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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E74F it is the complementary color #4A18B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E74F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E74F shade: #BAE74A, #CBF95D, #DCFF70, #EDFF83 and #FEFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E74F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E74F shade: #B5E74F, #A4D53C, #93C329, #82B116 and #719F03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E74F shade: #B5E750, #DEE750, #E7C750, #E79F50 and #E77650

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E74F shade: #B5E750, #8DE750, #64E750, #50E765 and #50E78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E74F shade matches the following richer shades: #B5E750 and #BBF740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E74F shade: #B5E750, #B0D760, #AAC770, #A5B780 and #9FA790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E74F shade: #E7C650, #E0E750, #B7E750, #8FE750 and #67E750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E74F shade: #90C91B, #A6E22C, #B5E750, #C5EC74 and #D4F199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E74F shade: #B5E74F, #50E79E and #DB50E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E74F shade: #B5E74F, #50B7E7 and #E750B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E74F shade: #B5E74F, #50E79E, #8050E7 and #E75099

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E74F shade: #B5E74F, #50E7CB, #8050E7 and #E7506C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 66 / 9

HEX #B5E74F

RGB 181 231 79

HSL 79.74, 0.76%, 0.61%

LAB 85.78, -37.65, 66.02

 

Complementary color

CMYK 58 / 86 / 0 / 31

HEX #4A18B0

RGB 74 24 176

HSL 259.74, 0.76%, 0.39%

LAB 27.42, 56.42, -70.16

 

CMYK 19 / 0 / 68 / 9

HEX #BAE74A

RGB 186 231 74

HSL 77.2, 0.77%, 0.6%

LAB 86.05, -36.07, 68.29

 

CMYK 18 / 0 / 63 / 2

HEX #CBF95D

RGB 203 249 93

HSL 77.69, 0.93%, 0.67%

LAB 92.24, -36.48, 67.77

 

CMYK 14 / 0 / 56 / 0

HEX #DCFF70

RGB 220 255 112

HSL 74.69, 1%, 0.72%

LAB 95.12, -31.34, 63.35

 

CMYK 7 / 0 / 49 / 0

HEX #EDFF83

RGB 237 255 131

HSL 68.71, 1%, 0.76%

LAB 96.48, -23.23, 56.76

 

CMYK 0 / 0 / 41 / 0

HEX #FEFF96

RGB 254 255 150

HSL 60.57, 1%, 0.79%

LAB 97.95, -14.91, 49.93

 

CMYK 22 / 0 / 66 / 9

HEX #B5E74F

RGB 181 231 79

HSL 79.74, 0.76%, 0.61%

LAB 85.78, -37.65, 66.02

 

CMYK 23 / 0 / 72 / 16

HEX #A4D53C

RGB 164 213 60

HSL 79.22, 0.65%, 0.54%

LAB 79.5, -37.21, 66.32

 

CMYK 25 / 0 / 79 / 24

HEX #93C329

RGB 147 195 41

HSL 78.7, 0.65%, 0.46%

LAB 73.15, -36.62, 66.02

 

CMYK 27 / 0 / 88 / 31

HEX #82B116

RGB 130 177 22

HSL 78.19, 0.78%, 0.39%

LAB 66.71, -35.83, 64.7

 

CMYK 29 / 0 / 98 / 38

HEX #719F03

RGB 113 159 3

HSL 77.69, 0.96%, 0.32%

LAB 60.17, -34.82, 61.99

 

CMYK 22 / 0 / 65 / 9

HEX #B5E750

RGB 181 231 80

HSL 79.87, 0.76%, 0.61%

LAB 85.78, -37.59, 65.64

 

CMYK 4 / 0 / 65 / 9

HEX #DEE750

RGB 222 231 80

HSL 63.58, 0.76%, 0.61%

LAB 88.57, -21.47, 69.4

 

CMYK 0 / 14 / 65 / 9

HEX #E7C750

RGB 231 199 80

HSL 47.28, 0.76%, 0.61%

LAB 80.97, -1.75, 61.7

 

CMYK 0 / 31 / 65 / 9

HEX #E79F50

RGB 231 159 80

HSL 31.39, 0.76%, 0.61%

LAB 71.12, 19.31, 50.98

 

CMYK 0 / 49 / 65 / 9

HEX #E77650

RGB 231 118 80

HSL 15.1, 0.76%, 0.61%

LAB 62.1, 40.77, 40.6

 

CMYK 22 / 0 / 65 / 9

HEX #B5E750

RGB 181 231 80

HSL 79.87, 0.76%, 0.61%

LAB 85.78, -37.59, 65.64

 

CMYK 39 / 0 / 65 / 9

HEX #8DE750

RGB 141 231 80

HSL 95.76, 0.76%, 0.61%

LAB 83.65, -51.71, 62.73

 

CMYK 57 / 0 / 65 / 9

HEX #64E750

RGB 100 231 80

HSL 112.05, 0.76%, 0.61%

LAB 82.08, -63.41, 60.57

 

CMYK 65 / 0 / 56 / 9

HEX #50E765

RGB 80 231 101

HSL 128.34, 0.76%, 0.61%

LAB 81.73, -65.49, 51.05

 

CMYK 65 / 0 / 39 / 9

HEX #50E78E

RGB 80 231 142

HSL 144.64, 0.76%, 0.61%

LAB 82.28, -59.29, 31.93

 

CMYK 22 / 0 / 65 / 9

HEX #B5E750

RGB 181 231 80

HSL 79.87, 0.76%, 0.61%

LAB 85.78, -37.59, 65.64

 

CMYK 24 / 0 / 74 / 3

HEX #BBF740

RGB 187 247 64

HSL 79.67, 0.92%, 0.61%

LAB 90.53, -43.34, 76.15

 

