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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E58A it is the complementary color #4A1A75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E58A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E58A shade: #BAE585, #CBF798, #DCFFAB, #EDFFBE and #FEFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E58A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E58A shade: #B5E58A, #A4D377, #93C164, #82AF51 and #719D3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E58A shade: #B5E58A, #CEE58A, #E5E48A, #E5CC8A and #E5B38A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E58A shade: #B5E58A, #9CE58A, #8AE590, #8AE5A9 and #8AE5C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E58A shade matches the following richer shades: #B5E58A, #B4F17E and #B4FC73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E58A shade: #B5E58A, #B6DA95, #B6CEA1, #B7C3AD and #B8B7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E58A shade: #E5E48A, #CEE58A, #B6E58A, #9EE58A and #8AE58E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E58A shade: #8AD646, #A0DE68, #B5E58A, #CAEDAC and #E0F4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E58A shade: #B5E58A, #8AE5CB and #E58ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E58A shade: #B5E58A, #8AB6E5 and #E58AB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E58A shade: #B5E58A, #8AE5CB, #B98AE5 and #E58AA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E58A shade: #B5E58A, #8AE4E5, #B98AE5 and #E58B8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

Complementary color

CMYK 37 / 78 / 0 / 54

HEX #4A1A75

RGB 74 26 117

HSL 271.65, 0.64%, 0.28%

LAB 21.87, 40.24, -42.75

 

CMYK 19 / 0 / 42 / 10

HEX #BAE585

RGB 186 229 133

HSL 86.88, 0.65%, 0.71%

LAB 86.09, -29.8, 42.25

 

CMYK 18 / 0 / 38 / 3

HEX #CBF798

RGB 203 247 152

HSL 87.79, 0.86%, 0.78%

LAB 92.35, -29.78, 41.12

 

CMYK 14 / 0 / 33 / 0

HEX #DCFFAB

RGB 220 255 171

HSL 85, 1%, 0.84%

LAB 95.86, -25.05, 36.53

 

CMYK 7 / 0 / 25 / 0

HEX #EDFFBE

RGB 237 255 190

HSL 76.62, 1%, 0.87%

LAB 97.33, -16.43, 29.18

 

CMYK 0 / 0 / 18 / 0

HEX #FEFFD1

RGB 254 255 209

HSL 61.3, 1%, 0.91%

LAB 98.9, -7.69, 21.93

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 22 / 0 / 44 / 17

HEX #A4D377

RGB 164 211 119

HSL 90.65, 0.51%, 0.65%

LAB 79.51, -31.03, 40.56

 

CMYK 24 / 0 / 48 / 24

HEX #93C164

RGB 147 193 100

HSL 89.68, 0.43%, 0.57%

LAB 73.06, -31.05, 41.73

 

CMYK 26 / 0 / 54 / 31

HEX #82AF51

RGB 130 175 81

HSL 88.72, 0.37%, 0.5%

LAB 66.52, -31.03, 42.89

 

CMYK 28 / 0 / 61 / 38

HEX #719D3E

RGB 113 157 62

HSL 87.79, 0.43%, 0.43%

LAB 59.86, -30.92, 43.95

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 10 / 0 / 40 / 10

HEX #CEE58A

RGB 206 229 138

HSL 75.16, 0.64%, 0.72%

LAB 87.48, -21.8, 41.82

 

CMYK 0 / 0 / 40 / 10

HEX #E5E48A

RGB 229 228 138

HSL 59.34, 0.64%, 0.72%

LAB 88.91, -12.5, 43.99

 

CMYK 0 / 11 / 40 / 10

HEX #E5CC8A

RGB 229 204 138

HSL 43.52, 0.64%, 0.72%

LAB 82.74, -0.32, 36.08

 

CMYK 0 / 22 / 40 / 10

HEX #E5B38A

RGB 229 179 138

HSL 27.03, 0.64%, 0.72%

LAB 76.52, 12.82, 27.88

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 32 / 0 / 40 / 10

HEX #9CE58A

RGB 156 229 138

HSL 108.13, 0.64%, 0.72%

LAB 84.45, -39.53, 37.33

 

CMYK 40 / 0 / 37 / 10

HEX #8AE590

RGB 138 229 144

HSL 123.96, 0.64%, 0.72%

LAB 83.68, -44.24, 33.14

 

CMYK 40 / 0 / 26 / 10

HEX #8AE5A9

RGB 138 229 169

HSL 140.44, 0.64%, 0.72%

LAB 84.13, -39.97, 20.9

 

CMYK 40 / 0 / 16 / 10

HEX #8AE5C1

RGB 138 229 193

HSL 156.26, 0.64%, 0.72%

LAB 84.63, -35.25, 9.07

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 25 / 0 / 48 / 5

HEX #B4F17E

RGB 180 241 126

HSL 91.83, 0.8%, 0.72%

LAB 88.98, -38.27, 49.15

 

