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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E60F it is the complementary color #4A19F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E60F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E60F shade: #BAE60A, #CBF81D, #DCFF30, #EDFF43 and #FEFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E60F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E60F shade: #B5E60F, #A4D400, #93C200, #82B000 and #719E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E60F shade: #B5E60F, #E6DD0F, #E6A30F, #E6690F and #E62F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E60F shade: #B5E60F, #7BE60F, #41E60F, #0FE617 and #0FE651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E60F shade matches the following richer shades: #B5E60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E60F shade: #B5E60F, #AAD222, #9FBF36, #95AB4A and #8A975E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E60F shade: #E6A20F, #E6DB0F, #B7E60F, #7EE60F and #45E60F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E60F shade: #78990A, #97BF0C, #B5E60F, #C5F22C and #CFF453

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E60F shade: #B5E60F, #0FE668 and #BF0FE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E60F shade: #B5E60F, #0FB7E6 and #E60FB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E60F shade: #B5E60F, #0FE668, #3D0FE6 and #E60F8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E60F shade: #B5E60F, #0FE6A9, #3D0FE6 and #E60F4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

Complementary color

CMYK 69 / 90 / 0 / 6

HEX #4A19F0

RGB 74 25 240

HSL 253.67, 0.88%, 0.52%

LAB 34.89, 72.5, -95.01

 

CMYK 19 / 0 / 96 / 10

HEX #BAE60A

RGB 186 230 10

HSL 72, 0.92%, 0.47%

LAB 85.53, -37.81, 82.85

 

CMYK 18 / 0 / 88 / 3

HEX #CBF81D

RGB 203 248 29

HSL 72.33, 0.94%, 0.54%

LAB 91.65, -38.89, 85.85

 

CMYK 14 / 0 / 81 / 0

HEX #DCFF30

RGB 220 255 48

HSL 70.14, 1%, 0.59%

LAB 94.72, -34.89, 85.11

 

CMYK 7 / 0 / 74 / 0

HEX #EDFF43

RGB 237 255 67

HSL 65.74, 1%, 0.63%

LAB 95.97, -27.46, 81.5

 

CMYK 0 / 0 / 66 / 0

HEX #FEFF56

RGB 254 255 86

HSL 60.36, 1%, 0.67%

LAB 97.33, -19.77, 76.85

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 23 / 0 / 100 / 17

HEX #A4D400

RGB 164 212 0

HSL 73.58, 1%, 0.42%

LAB 79.03, -38.53, 78.15

 

CMYK 24 / 0 / 100 / 24

HEX #93C200

RGB 147 194 0

HSL 74.54, 1%, 0.38%

LAB 72.75, -37.18, 72.92

 

CMYK 26 / 0 / 100 / 31

HEX #82B000

RGB 130 176 0

HSL 75.68, 1%, 0.35%

LAB 66.36, -35.81, 67.6

 

CMYK 28 / 0 / 100 / 38

HEX #719E00

RGB 113 158 0

HSL 77.09, 1%, 0.31%

LAB 59.86, -34.43, 62.18

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 0 / 4 / 93 / 10

HEX #E6DD0F

RGB 230 221 15

HSL 57.49, 0.88%, 0.48%

LAB 86.29, -15.41, 84.36

 

CMYK 0 / 29 / 93 / 10

HEX #E6A30F

RGB 230 163 15

HSL 41.3, 0.88%, 0.48%

LAB 71.59, 14.5, 73.47

 

CMYK 0 / 54 / 93 / 10

HEX #E6690F

RGB 230 105 15

HSL 25.12, 0.88%, 0.48%

LAB 58.94, 44.59, 64.63

 

CMYK 0 / 80 / 93 / 10

HEX #E62F0F

RGB 230 47 15

HSL 8.93, 0.88%, 0.48%

LAB 50.56, 67.12, 59.31

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 47 / 0 / 93 / 10

HEX #7BE60F

RGB 123 230 15

HSL 89.86, 0.88%, 0.48%

LAB 82.29, -60.07, 78.43

 

CMYK 72 / 0 / 93 / 10

HEX #41E60F

RGB 65 230 15

HSL 106.05, 0.88%, 0.48%

LAB 80.6, -73.83, 76.35

 

CMYK 93 / 0 / 90 / 10

HEX #0FE617

RGB 15 230 23

HSL 122.23, 0.88%, 0.48%

LAB 80.04, -78.74, 74.59

 

CMYK 93 / 0 / 65 / 10

HEX #0FE651

RGB 15 230 81

HSL 138.42, 0.88%, 0.48%

LAB 80.34, -74.91, 57.86

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 19 / 0 / 84 / 18

HEX #AAD222

RGB 170 210 34

HSL 73.64, 0.72%, 0.48%

LAB 78.9, -34.63, 73.45

 

