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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E40F it is the complementary color #4A1BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E40F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E40F shade: #BAE40A, #CBF61D, #DCFF30, #EDFF43 and #FEFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E40F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E40F shade: #B5E40F, #A4D200, #93C000, #82AE00 and #719C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E40F shade: #B6E60E, #E6DB0E, #E6A10E, #E6670E and #E62D0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E40F shade: #B6E60E, #7CE60E, #42E60E, #0EE615 and #0EE64F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E40F shade matches the following richer shades: #B6E60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E40F shade: #B6E60E, #ABD222, #A0BE36, #95AA4A and #8A965D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E40F shade: #E6A10E, #E6DB0E, #B7E60E, #7DE60E and #44E60E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E40F shade: #799809, #97BF0C, #B6E60E, #C6F12C and #D0F453

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E40F shade: #B5E40F, #0EE668 and #BE0EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E40F shade: #B5E40F, #0EB7E6 and #E60EB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E40F shade: #B5E40F, #0EE668, #3D0EE6 and #E60E8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E40F shade: #B5E40F, #0EE6A9, #3D0EE6 and #E60E4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 93 / 11

HEX #B5E40F

RGB 181 228 15

HSL 73.24, 0.88%, 0.48%

LAB 84.66, -38.82, 81.57

 

Complementary color

CMYK 69 / 89 / 0 / 6

HEX #4A1BF0

RGB 74 27 240

HSL 253.24, 0.88%, 0.52%

LAB 35.07, 71.96, -94.72

 

CMYK 18 / 0 / 96 / 11

HEX #BAE40A

RGB 186 228 10

HSL 71.56, 0.92%, 0.47%

LAB 84.97, -36.91, 82.42

 

CMYK 17 / 0 / 88 / 4

HEX #CBF61D

RGB 203 246 29

HSL 71.89, 0.92%, 0.54%

LAB 91.1, -38, 85.4

 

CMYK 14 / 0 / 81 / 0

HEX #DCFF30

RGB 220 255 48

HSL 70.14, 1%, 0.59%

LAB 94.72, -34.89, 85.11

 

CMYK 7 / 0 / 74 / 0

HEX #EDFF43

RGB 237 255 67

HSL 65.74, 1%, 0.63%

LAB 95.97, -27.46, 81.5

 

CMYK 0 / 0 / 66 / 0

HEX #FEFF56

RGB 254 255 86

HSL 60.36, 1%, 0.67%

LAB 97.33, -19.77, 76.85

 

CMYK 21 / 0 / 93 / 11

HEX #B5E40F

RGB 181 228 15

HSL 73.24, 0.88%, 0.48%

LAB 84.66, -38.82, 81.57

 

CMYK 22 / 0 / 100 / 18

HEX #A4D200

RGB 164 210 0

HSL 73.14, 1%, 0.41%

LAB 78.45, -37.64, 77.71

 

CMYK 23 / 0 / 100 / 25

HEX #93C000

RGB 147 192 0

HSL 74.06, 1%, 0.38%

LAB 72.16, -36.28, 72.48

 

CMYK 25 / 0 / 100 / 32

HEX #82AE00

RGB 130 174 0

HSL 75.17, 1%, 0.34%

LAB 65.76, -34.9, 67.15

 

CMYK 28 / 0 / 100 / 39

HEX #719C00

RGB 113 156 0

HSL 76.54, 1%, 0.31%

LAB 59.24, -33.51, 61.71

 

CMYK 21 / 0 / 94 / 10

HEX #B6E60E

RGB 182 230 14

HSL 73.33, 0.89%, 0.48%

LAB 85.29, -39.33, 82.19

 

CMYK 0 / 5 / 94 / 10

HEX #E6DB0E

RGB 230 219 14

HSL 56.94, 0.89%, 0.48%

LAB 85.76, -14.44, 84.07

 

CMYK 0 / 30 / 94 / 10

HEX #E6A10E

RGB 230 161 14

HSL 40.83, 0.89%, 0.48%

LAB 71.11, 15.55, 73.27

 

CMYK 0 / 55 / 94 / 10

HEX #E6670E

RGB 230 103 14

HSL 24.72, 0.89%, 0.48%

LAB 58.56, 45.54, 64.59

 

CMYK 0 / 80 / 94 / 10

HEX #E62D0E

RGB 230 45 14

HSL 8.61, 0.89%, 0.48%

LAB 50.37, 67.63, 59.49

 

CMYK 21 / 0 / 94 / 10

HEX #B6E60E

RGB 182 230 14

HSL 73.33, 0.89%, 0.48%

LAB 85.29, -39.33, 82.19

 

CMYK 46 / 0 / 94 / 10

HEX #7CE60E

RGB 124 230 14

HSL 89.44, 0.89%, 0.48%

LAB 82.33, -59.78, 78.59

 

CMYK 71 / 0 / 94 / 10

HEX #42E60E

RGB 66 230 14

HSL 105.56, 0.89%, 0.48%

LAB 80.62, -73.69, 76.48

 

CMYK 94 / 0 / 91 / 10

HEX #0EE615

RGB 14 230 21

HSL 121.94, 0.89%, 0.48%

LAB 80.03, -78.83, 74.88

 

CMYK 94 / 0 / 66 / 10

HEX #0EE64F

RGB 14 230 79

HSL 138.06, 0.89%, 0.48%

LAB 80.32, -75.16, 58.65

 

CMYK 21 / 0 / 94 / 10

HEX #B6E60E

RGB 182 230 14

HSL 73.33, 0.89%, 0.48%

LAB 85.29, -39.33, 82.19

 

CMYK 21 / 0 / 94 / 10

HEX #B6E60E

RGB 182 230 14

HSL 73.33, 0.89%, 0.48%

LAB 85.29, -39.33, 82.19

 

