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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E740 it is the complementary color #4A18BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E740 shade: #BAE73B, #CBF94E, #DCFF61, #EDFF74 and #FEFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E740 shade: #B5E740, #A4D52D, #93C31A, #82B107 and #719F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E740 shade: #B5E740, #E2E740, #E7BF40, #E79240 and #E76540

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E740 shade: #B5E740, #88E740, #5BE740, #40E752 and #40E780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E740 shade matches the following richer shades: #B5E740 and #BCF92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E740 shade: #B5E740, #AED652, #A8C563, #A1B374 and #9AA286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E740 shade: #E7BE40, #E5E740, #B8E740, #8CE740 and #5FE740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E740 shade: #8CBE17, #A7E31C, #B5E740, #C4EC65 and #D2F18A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E740 shade: #B5E740, #40E791 and #D440E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E740 shade: #B5E740, #40B8E7 and #E740B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E740 shade: #B5E740, #40E791, #7040E7 and #E74097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E740 shade: #B5E740, #40E7C3, #7040E7 and #E74065

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

Complementary color

CMYK 61 / 87 / 0 / 25

HEX #4A18BF

RGB 74 24 191

HSL 257.96, 0.78%, 0.42%

LAB 29.08, 60.31, -76.32

 

CMYK 19 / 0 / 74 / 9

HEX #BAE73B

RGB 186 231 59

HSL 75.7, 0.78%, 0.57%

LAB 85.96, -36.89, 73.36

 

CMYK 18 / 0 / 69 / 2

HEX #CBF94E

RGB 203 249 78

HSL 76.14, 0.93%, 0.64%

LAB 92.13, -37.45, 73.34

 

CMYK 14 / 0 / 62 / 0

HEX #DCFF61

RGB 220 255 97

HSL 73.29, 1%, 0.69%

LAB 94.99, -32.47, 69.45

 

CMYK 7 / 0 / 55 / 0

HEX #EDFF74

RGB 237 255 116

HSL 67.77, 1%, 0.73%

LAB 96.32, -24.51, 63.29

 

CMYK 0 / 0 / 47 / 0

HEX #FEFF87

RGB 254 255 135

HSL 60.5, 1%, 0.76%

LAB 97.77, -16.33, 56.76

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 23 / 0 / 79 / 16

HEX #A4D52D

RGB 164 213 45

HSL 77.5, 0.67%, 0.51%

LAB 79.43, -37.95, 70.98

 

CMYK 25 / 0 / 87 / 24

HEX #93C31A

RGB 147 195 26

HSL 77.04, 0.76%, 0.43%

LAB 73.09, -37.16, 69.67

 

CMYK 27 / 0 / 96 / 31

HEX #82B107

RGB 130 177 7

HSL 76.59, 0.92%, 0.36%

LAB 66.68, -36.15, 66.98

 

CMYK 29 / 0 / 100 / 38

HEX #719F00

RGB 113 159 0

HSL 77.36, 1%, 0.31%

LAB 60.17, -34.88, 62.42

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 2 / 0 / 72 / 9

HEX #E2E740

RGB 226 231 64

HSL 61.8, 0.78%, 0.58%

LAB 88.78, -20.65, 75.4

 

CMYK 0 / 17 / 72 / 9

HEX #E7BF40

RGB 231 191 64

HSL 45.63, 0.78%, 0.58%

LAB 78.82, 1.56, 65.96

 

CMYK 0 / 37 / 72 / 9

HEX #E79240

RGB 231 146 64

HSL 29.46, 0.78%, 0.58%

LAB 67.96, 25.36, 55

 

CMYK 0 / 56 / 72 / 9

HEX #E76540

RGB 231 101 64

HSL 13.29, 0.78%, 0.58%

LAB 58.66, 48.23, 45.08

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 41 / 0 / 72 / 9

HEX #88E740

RGB 136 231 64

HSL 94.13, 0.78%, 0.58%

LAB 83.31, -54.46, 68.23

 

CMYK 61 / 0 / 72 / 9

HEX #5BE740

RGB 91 231 64

HSL 110.3, 0.78%, 0.58%

LAB 81.7, -66.83, 66.08

 

CMYK 72 / 0 / 65 / 9

HEX #40E752

RGB 64 231 82

HSL 126.47, 0.78%, 0.58%

LAB 81.21, -70.4, 58.56

 

CMYK 72 / 0 / 45 / 9

HEX #40E780

RGB 64 231 128

HSL 142.99, 0.78%, 0.58%

LAB 81.73, -64.28, 38.15

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 24 / 0 / 81 / 2

HEX #BCF92F

RGB 188 249 47

HSL 78.12, 0.94%, 0.58%

LAB 91.07, -44.55, 81.4

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 19 / 0 / 62 / 16

HEX #AED652

RGB 174 214 82

HSL 78.18, 0.62%, 0.58%

LAB 80.57, -32.35, 59.12

 