CMYK 17 / 0 / 72 / 25

HEX #9FBF36

RGB 159 191 54

HSL 74.01, 0.56%, 0.48%

LAB 72.83, -29.35, 61.77

 

CMYK 13 / 0 / 57 / 33

HEX #95AB4A

RGB 149 171 74

HSL 73.61, 0.4%, 0.48%

LAB 66.53, -22.26, 46.55

 

CMYK 9 / 0 / 38 / 41

HEX #8A975E

RGB 138 151 94

HSL 73.68, 0.23%, 0.48%

LAB 60.2, -14.32, 28.5

 

CMYK 0 / 30 / 93 / 10

HEX #E6A20F

RGB 230 162 15

HSL 41.02, 0.88%, 0.48%

LAB 71.35, 15.03, 73.3

 

CMYK 0 / 5 / 93 / 10

HEX #E6DB0F

RGB 230 219 15

HSL 56.93, 0.88%, 0.48%

LAB 85.77, -14.42, 83.96

 

CMYK 20 / 0 / 93 / 10

HEX #B7E60F

RGB 183 230 15

HSL 73.12, 0.88%, 0.48%

LAB 85.35, -38.93, 82.16

 

CMYK 45 / 0 / 93 / 10

HEX #7EE60F

RGB 126 230 15

HSL 89.02, 0.88%, 0.48%

LAB 82.41, -59.15, 78.58

 

CMYK 70 / 0 / 93 / 10

HEX #45E60F

RGB 69 230 15

HSL 104.93, 0.88%, 0.48%

LAB 80.68, -73.15, 76.45

 

CMYK 22 / 0 / 93 / 40

HEX #78990A

RGB 120 153 10

HSL 73.85, 0.88%, 0.32%

LAB 58.79, -29.02, 60.06

 

CMYK 21 / 0 / 94 / 25

HEX #97BF0C

RGB 151 191 12

HSL 73.41, 0.88%, 0.4%

LAB 72.14, -34.05, 71.25

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 19 / 0 / 82 / 5

HEX #C5F22C

RGB 197 242 44

HSL 73.64, 0.88%, 0.56%

LAB 89.65, -38.16, 81.08

 

CMYK 15 / 0 / 66 / 4

HEX #CFF453

RGB 207 244 83

HSL 73.79, 0.88%, 0.64%

LAB 91.05, -33.35, 70.48

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 93 / 0 / 55 / 10

HEX #0FE668

RGB 15 230 104

HSL 144.84, 0.88%, 0.48%

LAB 80.57, -72.1, 48.08

 

CMYK 17 / 93 / 0 / 10

HEX #BF0FE6

RGB 191 15 230

HSL 289.12, 0.88%, 0.48%

LAB 48.42, 83.87, -66.55

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 93 / 20 / 0 / 10

HEX #0FB7E6

RGB 15 183 230

HSL 193.12, 0.88%, 0.48%

LAB 69.24, -21.73, -34.15

 

CMYK 0 / 93 / 20 / 10

HEX #E60FB7

RGB 230 15 183

HSL 313.12, 0.88%, 0.48%

LAB 52.49, 83.65, -32.63

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 93 / 0 / 55 / 10

HEX #0FE668

RGB 15 230 104

HSL 144.84, 0.88%, 0.48%

LAB 80.57, -72.1, 48.08

 

CMYK 73 / 93 / 0 / 10

HEX #3D0FE6

RGB 61 15 230

HSL 252.84, 0.88%, 0.48%

LAB 31.91, 71.71, -94.3

 

CMYK 0 / 93 / 39 / 10

HEX #E60F8C

RGB 230 15 140

HSL 325.12, 0.88%, 0.48%

LAB 50.76, 79.1, -9.79

 

CMYK 21 / 0 / 93 / 10

HEX #B5E60F

RGB 181 230 15

HSL 73.67, 0.88%, 0.48%

LAB 85.23, -39.71, 82.01

 

CMYK 93 / 0 / 27 / 10

HEX #0FE6A9

RGB 15 230 169

HSL 162.98, 0.88%, 0.48%

LAB 81.6, -60.08, 16.96

 

CMYK 73 / 93 / 0 / 10

HEX #3D0FE6

RGB 61 15 230

HSL 252.84, 0.88%, 0.48%

LAB 31.91, 71.71, -94.3

 

CMYK 0 / 93 / 67 / 10

HEX #E60F4C

RGB 230 15 76

HSL 342.98, 0.88%, 0.48%

LAB 49.11, 74.65, 26.94

 

Description

Color code: HEX #B5E60F | qconv.com Color code: HEX #B5E60F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 230 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 230 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 93 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 93% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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