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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E550 it is the complementary color #4A1AAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E550. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E550 shade: #BAE54B, #CBF75E, #DCFF71, #EDFF84 and #FEFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E550. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E550 shade: #B5E550, #A4D33D, #93C12A, #82AF17 and #719D04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E550 shade: #B6E552, #DDE552, #E5C552, #E59D52 and #E57652

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E550 shade: #B6E552, #8EE552, #66E552, #52E565 and #52E58D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E550 shade matches the following richer shades: #B6E552 and #BBF542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E550 shade: #B6E552, #B0D562, #AAC572, #A5B582 and #9FA592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E550 shade: #E5C552, #DEE552, #B7E552, #8FE552 and #68E552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E550 shade: #90C71E, #A7E02E, #B6E552, #C5EB76 and #D4F09A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E550 shade: #B5E550, #52E59E and #D952E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E550 shade: #B5E550, #52B7E5 and #E552B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E550 shade: #B5E550, #52E59E, #8152E5 and #E55299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E550 shade: #B5E550, #52E5CA, #8152E5 and #E5526D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 65 / 10

HEX #B5E550

RGB 181 229 80

HSL 79.33, 0.74%, 0.61%

LAB 85.22, -36.68, 65.05

 

Complementary color

CMYK 58 / 85 / 0 / 31

HEX #4A1AAF

RGB 74 26 175

HSL 259.33, 0.74%, 0.39%

LAB 27.54, 55.46, -69.35

 

CMYK 19 / 0 / 67 / 10

HEX #BAE54B

RGB 186 229 75

HSL 76.75, 0.75%, 0.6%

LAB 85.5, -35.1, 67.35

 

CMYK 18 / 0 / 62 / 3

HEX #CBF75E

RGB 203 247 94

HSL 77.25, 0.91%, 0.67%

LAB 91.7, -35.51, 66.78

 

CMYK 14 / 0 / 56 / 0

HEX #DCFF71

RGB 220 255 113

HSL 74.79, 1%, 0.72%

LAB 95.13, -31.26, 62.93

 

CMYK 7 / 0 / 48 / 0

HEX #EDFF84

RGB 237 255 132

HSL 68.78, 1%, 0.76%

LAB 96.49, -23.13, 56.31

 

CMYK 0 / 0 / 41 / 0

HEX #FEFF97

RGB 254 255 151

HSL 60.58, 1%, 0.8%

LAB 97.96, -14.81, 49.47

 

CMYK 21 / 0 / 65 / 10

HEX #B5E550

RGB 181 229 80

HSL 79.33, 0.74%, 0.61%

LAB 85.22, -36.68, 65.05

 

CMYK 22 / 0 / 71 / 17

HEX #A4D33D

RGB 164 211 61

HSL 78.8, 0.63%, 0.53%

LAB 78.94, -36.25, 65.41

 

CMYK 24 / 0 / 78 / 24

HEX #93C12A

RGB 147 193 42

HSL 78.28, 0.64%, 0.46%

LAB 72.57, -35.67, 65.2

 

CMYK 26 / 0 / 87 / 31

HEX #82AF17

RGB 130 175 23

HSL 77.76, 0.77%, 0.39%

LAB 66.11, -34.9, 63.99

 

CMYK 28 / 0 / 97 / 38

HEX #719D04

RGB 113 157 4

HSL 77.25, 0.95%, 0.32%

LAB 59.56, -33.89, 61.36

 

CMYK 21 / 0 / 64 / 10

HEX #B6E552

RGB 182 229 82

HSL 79.18, 0.74%, 0.61%

LAB 85.3, -36.16, 64.35

 

CMYK 3 / 0 / 64 / 10

HEX #DDE552

RGB 221 229 82

HSL 63.27, 0.74%, 0.61%

LAB 87.98, -20.79, 67.99

 

CMYK 0 / 14 / 64 / 10

HEX #E5C552

RGB 229 197 82

HSL 46.94, 0.74%, 0.61%

LAB 80.29, -1.44, 60.07

 

CMYK 0 / 31 / 64 / 10

HEX #E59D52

RGB 229 157 82

HSL 30.61, 0.74%, 0.61%

LAB 70.44, 19.66, 49.18

 

CMYK 0 / 48 / 64 / 10

HEX #E57652

RGB 229 118 82

HSL 14.69, 0.74%, 0.61%

LAB 61.85, 40.13, 39.16

 

CMYK 21 / 0 / 64 / 10

HEX #B6E552

RGB 182 229 82

HSL 79.18, 0.74%, 0.61%

LAB 85.3, -36.16, 64.35

 

CMYK 38 / 0 / 64 / 10

HEX #8EE552

RGB 142 229 82

HSL 95.51, 0.74%, 0.61%

LAB 83.12, -50.4, 61.38

 

CMYK 55 / 0 / 64 / 10

HEX #66E552

RGB 102 229 82

HSL 111.84, 0.74%, 0.61%

LAB 81.55, -62.02, 59.21

 

CMYK 64 / 0 / 56 / 10

HEX #52E565

RGB 82 229 101

HSL 127.76, 0.74%, 0.61%

LAB 81.17, -64.41, 50.4

 

CMYK 64 / 0 / 38 / 10

HEX #52E58D

RGB 82 229 141

HSL 144.08, 0.74%, 0.61%

LAB 81.71, -58.35, 31.69

 

CMYK 21 / 0 / 64 / 10

HEX #B6E552

RGB 182 229 82

HSL 79.18, 0.74%, 0.61%

LAB 85.3, -36.16, 64.35

 

CMYK 24 / 0 / 73 / 4

HEX #BBF542

RGB 187 245 66

HSL 79.44, 0.9%, 0.61%

LAB 89.98, -42.37, 74.99

 

