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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E4C8 it is the complementary color #4A1B37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E4C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E4C8 shade: #BAE4C3, #CBF6D6, #DCFFE9, #EDFFFC and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E4C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E4C8 shade: #B5E4C8, #A4D2B5, #93C0A2, #82AE8F and #719C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E4C8 shade: #B4E4C7, #B4E4BA, #BBE4B4, #C7E4B4 and #D4E4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E4C8 shade: #B4E4C7, #B4E4D4, #B4E4E1, #B4DAE4 and #B4CDE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E4C8 shade matches the following richer shades: #B4E4C7, #ACECC6, #A4F4C4 and #9BFDC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E4C8 shade: #B4E4C7, #BCDCC9, #C5D3CB, #CDCBCC and #D5C3CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E4C8 shade: #BAE4B4, #B4E4BA, #B4E4C7, #B4E4D4 and #B4E4E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E4C8 shade: #77CE9A, #96D9B1, #B4E4C7, #D2EFDE and #F1FAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E4C8 shade: #B5E4C8, #B4C7E4 and #E4B4B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E4C8 shade: #B5E4C8, #C7B4E4 and #E4C7B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E4C8 shade: #B5E4C8, #B4C7E4, #E4B4D1 and #E4D1B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E4C8 shade: #B5E4C8, #B4B9E4, #E4B4D1 and #E4DFB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 12 / 11

HEX #B5E4C8

RGB 181 228 200

HSL 144.26, 0.47%, 0.8%

LAB 86.74, -20.65, 8.71

 

Complementary color

CMYK 0 / 64 / 26 / 71

HEX #4A1B37

RGB 74 27 55

HSL 324.26, 0.47%, 0.2%

LAB 17.99, 26.03, -7.29

 

CMYK 18 / 0 / 14 / 11

HEX #BAE4C3

RGB 186 228 195

HSL 132.86, 0.44%, 0.81%

LAB 86.93, -19.95, 11.64

 

CMYK 17 / 0 / 13 / 4

HEX #CBF6D6

RGB 203 246 214

HSL 135.35, 0.7%, 0.88%

LAB 93.22, -19.83, 10.85

 

CMYK 14 / 0 / 9 / 0

HEX #DCFFE9

RGB 220 255 233

HSL 142.29, 1%, 0.93%

LAB 97.07, -15.33, 6.73

 

CMYK 7 / 0 / 1 / 0

HEX #EDFFFC

RGB 237 255 252

HSL 170, 1%, 0.96%

LAB 98.65, -6.39, -0.59

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 21 / 0 / 12 / 11

HEX #B5E4C8

RGB 181 228 200

HSL 144.26, 0.47%, 0.8%

LAB 86.74, -20.65, 8.71

 

CMYK 22 / 0 / 14 / 18

HEX #A4D2B5

RGB 164 210 181

HSL 142.17, 0.34%, 0.73%

LAB 80.36, -20.81, 9.49

 

CMYK 23 / 0 / 16 / 25

HEX #93C0A2

RGB 147 192 162

HSL 140, 0.26%, 0.66%

LAB 73.88, -20.99, 10.31

 

CMYK 25 / 0 / 18 / 32

HEX #82AE8F

RGB 130 174 143

HSL 137.73, 0.21%, 0.6%

LAB 67.28, -21.19, 11.19

 

CMYK 28 / 0 / 21 / 39

HEX #719C7C

RGB 113 156 124

HSL 135.35, 0.18%, 0.53%

LAB 60.55, -21.42, 12.12

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C7

RGB 180 228 199

HSL 143.75, 0.47%, 0.8%

LAB 86.66, -21.16, 9.1

 

CMYK 21 / 0 / 18 / 11

HEX #B4E4BA

RGB 180 228 186

HSL 127.5, 0.47%, 0.8%

LAB 86.37, -23.53, 15.5

 

