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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E467 it is the complementary color #4A1B98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E467 shade: #BAE462, #CBF675, #DCFF88, #EDFF9B and #FEFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E467 shade: #B5E467, #A4D254, #93C041, #82AE2E and #719C1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E467 shade: #B5E467, #D6E467, #E4CF67, #E4AE67 and #E48C67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E467 shade: #B5E467, #93E467, #71E467, #67E47E and #67E4A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E467 shade matches the following richer shades: #B5E467 and #B8F258

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E467 shade: #B5E467, #B1D575, #AEC784, #AAB892 and #A6AAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E467 shade: #E4CF67, #D7E467, #B6E467, #95E467 and #73E467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E467 shade: #92D325, #A4DE44, #B5E467, #C6EA8A and #D7F0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E467 shade: #B5E467, #67E4AE and #E067E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E467 shade: #B5E467, #67B6E4 and #E467B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E467 shade: #B5E467, #67E4AE, #9567E4 and #E4679D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E467 shade: #B5E467, #67E4D3, #9567E4 and #E46777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

Complementary color

CMYK 51 / 82 / 0 / 40

HEX #4A1B98

RGB 74 27 152

HSL 262.56, 0.7%, 0.35%

LAB 25.28, 48.98, -59.12

 

CMYK 18 / 0 / 57 / 11

HEX #BAE462

RGB 186 228 98

HSL 79.38, 0.71%, 0.64%

LAB 85.41, -32.94, 57.83

 

CMYK 17 / 0 / 52 / 4

HEX #CBF675

RGB 203 246 117

HSL 80, 0.88%, 0.71%

LAB 91.64, -33.15, 56.83

 

CMYK 14 / 0 / 47 / 0

HEX #DCFF88

RGB 220 255 136

HSL 77.65, 1%, 0.77%

LAB 95.38, -29.14, 52.84

 

CMYK 7 / 0 / 39 / 0

HEX #EDFF9B

RGB 237 255 155

HSL 70.8, 1%, 0.8%

LAB 96.78, -20.8, 45.79

 

CMYK 0 / 0 / 32 / 0

HEX #FEFFAE

RGB 254 255 174

HSL 60.74, 1%, 0.84%

LAB 98.29, -12.29, 38.68

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 22 / 0 / 60 / 18

HEX #A4D254

RGB 164 210 84

HSL 81.9, 0.58%, 0.58%

LAB 78.83, -34.17, 56.17

 

CMYK 23 / 0 / 66 / 25

HEX #93C041

RGB 147 192 65

HSL 81.26, 0.5%, 0.5%

LAB 72.42, -33.87, 56.9

 

CMYK 25 / 0 / 74 / 32

HEX #82AE2E

RGB 130 174 46

HSL 80.63, 0.58%, 0.43%

LAB 65.92, -33.43, 57.21

 

CMYK 28 / 0 / 83 / 39

HEX #719C1B

RGB 113 156 27

HSL 80, 0.7%, 0.36%

LAB 59.31, -32.8, 56.72

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 6 / 0 / 55 / 11

HEX #D6E467

RGB 214 228 103

HSL 66.72, 0.7%, 0.65%

LAB 87.37, -21.65, 58.36

 

CMYK 0 / 9 / 55 / 11

HEX #E4CF67

RGB 228 207 103

HSL 49.92, 0.7%, 0.65%

LAB 82.97, -5.53, 53.58

 

CMYK 0 / 24 / 55 / 11

HEX #E4AE67

RGB 228 174 103

HSL 34.08, 0.7%, 0.65%

LAB 74.66, 11.7, 43.71

 

CMYK 0 / 39 / 55 / 11

HEX #E48C67

RGB 228 140 103

HSL 17.76, 0.7%, 0.65%

LAB 66.69, 29.82, 33.81

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 36 / 0 / 55 / 11

HEX #93E467

RGB 147 228 103

HSL 98.88, 0.7%, 0.65%

LAB 83.27, -46.36, 52.56

 

CMYK 50 / 0 / 55 / 11

HEX #71E467

RGB 113 228 103

HSL 115.2, 0.7%, 0.65%

LAB 81.83, -56.57, 50.5

 

CMYK 55 / 0 / 45 / 11

HEX #67E47E

RGB 103 228 126

HSL 131.04, 0.7%, 0.65%

LAB 81.77, -56.01, 39.39

 

CMYK 55 / 0 / 30 / 11

HEX #67E4A0

RGB 103 228 160

HSL 147.36, 0.7%, 0.65%

LAB 82.33, -50.13, 22.89

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 24 / 0 / 64 / 5

HEX #B8F258

RGB 184 242 88

HSL 82.6, 0.86%, 0.65%

LAB 89.11, -40.79, 66.07

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 17 / 0 / 45 / 16

HEX #B1D575

RGB 177 213 117

HSL 82.5, 0.53%, 0.65%

LAB 80.86, -27.41, 43.42

 

