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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E830 it is the complementary color #4A17CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E830. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E830 shade: #BAE82B, #CBFA3E, #DCFF51, #EDFF64 and #FEFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E830. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E830 shade: #B5E830, #A4D61D, #93C40A, #82B200 and #71A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E830 shade: #B5E830, #E7E830, #E8B830, #E88630 and #E85530

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E830 shade: #B5E830, #84E830, #52E830, #30E840 and #30E872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E830 shade matches the following richer shades: #B5E830 and #BDFB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E830 shade: #B5E830, #ADD543, #A5C356, #9CB068 and #949E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E830 shade: #E8B730, #E8E830, #B7E830, #86E830 and #55E830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E830 shade: #86B214, #A2D718, #B5E830, #C2EC56 and #D0F07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E830 shade: #B5E830, #30E886 and #D030E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E830 shade: #B5E830, #30B7E8 and #E830B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E830 shade: #B5E830, #30E886, #6130E8 and #E83092

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E830 shade: #B5E830, #30E8BD, #6130E8 and #E8305B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

Complementary color

CMYK 64 / 89 / 0 / 19

HEX #4A17CF

RGB 74 23 207

HSL 256.63, 0.8%, 0.45%

LAB 30.82, 64.71, -82.83

 

CMYK 20 / 0 / 81 / 9

HEX #BAE82B

RGB 186 232 43

HSL 74.6, 0.8%, 0.54%

LAB 86.17, -37.99, 78.02

 

CMYK 19 / 0 / 75 / 2

HEX #CBFA3E

RGB 203 250 62

HSL 75, 0.95%, 0.61%

LAB 92.32, -38.72, 78.79

 

CMYK 14 / 0 / 68 / 0

HEX #DCFF51

RGB 220 255 81

HSL 72.07, 1%, 0.66%

LAB 94.88, -33.46, 75.39

 

CMYK 7 / 0 / 61 / 0

HEX #EDFF64

RGB 237 255 100

HSL 66.97, 1%, 0.7%

LAB 96.18, -25.68, 69.87

 

CMYK 0 / 0 / 53 / 0

HEX #FEFF77

RGB 254 255 119

HSL 60.44, 1%, 0.73%

LAB 97.6, -17.65, 63.77

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 23 / 0 / 86 / 16

HEX #A4D61D

RGB 164 214 29

HSL 76.22, 0.76%, 0.48%

LAB 79.66, -38.94, 74.99

 

CMYK 25 / 0 / 95 / 23

HEX #93C40A

RGB 147 196 10

HSL 75.81, 0.9%, 0.4%

LAB 73.35, -37.94, 72.32

 

CMYK 27 / 0 / 100 / 30

HEX #82B200

RGB 130 178 0

HSL 76.18, 1%, 0.35%

LAB 66.97, -36.71, 68.06

 

CMYK 29 / 0 / 100 / 37

HEX #71A000

RGB 113 160 0

HSL 77.63, 1%, 0.31%

LAB 60.47, -35.33, 62.66

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 0 / 0 / 79 / 9

HEX #E7E830

RGB 231 232 48

HSL 60.33, 0.8%, 0.55%

LAB 89.35, -19.67, 80.77

 

CMYK 0 / 21 / 79 / 9

HEX #E8B830

RGB 232 184 48

HSL 44.35, 0.8%, 0.55%

LAB 77.07, 5.01, 69.99

 

CMYK 0 / 42 / 79 / 9

HEX #E88630

RGB 232 134 48

HSL 28.04, 0.8%, 0.55%

LAB 65.29, 31.45, 59.25

 

CMYK 0 / 63 / 79 / 9

HEX #E85530

RGB 232 85 48

HSL 12.07, 0.8%, 0.55%

LAB 55.95, 55.14, 50.35

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 43 / 0 / 79 / 9

HEX #84E830

RGB 132 232 48

HSL 92.61, 0.8%, 0.55%

LAB 83.35, -57, 73.14

 

CMYK 65 / 0 / 79 / 9

HEX #52E830

RGB 82 232 48

HSL 108.91, 0.8%, 0.55%

LAB 81.69, -70.1, 70.99

 

CMYK 79 / 0 / 72 / 9

HEX #30E840

RGB 48 232 64

HSL 125.22, 0.8%, 0.55%

LAB 81.13, -74.5, 65.22

 

CMYK 79 / 0 / 51 / 9

HEX #30E872

RGB 48 232 114

HSL 141.52, 0.8%, 0.55%

LAB 81.6, -68.85, 44.72

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 25 / 0 / 88 / 2

HEX #BDFB1E

RGB 189 251 30

HSL 76.83, 0.97%, 0.55%

LAB 91.64, -45.52, 85.34

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 19 / 0 / 69 / 16

HEX #ADD543

RGB 173 213 67

HSL 76.44, 0.63%, 0.55%

LAB 80.11, -33.31, 64.59

 

