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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E81B it is the complementary color #4A17E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E81B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E81B shade: #BAE816, #CBFA29, #DCFF3C, #EDFF4F and #FEFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E81B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E81B shade: #B5E81B, #A4D608, #93C400, #82B200 and #71A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E81B shade: #B6E91C, #E9E41C, #E9AD1C, #E9761C and #E93E1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E81B shade: #B6E91C, #7EE91C, #47E91C, #1CE927 and #1CE95F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E81B shade matches the following richer shades: #B6E91C and #C0FD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E81B shade: #B6E91C, #ABD430, #A1C044, #97AC58 and #8D986C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E81B shade: #E9AB1C, #E9E21C, #B9E91C, #82E91C and #4BE91C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E81B shade: #7DA210, #9AC714, #B6E91C, #C2EC41 and #CEF067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E81B shade: #B5E81B, #1CE974 and #C61CE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E81B shade: #B5E81B, #1CB9E9 and #E91CB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E81B shade: #B5E81B, #1CE974, #4B1CE9 and #E91C90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E81B shade: #B5E81B, #1CE9B2, #4B1CE9 and #E91C52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 88 / 9

HEX #B5E81B

RGB 181 232 27

HSL 74.93, 0.82%, 0.51%

LAB 85.81, -40.38, 80.86

 

Complementary color

CMYK 68 / 90 / 0 / 11

HEX #4A17E4

RGB 74 23 228

HSL 254.93, 0.82%, 0.49%

LAB 33.29, 70.01, -90.85

 

CMYK 20 / 0 / 91 / 9

HEX #BAE816

RGB 186 232 22

HSL 73.14, 0.83%, 0.5%

LAB 86.11, -38.53, 81.99

 

CMYK 19 / 0 / 84 / 2

HEX #CBFA29

RGB 203 250 41

HSL 73.49, 0.95%, 0.57%

LAB 92.23, -39.48, 84.11

 

CMYK 14 / 0 / 76 / 0

HEX #DCFF3C

RGB 220 255 60

HSL 70.77, 1%, 0.62%

LAB 94.76, -34.47, 82.03

 

CMYK 7 / 0 / 69 / 0

HEX #EDFF4F

RGB 237 255 79

HSL 66.14, 1%, 0.65%

LAB 96.03, -26.91, 77.63

 

CMYK 0 / 0 / 62 / 0

HEX #FEFF62

RGB 254 255 98

HSL 60.38, 1%, 0.69%

LAB 97.42, -19.09, 72.36

 

CMYK 22 / 0 / 88 / 9

HEX #B5E81B

RGB 181 232 27

HSL 74.93, 0.82%, 0.51%

LAB 85.81, -40.38, 80.86

 

CMYK 23 / 0 / 96 / 16

HEX #A4D608

RGB 164 214 8

HSL 74.56, 0.93%, 0.44%

LAB 79.62, -39.32, 77.85

 

CMYK 25 / 0 / 100 / 23

HEX #93C400

RGB 147 196 0

HSL 75, 1%, 0.38%

LAB 73.34, -38.07, 73.37

 

CMYK 27 / 0 / 100 / 30

HEX #82B200

RGB 130 178 0

HSL 76.18, 1%, 0.35%

LAB 66.97, -36.71, 68.06

 

CMYK 29 / 0 / 100 / 37

HEX #71A000

RGB 113 160 0

HSL 77.63, 1%, 0.31%

LAB 60.47, -35.33, 62.66

 

CMYK 22 / 0 / 88 / 9

HEX #B6E91C

RGB 182 233 28

HSL 74.93, 0.82%, 0.51%

LAB 86.16, -40.41, 81

 

CMYK 0 / 2 / 88 / 9

HEX #E9E41C

RGB 233 228 28

HSL 58.54, 0.82%, 0.51%

LAB 88.4, -17.39, 84.31

 