CMYK 22 / 0 / 65 / 9

HEX #B5E750

RGB 181 231 80

HSL 79.87, 0.76%, 0.61%

LAB 85.78, -37.59, 65.64

 

CMYK 18 / 0 / 55 / 16

HEX #B0D760

RGB 176 215 96

HSL 79.66, 0.6%, 0.61%

LAB 81.11, -30.88, 53.64

 

CMYK 15 / 0 / 44 / 22

HEX #AAC770

RGB 170 199 112

HSL 80, 0.44%, 0.61%

LAB 76.41, -23.87, 40.25

 

CMYK 10 / 0 / 30 / 28

HEX #A5B780

RGB 165 183 128

HSL 79.64, 0.28%, 0.61%

LAB 71.84, -15.71, 25.98

 

CMYK 5 / 0 / 14 / 35

HEX #9FA790

RGB 159 167 144

HSL 80.87, 0.12%, 0.61%

LAB 67.29, -7.07, 10.94

 

CMYK 0 / 14 / 65 / 9

HEX #E7C650

RGB 231 198 80

HSL 46.89, 0.76%, 0.61%

LAB 80.71, -1.24, 61.43

 

CMYK 3 / 0 / 65 / 9

HEX #E0E750

RGB 224 231 80

HSL 62.78, 0.76%, 0.61%

LAB 88.72, -20.66, 69.61

 

CMYK 21 / 0 / 65 / 9

HEX #B7E750

RGB 183 231 80

HSL 79.07, 0.76%, 0.61%

LAB 85.91, -36.83, 65.8

 

CMYK 38 / 0 / 65 / 9

HEX #8FE750

RGB 143 231 80

HSL 94.97, 0.76%, 0.61%

LAB 83.74, -51.05, 62.86

 

CMYK 55 / 0 / 65 / 9

HEX #67E750

RGB 103 231 80

HSL 110.86, 0.76%, 0.61%

LAB 82.17, -62.67, 60.7

 

CMYK 28 / 0 / 87 / 21

HEX #90C91B

RGB 144 201 27

HSL 79.66, 0.76%, 0.45%

LAB 74.69, -40.95, 70.74

 

CMYK 27 / 0 / 81 / 11

HEX #A6E22C

RGB 166 226 44

HSL 79.78, 0.76%, 0.53%

LAB 83.27, -42.95, 74.76

 

CMYK 22 / 0 / 65 / 9

HEX #B5E750

RGB 181 231 80

HSL 79.87, 0.76%, 0.61%

LAB 85.78, -37.59, 65.64

 

CMYK 17 / 0 / 51 / 7

HEX #C5EC74

RGB 197 236 116

HSL 79.5, 0.76%, 0.69%

LAB 88.51, -30.86, 53.49

 

CMYK 12 / 0 / 37 / 5

HEX #D4F199

RGB 212 241 153

HSL 79.77, 0.76%, 0.77%

LAB 91.33, -23.56, 39.42

 

CMYK 22 / 0 / 66 / 9

HEX #B5E74F

RGB 181 231 79

HSL 79.74, 0.76%, 0.61%

LAB 85.78, -37.65, 66.02

 

CMYK 65 / 0 / 32 / 9

HEX #50E79E

RGB 80 231 158

HSL 150.99, 0.76%, 0.61%

LAB 82.55, -56.28, 24.13

 

CMYK 5 / 65 / 0 / 9

HEX #DB50E7

RGB 219 80 231

HSL 295.23, 0.76%, 0.61%

LAB 58.57, 72.57, -50.6

 

CMYK 22 / 0 / 66 / 9

HEX #B5E74F

RGB 181 231 79

HSL 79.74, 0.76%, 0.61%

LAB 85.78, -37.65, 66.02

 

CMYK 65 / 21 / 0 / 9

HEX #50B7E7

RGB 80 183 231

HSL 199.07, 0.76%, 0.61%

LAB 70.41, -15.24, -32.79

 

CMYK 0 / 65 / 21 / 9

HEX #E750B7

RGB 231 80 183

HSL 319.07, 0.76%, 0.61%

LAB 58.17, 68.16, -23.81

 

CMYK 22 / 0 / 66 / 9

HEX #B5E74F

RGB 181 231 79

HSL 79.74, 0.76%, 0.61%

LAB 85.78, -37.65, 66.02

 

CMYK 65 / 0 / 32 / 9

HEX #50E79E

RGB 80 231 158

HSL 150.99, 0.76%, 0.61%

LAB 82.55, -56.28, 24.13

 

CMYK 45 / 65 / 0 / 9

HEX #8050E7

RGB 128 80 231

HSL 259.07, 0.76%, 0.61%

LAB 47.1, 53.4, -69.64

 

CMYK 0 / 65 / 34 / 9

HEX #E75099

RGB 231 80 153

HSL 330.99, 0.76%, 0.61%

LAB 57.1, 64.45, -8

 

CMYK 22 / 0 / 66 / 9

HEX #B5E74F

RGB 181 231 79

HSL 79.74, 0.76%, 0.61%

LAB 85.78, -37.65, 66.02

 

CMYK 65 / 0 / 12 / 9

HEX #50E7CB

RGB 80 231 203

HSL 168.87, 0.76%, 0.61%

LAB 83.53, -46.18, 1.97

 

CMYK 45 / 65 / 0 / 9

HEX #8050E7

RGB 128 80 231

HSL 259.07, 0.76%, 0.61%

LAB 47.1, 53.4, -69.64

 

CMYK 0 / 65 / 53 / 9

HEX #E7506C

RGB 231 80 108

HSL 348.87, 0.76%, 0.61%

LAB 55.9, 60.15, 16.79

 

Description

Color code: HEX #B5E74F | qconv.com Color code: HEX #B5E74F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 231 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 231 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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