CMYK 18 / 0 / 21 / 11

HEX #BBE4B4

RGB 187 228 180

HSL 111.25, 0.47%, 0.8%

LAB 86.68, -22.22, 19.12

 

CMYK 13 / 0 / 21 / 11

HEX #C7E4B4

RGB 199 228 180

HSL 96.25, 0.47%, 0.8%

LAB 87.45, -18.09, 20.31

 

CMYK 7 / 0 / 21 / 11

HEX #D4E4B4

RGB 212 228 180

HSL 80, 0.47%, 0.8%

LAB 88.34, -13.49, 21.69

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C7

RGB 180 228 199

HSL 143.75, 0.47%, 0.8%

LAB 86.66, -21.16, 9.1

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D4

RGB 180 228 212

HSL 160, 0.47%, 0.8%

LAB 86.97, -18.64, 2.72

 

CMYK 21 / 0 / 1 / 11

HEX #B4E4E1

RGB 180 228 225

HSL 176.25, 0.47%, 0.8%

LAB 87.3, -15.98, -3.63

 

CMYK 21 / 4 / 0 / 11

HEX #B4DAE4

RGB 180 218 228

HSL 192.5, 0.47%, 0.8%

LAB 84.71, -10.26, -9.04

 

CMYK 21 / 10 / 0 / 11

HEX #B4CDE4

RGB 180 205 228

HSL 208.75, 0.47%, 0.8%

LAB 81.27, -3.49, -14.17

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C7

RGB 180 228 199

HSL 143.75, 0.47%, 0.8%

LAB 86.66, -21.16, 9.1

 

CMYK 27 / 0 / 16 / 7

HEX #ACECC6

RGB 172 236 198

HSL 144.38, 0.63%, 0.8%

LAB 88.37, -27.73, 12.01

 

CMYK 33 / 0 / 20 / 4

HEX #A4F4C4

RGB 164 244 196

HSL 144, 0.78%, 0.8%

LAB 90.13, -34.27, 15.47

 

CMYK 39 / 0 / 23 / 1

HEX #9BFDC3

RGB 155 253 195

HSL 144.49, 0.96%, 0.8%

LAB 92.2, -41.09, 18.84

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C7

RGB 180 228 199

HSL 143.75, 0.47%, 0.8%

LAB 86.66, -21.16, 9.1

 

CMYK 15 / 0 / 9 / 14

HEX #BCDCC9

RGB 188 220 201

HSL 144.38, 0.31%, 0.8%

LAB 85.04, -14.2, 5.8

 

CMYK 7 / 0 / 4 / 17

HEX #C5D3CB

RGB 197 211 203

HSL 145.71, 0.14%, 0.8%

LAB 83.32, -6.22, 2.32

 

CMYK 0 / 1 / 0 / 20

HEX #CDCBCC

RGB 205 203 204

HSL 330, 0.02%, 0.8%

LAB 81.87, 0.87, -0.26

 

CMYK 0 / 8 / 3 / 16

HEX #D5C3CE

RGB 213 195 206

HSL 323.33, 0.18%, 0.8%

LAB 80.53, 8.24, -3.21

 

CMYK 18 / 0 / 21 / 11

HEX #BAE4B4

RGB 186 228 180

HSL 112.5, 0.47%, 0.8%

LAB 86.61, -22.56, 19.02

 

CMYK 21 / 0 / 18 / 11

HEX #B4E4BA

RGB 180 228 186

HSL 127.5, 0.47%, 0.8%

LAB 86.37, -23.53, 15.5

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C7

RGB 180 228 199

HSL 143.75, 0.47%, 0.8%

LAB 86.66, -21.16, 9.1

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D4

RGB 180 228 212

HSL 160, 0.47%, 0.8%

LAB 86.97, -18.64, 2.72

 

CMYK 21 / 0 / 1 / 11

HEX #B4E4E1

RGB 180 228 225

HSL 176.25, 0.47%, 0.8%

LAB 87.3, -15.98, -3.63

 