CMYK 29 / 0 / 54 / 1

HEX #B4FC73

RGB 180 252 115

HSL 91.53, 0.96%, 0.72%

LAB 91.94, -44.27, 57.74

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 17 / 0 / 32 / 15

HEX #B6DA95

RGB 182 218 149

HSL 91.3, 0.48%, 0.72%

LAB 83.05, -23.89, 30.18

 

CMYK 12 / 0 / 22 / 19

HEX #B6CEA1

RGB 182 206 161

HSL 92, 0.31%, 0.72%

LAB 79.99, -16.14, 19.75

 

CMYK 6 / 0 / 11 / 24

HEX #B7C3AD

RGB 183 195 173

HSL 92.73, 0.15%, 0.72%

LAB 77.35, -8.14, 9.65

 

CMYK 0 / 1 / 0 / 28

HEX #B8B7B8

RGB 184 183 184

HSL 300, 0.01%, 0.72%

LAB 74.52, 0.54, -0.39

 

CMYK 0 / 0 / 40 / 10

HEX #E5E48A

RGB 229 228 138

HSL 59.34, 0.64%, 0.72%

LAB 88.91, -12.5, 43.99

 

CMYK 10 / 0 / 40 / 10

HEX #CEE58A

RGB 206 229 138

HSL 75.16, 0.64%, 0.72%

LAB 87.48, -21.8, 41.82

 

CMYK 21 / 0 / 40 / 10

HEX #B6E58A

RGB 182 229 138

HSL 90.99, 0.64%, 0.72%

LAB 85.92, -30.62, 39.5

 

CMYK 31 / 0 / 40 / 10

HEX #9EE58A

RGB 158 229 138

HSL 106.81, 0.64%, 0.72%

LAB 84.56, -38.87, 37.48

 

CMYK 40 / 0 / 38 / 10

HEX #8AE58E

RGB 138 229 142

HSL 122.64, 0.64%, 0.72%

LAB 83.65, -44.55, 34.1

 

CMYK 36 / 0 / 67 / 16

HEX #8AD646

RGB 138 214 70

HSL 91.67, 0.64%, 0.56%

LAB 78.43, -46.48, 61.08

 

CMYK 28 / 0 / 53 / 13

HEX #A0DE68

RGB 160 222 104

HSL 91.53, 0.64%, 0.64%

LAB 82.23, -39.2, 51.04

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 15 / 0 / 27 / 7

HEX #CAEDAC

RGB 202 237 172

HSL 92.31, 0.64%, 0.8%

LAB 89.91, -22.66, 27.84

 

CMYK 8 / 0 / 16 / 4

HEX #E0F4CE

RGB 224 244 206

HSL 91.58, 0.63%, 0.88%

LAB 93.89, -13.19, 16.12

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 40 / 0 / 11 / 10

HEX #8AE5CB

RGB 138 229 203

HSL 162.86, 0.64%, 0.72%

LAB 84.87, -33.11, 4.15

 

CMYK 0 / 40 / 4 / 10

HEX #E58ADB

RGB 229 138 219

HSL 306.59, 0.64%, 0.72%

LAB 69.43, 46.35, -26.84

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 40 / 21 / 0 / 10

HEX #8AB6E5

RGB 138 182 229

HSL 210.99, 0.64%, 0.72%

LAB 72.57, -2.91, -28.17

 

CMYK 0 / 40 / 21 / 10

HEX #E58AB6

RGB 229 138 182

HSL 330.99, 0.64%, 0.72%

LAB 68.18, 40.38, -8.14

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 40 / 0 / 11 / 10

HEX #8AE5CB

RGB 138 229 203

HSL 162.86, 0.64%, 0.72%

LAB 84.87, -33.11, 4.15

 

CMYK 19 / 40 / 0 / 10

HEX #B98AE5

RGB 185 138 229

HSL 270.99, 0.64%, 0.72%

LAB 65.08, 35.06, -39.5

 

CMYK 0 / 40 / 28 / 10

HEX #E58AA4

RGB 229 138 164

HSL 342.86, 0.64%, 0.72%

LAB 67.66, 37.84, 1.21

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 40 / 0 / 0 / 10

HEX #8AE4E5

RGB 138 228 229

HSL 180.66, 0.64%, 0.72%

LAB 85.27, -26.63, -8.97

 

CMYK 19 / 40 / 0 / 10

HEX #B98AE5

RGB 185 138 229

HSL 270.99, 0.64%, 0.72%

LAB 65.08, 35.06, -39.5

 

CMYK 0 / 39 / 40 / 10

HEX #E58B8A

RGB 229 139 138

HSL 0.66, 0.64%, 0.72%

LAB 67.25, 34.12, 15.22

 

Description

Color code: HEX #B5E58A | qconv.com Color code: HEX #B5E58A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 229 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 229 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 40 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 40% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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