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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E680 it is the complementary color #4A197F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E680. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E680 shade: #BAE67B, #CBF88E, #DCFFA1, #EDFFB4 and #FEFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E680. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E680 shade: #B5E680, #A4D46D, #93C25A, #82B047 and #719E34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E680 shade: #B5E67F, #D0E67F, #E6E07F, #E6C47F and #E6A87F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E680 shade: #B5E67F, #99E67F, #7FE681, #7FE69D and #7FE6B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E680 shade matches the following richer shades: #B5E67F, #B5F273 and #B5FF66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E680 shade: #B5E67F, #B4D98C, #B4CD98, #B3C1A4 and #B3B4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E680 shade: #E6DF7F, #D1E67F, #B6E67F, #9BE67F and #7FE67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E680 shade: #8CD83A, #A0DF5D, #B5E67F, #C9EDA2 and #DDF3C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E680 shade: #B5E680, #7FE6C4 and #E67FDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E680 shade: #B5E680, #7FB6E6 and #E67FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E680 shade: #B5E680, #7FE6C4, #AF7FE6 and #E67FA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E680 shade: #B5E680, #7FE6E2, #AF7FE6 and #E67F83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 44 / 10

HEX #B5E680

RGB 181 230 128

HSL 88.82, 0.67%, 0.7%

LAB 85.99, -32.67, 44.5

 

Complementary color

CMYK 42 / 80 / 0 / 50

HEX #4A197F

RGB 74 25 127

HSL 268.82, 0.67%, 0.3%

LAB 22.6, 43.25, -47.94

 

CMYK 19 / 0 / 47 / 10

HEX #BAE67B

RGB 186 230 123

HSL 84.67, 0.68%, 0.69%

LAB 86.24, -31.42, 47.29

 

CMYK 18 / 0 / 43 / 3

HEX #CBF88E

RGB 203 248 142

HSL 85.47, 0.88%, 0.76%

LAB 92.48, -31.45, 46.16

 

CMYK 14 / 0 / 37 / 0

HEX #DCFFA1

RGB 220 255 161

HSL 82.34, 1%, 0.82%

LAB 95.71, -26.33, 41.26

 

CMYK 7 / 0 / 29 / 0

HEX #EDFFB4

RGB 237 255 180

HSL 74.4, 1%, 0.85%

LAB 97.15, -17.78, 33.97

 

CMYK 0 / 0 / 22 / 0

HEX #FEFFC7

RGB 254 255 199

HSL 61.07, 1%, 0.89%

LAB 98.72, -9.1, 26.73

 

CMYK 21 / 0 / 44 / 10

HEX #B5E680

RGB 181 230 128

HSL 88.82, 0.67%, 0.7%

LAB 85.99, -32.67, 44.5

 

CMYK 23 / 0 / 49 / 17

HEX #A4D46D

RGB 164 212 109

HSL 87.96, 0.54%, 0.63%

LAB 79.66, -32.67, 45.65

 

CMYK 24 / 0 / 54 / 24

HEX #93C25A

RGB 147 194 90

HSL 87.12, 0.46%, 0.56%

LAB 73.24, -32.61, 46.77

 

CMYK 26 / 0 / 60 / 31

HEX #82B047

RGB 130 176 71

HSL 86.29, 0.43%, 0.48%

LAB 66.71, -32.49, 47.81

 

CMYK 28 / 0 / 67 / 38

HEX #719E34

RGB 113 158 52

HSL 85.47, 0.5%, 0.41%

LAB 60.08, -32.25, 48.62

 

CMYK 21 / 0 / 45 / 10

HEX #B5E67F

RGB 181 230 127

HSL 88.54, 0.67%, 0.7%

LAB 85.98, -32.79, 44.97

 

CMYK 10 / 0 / 45 / 10

HEX #D0E67F

RGB 208 230 127

HSL 72.82, 0.67%, 0.7%

LAB 87.74, -22.74, 47.55

 

