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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E52A it is the complementary color #4A1AD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E52A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E52A shade: #BAE525, #CBF738, #DCFF4B, #EDFF5E and #FEFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E52A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E52A shade: #B5E52A, #A4D317, #93C104, #82AF00 and #719D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E52A shade: #B5E52A, #E5E22A, #E5B02A, #E57D2A and #E54B2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E52A shade: #B5E52A, #82E52A, #50E52A, #2AE536 and #2AE568

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E52A shade matches the following richer shades: #B5E52A and #BEF816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E52A shade: #B5E52A, #ABD13D, #A2BE50, #98AA64 and #8F9777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E52A shade: #E5B02A, #E5E22A, #B6E52A, #84E52A and #52E52A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E52A shade: #82A715, #9ECC19, #B5E52A, #C1E94E and #CEEE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E52A shade: #B5E52A, #2AE57E and #C92AE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E52A shade: #B5E52A, #2AB6E5 and #E52AB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E52A shade: #B5E52A, #2AE57E, #582AE5 and #E52A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E52A shade: #B5E52A, #2AE5B6, #582AE5 and #E52A58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

Complementary color

CMYK 65 / 88 / 0 / 16

HEX #4A1AD5

RGB 74 26 213

HSL 255.4, 0.78%, 0.47%

LAB 31.8, 65.37, -84.68

 

CMYK 19 / 0 / 84 / 10

HEX #BAE525

RGB 186 229 37

HSL 73.44, 0.79%, 0.52%

LAB 85.31, -36.84, 78.66

 

CMYK 18 / 0 / 77 / 3

HEX #CBF738

RGB 203 247 56

HSL 73.82, 0.92%, 0.59%

LAB 91.46, -37.63, 79.74

 

CMYK 14 / 0 / 71 / 0

HEX #DCFF4B

RGB 220 255 75

HSL 71.67, 1%, 0.65%

LAB 94.84, -33.79, 77.44

 

CMYK 7 / 0 / 63 / 0

HEX #EDFF5E

RGB 237 255 94

HSL 66.71, 1%, 0.68%

LAB 96.13, -26.06, 72.2

 

CMYK 0 / 0 / 56 / 0

HEX #FEFF71

RGB 254 255 113

HSL 60.42, 1%, 0.72%

LAB 97.54, -18.09, 66.31

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 22 / 0 / 89 / 17

HEX #A4D317

RGB 164 211 23

HSL 75, 0.8%, 0.46%

LAB 78.78, -37.74, 75.34

 

CMYK 24 / 0 / 98 / 24

HEX #93C104

RGB 147 193 4

HSL 74.6, 0.96%, 0.39%

LAB 72.46, -36.67, 72.27

 

CMYK 26 / 0 / 100 / 31

HEX #82AF00

RGB 130 175 0

HSL 75.43, 1%, 0.34%

LAB 66.06, -35.36, 67.37

 

CMYK 28 / 0 / 100 / 38

HEX #719D00

RGB 113 157 0

HSL 76.82, 1%, 0.31%

LAB 59.55, -33.97, 61.95

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 0 / 1 / 82 / 10

HEX #E5E22A

RGB 229 226 42

HSL 59.04, 0.78%, 0.53%

LAB 87.59, -17.77, 80.69

 

CMYK 0 / 23 / 82 / 10

HEX #E5B02A

RGB 229 176 42

HSL 42.99, 0.78%, 0.53%

LAB 74.75, 7.73, 69.7

 

CMYK 0 / 45 / 82 / 10

HEX #E57D2A

RGB 229 125 42

HSL 26.63, 0.78%, 0.53%

LAB 62.92, 34.72, 59.3

 

CMYK 0 / 67 / 82 / 10

HEX #E54B2A

RGB 229 75 42

HSL 10.59, 0.78%, 0.53%

LAB 53.88, 58.04, 51.06

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 43 / 0 / 82 / 10

HEX #82E52A

RGB 130 229 42

HSL 91.76, 0.78%, 0.53%

LAB 82.35, -56.75, 73.76

 

CMYK 65 / 0 / 82 / 10

HEX #50E52A

RGB 80 229 42

HSL 107.81, 0.78%, 0.53%

LAB 80.69, -69.85, 71.64

 

CMYK 82 / 0 / 76 / 10

HEX #2AE536

RGB 42 229 54

HSL 123.85, 0.78%, 0.53%

LAB 80.07, -75.01, 67.42

 

CMYK 82 / 0 / 55 / 10

HEX #2AE568

RGB 42 229 104

HSL 139.89, 0.78%, 0.53%

LAB 80.48, -69.93, 48.02

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 23 / 0 / 91 / 3

HEX #BEF816

RGB 190 248 22

HSL 75.4, 0.94%, 0.53%

LAB 90.84, -44.01, 85.87

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 18 / 0 / 71 / 18

HEX #ABD13D

RGB 171 209 61

HSL 75.41, 0.62%, 0.53%

LAB 78.81, -32.6, 65.43

 

