E896 and #78E8B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E879 shade matches the following richer shades: #B4E878 and #B6F56B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E879 shade: #B4E878, #B3DB85, #B2CE91, #B1C29E and #B0B5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E879 shade: #E8DF78, #D3E878, #B6E878, #98E878 and #7AE878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E879 shade: #8EDC31, #A1E255, #B4E878, #C8EE9B and #DBF4BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E879 shade: #B5E879, #78E8C1 and #E878E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E879 shade: #B5E879, #78B6E8 and #E878B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E879 shade: #B5E879, #78E8C1, #AA78E8 and #E8789F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E879 shade: #B5E879, #78E8E2, #AA78E8 and #E8787D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 48 / 9

HEX #B5E879

RGB 181 232 121

HSL 87.57, 0.71%, 0.69%

LAB 86.46, -34.39, 48.45

 

Complementary color

CMYK 45 / 83 / 0 / 47

HEX #4A1786

RGB 74 23 134

HSL 267.57, 0.71%, 0.31%

LAB 22.96, 45.87, -51.75

 

CMYK 20 / 0 / 50 / 9

HEX #BAE874

RGB 186 232 116

HSL 83.79, 0.72%, 0.68%

LAB 86.71, -33.09, 51.17

 

CMYK 19 / 0 / 46 / 2

HEX #CBFA87

RGB 203 250 135

HSL 84.52, 0.92%, 0.75%

LAB 92.93, -33.16, 50.07

 

CMYK 14 / 0 / 40 / 0

HEX #DCFF9A

RGB 220 255 154

HSL 80.79, 1%, 0.8%

LAB 95.61, -27.17, 44.55

 

CMYK 7 / 0 / 32 / 0

HEX #EDFFAD

RGB 237 255 173

HSL 73.17, 1%, 0.84%

LAB 97.04, -18.67, 37.3

 

CMYK 0 / 0 / 25 / 0

HEX #FEFFC0

RGB 254 255 192

HSL 60.95, 1%, 0.88%

LAB 98.59, -10.04, 30.09

 

CMYK 22 / 0 / 48 / 9

HEX #B5E879

RGB 181 232 121

HSL 87.57, 0.71%, 0.69%

LAB 86.46, -34.39, 48.45

 

CMYK 23 / 0 / 52 / 16

HEX #A4D666

RGB 164 214 102

HSL 86.79, 0.58%, 0.62%

LAB 80.15, -34.34, 49.56

 

CMYK 25 / 0 / 58 / 23

HEX #93C453

RGB 147 196 83

HSL 86.02, 0.49%, 0.55%

LAB 73.74, -34.23, 50.61

 

CMYK 27 / 0 / 64 / 30

HEX #82B240

RGB 130 178 64

HSL 85.26, 0.47%, 0.47%

LAB 67.24, -34.02, 51.49

 

CMYK 29 / 0 / 72 / 37

HEX #71A02D

RGB 113 160 45

HSL 84.52, 0.56%, 0.4%

LAB 60.64, -33.68, 52.01

 

CMYK 22 / 0 / 48 / 9

HEX #B4E878

RGB 180 232 120

HSL 87.86, 0.71%, 0.69%

LAB 86.39, -34.86, 48.82

 

CMYK 9 / 0 / 48 / 9

HEX #D3E878

RGB 211 232 120

HSL 71.25, 0.71%, 0.69%

LAB 88.41, -23.25, 51.74

 

CMYK 0 / 4 / 48 / 9

HEX #E8DF78

RGB 232 223 120

HSL 55.18, 0.71%, 0.69%

LAB 87.62, -10.58, 51.17

 

CMYK 0 / 17 / 48 / 9

HEX #E8C178

RGB 232 193 120

HSL 39.11, 0.71%, 0.69%

LAB 79.98, 4.79, 41.78

 

CMYK 0 / 30 / 48 / 9

HEX #E8A378

RGB 232 163 120

HSL 23.04, 0.71%, 0.69%

LAB 72.7, 20.68, 32.49

 

CMYK 22 / 0 / 48 / 9

HEX #B4E878

RGB 180 232 120

HSL 87.86, 0.71%, 0.69%

LAB 86.39, -34.86, 48.82

 

CMYK 35 / 0 / 48 / 9

HEX #96E878

RGB 150 232 120

HSL 103.93, 0.71%, 0.69%

LAB 84.77, -45.15, 46.46

 

CMYK 48 / 0 / 48 / 9

HEX #78E878

RGB 120 232 120

HSL 120, 0.71%, 0.69%

LAB 83.48, -54.1, 44.58

 

CMYK 48 / 0 / 35 / 9

HEX #78E896

RGB 120 232 150

HSL 136.07, 0.71%, 0.69%

LAB 83.92, -49.52, 30.27

 

CMYK 48 / 0 / 22 / 9

HEX #78E8B4

RGB 120 232 180

HSL 152.14, 0.71%, 0.69%

LAB 84.48, -43.89, 15.56

 

CMYK 22 / 0 / 48 / 9

HEX #B4E878

RGB 180 232 120

HSL 87.86, 0.71%, 0.69%

LAB 86.39, -34.86, 48.82

 

CMYK 26 / 0 / 56 / 4

HEX #B6F56B

RGB 182 245 107

HSL 87.39, 0.87%, 0.69%

LAB 90, -41.27, 59.07

 

CMYK 22 / 0 / 48 / 9

HEX #B4E878

RGB 180 232 120

HSL 87.86, 0.71%, 0.69%

LAB 86.39, -34.86, 48.82

 

