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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E571 it is the complementary color #4A1A8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E571. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E571 shade: #BAE56C, #CBF77F, #DCFF92, #EDFFA5 and #FEFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E571. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E571 shade: #B5E571, #A4D35E, #93C14B, #82AF38 and #719D25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E571 shade: #B5E571, #D4E571, #E5D671, #E5B771 and #E59871

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E571 shade: #B5E571, #96E571, #76E571, #71E58B and #71E5AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E571 shade matches the following richer shades: #B5E571 and #B7F363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E571 shade: #B5E571, #B3D77E, #B0CA8C, #AEBC9A and #ABAEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E571 shade: #E5D571, #D5E571, #B6E571, #97E571 and #79E571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E571 shade: #91D82B, #A3DF4E, #B5E571, #C7EB94 and #D9F2B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E571 shade: #B5E571, #71E5B6 and #E571E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E571 shade: #B5E571, #71B6E5 and #E571B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E571 shade: #B5E571, #71E5B6, #9F71E5 and #E5719F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E571 shade: #B5E571, #71E5D9, #9F71E5 and #E5717C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

Complementary color

CMYK 48 / 82 / 0 / 44

HEX #4A1A8E

RGB 74 26 142

HSL 264.83, 0.69%, 0.33%

LAB 24.15, 46.74, -54.8

 

CMYK 19 / 0 / 53 / 10

HEX #BAE56C

RGB 186 229 108

HSL 81.32, 0.7%, 0.66%

LAB 85.79, -32.5, 53.78

 

CMYK 18 / 0 / 49 / 3

HEX #CBF77F

RGB 203 247 127

HSL 82, 0.88%, 0.73%

LAB 92.02, -32.63, 52.7

 

CMYK 14 / 0 / 43 / 0

HEX #DCFF92

RGB 220 255 146

HSL 79.27, 1%, 0.79%

LAB 95.5, -28.08, 48.26

 

CMYK 7 / 0 / 35 / 0

HEX #EDFFA5

RGB 237 255 165

HSL 72, 1%, 0.82%

LAB 96.92, -19.65, 41.09

 

CMYK 0 / 0 / 28 / 0

HEX #FEFFB8

RGB 254 255 184

HSL 60.85, 1%, 0.86%

LAB 98.45, -11.07, 33.92

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 22 / 0 / 55 / 17

HEX #A4D35E

RGB 164 211 94

HSL 84.1, 0.57%, 0.6%

LAB 79.21, -33.74, 52.15

 

CMYK 24 / 0 / 61 / 24

HEX #93C14B

RGB 147 193 75

HSL 83.39, 0.49%, 0.53%

LAB 72.79, -33.55, 53.1

 

CMYK 26 / 0 / 68 / 31

HEX #82AF38

RGB 130 175 56

HSL 82.69, 0.52%, 0.45%

LAB 66.28, -33.25, 53.79

 

CMYK 28 / 0 / 76 / 38

HEX #719D25

RGB 113 157 37

HSL 82, 0.62%, 0.38%

LAB 59.67, -32.78, 53.95

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 7 / 0 / 51 / 10

HEX #D4E571

RGB 212 229 113

HSL 68.79, 0.69%, 0.67%

LAB 87.6, -22.07, 54.05

 

CMYK 0 / 7 / 51 / 10

HEX #E5D671

RGB 229 214 113

HSL 52.24, 0.69%, 0.67%

LAB 84.97, -7.86, 51.25

 

CMYK 0 / 20 / 51 / 10

HEX #E5B771

RGB 229 183 113

HSL 36.21, 0.69%, 0.67%

LAB 77.11, 8.19, 41.68

 

CMYK 0 / 34 / 51 / 10

HEX #E59871

RGB 229 152 113

HSL 20.17, 0.69%, 0.67%

LAB 69.69, 24.7, 32.27

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 34 / 0 / 51 / 10

HEX #96E571

RGB 150 229 113

HSL 100.86, 0.69%, 0.67%

LAB 83.82, -44.7, 48.62

 

CMYK 48 / 0 / 51 / 10

HEX #76E571

RGB 118 229 113

HSL 117.41, 0.69%, 0.67%

LAB 82.42, -54.38, 46.6

 

CMYK 51 / 0 / 39 / 10

HEX #71E58B

RGB 113 229 139

HSL 133.45, 0.69%, 0.67%

LAB 82.6, -51.91, 34.05

 

CMYK 51 / 0 / 26 / 10

HEX #71E5AA

RGB 113 229 170

HSL 149.48, 0.69%, 0.67%

LAB 83.15, -46.29, 18.88

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 25 / 0 / 59 / 5

HEX #B7F363

RGB 183 243 99

HSL 85, 0.86%, 0.67%

LAB 89.43, -40.74, 61.87

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 17 / 0 / 41 / 16

HEX #B3D77E

RGB 179 215 126

HSL 84.27, 0.53%, 0.67%

LAB 81.67, -26.57, 40.01

 