CMYK 0 / 3 / 45 / 10

HEX #E6E07F

RGB 230 224 127

HSL 56.5, 0.67%, 0.7%

LAB 87.81, -11.22, 48

 

CMYK 0 / 15 / 45 / 10

HEX #E6C47F

RGB 230 196 127

HSL 40.19, 0.67%, 0.7%

LAB 80.65, 3.09, 39.03

 

CMYK 0 / 27 / 45 / 10

HEX #E6A87F

RGB 230 168 127

HSL 23.88, 0.67%, 0.7%

LAB 73.78, 17.9, 30.13

 

CMYK 21 / 0 / 45 / 10

HEX #B5E67F

RGB 181 230 127

HSL 88.54, 0.67%, 0.7%

LAB 85.98, -32.79, 44.97

 

CMYK 33 / 0 / 45 / 10

HEX #99E67F

RGB 153 230 127

HSL 104.85, 0.67%, 0.7%

LAB 84.43, -42.43, 42.7

 

CMYK 45 / 0 / 44 / 10

HEX #7FE681

RGB 127 230 129

HSL 121.17, 0.67%, 0.7%

LAB 83.28, -50.1, 40.01

 

CMYK 45 / 0 / 32 / 10

HEX #7FE69D

RGB 127 230 157

HSL 137.48, 0.67%, 0.7%

LAB 83.73, -45.61, 26.48

 

CMYK 45 / 0 / 20 / 10

HEX #7FE6B9

RGB 127 230 185

HSL 153.79, 0.67%, 0.7%

LAB 84.28, -40.24, 12.7

 

CMYK 21 / 0 / 45 / 10

HEX #B5E67F

RGB 181 230 127

HSL 88.54, 0.67%, 0.7%

LAB 85.98, -32.79, 44.97

 

CMYK 25 / 0 / 52 / 5

HEX #B5F273

RGB 181 242 115

HSL 88.82, 0.83%, 0.7%

LAB 89.19, -39.53, 54.52

 

CMYK 29 / 0 / 60 / 0

HEX #B5FF66

RGB 181 255 102

HSL 89.02, 1%, 0.7%

LAB 92.71, -46.4, 64.24

 

CMYK 21 / 0 / 45 / 10

HEX #B5E67F

RGB 181 230 127

HSL 88.54, 0.67%, 0.7%

LAB 85.98, -32.79, 44.97

 

CMYK 17 / 0 / 35 / 15

HEX #B4D98C

RGB 180 217 140

HSL 88.83, 0.5%, 0.7%

LAB 82.5, -25.37, 34.03

 

CMYK 12 / 0 / 26 / 20

HEX #B4CD98

RGB 180 205 152

HSL 88.3, 0.35%, 0.7%

LAB 79.4, -17.75, 23.68

 

CMYK 7 / 0 / 15 / 24

HEX #B3C1A4

RGB 179 193 164

HSL 88.97, 0.19%, 0.7%

LAB 76.32, -10.07, 12.99

 

CMYK 1 / 0 / 2 / 29

HEX #B3B4B1

RGB 179 180 177

HSL 80, 0.02%, 0.7%

LAB 73.15, -0.91, 1.39

 

CMYK 0 / 3 / 45 / 10

HEX #E6DF7F

RGB 230 223 127

HSL 55.92, 0.67%, 0.7%

LAB 87.55, -10.72, 47.68

 

CMYK 9 / 0 / 45 / 10

HEX #D1E67F

RGB 209 230 127

HSL 72.23, 0.67%, 0.7%

LAB 87.81, -22.35, 47.65

 

CMYK 21 / 0 / 45 / 10

HEX #B6E67F

RGB 182 230 127

HSL 87.96, 0.67%, 0.7%

LAB 86.04, -32.43, 45.06

 

CMYK 33 / 0 / 45 / 10

HEX #9BE67F

RGB 155 230 127

HSL 103.69, 0.67%, 0.7%

LAB 84.53, -41.78, 42.85

 

CMYK 45 / 0 / 45 / 10

HEX #7FE67F

RGB 127 230 127

HSL 120, 0.67%, 0.7%

LAB 83.25, -50.39, 40.96

 

