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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E448 it is the complementary color #4A1BB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E448. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E448 shade: #BAE443, #CBF656, #DCFF69, #EDFF7C and #FEFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E448. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E448 shade: #B5E448, #A4D235, #93C022, #82AE0F and #719C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E448 shade: #B5E349, #DEE349, #E3BE49, #E39549 and #E36B49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E448 shade: #B5E349, #8BE349, #61E349, #49E35A and #49E383

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E448 shade matches the following richer shades: #B5E349 and #BBF438

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E448 shade: #B5E349, #AED259, #A7C16A, #A1B17B and #9AA08C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E448 shade: #E3BF49, #DEE349, #B5E349, #8CE349 and #62E349

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E448 shade: #8DBD1C, #A6DE25, #B5E349, #C3E96C and #D2EE90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E448 shade: #B5E448, #49E396 and #D449E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E448 shade: #B5E448, #49B5E3 and #E349B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E448 shade: #B5E448, #49E396, #7749E3 and #E34996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E448 shade: #B5E448, #49E3C4, #7749E3 and #E34968

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 68 / 11

HEX #B5E448

RGB 181 228 72

HSL 78.08, 0.74%, 0.59%

LAB 84.88, -36.75, 67.74

 

Complementary color

CMYK 60 / 85 / 0 / 28

HEX #4A1BB7

RGB 74 27 183

HSL 258.08, 0.74%, 0.41%

LAB 28.53, 57.21, -72.49

 

CMYK 18 / 0 / 71 / 11

HEX #BAE443

RGB 186 228 67

HSL 75.65, 0.75%, 0.58%

LAB 85.17, -35.12, 69.93

 

CMYK 17 / 0 / 65 / 4

HEX #CBF656

RGB 203 246 86

HSL 76.13, 0.9%, 0.65%

LAB 91.36, -35.6, 69.58

 

CMYK 14 / 0 / 59 / 0

HEX #DCFF69

RGB 220 255 105

HSL 74, 1%, 0.71%

LAB 95.06, -31.89, 66.25

 

CMYK 7 / 0 / 51 / 0

HEX #EDFF7C

RGB 237 255 124

HSL 68.24, 1%, 0.74%

LAB 96.4, -23.85, 59.84

 

CMYK 0 / 0 / 44 / 0

HEX #FEFF8F

RGB 254 255 143

HSL 60.54, 1%, 0.78%

LAB 97.86, -15.59, 53.15

 

CMYK 21 / 0 / 68 / 11

HEX #B5E448

RGB 181 228 72

HSL 78.08, 0.74%, 0.59%

LAB 84.88, -36.75, 67.74

 

CMYK 22 / 0 / 75 / 18

HEX #A4D235

RGB 164 210 53

HSL 77.58, 0.64%, 0.52%

LAB 78.6, -36.23, 67.8

 

CMYK 23 / 0 / 82 / 25

HEX #93C022

RGB 147 192 34

HSL 77.09, 0.7%, 0.44%

LAB 72.24, -35.54, 67.11

 

CMYK 25 / 0 / 91 / 32

HEX #82AE0F

RGB 130 174 15

HSL 76.6, 0.84%, 0.37%

LAB 65.79, -34.64, 65.21

 

CMYK 28 / 0 / 100 / 39

HEX #719C00

RGB 113 156 0

HSL 76.54, 1%, 0.31%

LAB 59.24, -33.51, 61.71

 

CMYK 20 / 0 / 68 / 11

HEX #B5E349

RGB 181 227 73

HSL 77.92, 0.73%, 0.59%

LAB 84.61, -36.24, 67.09

 

CMYK 2 / 0 / 68 / 11

HEX #DEE349

RGB 222 227 73

HSL 61.95, 0.73%, 0.59%

LAB 87.46, -19.92, 70.9

 

CMYK 0 / 16 / 68 / 11

HEX #E3BE49

RGB 227 190 73

HSL 45.58, 0.73%, 0.59%

LAB 78.25, 0.83, 61.67

 

CMYK 0 / 34 / 68 / 11

HEX #E39549

RGB 227 149 73

HSL 29.61, 0.73%, 0.59%

LAB 68.25, 22.57, 50.99

 

CMYK 0 / 53 / 68 / 11

HEX #E36B49

RGB 227 107 73

HSL 13.25, 0.73%, 0.59%

LAB 59.28, 44.32, 40.87

 

CMYK 20 / 0 / 68 / 11

HEX #B5E349

RGB 181 227 73

HSL 77.92, 0.73%, 0.59%

LAB 84.61, -36.24, 67.09

 

CMYK 39 / 0 / 68 / 11

HEX #8BE349

RGB 139 227 73

HSL 94.29, 0.73%, 0.59%

LAB 82.33, -51.28, 64.02

 

CMYK 57 / 0 / 68 / 11

HEX #61E349

RGB 97 227 73

HSL 110.65, 0.73%, 0.59%

LAB 80.72, -63.34, 61.83

 

CMYK 68 / 0 / 60 / 11

HEX #49E35A

RGB 73 227 90

HSL 126.62, 0.73%, 0.59%

LAB 80.23, -66.73, 54.15

 

CMYK 68 / 0 / 42 / 11

HEX #49E383

RGB 73 227 131

HSL 142.6, 0.73%, 0.59%

LAB 80.74, -60.94, 35.41

 

CMYK 20 / 0 / 68 / 11

HEX #B5E349

RGB 181 227 73

HSL 77.92, 0.73%, 0.59%

LAB 84.61, -36.24, 67.09

 

CMYK 23 / 0 / 77 / 4

HEX #BBF438

RGB 187 244 56

HSL 78.19, 0.9%, 0.59%

LAB 89.65, -42.41, 77.72

 

