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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E600 it is the complementary color #4A19FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E600. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E600 shade: #BAE600, #CBF80E, #DCFF21, #EDFF34 and #FEFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E600. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E600 shade: #B5E600, #A4D400, #93C200, #82B000 and #719E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E600 shade: #B5E600, #E6D800, #E69B00, #E65D00 and #E61F00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E600 shade: #B5E600, #77E600, #39E600, #00E605 and #00E643

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E600 shade matches the following richer shades: #B5E600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E600 shade: #B5E600, #AAD313, #9FC025, #95AE38 and #8A9B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E600 shade: #E69900, #E6D600, #B8E600, #7AE600 and #3DE600

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E600 shade: #749300, #94BC00, #B5E600, #CCFF10 and #D5FF39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E600 shade: #B5E600, #00E65C and #B800E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E600 shade: #B5E600, #00B8E6 and #E600B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E600 shade: #B5E600, #00E65C, #2E00E6 and #E6008A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E600 shade: #B5E600, #00E6A1, #2E00E6 and #E60045

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

Complementary color

CMYK 71 / 90 / 0 / 0

HEX #4A19FF

RGB 74 25 255

HSL 252.78, 1%, 0.55%

LAB 36.69, 76.22, -100.47

 

CMYK 19 / 0 / 100 / 10

HEX #BAE600

RGB 186 230 0

HSL 71.48, 1%, 0.45%

LAB 85.52, -37.91, 83.67

 

CMYK 18 / 0 / 94 / 3

HEX #CBF80E

RGB 203 248 14

HSL 71.54, 0.94%, 0.51%

LAB 91.62, -39.13, 87.69

 

CMYK 14 / 0 / 87 / 0

HEX #DCFF21

RGB 220 255 33

HSL 69.46, 1%, 0.56%

LAB 94.67, -35.28, 88.11

 

CMYK 7 / 0 / 80 / 0

HEX #EDFF34

RGB 237 255 52

HSL 65.32, 1%, 0.6%

LAB 95.9, -28.02, 85.63

 

CMYK 0 / 0 / 72 / 0

HEX #FEFF47

RGB 254 255 71

HSL 60.33, 1%, 0.64%

LAB 97.25, -20.47, 81.9

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 23 / 0 / 100 / 17

HEX #A4D400

RGB 164 212 0

HSL 73.58, 1%, 0.42%

LAB 79.03, -38.53, 78.15

 

CMYK 24 / 0 / 100 / 24

HEX #93C200

RGB 147 194 0

HSL 74.54, 1%, 0.38%

LAB 72.75, -37.18, 72.92

 

CMYK 26 / 0 / 100 / 31

HEX #82B000

RGB 130 176 0

HSL 75.68, 1%, 0.35%

LAB 66.36, -35.81, 67.6

 

CMYK 28 / 0 / 100 / 38

HEX #719E00

RGB 113 158 0

HSL 77.09, 1%, 0.31%

LAB 59.86, -34.43, 62.18

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 0 / 6 / 100 / 10

HEX #E6D800

RGB 230 216 0

HSL 56.35, 1%, 0.45%

LAB 84.96, -13.07, 84.71

 

CMYK 0 / 33 / 100 / 10

HEX #E69B00

RGB 230 155 0

HSL 40.43, 1%, 0.45%

LAB 69.66, 18.61, 74.05

 

CMYK 0 / 60 / 100 / 10

HEX #E65D00

RGB 230 93 0

HSL 24.26, 1%, 0.45%

LAB 56.73, 50.08, 66.15

 

CMYK 0 / 87 / 100 / 10

HEX #E61F00

RGB 230 31 0

HSL 8.09, 1%, 0.45%

LAB 49.26, 70.58, 62.62

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 48 / 0 / 100 / 10

HEX #77E600

RGB 119 230 0

HSL 88.96, 1%, 0.45%

LAB 82.12, -61.48, 79.57

 

CMYK 75 / 0 / 100 / 10

HEX #39E600

RGB 57 230 0

HSL 105.13, 1%, 0.45%

LAB 80.44, -75.32, 77.53

 

CMYK 100 / 0 / 98 / 10

HEX #00E605

RGB 0 230 5

HSL 121.3, 1%, 0.45%

LAB 79.96, -79.63, 76.5

 

CMYK 100 / 0 / 71 / 10

HEX #00E643

RGB 0 230 67

HSL 137.48, 1%, 0.45%

LAB 80.18, -76.76, 63.07

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 19 / 0 / 91 / 17

HEX #AAD313

RGB 170 211 19

HSL 72.81, 0.83%, 0.45%

LAB 79.15, -35.45, 76.41

 