CMYK 13 / 0 / 31 / 21

HEX #B0CA8C

RGB 176 202 140

HSL 85.16, 0.37%, 0.67%

LAB 78.09, -19.48, 28.15

 

CMYK 7 / 0 / 18 / 26

HEX #AEBC9A

RGB 174 188 154

HSL 84.71, 0.2%, 0.67%

LAB 74.38, -10.95, 15.6

 

CMYK 2 / 0 / 4 / 32

HEX #ABAEA7

RGB 171 174 167

HSL 85.71, 0.04%, 0.67%

LAB 70.68, -2.36, 3.21

 

CMYK 0 / 7 / 51 / 10

HEX #E5D571

RGB 229 213 113

HSL 51.72, 0.69%, 0.67%

LAB 84.71, -7.36, 50.94

 

CMYK 7 / 0 / 51 / 10

HEX #D5E571

RGB 213 229 113

HSL 68.28, 0.69%, 0.67%

LAB 87.67, -21.67, 54.15

 

CMYK 21 / 0 / 51 / 10

HEX #B6E571

RGB 182 229 113

HSL 84.31, 0.69%, 0.67%

LAB 85.59, -33.49, 51.18

 

CMYK 34 / 0 / 51 / 10

HEX #97E571

RGB 151 229 113

HSL 100.34, 0.69%, 0.67%

LAB 83.87, -44.37, 48.69

 

CMYK 47 / 0 / 51 / 10

HEX #79E571

RGB 121 229 113

HSL 115.86, 0.69%, 0.67%

LAB 82.54, -53.55, 46.77

 

CMYK 33 / 0 / 80 / 15

HEX #91D82B

RGB 145 216 43

HSL 84.62, 0.69%, 0.51%

LAB 79.22, -46.43, 70.94

 

CMYK 27 / 0 / 65 / 13

HEX #A3DF4E

RGB 163 223 78

HSL 84.83, 0.69%, 0.59%

LAB 82.44, -40.86, 62.57

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 15 / 0 / 37 / 8

HEX #C7EB94

RGB 199 235 148

HSL 84.83, 0.69%, 0.75%

LAB 88.78, -26.06, 38.43

 

CMYK 10 / 0 / 24 / 5

HEX #D9F2B7

RGB 217 242 183

HSL 85.42, 0.69%, 0.83%

LAB 92.43, -18.19, 25.83

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 51 / 0 / 21 / 10

HEX #71E5B6

RGB 113 229 182

HSL 155.69, 0.69%, 0.67%

LAB 83.4, -43.82, 12.96

 

CMYK 0 / 51 / 0 / 10

HEX #E571E5

RGB 229 113 229

HSL 300, 0.69%, 0.67%

LAB 65.06, 60.48, -39.16

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 51 / 21 / 0 / 10

HEX #71B6E5

RGB 113 182 229

HSL 204.31, 0.69%, 0.67%

LAB 71.3, -8.98, -30.23

 

CMYK 0 / 51 / 21 / 10

HEX #E571B6

RGB 229 113 182

HSL 324.31, 0.69%, 0.67%

LAB 63.22, 52.99, -15.58

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 51 / 0 / 21 / 10

HEX #71E5B6

RGB 113 229 182

HSL 155.69, 0.69%, 0.67%

LAB 83.4, -43.82, 12.96

 

CMYK 31 / 51 / 0 / 10

HEX #9F71E5

RGB 159 113 229

HSL 263.79, 0.69%, 0.67%

LAB 56.92, 41.84, -52.55

 

CMYK 0 / 51 / 31 / 10

HEX #E5719F

RGB 229 113 159

HSL 336.21, 0.69%, 0.67%

LAB 62.48, 49.89, -3.53

 

CMYK 21 / 0 / 51 / 10

HEX #B5E571

RGB 181 229 113

HSL 84.83, 0.69%, 0.67%

LAB 85.53, -33.86, 51.09

 

CMYK 51 / 0 / 5 / 10

HEX #71E5D9

RGB 113 229 217

HSL 173.79, 0.69%, 0.67%

LAB 84.26, -35.76, -4.25

 

CMYK 31 / 51 / 0 / 10

HEX #9F71E5

RGB 159 113 229

HSL 263.79, 0.69%, 0.67%

LAB 56.92, 41.84, -52.55

 

CMYK 0 / 51 / 46 / 10

HEX #E5717C

RGB 229 113 124

HSL 354.31, 0.69%, 0.67%

LAB 61.59, 45.97, 15.29

 

Description

Color code: HEX #B5E571 | qconv.com Color code: HEX #B5E571 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 229 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 229 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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