CMYK 0 / 26 / 88 / 9

HEX #E9AD1C

RGB 233 173 28

HSL 42.44, 0.82%, 0.51%

LAB 74.38, 10.7, 73.27

 

CMYK 0 / 49 / 88 / 9

HEX #E9761C

RGB 233 118 28

HSL 26.34, 0.82%, 0.51%

LAB 61.97, 39.54, 63.6

 

CMYK 0 / 73 / 88 / 9

HEX #E93E1C

RGB 233 62 28

HSL 9.95, 0.82%, 0.51%

LAB 52.79, 63.7, 56.56

 

CMYK 22 / 0 / 88 / 9

HEX #B6E91C

RGB 182 233 28

HSL 74.93, 0.82%, 0.51%

LAB 86.16, -40.41, 81

 

CMYK 46 / 0 / 88 / 9

HEX #7EE91C

RGB 126 233 28

HSL 91.32, 0.82%, 0.51%

LAB 83.34, -59.98, 77.5

 

CMYK 70 / 0 / 88 / 9

HEX #47E91C

RGB 71 233 28

HSL 107.41, 0.82%, 0.51%

LAB 81.68, -73.37, 75.43

 

CMYK 88 / 0 / 83 / 9

HEX #1CE927

RGB 28 233 39

HSL 123.22, 0.82%, 0.51%

LAB 81.11, -78.21, 72.45

 

CMYK 88 / 0 / 59 / 9

HEX #1CE95F

RGB 28 233 95

HSL 139.61, 0.82%, 0.51%

LAB 81.48, -73.51, 53.24

 

CMYK 22 / 0 / 88 / 9

HEX #B6E91C

RGB 182 233 28

HSL 74.93, 0.82%, 0.51%

LAB 86.16, -40.41, 81

 

CMYK 24 / 0 / 97 / 1

HEX #C0FD07

RGB 192 253 7

HSL 74.88, 0.98%, 0.51%

LAB 92.34, -45.58, 88.5

 

CMYK 22 / 0 / 88 / 9

HEX #B6E91C

RGB 182 233 28

HSL 74.93, 0.82%, 0.51%

LAB 86.16, -40.41, 81

 

CMYK 19 / 0 / 77 / 17

HEX #ABD430

RGB 171 212 48

HSL 75, 0.66%, 0.51%

LAB 79.59, -34.63, 70.43

 

CMYK 16 / 0 / 65 / 25

HEX #A1C044

RGB 161 192 68

HSL 75, 0.5%, 0.51%

LAB 73.35, -28.13, 56.93

 

CMYK 12 / 0 / 49 / 33

HEX #97AC58

RGB 151 172 88

HSL 75, 0.34%, 0.51%

LAB 67.12, -20.6, 40.5

 

CMYK 7 / 0 / 29 / 40

HEX #8D986C

RGB 141 152 108

HSL 75, 0.18%, 0.51%

LAB 60.96, -11.71, 21.89

 

CMYK 0 / 27 / 88 / 9

HEX #E9AB1C

RGB 233 171 28

HSL 41.85, 0.82%, 0.51%

LAB 73.89, 11.75, 72.89

 

CMYK 0 / 3 / 88 / 9

HEX #E9E21C

RGB 233 226 28

HSL 57.95, 0.82%, 0.51%

LAB 87.87, -16.41, 83.89

 

CMYK 21 / 0 / 88 / 9

HEX #B9E91C

RGB 185 233 28

HSL 74.05, 0.82%, 0.51%

LAB 86.34, -39.25, 81.23

 

CMYK 44 / 0 / 88 / 9

HEX #82E91C

RGB 130 233 28

HSL 90.15, 0.82%, 0.51%

LAB 83.5, -58.75, 77.71

 

CMYK 68 / 0 / 88 / 9

HEX #4BE91C

RGB 75 233 28

HSL 106.24, 0.82%, 0.51%

LAB 81.76, -72.64, 75.54

 

