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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E5A2 it is the complementary color #4A1A5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E5A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B5E5A2: #BAE59D, #CBF7B0, #DCFFC3, #EDFFD6 and #FEFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E5A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B5E5A2: #B5E5A2, #A4D38F, #93C17C, #82AF69 and #719D56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

Complementary color

CMYK 20 / 72 / 0 / 64

HEX #4A1A5D

RGB 74 26 93

HSL 282.99, 0.56%, 0.23%

LAB 19.98, 34.34, -30.14

 

CMYK 19 / 0 / 31 / 10

HEX #BAE59D

RGB 186 229 157

HSL 95.83, 0.58%, 0.76%

LAB 86.46, -26.62, 30.68

 

CMYK 18 / 0 / 29 / 3

HEX #CBF7B0

RGB 203 247 176

HSL 97.18, 0.82%, 0.83%

LAB 92.73, -26.52, 29.64

 

CMYK 14 / 0 / 24 / 0

HEX #DCFFC3

RGB 220 255 195

HSL 95, 1%, 0.88%

LAB 96.28, -21.65, 25.03

 

CMYK 7 / 0 / 16 / 0

HEX #EDFFD6

RGB 237 255 214

HSL 86.34, 1%, 0.92%

LAB 97.78, -12.88, 17.63

 

CMYK 0 / 0 / 9 / 0

HEX #FEFFE9

RGB 254 255 233

HSL 62.73, 1%, 0.96%

LAB 99.41, -4.03, 10.39

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

CMYK 22 / 0 / 32 / 17

HEX #A4D38F

RGB 164 211 143

HSL 101.47, 0.44%, 0.69%

LAB 79.88, -27.76, 28.84

 

CMYK 24 / 0 / 36 / 24

HEX #93C17C

RGB 147 193 124

HSL 100, 0.36%, 0.62%

LAB 73.41, -27.91, 29.96

 

CMYK 26 / 0 / 40 / 31

HEX #82AF69

RGB 130 175 105

HSL 98.57, 0.3%, 0.55%

LAB 66.84, -28.05, 31.14

 

CMYK 28 / 0 / 45 / 38

HEX #719D56

RGB 113 157 86

HSL 97.18, 0.29%, 0.48%

LAB 60.16, -28.18, 32.36

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

CMYK 25 / 0 / 29 / 10

HEX #ACE5A3

RGB 172 229 163

HSL 111.82, 0.56%, 0.77%

LAB 85.73, -30.5, 26.48

 

CMYK 29 / 0 / 28 / 10

HEX #A3E5A5

RGB 163 229 165

HSL 121.82, 0.56%, 0.77%

LAB 85.27, -33.12, 24.74

 

CMYK 29 / 0 / 23 / 10

HEX #A3E5B0

RGB 163 229 176

HSL 131.82, 0.56%, 0.77%

LAB 85.48, -31.24, 19.33

 

CMYK 29 / 0 / 18 / 10

HEX #A3E5BB

RGB 163 229 187

HSL 141.82, 0.56%, 0.77%

LAB 85.71, -29.23, 13.91

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

CMYK 20 / 0 / 28 / 90

HEX #141912

RGB 20 25 18

HSL 102.86, 0.16%, 0.08%

LAB 8.02, -4.03, 3.75

 

CMYK 21 / 0 / 29 / 70

HEX #3C4C36

RGB 60 76 54

HSL 103.64, 0.17%, 0.25%

LAB 30.39, -11.2, 11.07

 

CMYK 21 / 0 / 29 / 50

HEX #647F5A

RGB 100 127 90

HSL 103.78, 0.17%, 0.43%

LAB 50.25, -17.22, 17.03

 

CMYK 21 / 0 / 29 / 30

HEX #8DB27E

RGB 141 178 126

HSL 102.69, 0.25%, 0.6%

LAB 68.76, -22.39, 22.61

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

CMYK 29 / 0 / 3 / 10

HEX #A3E5DE

RGB 163 229 222

HSL 173.64, 0.56%, 0.77%

LAB 86.55, -22.1, -3.26

 

CMYK 0 / 29 / 9 / 10

HEX #E5A3D1

RGB 229 163 209

HSL 318.18, 0.56%, 0.77%

LAB 74.48, 31.45, -13.67

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

CMYK 29 / 20 / 0 / 10

HEX #A3B7E5

RGB 163 183 229

HSL 221.82, 0.56%, 0.77%

LAB 74.39, 3.47, -25.25

 

CMYK 0 / 29 / 20 / 10

HEX #E5A3B7

RGB 229 163 183

HSL 341.82, 0.56%, 0.77%

LAB 73.72, 27.28, -0.52

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

CMYK 29 / 0 / 3 / 10

HEX #A3E5DE

RGB 163 229 222

HSL 173.64, 0.56%, 0.77%

LAB 86.55, -22.1, -3.26

 

CMYK 9 / 29 / 0 / 10

HEX #D1A3E5

RGB 209 163 229

HSL 281.82, 0.56%, 0.77%

LAB 73.16, 28.62, -26.8

 

CMYK 0 / 29 / 26 / 10

HEX #E5A3AA

RGB 229 163 170

HSL 353.64, 0.56%, 0.77%

LAB 73.39, 25.39, 6.15

 

CMYK 21 / 0 / 29 / 10

HEX #B5E5A2

RGB 181 229 162

HSL 102.99, 0.56%, 0.77%

LAB 86.24, -27.61, 27.77

 

CMYK 29 / 6 / 0 / 10

HEX #A3D8E5

RGB 163 216 229

HSL 191.82, 0.56%, 0.77%

LAB 83.21, -14.01, -11.92

 

CMYK 9 / 29 / 0 / 10

HEX #D1A3E5

RGB 209 163 229

HSL 281.82, 0.56%, 0.77%

LAB 73.16, 28.62, -26.8

 

CMYK 0 / 23 / 29 / 10

HEX #E5B0A3

RGB 229 176 163

HSL 11.82, 0.56%, 0.77%

LAB 76.29, 17.48, 14.1

 

Description

Color code: HEX #B5E5A2 | qconv.com Color code: HEX #B5E5A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 229 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 229 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 29 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 29% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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