CMYK 21 / 0 / 64 / 10

HEX #B6E552

RGB 182 229 82

HSL 79.18, 0.74%, 0.61%

LAB 85.3, -36.16, 64.35

 

CMYK 17 / 0 / 54 / 16

HEX #B0D562

RGB 176 213 98

HSL 79.3, 0.58%, 0.61%

LAB 80.57, -29.75, 52.1

 

CMYK 14 / 0 / 42 / 23

HEX #AAC572

RGB 170 197 114

HSL 79.52, 0.42%, 0.61%

LAB 75.88, -22.66, 38.57

 

CMYK 9 / 0 / 28 / 29

HEX #A5B582

RGB 165 181 130

HSL 78.82, 0.26%, 0.61%

LAB 71.32, -14.39, 24.21

 

CMYK 4 / 0 / 12 / 35

HEX #9FA592

RGB 159 165 146

HSL 78.95, 0.1%, 0.61%

LAB 66.79, -5.65, 9.12

 

CMYK 0 / 14 / 64 / 10

HEX #E5C552

RGB 229 197 82

HSL 46.94, 0.74%, 0.61%

LAB 80.29, -1.44, 60.07

 

CMYK 3 / 0 / 64 / 10

HEX #DEE552

RGB 222 229 82

HSL 62.86, 0.74%, 0.61%

LAB 88.05, -20.39, 68.09

 

CMYK 20 / 0 / 64 / 10

HEX #B7E552

RGB 183 229 82

HSL 78.78, 0.74%, 0.61%

LAB 85.36, -35.78, 64.44

 

CMYK 38 / 0 / 64 / 10

HEX #8FE552

RGB 143 229 82

HSL 95.1, 0.74%, 0.61%

LAB 83.17, -50.07, 61.44

 

CMYK 55 / 0 / 64 / 10

HEX #68E552

RGB 104 229 82

HSL 111.02, 0.74%, 0.61%

LAB 81.62, -61.52, 59.3

 

CMYK 28 / 0 / 85 / 22

HEX #90C71E

RGB 144 199 30

HSL 79.53, 0.74%, 0.45%

LAB 74.11, -39.98, 69.61

 

CMYK 25 / 0 / 79 / 12

HEX #A7E02E

RGB 167 224 46

HSL 79.21, 0.74%, 0.53%

LAB 82.77, -41.63, 73.79

 

CMYK 21 / 0 / 64 / 10

HEX #B6E552

RGB 182 229 82

HSL 79.18, 0.74%, 0.61%

LAB 85.3, -36.16, 64.35

 

CMYK 16 / 0 / 50 / 8

HEX #C5EB76

RGB 197 235 118

HSL 79.49, 0.75%, 0.69%

LAB 88.25, -30.19, 52.26

 

CMYK 12 / 0 / 36 / 6

HEX #D4F09A

RGB 212 240 154

HSL 79.53, 0.74%, 0.77%

LAB 91.08, -22.96, 38.6

 

CMYK 21 / 0 / 65 / 10

HEX #B5E550

RGB 181 229 80

HSL 79.33, 0.74%, 0.61%

LAB 85.22, -36.68, 65.05

 

CMYK 64 / 0 / 31 / 10

HEX #52E59E

RGB 82 229 158

HSL 151.02, 0.74%, 0.61%

LAB 82, -55.15, 23.38

 

CMYK 5 / 64 / 0 / 10

HEX #D952E5

RGB 217 82 229

HSL 295.1, 0.74%, 0.61%

LAB 58.46, 70.99, -49.68

 

CMYK 21 / 0 / 65 / 10

HEX #B5E550

RGB 181 229 80

HSL 79.33, 0.74%, 0.61%

LAB 85.22, -36.68, 65.05

 

CMYK 64 / 20 / 0 / 10

HEX #52B7E5

RGB 82 183 229

HSL 198.78, 0.74%, 0.61%

LAB 70.4, -15.55, -31.72

 

CMYK 0 / 64 / 20 / 10

HEX #E552B7

RGB 229 82 183

HSL 318.78, 0.74%, 0.61%

LAB 58.14, 66.85, -23.88

 

CMYK 21 / 0 / 65 / 10

HEX #B5E550

RGB 181 229 80

HSL 79.33, 0.74%, 0.61%

LAB 85.22, -36.68, 65.05

 

CMYK 64 / 0 / 31 / 10

HEX #52E59E

RGB 82 229 158

HSL 151.02, 0.74%, 0.61%

LAB 82, -55.15, 23.38

 

CMYK 44 / 64 / 0 / 10

HEX #8152E5

RGB 129 82 229

HSL 259.18, 0.74%, 0.61%

LAB 47.44, 52, -67.95

 

CMYK 0 / 64 / 33 / 10

HEX #E55299

RGB 229 82 153

HSL 331.02, 0.74%, 0.61%

LAB 57.07, 63.09, -8.09

 

CMYK 21 / 0 / 65 / 10

HEX #B5E550

RGB 181 229 80

HSL 79.33, 0.74%, 0.61%

LAB 85.22, -36.68, 65.05

 

CMYK 64 / 0 / 12 / 10

HEX #52E5CA

RGB 82 229 202

HSL 168.98, 0.74%, 0.61%

LAB 82.96, -45.25, 1.68

 

CMYK 44 / 64 / 0 / 10

HEX #8152E5

RGB 129 82 229

HSL 259.18, 0.74%, 0.61%

LAB 47.44, 52, -67.95

 

CMYK 0 / 64 / 52 / 10

HEX #E5526D

RGB 229 82 109

HSL 348.98, 0.74%, 0.61%

LAB 55.88, 58.79, 16.13

 

Description

Color code: HEX #B5E550 | qconv.com Color code: HEX #B5E550 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 229 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 229 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 65% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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