CMYK 23 / 0 / 90 / 36

HEX #7DA210

RGB 125 162 16

HSL 75.21, 0.82%, 0.35%

LAB 61.86, -31.08, 61.7

 

CMYK 23 / 0 / 90 / 22

HEX #9AC714

RGB 154 199 20

HSL 75.08, 0.82%, 0.43%

LAB 74.68, -36.35, 72.24

 

CMYK 22 / 0 / 88 / 9

HEX #B6E91C

RGB 182 233 28

HSL 74.93, 0.82%, 0.51%

LAB 86.16, -40.41, 81

 

CMYK 18 / 0 / 72 / 7

HEX #C2EC41

RGB 194 236 65

HSL 74.74, 0.82%, 0.59%

LAB 87.89, -35.76, 73.44

 

CMYK 14 / 0 / 57 / 6

HEX #CEF067

RGB 206 240 103

HSL 74.89, 0.82%, 0.67%

LAB 90.05, -30.46, 61.26

 

CMYK 22 / 0 / 88 / 9

HEX #B5E81B

RGB 181 232 27

HSL 74.93, 0.82%, 0.51%

LAB 85.81, -40.38, 80.86

 

CMYK 88 / 0 / 50 / 9

HEX #1CE974

RGB 28 233 116

HSL 145.76, 0.82%, 0.51%

LAB 81.72, -70.61, 43.87

 

CMYK 15 / 88 / 0 / 9

HEX #C61CE9

RGB 198 28 233

HSL 289.76, 0.82%, 0.51%

LAB 50.36, 83.65, -65.06

 

CMYK 22 / 0 / 88 / 9

HEX #B5E81B

RGB 181 232 27

HSL 74.93, 0.82%, 0.51%

LAB 85.81, -40.38, 80.86

 

CMYK 88 / 21 / 0 / 9

HEX #1CB9E9

RGB 28 185 233

HSL 194.05, 0.82%, 0.51%

LAB 70.06, -21.16, -34.52

 

CMYK 0 / 88 / 21 / 9

HEX #E91CB9

RGB 233 28 185

HSL 314.05, 0.82%, 0.51%

LAB 53.66, 82.91, -31.92

 

CMYK 22 / 0 / 88 / 9

HEX #B5E81B

RGB 181 232 27

HSL 74.93, 0.82%, 0.51%

LAB 85.81, -40.38, 80.86

 

CMYK 88 / 0 / 50 / 9

HEX #1CE974

RGB 28 233 116

HSL 145.76, 0.82%, 0.51%

LAB 81.72, -70.61, 43.87

 

CMYK 68 / 88 / 0 / 9

HEX #4B1CE9

RGB 75 28 233

HSL 253.76, 0.82%, 0.51%

LAB 34.42, 69.96, -91.82

 

CMYK 0 / 88 / 38 / 9

HEX #E91C90

RGB 233 28 144

HSL 326.05, 0.82%, 0.51%

LAB 52.03, 78.5, -10.23

 

CMYK 22 / 0 / 88 / 9

HEX #B5E81B

RGB 181 232 27

HSL 74.93, 0.82%, 0.51%

LAB 85.81, -40.38, 80.86

 

CMYK 88 / 0 / 24 / 9

HEX #1CE9B2

RGB 28 233 178

HSL 163.9, 0.82%, 0.51%

LAB 82.77, -58.53, 13.92

 

CMYK 68 / 88 / 0 / 9

HEX #4B1CE9

RGB 75 28 233

HSL 253.76, 0.82%, 0.51%

LAB 34.42, 69.96, -91.82

 

CMYK 0 / 88 / 65 / 9

HEX #E91C52

RGB 233 28 82

HSL 344.2, 0.82%, 0.51%

LAB 50.41, 73.98, 25.08

 

Description

Color code: HEX #B5E81B | qconv.com Color code: HEX #B5E81B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 232 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 232 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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