CMYK 42 / 0 / 25 / 19

HEX #77CE9A

RGB 119 206 154

HSL 144.14, 0.47%, 0.64%

LAB 76.31, -37.78, 17.82

 

CMYK 31 / 0 / 18 / 15

HEX #96D9B1

RGB 150 217 177

HSL 144.18, 0.47%, 0.72%

LAB 81.45, -29.39, 13.05

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C7

RGB 180 228 199

HSL 143.75, 0.47%, 0.8%

LAB 86.66, -21.16, 9.1

 

CMYK 12 / 0 / 7 / 6

HEX #D2EFDE

RGB 210 239 222

HSL 144.83, 0.48%, 0.88%

LAB 92, -12.64, 5.02

 

CMYK 4 / 0 / 2 / 2

HEX #F1FAF4

RGB 241 250 244

HSL 140, 0.47%, 0.96%

LAB 97.47, -4.02, 1.83

 

CMYK 21 / 0 / 12 / 11

HEX #B5E4C8

RGB 181 228 200

HSL 144.26, 0.47%, 0.8%

LAB 86.74, -20.65, 8.71

 

CMYK 21 / 13 / 0 / 11

HEX #B4C7E4

RGB 180 199 228

HSL 216.25, 0.47%, 0.8%

LAB 79.7, -0.31, -16.54

 

CMYK 0 / 21 / 21 / 11

HEX #E4B4B4

RGB 228 180 180

HSL 0, 0.47%, 0.8%

LAB 77.54, 17.36, 6.64

 

CMYK 21 / 0 / 12 / 11

HEX #B5E4C8

RGB 181 228 200

HSL 144.26, 0.47%, 0.8%

LAB 86.74, -20.65, 8.71

 

CMYK 13 / 21 / 0 / 11

HEX #C7B4E4

RGB 199 180 228

HSL 263.75, 0.47%, 0.8%

LAB 76.31, 15.93, -21.54

 

CMYK 0 / 13 / 21 / 11

HEX #E4C7B4

RGB 228 199 180

HSL 23.75, 0.47%, 0.8%

LAB 82.18, 7.28, 13.26

 

CMYK 21 / 0 / 12 / 11

HEX #B5E4C8

RGB 181 228 200

HSL 144.26, 0.47%, 0.8%

LAB 86.74, -20.65, 8.71

 

CMYK 21 / 13 / 0 / 11

HEX #B4C7E4

RGB 180 199 228

HSL 216.25, 0.47%, 0.8%

LAB 79.7, -0.31, -16.54

 

CMYK 0 / 21 / 8 / 11

HEX #E4B4D1

RGB 228 180 209

HSL 323.75, 0.47%, 0.8%

LAB 78.31, 21.99, -7.97

 

CMYK 0 / 8 / 21 / 11

HEX #E4D1B4

RGB 228 209 180

HSL 36.25, 0.47%, 0.8%

LAB 84.68, 2.04, 16.78

 

CMYK 21 / 0 / 12 / 11

HEX #B5E4C8

RGB 181 228 200

HSL 144.26, 0.47%, 0.8%

LAB 86.74, -20.65, 8.71

 

CMYK 21 / 19 / 0 / 11

HEX #B4B9E4

RGB 180 185 228

HSL 233.75, 0.47%, 0.8%

LAB 76.07, 7.24, -22.03

 

CMYK 0 / 21 / 8 / 11

HEX #E4B4D1

RGB 228 180 209

HSL 323.75, 0.47%, 0.8%

LAB 78.31, 21.99, -7.97

 

CMYK 0 / 2 / 21 / 11

HEX #E4DFB4

RGB 228 223 180

HSL 53.75, 0.47%, 0.8%

LAB 88.24, -5.16, 21.73

 

Description

Color code: HEX #B5E4C8 | qconv.com Color code: HEX #B5E4C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 228 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 228 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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