CMYK 15 / 0 / 56 / 24

HEX #A5C356

RGB 165 195 86

HSL 76.51, 0.48%, 0.55%

LAB 74.64, -26.54, 50.56

 

CMYK 11 / 0 / 41 / 31

HEX #9CB068

RGB 156 176 104

HSL 76.67, 0.31%, 0.55%

LAB 68.84, -18.81, 34.56

 

CMYK 6 / 0 / 22 / 38

HEX #949E7B

RGB 148 158 123

HSL 77.14, 0.15%, 0.55%

LAB 63.49, -9.88, 17.13

 

CMYK 0 / 21 / 79 / 9

HEX #E8B730

RGB 232 183 48

HSL 44.02, 0.8%, 0.55%

LAB 76.82, 5.53, 69.77

 

CMYK 0 / 0 / 79 / 9

HEX #E8E830

RGB 232 232 48

HSL 60, 0.8%, 0.55%

LAB 89.43, -19.26, 80.87

 

CMYK 21 / 0 / 79 / 9

HEX #B7E830

RGB 183 232 48

HSL 75.98, 0.8%, 0.55%

LAB 86, -38.97, 76.53

 

CMYK 42 / 0 / 79 / 9

HEX #86E830

RGB 134 232 48

HSL 91.96, 0.8%, 0.55%

LAB 83.44, -56.37, 73.25

 

CMYK 63 / 0 / 79 / 9

HEX #55E830

RGB 85 232 48

HSL 107.93, 0.8%, 0.55%

LAB 81.76, -69.48, 71.08

 

CMYK 25 / 0 / 89 / 30

HEX #86B214

RGB 134 178 20

HSL 76.71, 0.8%, 0.39%

LAB 67.25, -34.75, 65.64

 

CMYK 25 / 0 / 89 / 16

HEX #A2D718

RGB 162 215 24

HSL 76.65, 0.8%, 0.47%

LAB 79.81, -40.28, 75.97

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 18 / 0 / 64 / 7

HEX #C2EC56

RGB 194 236 86

HSL 76.8, 0.8%, 0.63%

LAB 88.03, -34.49, 65.89

 

CMYK 13 / 0 / 49 / 6

HEX #D0F07B

RGB 208 240 123

HSL 76.41, 0.8%, 0.71%

LAB 90.4, -27.91, 52.68

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 79 / 0 / 42 / 9

HEX #30E886

RGB 48 232 134

HSL 148.04, 0.8%, 0.55%

LAB 81.87, -65.61, 35.31

 

CMYK 10 / 79 / 0 / 9

HEX #D030E8

RGB 208 48 232

HSL 292.17, 0.8%, 0.55%

LAB 53.33, 80.89, -59.63

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 79 / 21 / 0 / 9

HEX #30B7E8

RGB 48 183 232

HSL 195.98, 0.8%, 0.55%

LAB 69.7, -18.97, -34.5

 

CMYK 0 / 79 / 21 / 9

HEX #E830B7

RGB 232 48 183

HSL 315.98, 0.8%, 0.55%

LAB 54.75, 78.53, -29.08

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 79 / 0 / 42 / 9

HEX #30E886

RGB 48 232 134

HSL 148.04, 0.8%, 0.55%

LAB 81.87, -65.61, 35.31

 

CMYK 58 / 79 / 0 / 9

HEX #6130E8

RGB 97 48 232

HSL 255.98, 0.8%, 0.55%

LAB 38.69, 64.36, -84.11

 

CMYK 0 / 79 / 37 / 9

HEX #E83092

RGB 232 48 146

HSL 328.04, 0.8%, 0.55%

LAB 53.33, 74.39, -9.49

 

CMYK 22 / 0 / 79 / 9

HEX #B5E830

RGB 181 232 48

HSL 76.63, 0.8%, 0.55%

LAB 85.88, -39.74, 76.37

 

CMYK 79 / 0 / 19 / 9

HEX #30E8BD

RGB 48 232 189

HSL 165.98, 0.8%, 0.55%

LAB 82.92, -54.01, 8.39

 

CMYK 58 / 79 / 0 / 9

HEX #6130E8

RGB 97 48 232

HSL 255.98, 0.8%, 0.55%

LAB 38.69, 64.36, -84.11

 

CMYK 0 / 79 / 61 / 9

HEX #E8305B

RGB 232 48 91

HSL 345.98, 0.8%, 0.55%

LAB 51.87, 69.99, 21.51

 

Description

Color code: HEX #B5E830 | qconv.com Color code: HEX #B5E830 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 232 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 232 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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