CMYK 20 / 0 / 68 / 11

HEX #B5E349

RGB 181 227 73

HSL 77.92, 0.73%, 0.59%

LAB 84.61, -36.24, 67.09

 

CMYK 17 / 0 / 58 / 18

HEX #AED259

RGB 174 210 89

HSL 77.85, 0.57%, 0.59%

LAB 79.51, -29.91, 54.91

 

CMYK 13 / 0 / 45 / 24

HEX #A7C16A

RGB 167 193 106

HSL 77.93, 0.41%, 0.59%

LAB 74.44, -22.77, 40.75

 

CMYK 9 / 0 / 31 / 31

HEX #A1B17B

RGB 161 177 123

HSL 77.78, 0.26%, 0.59%

LAB 69.79, -14.86, 25.85

 

CMYK 4 / 0 / 13 / 37

HEX #9AA08C

RGB 154 160 140

HSL 78, 0.1%, 0.59%

LAB 64.89, -5.85, 9.69

 

CMYK 0 / 16 / 68 / 11

HEX #E3BF49

RGB 227 191 73

HSL 45.97, 0.73%, 0.59%

LAB 78.5, 0.31, 61.93

 

CMYK 2 / 0 / 68 / 11

HEX #DEE349

RGB 222 227 73

HSL 61.95, 0.73%, 0.59%

LAB 87.46, -19.92, 70.9

 

CMYK 20 / 0 / 68 / 11

HEX #B5E349

RGB 181 227 73

HSL 77.92, 0.73%, 0.59%

LAB 84.61, -36.24, 67.09

 

CMYK 38 / 0 / 68 / 11

HEX #8CE349

RGB 140 227 73

HSL 93.9, 0.73%, 0.59%

LAB 82.38, -50.95, 64.08

 

CMYK 57 / 0 / 68 / 11

HEX #62E349

RGB 98 227 73

HSL 110.26, 0.73%, 0.59%

LAB 80.75, -63.1, 61.87

 

CMYK 25 / 0 / 85 / 26

HEX #8DBD1C

RGB 141 189 28

HSL 77.89, 0.74%, 0.43%

LAB 70.97, -36.75, 67.3

 

CMYK 25 / 0 / 83 / 13

HEX #A6DE25

RGB 166 222 37

HSL 78.16, 0.74%, 0.51%

LAB 82.1, -41.46, 75.42

 

CMYK 20 / 0 / 68 / 11

HEX #B5E349

RGB 181 227 73

HSL 77.92, 0.73%, 0.59%

LAB 84.61, -36.24, 67.09

 

CMYK 16 / 0 / 54 / 9

HEX #C3E96C

RGB 195 233 108

HSL 78.24, 0.74%, 0.67%

LAB 87.47, -30.97, 55.89

 

CMYK 12 / 0 / 39 / 7

HEX #D2EE90

RGB 210 238 144

HSL 77.87, 0.73%, 0.75%

LAB 90.26, -23.95, 42.46

 

CMYK 21 / 0 / 68 / 11

HEX #B5E448

RGB 181 228 72

HSL 78.08, 0.74%, 0.59%

LAB 84.88, -36.75, 67.74

 

CMYK 68 / 0 / 34 / 11

HEX #49E396

RGB 73 227 150

HSL 150, 0.73%, 0.59%

LAB 81.05, -57.48, 26.17

 

CMYK 7 / 68 / 0 / 11

HEX #D449E3

RGB 212 73 227

HSL 294.16, 0.73%, 0.59%

LAB 56.4, 72.97, -51.87

 

CMYK 21 / 0 / 68 / 11

HEX #B5E448

RGB 181 228 72

HSL 78.08, 0.74%, 0.59%

LAB 84.88, -36.75, 67.74

 

CMYK 68 / 20 / 0 / 11

HEX #49B5E3

RGB 73 181 227

HSL 197.92, 0.73%, 0.59%

LAB 69.48, -16.53, -32.08

 

CMYK 0 / 68 / 20 / 11

HEX #E349B5

RGB 227 73 181

HSL 317.92, 0.73%, 0.59%

LAB 56.52, 69.47, -25.25

 

CMYK 21 / 0 / 68 / 11

HEX #B5E448

RGB 181 228 72

HSL 78.08, 0.74%, 0.59%

LAB 84.88, -36.75, 67.74

 

CMYK 68 / 0 / 34 / 11

HEX #49E396

RGB 73 227 150

HSL 150, 0.73%, 0.59%

LAB 81.05, -57.48, 26.17

 

CMYK 48 / 68 / 0 / 11

HEX #7749E3

RGB 119 73 227

HSL 257.92, 0.73%, 0.59%

LAB 44.57, 54.34, -71.55

 

CMYK 0 / 68 / 34 / 11

HEX #E34996

RGB 227 73 150

HSL 330, 0.73%, 0.59%

LAB 55.38, 65.67, -8.88

 

CMYK 21 / 0 / 68 / 11

HEX #B5E448

RGB 181 228 72

HSL 78.08, 0.74%, 0.59%

LAB 84.88, -36.75, 67.74

 

CMYK 68 / 0 / 14 / 11

HEX #49E3C4

RGB 73 227 196

HSL 167.92, 0.73%, 0.59%

LAB 82.02, -47.25, 3.45

 

CMYK 48 / 68 / 0 / 11

HEX #7749E3

RGB 119 73 227

HSL 257.92, 0.73%, 0.59%

LAB 44.57, 54.34, -71.55

 

CMYK 0 / 68 / 54 / 11

HEX #E34968

RGB 227 73 104

HSL 347.92, 0.73%, 0.59%

LAB 54.13, 61.35, 16.63

 

Description

Color code: HEX #B5E448 | qconv.com Color code: HEX #B5E448 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 228 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 228 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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