CMYK 35 / 0 / 73 / 15

HEX #8CD83A

RGB 140 216 58

HSL 88.86, 0.67%, 0.54%

LAB 79.04, -47.43, 66.1

 

CMYK 28 / 0 / 58 / 13

HEX #A0DF5D

RGB 160 223 93

HSL 89.08, 0.67%, 0.62%

LAB 82.4, -40.72, 56.2

 

CMYK 21 / 0 / 45 / 10

HEX #B5E67F

RGB 181 230 127

HSL 88.54, 0.67%, 0.7%

LAB 85.98, -32.79, 44.97

 

CMYK 15 / 0 / 32 / 7

HEX #C9EDA2

RGB 201 237 162

HSL 88.8, 0.68%, 0.78%

LAB 89.67, -24.44, 32.6

 

CMYK 9 / 0 / 19 / 5

HEX #DDF3C4

RGB 221 243 196

HSL 88.09, 0.66%, 0.86%

LAB 93.21, -15.31, 20.29

 

CMYK 21 / 0 / 44 / 10

HEX #B5E680

RGB 181 230 128

HSL 88.82, 0.67%, 0.7%

LAB 85.99, -32.67, 44.5

 

CMYK 45 / 0 / 15 / 10

HEX #7FE6C4

RGB 127 230 196

HSL 160.19, 0.67%, 0.7%

LAB 84.53, -37.9, 7.28

 

CMYK 0 / 45 / 3 / 10

HEX #E67FDF

RGB 230 127 223

HSL 304.08, 0.67%, 0.7%

LAB 67.52, 52.93, -31.99

 

CMYK 21 / 0 / 44 / 10

HEX #B5E680

RGB 181 230 128

HSL 88.82, 0.67%, 0.7%

LAB 85.99, -32.67, 44.5

 

CMYK 45 / 21 / 0 / 10

HEX #7FB6E6

RGB 127 182 230

HSL 207.96, 0.67%, 0.7%

LAB 72.01, -5.42, -29.62

 

CMYK 0 / 45 / 21 / 10

HEX #E67FB6

RGB 230 127 182

HSL 327.96, 0.67%, 0.7%

LAB 66.04, 46.37, -11.31

 

CMYK 21 / 0 / 44 / 10

HEX #B5E680

RGB 181 230 128

HSL 88.82, 0.67%, 0.7%

LAB 85.99, -32.67, 44.5

 

CMYK 45 / 0 / 15 / 10

HEX #7FE6C4

RGB 127 230 196

HSL 160.19, 0.67%, 0.7%

LAB 84.53, -37.9, 7.28

 

CMYK 24 / 45 / 0 / 10

HEX #AF7FE6

RGB 175 127 230

HSL 267.96, 0.67%, 0.7%

LAB 61.66, 38.55, -45.49

 

CMYK 0 / 45 / 30 / 10

HEX #E67FA1

RGB 230 127 161

HSL 340.19, 0.67%, 0.7%

LAB 65.42, 43.49, -0.36

 

CMYK 21 / 0 / 44 / 10

HEX #B5E680

RGB 181 230 128

HSL 88.82, 0.67%, 0.7%

LAB 85.99, -32.67, 44.5

 

CMYK 45 / 0 / 2 / 10

HEX #7FE6E2

RGB 127 230 226

HSL 177.67, 0.67%, 0.7%

LAB 85.3, -30.93, -7.4

 

CMYK 24 / 45 / 0 / 10

HEX #AF7FE6

RGB 175 127 230

HSL 267.96, 0.67%, 0.7%

LAB 61.66, 38.55, -45.49

 

CMYK 0 / 45 / 43 / 10

HEX #E67F83

RGB 230 127 131

HSL 357.67, 0.67%, 0.7%

LAB 64.68, 39.98, 15.61

 

Description

Color code: HEX #B5E680 | qconv.com Color code: HEX #B5E680 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 230 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 230 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 44 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 44% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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