CMYK 13 / 0 / 34 / 22

HEX #AEC784

RGB 174 199 132

HSL 82.39, 0.37%, 0.65%

LAB 76.99, -19.84, 30.83

 

CMYK 8 / 0 / 21 / 28

HEX #AAB892

RGB 170 184 146

HSL 82.11, 0.21%, 0.65%

LAB 72.83, -11.63, 17.72

 

CMYK 2 / 0 / 5 / 33

HEX #A6AAA1

RGB 166 170 161

HSL 86.67, 0.05%, 0.65%

LAB 69.06, -3.1, 4.13

 

CMYK 0 / 9 / 55 / 11

HEX #E4CF67

RGB 228 207 103

HSL 49.92, 0.7%, 0.65%

LAB 82.97, -5.53, 53.58

 

CMYK 6 / 0 / 55 / 11

HEX #D7E467

RGB 215 228 103

HSL 66.24, 0.7%, 0.65%

LAB 87.44, -21.25, 58.46

 

CMYK 20 / 0 / 55 / 11

HEX #B6E467

RGB 182 228 103

HSL 82.08, 0.7%, 0.65%

LAB 85.21, -34, 55.31

 

CMYK 35 / 0 / 55 / 11

HEX #95E467

RGB 149 228 103

HSL 97.92, 0.7%, 0.65%

LAB 83.37, -45.7, 52.7

 

CMYK 50 / 0 / 55 / 11

HEX #73E467

RGB 115 228 103

HSL 114.24, 0.7%, 0.65%

LAB 81.9, -56.03, 50.6

 

CMYK 31 / 0 / 82 / 17

HEX #92D325

RGB 146 211 37

HSL 82.41, 0.7%, 0.49%

LAB 77.78, -44.19, 71.21

 

CMYK 26 / 0 / 69 / 13

HEX #A4DE44

RGB 164 222 68

HSL 82.6, 0.7%, 0.57%

LAB 82.14, -40.74, 66.1

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 15 / 0 / 41 / 8

HEX #C6EA8A

RGB 198 234 138

HSL 82.5, 0.7%, 0.73%

LAB 88.3, -27.18, 42.75

 

CMYK 10 / 0 / 28 / 6

HEX #D7F0AD

RGB 215 240 173

HSL 82.39, 0.69%, 0.81%

LAB 91.59, -19.36, 29.75

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 55 / 0 / 24 / 11

HEX #67E4AE

RGB 103 228 174

HSL 154.08, 0.7%, 0.65%

LAB 82.61, -47.31, 15.98

 

CMYK 2 / 55 / 0 / 11

HEX #E067E4

RGB 224 103 228

HSL 298.08, 0.7%, 0.65%

LAB 62.63, 63.6, -42.45

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 55 / 20 / 0 / 11

HEX #67B6E4

RGB 103 182 228

HSL 202.08, 0.7%, 0.65%

LAB 70.83, -11.42, -30.45

 

CMYK 0 / 55 / 20 / 11

HEX #E467B6

RGB 228 103 182

HSL 322.08, 0.7%, 0.65%

LAB 61.28, 57.41, -18.52

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 55 / 0 / 24 / 11

HEX #67E4AE

RGB 103 228 174

HSL 154.08, 0.7%, 0.65%

LAB 82.61, -47.31, 15.98

 

CMYK 35 / 55 / 0 / 11

HEX #9567E4

RGB 149 103 228

HSL 262.08, 0.7%, 0.65%

LAB 53.7, 44.67, -57.19

 

CMYK 0 / 55 / 31 / 11

HEX #E4679D

RGB 228 103 157

HSL 334.08, 0.7%, 0.65%

LAB 60.45, 54.09, -5.4

 

CMYK 21 / 0 / 55 / 11

HEX #B5E467

RGB 181 228 103

HSL 82.56, 0.7%, 0.65%

LAB 85.14, -34.37, 55.22

 

CMYK 55 / 0 / 7 / 11

HEX #67E4D3

RGB 103 228 211

HSL 171.84, 0.7%, 0.65%

LAB 83.48, -38.83, -2.26

 

CMYK 35 / 55 / 0 / 11

HEX #9567E4

RGB 149 103 228

HSL 262.08, 0.7%, 0.65%

LAB 53.7, 44.67, -57.19

 

CMYK 0 / 55 / 48 / 11

HEX #E46777

RGB 228 103 119

HSL 352.32, 0.7%, 0.65%

LAB 59.46, 49.99, 15.2

 

Description

Color code: HEX #B5E467 | qconv.com Color code: HEX #B5E467 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 228 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 228 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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