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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E64C it is the complementary color #4A19B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E64C shade: #BAE647, #CBF85A, #DCFF6D, #EDFF80 and #FEFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E64C shade: #B5E64C, #A4D439, #93C226, #82B013 and #719E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E64C shade: #B4E54C, #DEE54C, #E5C34C, #E59A4C and #E5714C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E64C shade: #B4E54C, #8BE54C, #62E54C, #4CE55F and #4CE589

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E64C shade matches the following richer shades: #B4E54C and #BAF63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E64C shade: #B4E54C, #AED45D, #A8C46D, #A2B37E and #9CA38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E64C shade: #E5C44C, #DDE54C, #B5E54C, #8CE54C and #63E54C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E64C shade: #8EC31B, #A5E028, #B4E54C, #C3EA70 and #D2EF94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E64C shade: #B5E64C, #4CE59B and #D84CE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E64C shade: #B5E64C, #4CB5E5 and #E54CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E64C shade: #B5E64C, #4CE59B, #7C4CE5 and #E54C96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E64C shade: #B5E64C, #4CE5C9, #7C4CE5 and #E54C68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 67 / 10

HEX #B5E64C

RGB 181 230 76

HSL 79.09, 0.75%, 0.6%

LAB 85.47, -37.4, 66.85

 

Complementary color

CMYK 59 / 86 / 0 / 30

HEX #4A19B3

RGB 74 25 179

HSL 259.09, 0.75%, 0.4%

LAB 27.86, 56.86, -71.22

 

CMYK 19 / 0 / 69 / 10

HEX #BAE647

RGB 186 230 71

HSL 76.6, 0.76%, 0.59%

LAB 85.75, -35.8, 69.09

 

CMYK 18 / 0 / 64 / 3

HEX #CBF85A

RGB 203 248 90

HSL 77.09, 0.92%, 0.66%

LAB 91.94, -36.24, 68.64

 

CMYK 14 / 0 / 57 / 0

HEX #DCFF6D

RGB 220 255 109

HSL 74.38, 1%, 0.71%

LAB 95.09, -31.58, 64.6

 

CMYK 7 / 0 / 50 / 0

HEX #EDFF80

RGB 237 255 128

HSL 68.5, 1%, 0.75%

LAB 96.44, -23.5, 58.09

 

CMYK 0 / 0 / 42 / 0

HEX #FEFF93

RGB 254 255 147

HSL 60.56, 1%, 0.79%

LAB 97.91, -15.21, 51.32

 

CMYK 21 / 0 / 67 / 10

HEX #B5E64C

RGB 181 230 76

HSL 79.09, 0.75%, 0.6%

LAB 85.47, -37.4, 66.85

 

CMYK 23 / 0 / 73 / 17

HEX #A4D439

RGB 164 212 57

HSL 78.58, 0.64%, 0.53%

LAB 79.2, -36.93, 67.05

 

CMYK 24 / 0 / 80 / 24

HEX #93C226

RGB 147 194 38

HSL 78.08, 0.67%, 0.45%

LAB 72.84, -36.29, 66.59

 

CMYK 26 / 0 / 89 / 31

HEX #82B013

RGB 130 176 19

HSL 77.58, 0.81%, 0.38%

LAB 66.4, -35.46, 65.02

 

CMYK 28 / 0 / 100 / 38

HEX #719E00

RGB 113 158 0

HSL 77.09, 1%, 0.31%

LAB 59.86, -34.43, 62.18

 

CMYK 21 / 0 / 67 / 10

HEX #B4E54C

RGB 180 229 76

HSL 79.22, 0.75%, 0.6%

LAB 85.13, -37.33, 66.48

 

CMYK 3 / 0 / 67 / 10

HEX #DEE54C

RGB 222 229 76

HSL 62.75, 0.75%, 0.6%

LAB 88.01, -20.73, 70.34

 

CMYK 0 / 15 / 67 / 10

HEX #E5C34C

RGB 229 195 76

HSL 46.67, 0.75%, 0.6%

LAB 79.73, -0.76, 62.02

 

CMYK 0 / 33 / 67 / 10

HEX #E59A4C

RGB 229 154 76

HSL 30.59, 0.75%, 0.6%

LAB 69.68, 20.9, 51.21

 

CMYK 0 / 51 / 67 / 10

HEX #E5714C

RGB 229 113 76

HSL 14.51, 0.75%, 0.6%

LAB 60.77, 42.28, 41.09

 

CMYK 21 / 0 / 67 / 10

HEX #B4E54C

RGB 180 229 76

HSL 79.22, 0.75%, 0.6%

LAB 85.13, -37.33, 66.48

 

CMYK 39 / 0 / 67 / 10

HEX #8BE54C

RGB 139 229 76

HSL 95.29, 0.75%, 0.6%

LAB 82.94, -51.86, 63.51

 

CMYK 57 / 0 / 67 / 10

HEX #62E54C

RGB 98 229 76

HSL 111.37, 0.75%, 0.6%

LAB 81.38, -63.54, 61.38

 

CMYK 67 / 0 / 59 / 10

HEX #4CE55F

RGB 76 229 95

HSL 127.45, 0.75%, 0.6%

LAB 80.96, -66.28, 52.81

 

CMYK 67 / 0 / 40 / 10

HEX #4CE589

RGB 76 229 137

HSL 143.92, 0.75%, 0.6%

LAB 81.5, -60.13, 33.41

 

CMYK 21 / 0 / 67 / 10

HEX #B4E54C

RGB 180 229 76

HSL 79.22, 0.75%, 0.6%

LAB 85.13, -37.33, 66.48

 

CMYK 24 / 0 / 76 / 4

HEX #BAF63B

RGB 186 246 59

HSL 79.25, 0.91%, 0.6%

LAB 90.17, -43.52, 77.31

 