CMYK 15 / 0 / 58 / 25

HEX #A2BE50

RGB 162 190 80

HSL 75.27, 0.46%, 0.53%

LAB 72.95, -25.84, 51.32

 

CMYK 11 / 0 / 41 / 33

HEX #98AA64

RGB 152 170 100

HSL 75.43, 0.29%, 0.53%

LAB 66.78, -17.82, 33.97

 

CMYK 5 / 0 / 21 / 41

HEX #8F9777

RGB 143 151 119

HSL 75, 0.13%, 0.53%

LAB 61.05, -8.69, 15.93

 

CMYK 0 / 23 / 82 / 10

HEX #E5B02A

RGB 229 176 42

HSL 42.99, 0.78%, 0.53%

LAB 74.75, 7.73, 69.7

 

CMYK 0 / 1 / 82 / 10

HEX #E5E22A

RGB 229 226 42

HSL 59.04, 0.78%, 0.53%

LAB 87.59, -17.77, 80.69

 

CMYK 21 / 0 / 82 / 10

HEX #B6E52A

RGB 182 229 42

HSL 75.08, 0.78%, 0.53%

LAB 85.07, -38.24, 77.21

 

CMYK 42 / 0 / 82 / 10

HEX #84E52A

RGB 132 229 42

HSL 91.12, 0.78%, 0.53%

LAB 82.44, -56.11, 73.87

 

CMYK 64 / 0 / 82 / 10

HEX #52E52A

RGB 82 229 42

HSL 107.17, 0.78%, 0.53%

LAB 80.74, -69.44, 71.7

 

CMYK 22 / 0 / 87 / 35

HEX #82A715

RGB 130 167 21

HSL 75.21, 0.78%, 0.37%

LAB 63.7, -31.25, 62.38

 

CMYK 23 / 0 / 88 / 20

HEX #9ECC19

RGB 158 204 25

HSL 75.42, 0.78%, 0.45%

LAB 76.39, -36.91, 72.88

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 17 / 0 / 67 / 9

HEX #C1E94E

RGB 193 233 78

HSL 75.48, 0.78%, 0.61%

LAB 87.08, -34.04, 67.99

 

CMYK 13 / 0 / 52 / 7

HEX #CEEE73

RGB 206 238 115

HSL 75.61, 0.78%, 0.69%

LAB 89.63, -28.49, 55.43

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 82 / 0 / 45 / 10

HEX #2AE57E

RGB 42 229 126

HSL 146.95, 0.78%, 0.53%

LAB 80.76, -66.57, 37.83

 

CMYK 12 / 82 / 0 / 10

HEX #C92AE5

RGB 201 42 229

HSL 291.02, 0.78%, 0.53%

LAB 51.53, 80.65, -60.88

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 82 / 21 / 0 / 10

HEX #2AB6E5

RGB 42 182 229

HSL 195.08, 0.78%, 0.53%

LAB 69.19, -19.98, -33.67

 

CMYK 0 / 82 / 21 / 10

HEX #E52AB6

RGB 229 42 182

HSL 315.08, 0.78%, 0.53%

LAB 53.7, 79.16, -30.17

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 82 / 0 / 45 / 10

HEX #2AE57E

RGB 42 229 126

HSL 146.95, 0.78%, 0.53%

LAB 80.76, -66.57, 37.83

 

CMYK 62 / 82 / 0 / 10

HEX #582AE5

RGB 88 42 229

HSL 254.76, 0.78%, 0.53%

LAB 36.72, 65.09, -85.68

 

CMYK 0 / 82 / 37 / 10

HEX #E52A90

RGB 229 42 144

HSL 327.27, 0.78%, 0.53%

LAB 52.21, 74.92, -10.04

 

CMYK 21 / 0 / 82 / 10

HEX #B5E52A

RGB 181 229 42

HSL 75.4, 0.78%, 0.53%

LAB 85.01, -38.63, 77.13

 

CMYK 82 / 0 / 21 / 10

HEX #2AE5B6

RGB 42 229 182

HSL 164.92, 0.78%, 0.53%

LAB 81.79, -55.05, 10.44

 

CMYK 62 / 82 / 0 / 10

HEX #582AE5

RGB 88 42 229

HSL 254.76, 0.78%, 0.53%

LAB 36.72, 65.09, -85.68

 

CMYK 0 / 82 / 62 / 10

HEX #E52A58

RGB 229 42 88

HSL 345.24, 0.78%, 0.53%

LAB 50.71, 70.51, 21.69

 

Description

Color code: HEX #B5E52A | qconv.com Color code: HEX #B5E52A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 229 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 229 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 82 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 82% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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