CMYK 15 / 0 / 50 / 23

HEX #A8C563

RGB 168 197 99

HSL 77.76, 0.46%, 0.58%

LAB 75.55, -25.09, 45.55

 

CMYK 10 / 0 / 35 / 30

HEX #A1B374

RGB 161 179 116

HSL 77.14, 0.29%, 0.58%

LAB 70.23, -16.85, 30.15

 

CMYK 5 / 0 / 17 / 36

HEX #9AA286

RGB 154 162 134

HSL 77.14, 0.13%, 0.58%

LAB 65.3, -7.95, 13.62

 

CMYK 0 / 18 / 72 / 9

HEX #E7BE40

RGB 231 190 64

HSL 45.27, 0.78%, 0.58%

LAB 78.57, 2.08, 65.71

 

CMYK 1 / 0 / 72 / 9

HEX #E5E740

RGB 229 231 64

HSL 60.72, 0.78%, 0.58%

LAB 89.01, -19.42, 75.7

 

CMYK 20 / 0 / 72 / 9

HEX #B8E740

RGB 184 231 64

HSL 76.89, 0.78%, 0.58%

LAB 85.86, -37.41, 71.59

 

CMYK 39 / 0 / 72 / 9

HEX #8CE740

RGB 140 231 64

HSL 92.69, 0.78%, 0.58%

LAB 83.49, -53.17, 68.47

 

CMYK 59 / 0 / 72 / 9

HEX #5FE740

RGB 95 231 64

HSL 108.86, 0.78%, 0.58%

LAB 81.81, -65.91, 66.23

 

CMYK 26 / 0 / 88 / 25

HEX #8CBE17

RGB 140 190 23

HSL 77.96, 0.78%, 0.42%

LAB 71.19, -37.73, 68.5

 

CMYK 26 / 0 / 88 / 11

HEX #A7E31C

RGB 167 227 28

HSL 78.09, 0.78%, 0.5%

LAB 83.57, -43.51, 78.5

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 17 / 0 / 57 / 7

HEX #C4EC65

RGB 196 236 101

HSL 77.78, 0.78%, 0.66%

LAB 88.29, -32.59, 59.95

 

CMYK 13 / 0 / 43 / 5

HEX #D2F18A

RGB 210 241 138

HSL 78.06, 0.79%, 0.74%

LAB 90.98, -26.06, 46.3

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 72 / 0 / 37 / 9

HEX #40E791

RGB 64 231 145

HSL 149.1, 0.78%, 0.58%

LAB 81.99, -61.29, 29.97

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 72 / 20 / 0 / 9

HEX #40B8E7

RGB 64 184 231

HSL 196.89, 0.78%, 0.58%

LAB 70.27, -18.06, -33.04

 

CMYK 0 / 72 / 20 / 9

HEX #E740B8

RGB 231 64 184

HSL 316.89, 0.78%, 0.58%

LAB 56.2, 73.92, -27.42

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 72 / 0 / 37 / 9

HEX #40E791

RGB 64 231 145

HSL 149.1, 0.78%, 0.58%

LAB 81.99, -61.29, 29.97

 

CMYK 52 / 72 / 0 / 9

HEX #7040E7

RGB 112 64 231

HSL 257.25, 0.78%, 0.58%

LAB 42.58, 58.79, -77.09

 

CMYK 0 / 72 / 35 / 9

HEX #E74097

RGB 231 64 151

HSL 328.74, 0.78%, 0.58%

LAB 54.96, 70, -10.03

 

CMYK 22 / 0 / 72 / 9

HEX #B5E740

RGB 181 231 64

HSL 77.96, 0.78%, 0.58%

LAB 85.68, -38.56, 71.35

 

CMYK 72 / 0 / 16 / 9

HEX #40E7C3

RGB 64 231 195

HSL 167.07, 0.78%, 0.58%

LAB 83.01, -50.39, 5.39

 

CMYK 52 / 72 / 0 / 9

HEX #7040E7

RGB 112 64 231

HSL 257.25, 0.78%, 0.58%

LAB 42.58, 58.79, -77.09

 

CMYK 0 / 72 / 56 / 9

HEX #E74065

RGB 231 64 101

HSL 346.71, 0.78%, 0.58%

LAB 53.59, 65.56, 17.8

 

Description

Color code: HEX #B5E740 | qconv.com Color code: HEX #B5E740 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 231 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 231 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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