CMYK 18 / 0 / 39 / 14

HEX #B3DB85

RGB 179 219 133

HSL 87.91, 0.54%, 0.69%

LAB 82.88, -27.61, 38.06

 

CMYK 14 / 0 / 30 / 19

HEX #B2CE91

RGB 178 206 145

HSL 87.54, 0.38%, 0.69%

LAB 79.42, -20.02, 27.34

 

CMYK 9 / 0 / 19 / 24

HEX #B1C29E

RGB 177 194 158

HSL 88.33, 0.23%, 0.69%

LAB 76.31, -12.31, 16.19

 

CMYK 3 / 0 / 6 / 29

HEX #B0B5AB

RGB 176 181 171

HSL 90, 0.06%, 0.69%

LAB 73.04, -3.6, 4.47

 

CMYK 0 / 4 / 48 / 9

HEX #E8DF78

RGB 232 223 120

HSL 55.18, 0.71%, 0.69%

LAB 87.62, -10.58, 51.17

 

CMYK 9 / 0 / 48 / 9

HEX #D3E878

RGB 211 232 120

HSL 71.25, 0.71%, 0.69%

LAB 88.41, -23.25, 51.74

 

CMYK 22 / 0 / 48 / 9

HEX #B6E878

RGB 182 232 120

HSL 86.79, 0.71%, 0.69%

LAB 86.51, -34.13, 49

 

CMYK 34 / 0 / 48 / 9

HEX #98E878

RGB 152 232 120

HSL 102.86, 0.71%, 0.69%

LAB 84.87, -44.51, 46.61

 

CMYK 47 / 0 / 48 / 9

HEX #7AE878

RGB 122 232 120

HSL 118.93, 0.71%, 0.69%

LAB 83.55, -53.56, 44.69

 

CMYK 35 / 0 / 78 / 14

HEX #8EDC31

RGB 142 220 49

HSL 87.37, 0.71%, 0.53%

LAB 80.27, -48.88, 70.16

 

CMYK 29 / 0 / 62 / 11

HEX #A1E255

RGB 161 226 85

HSL 87.66, 0.71%, 0.61%

LAB 83.25, -42.36, 60.56

 

CMYK 22 / 0 / 48 / 9

HEX #B4E878

RGB 180 232 120

HSL 87.86, 0.71%, 0.69%

LAB 86.39, -34.86, 48.82

 

CMYK 16 / 0 / 35 / 7

HEX #C8EE9B

RGB 200 238 155

HSL 87.47, 0.71%, 0.77%

LAB 89.76, -26.22, 36.23

 

CMYK 10 / 0 / 22 / 4

HEX #DBF4BE

RGB 219 244 190

HSL 87.78, 0.71%, 0.85%

LAB 93.22, -17.42, 23.36

 

CMYK 22 / 0 / 48 / 9

HEX #B5E879

RGB 181 232 121

HSL 87.57, 0.71%, 0.69%

LAB 86.46, -34.39, 48.45

 

CMYK 48 / 0 / 17 / 9

HEX #78E8C1

RGB 120 232 193

HSL 159.11, 0.71%, 0.69%

LAB 84.77, -41.14, 9.16

 

CMYK 0 / 48 / 3 / 9

HEX #E878E2

RGB 232 120 226

HSL 303.21, 0.71%, 0.69%

LAB 66.58, 57.45, -35.1

 

CMYK 22 / 0 / 48 / 9

HEX #B5E879

RGB 181 232 121

HSL 87.57, 0.71%, 0.69%

LAB 86.46, -34.39, 48.45

 

CMYK 48 / 22 / 0 / 9

HEX #78B6E8

RGB 120 182 232

HSL 206.79, 0.71%, 0.69%

LAB 71.74, -6.53, -31.16

 

CMYK 0 / 48 / 22 / 9

HEX #E878B6

RGB 232 120 182

HSL 326.79, 0.71%, 0.69%

LAB 64.94, 50.52, -12.94

 

CMYK 22 / 0 / 48 / 9

HEX #B5E879

RGB 181 232 121

HSL 87.57, 0.71%, 0.69%

LAB 86.46, -34.39, 48.45

 

CMYK 48 / 0 / 17 / 9

HEX #78E8C1

RGB 120 232 193

HSL 159.11, 0.71%, 0.69%

LAB 84.77, -41.14, 9.16

 

CMYK 27 / 48 / 0 / 9

HEX #AA78E8

RGB 170 120 232

HSL 266.79, 0.71%, 0.69%

LAB 59.71, 41.54, -49.72

 

CMYK 0 / 48 / 31 / 9

HEX #E8789F

RGB 232 120 159

HSL 339.11, 0.71%, 0.69%

LAB 64.24, 47.44, -0.91

 

CMYK 22 / 0 / 48 / 9

HEX #B5E879

RGB 181 232 121

HSL 87.57, 0.71%, 0.69%

LAB 86.46, -34.39, 48.45

 

CMYK 48 / 0 / 3 / 9

HEX #78E8E2

RGB 120 232 226

HSL 176.79, 0.71%, 0.69%

LAB 85.6, -33.43, -6.98

 

CMYK 27 / 48 / 0 / 9

HEX #AA78E8

RGB 170 120 232

HSL 266.79, 0.71%, 0.69%

LAB 59.71, 41.54, -49.72

 

CMYK 0 / 48 / 46 / 9

HEX #E8787D

RGB 232 120 125

HSL 357.32, 0.71%, 0.69%

LAB 63.4, 43.66, 17.29

 

Description

Color code: HEX #B5E879 | qconv.com Color code: HEX #B5E879 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 232 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 232 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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