CMYK 21 / 0 / 67 / 10

HEX #B4E54C

RGB 180 229 76

HSL 79.22, 0.75%, 0.6%

LAB 85.13, -37.33, 66.48

 

CMYK 18 / 0 / 56 / 17

HEX #AED45D

RGB 174 212 93

HSL 79.16, 0.58%, 0.6%

LAB 80.11, -30.5, 53.81

 

CMYK 14 / 0 / 44 / 23

HEX #A8C46D

RGB 168 196 109

HSL 79.31, 0.42%, 0.6%

LAB 75.39, -23.52, 40.45

 

CMYK 9 / 0 / 30 / 30

HEX #A2B37E

RGB 162 179 126

HSL 79.25, 0.26%, 0.6%

LAB 70.47, -15.08, 25.17

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 0 / 14 / 67 / 10

HEX #E5C44C

RGB 229 196 76

HSL 47.06, 0.75%, 0.6%

LAB 79.99, -1.27, 62.29

 

CMYK 3 / 0 / 67 / 10

HEX #DDE54C

RGB 221 229 76

HSL 63.14, 0.75%, 0.6%

LAB 87.94, -21.14, 70.24

 

CMYK 21 / 0 / 67 / 10

HEX #B5E54C

RGB 181 229 76

HSL 78.82, 0.75%, 0.6%

LAB 85.19, -36.95, 66.56

 

CMYK 39 / 0 / 67 / 10

HEX #8CE54C

RGB 140 229 76

HSL 94.9, 0.75%, 0.6%

LAB 82.99, -51.53, 63.57

 

CMYK 57 / 0 / 67 / 10

HEX #63E54C

RGB 99 229 76

HSL 110.98, 0.75%, 0.6%

LAB 81.41, -63.3, 61.43

 

CMYK 27 / 0 / 86 / 24

HEX #8EC31B

RGB 142 195 27

HSL 78.93, 0.76%, 0.44%

LAB 72.8, -39.07, 69.1

 

CMYK 26 / 0 / 82 / 12

HEX #A5E028

RGB 165 224 40

HSL 79.24, 0.75%, 0.52%

LAB 82.63, -42.61, 75.16

 

CMYK 21 / 0 / 67 / 10

HEX #B4E54C

RGB 180 229 76

HSL 79.22, 0.75%, 0.6%

LAB 85.13, -37.33, 66.48

 

CMYK 17 / 0 / 52 / 8

HEX #C3EA70

RGB 195 234 112

HSL 79.18, 0.74%, 0.68%

LAB 87.78, -31.06, 54.44

 

CMYK 12 / 0 / 38 / 6

HEX #D2EF94

RGB 210 239 148

HSL 79.12, 0.74%, 0.76%

LAB 90.58, -23.95, 40.91

 

CMYK 21 / 0 / 67 / 10

HEX #B5E64C

RGB 181 230 76

HSL 79.09, 0.75%, 0.6%

LAB 85.47, -37.4, 66.85

 

CMYK 67 / 0 / 32 / 10

HEX #4CE59B

RGB 76 229 155

HSL 150.98, 0.75%, 0.6%

LAB 81.81, -56.77, 24.64

 

CMYK 6 / 67 / 0 / 10

HEX #D84CE5

RGB 216 76 229

HSL 294.9, 0.75%, 0.6%

LAB 57.49, 73.08, -51.22

 

CMYK 21 / 0 / 67 / 10

HEX #B5E64C

RGB 181 230 76

HSL 79.09, 0.75%, 0.6%

LAB 85.47, -37.4, 66.85

 

CMYK 67 / 21 / 0 / 10

HEX #4CB5E5

RGB 76 181 229

HSL 198.82, 0.75%, 0.6%

LAB 69.64, -15.44, -32.91

 

CMYK 0 / 67 / 21 / 10

HEX #E54CB5

RGB 229 76 181

HSL 318.82, 0.75%, 0.6%

LAB 57.23, 68.88, -24.12

 

CMYK 21 / 0 / 67 / 10

HEX #B5E64C

RGB 181 230 76

HSL 79.09, 0.75%, 0.6%

LAB 85.47, -37.4, 66.85

 

CMYK 67 / 0 / 32 / 10

HEX #4CE59B

RGB 76 229 155

HSL 150.98, 0.75%, 0.6%

LAB 81.81, -56.77, 24.64

 

CMYK 46 / 67 / 0 / 10

HEX #7C4CE5

RGB 124 76 229

HSL 258.82, 0.75%, 0.6%

LAB 45.79, 54.21, -70.67

 

CMYK 0 / 67 / 34 / 10

HEX #E54C96

RGB 229 76 150

HSL 330.98, 0.75%, 0.6%

LAB 56.12, 65.1, -7.74

 

CMYK 21 / 0 / 67 / 10

HEX #B5E64C

RGB 181 230 76

HSL 79.09, 0.75%, 0.6%

LAB 85.47, -37.4, 66.85

 

CMYK 67 / 0 / 12 / 10

HEX #4CE5C9

RGB 76 229 201

HSL 169.02, 0.75%, 0.6%

LAB 82.8, -46.42, 1.95

 

CMYK 46 / 67 / 0 / 10

HEX #7C4CE5

RGB 124 76 229

HSL 258.82, 0.75%, 0.6%

LAB 45.79, 54.21, -70.67

 

CMYK 0 / 67 / 55 / 10

HEX #E54C68

RGB 229 76 104

HSL 349.02, 0.75%, 0.6%

LAB 54.89, 60.81, 17.73

 

Description

Color code: HEX #B5E64C | qconv.com Color code: HEX #B5E64C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 230 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 230 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 67% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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