CMYK 19 / 0 / 84 / 18

HEX #ABD222

RGB 171 210 34

HSL 73.3, 0.72%, 0.48%

LAB 78.96, -34.23, 73.53

 

CMYK 16 / 0 / 72 / 25

HEX #A0BE36

RGB 160 190 54

HSL 73.24, 0.56%, 0.48%

LAB 72.61, -28.47, 61.57

 

CMYK 12 / 0 / 56 / 33

HEX #95AA4A

RGB 149 170 74

HSL 73.13, 0.39%, 0.48%

LAB 66.24, -21.76, 46.22

 

CMYK 8 / 0 / 38 / 41

HEX #8A965D

RGB 138 150 93

HSL 72.63, 0.23%, 0.48%

LAB 59.89, -13.92, 28.65

 

CMYK 0 / 30 / 94 / 10

HEX #E6A10E

RGB 230 161 14

HSL 40.83, 0.89%, 0.48%

LAB 71.11, 15.55, 73.27

 

CMYK 0 / 5 / 94 / 10

HEX #E6DB0E

RGB 230 219 14

HSL 56.94, 0.89%, 0.48%

LAB 85.76, -14.44, 84.07

 

CMYK 20 / 0 / 94 / 10

HEX #B7E60E

RGB 183 230 14

HSL 73.06, 0.89%, 0.48%

LAB 85.35, -38.94, 82.26

 

CMYK 46 / 0 / 94 / 10

HEX #7DE60E

RGB 125 230 14

HSL 89.17, 0.89%, 0.48%

LAB 82.37, -59.48, 78.64

 

CMYK 70 / 0 / 94 / 10

HEX #44E60E

RGB 68 230 14

HSL 105, 0.89%, 0.48%

LAB 80.66, -73.34, 76.53

 

CMYK 20 / 0 / 94 / 40

HEX #799809

RGB 121 152 9

HSL 73.01, 0.89%, 0.32%

LAB 58.55, -28.14, 60.05

 

CMYK 21 / 0 / 94 / 25

HEX #97BF0C

RGB 151 191 12

HSL 73.41, 0.88%, 0.4%

LAB 72.14, -34.05, 71.25

 

CMYK 21 / 0 / 94 / 10

HEX #B6E60E

RGB 182 230 14

HSL 73.33, 0.89%, 0.48%

LAB 85.29, -39.33, 82.19

 

CMYK 18 / 0 / 82 / 5

HEX #C6F12C

RGB 198 241 44

HSL 73.1, 0.88%, 0.56%

LAB 89.44, -37.32, 80.92

 

CMYK 15 / 0 / 66 / 4

HEX #D0F453

RGB 208 244 83

HSL 73.42, 0.88%, 0.64%

LAB 91.11, -32.96, 70.57

 

CMYK 21 / 0 / 93 / 11

HEX #B5E40F

RGB 181 228 15

HSL 73.24, 0.88%, 0.48%

LAB 84.66, -38.82, 81.57

 

CMYK 94 / 0 / 55 / 10

HEX #0EE668

RGB 14 230 104

HSL 145, 0.89%, 0.48%

LAB 80.56, -72.14, 48.08

 

CMYK 17 / 94 / 0 / 10

HEX #BE0EE6

RGB 190 14 230

HSL 288.89, 0.89%, 0.48%

LAB 48.23, 83.83, -66.88

 

CMYK 21 / 0 / 93 / 11

HEX #B5E40F

RGB 181 228 15

HSL 73.24, 0.88%, 0.48%

LAB 84.66, -38.82, 81.57

 

CMYK 94 / 20 / 0 / 10

HEX #0EB7E6

RGB 14 183 230

HSL 193.06, 0.89%, 0.48%

LAB 69.24, -21.76, -34.16

 

CMYK 0 / 94 / 20 / 10

HEX #E60EB7

RGB 230 14 183

HSL 313.06, 0.89%, 0.48%

LAB 52.46, 83.74, -32.67

 

CMYK 21 / 0 / 93 / 11

HEX #B5E40F

RGB 181 228 15

HSL 73.24, 0.88%, 0.48%

LAB 84.66, -38.82, 81.57

 

CMYK 94 / 0 / 55 / 10

HEX #0EE668

RGB 14 230 104

HSL 145, 0.89%, 0.48%

LAB 80.56, -72.14, 48.08

 

CMYK 73 / 94 / 0 / 10

HEX #3D0EE6

RGB 61 14 230

HSL 253.06, 0.89%, 0.48%

LAB 31.85, 71.9, -94.41

 

CMYK 0 / 94 / 39 / 10

HEX #E60E8C

RGB 230 14 140

HSL 325, 0.89%, 0.48%

LAB 50.72, 79.2, -9.84

 

CMYK 21 / 0 / 93 / 11

HEX #B5E40F

RGB 181 228 15

HSL 73.24, 0.88%, 0.48%

LAB 84.66, -38.82, 81.57

 

CMYK 94 / 0 / 27 / 10

HEX #0EE6A9

RGB 14 230 169

HSL 163.06, 0.89%, 0.48%

LAB 81.59, -60.11, 16.95

 

CMYK 73 / 94 / 0 / 10

HEX #3D0EE6

RGB 61 14 230

HSL 253.06, 0.89%, 0.48%

LAB 31.85, 71.9, -94.41

 

CMYK 0 / 94 / 67 / 10

HEX #E60E4B

RGB 230 14 75

HSL 343.06, 0.89%, 0.48%

LAB 49.06, 74.7, 27.49

 

Description

Color code: HEX #B5E40F | qconv.com Color code: HEX #B5E40F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 228 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 228 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 93 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 93% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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