CMYK 17 / 0 / 81 / 25

HEX #9FC025

RGB 159 192 37

HSL 72.77, 0.68%, 0.45%

LAB 73.03, -30.61, 67.31

 

CMYK 14 / 0 / 68 / 32

HEX #95AE38

RGB 149 174 56

HSL 72.71, 0.51%, 0.45%

LAB 67.24, -25.12, 55.17

 

CMYK 11 / 0 / 52 / 39

HEX #8A9B4A

RGB 138 155 74

HSL 72.59, 0.35%, 0.45%

LAB 61.08, -18.7, 40.01

 

CMYK 0 / 33 / 100 / 10

HEX #E69900

RGB 230 153 0

HSL 39.91, 1%, 0.45%

LAB 69.19, 19.67, 73.74

 

CMYK 0 / 7 / 100 / 10

HEX #E6D600

RGB 230 214 0

HSL 55.83, 1%, 0.45%

LAB 84.44, -12.08, 84.33

 

CMYK 20 / 0 / 100 / 10

HEX #B8E600

RGB 184 230 0

HSL 72, 1%, 0.45%

LAB 85.39, -38.7, 83.52

 

CMYK 47 / 0 / 100 / 10

HEX #7AE600

RGB 122 230 0

HSL 88.17, 1%, 0.45%

LAB 82.23, -60.58, 79.72

 

CMYK 73 / 0 / 100 / 10

HEX #3DE600

RGB 61 230 0

HSL 104.09, 1%, 0.45%

LAB 80.51, -74.71, 77.62

 

CMYK 21 / 0 / 100 / 42

HEX #749300

RGB 116 147 0

HSL 72.65, 1%, 0.29%

LAB 56.66, -28.02, 59.84

 

CMYK 21 / 0 / 100 / 26

HEX #94BC00

RGB 148 188 0

HSL 72.77, 1%, 0.37%

LAB 71.05, -34.05, 71.66

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 20 / 0 / 94 / 0

HEX #CCFF10

RGB 204 255 16

HSL 72.8, 1%, 0.53%

LAB 93.62, -41.8, 89.08

 

CMYK 16 / 0 / 78 / 0

HEX #D5FF39

RGB 213 255 57

HSL 72.73, 1%, 0.61%

LAB 94.3, -37.31, 82.27

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 100 / 0 / 60 / 10

HEX #00E65C

RGB 0 230 92

HSL 144, 1%, 0.45%

LAB 80.39, -74.16, 53.25

 

CMYK 20 / 100 / 0 / 10

HEX #B800E6

RGB 184 0 230

HSL 288, 1%, 0.45%

LAB 46.85, 84.22, -69.16

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 100 / 20 / 0 / 10

HEX #00B8E6

RGB 0 184 230

HSL 192, 1%, 0.45%

LAB 69.47, -22.65, -33.81

 

CMYK 0 / 100 / 20 / 10

HEX #E600B8

RGB 230 0 184

HSL 312, 1%, 0.45%

LAB 52.16, 84.89, -33.73

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 100 / 0 / 60 / 10

HEX #00E65C

RGB 0 230 92

HSL 144, 1%, 0.45%

LAB 80.39, -74.16, 53.25

 

CMYK 80 / 100 / 0 / 10

HEX #2E00E6

RGB 46 0 230

HSL 252, 1%, 0.45%

LAB 30.14, 73.75, -97.28

 

CMYK 0 / 100 / 40 / 10

HEX #E6008A

RGB 230 0 138

HSL 324, 1%, 0.45%

LAB 50.28, 80.1, -9.29

 

CMYK 21 / 0 / 100 / 10

HEX #B5E600

RGB 181 230 0

HSL 72.78, 1%, 0.45%

LAB 85.21, -39.87, 83.3

 

CMYK 100 / 0 / 30 / 10

HEX #00E6A1

RGB 0 230 161

HSL 162, 1%, 0.45%

LAB 81.38, -62.3, 20.82

 

CMYK 80 / 100 / 0 / 10

HEX #2E00E6

RGB 46 0 230

HSL 252, 1%, 0.45%

LAB 30.14, 73.75, -97.28

 

CMYK 0 / 100 / 70 / 10

HEX #E60045

RGB 230 0 69

HSL 342, 1%, 0.45%

LAB 48.58, 75.57, 30.52

 

Description

Color code: HEX #B5E600 | qconv.com Color code: HEX #B5E600 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 230 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 230 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 100 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 100% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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