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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E400 it is the complementary color #4A1BFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E400 shade: #BAE400, #CBF60E, #DCFF21, #EDFF34 and #FEFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E400 shade: #B5E400, #A4D200, #93C000, #82AE00 and #719C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E400 shade: #B6E500, #E5D600, #E59900, #E55B00 and #E51D00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E400 shade: #B6E500, #78E500, #3AE500, #00E503 and #00E541

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E400 shade matches the following richer shades: #B6E500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E400 shade: #B6E500, #ABD212, #A0C025, #95AD37 and #8A9B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E400 shade: #E59900, #E5D600, #B7E500, #7AE500 and #3DE500

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E400 shade: #749200, #95BC00, #B6E500, #CDFF0F and #D6FF39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E400 shade: #B5E400, #00E55B and #B700E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E400 shade: #B5E400, #00B7E5 and #E500B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E400 shade: #B5E400, #00E55B, #2D00E5 and #E50089

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E400 shade: #B5E400, #00E5A0, #2D00E5 and #E50044

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 100 / 11

HEX #B5E400

RGB 181 228 0

HSL 72.37, 1%, 0.45%

LAB 84.64, -38.98, 82.87

 

Complementary color

CMYK 71 / 89 / 0 / 0

HEX #4A1BFF

RGB 74 27 255

HSL 252.37, 1%, 0.55%

LAB 36.85, 75.72, -100.19

 

CMYK 18 / 0 / 100 / 11

HEX #BAE400

RGB 186 228 0

HSL 71.05, 1%, 0.45%

LAB 84.96, -37.01, 83.25

 

CMYK 17 / 0 / 94 / 4

HEX #CBF60E

RGB 203 246 14

HSL 71.12, 0.93%, 0.51%

LAB 91.07, -38.24, 87.26

 

CMYK 14 / 0 / 87 / 0

HEX #DCFF21

RGB 220 255 33

HSL 69.46, 1%, 0.56%

LAB 94.67, -35.28, 88.11

 

CMYK 7 / 0 / 80 / 0

HEX #EDFF34

RGB 237 255 52

HSL 65.32, 1%, 0.6%

LAB 95.9, -28.02, 85.63

 

CMYK 0 / 0 / 72 / 0

HEX #FEFF47

RGB 254 255 71

HSL 60.33, 1%, 0.64%

LAB 97.25, -20.47, 81.9

 

CMYK 21 / 0 / 100 / 11

HEX #B5E400

RGB 181 228 0

HSL 72.37, 1%, 0.45%

LAB 84.64, -38.98, 82.87

 

CMYK 22 / 0 / 100 / 18

HEX #A4D200

RGB 164 210 0

HSL 73.14, 1%, 0.41%

LAB 78.45, -37.64, 77.71

 

CMYK 23 / 0 / 100 / 25

HEX #93C000

RGB 147 192 0

HSL 74.06, 1%, 0.38%

LAB 72.16, -36.28, 72.48

 

CMYK 25 / 0 / 100 / 32

HEX #82AE00

RGB 130 174 0

HSL 75.17, 1%, 0.34%

LAB 65.76, -34.9, 67.15

 

CMYK 28 / 0 / 100 / 39

HEX #719C00

RGB 113 156 0

HSL 76.54, 1%, 0.31%

LAB 59.24, -33.51, 61.71

 

CMYK 21 / 0 / 100 / 10

HEX #B6E500

RGB 182 229 0

HSL 72.31, 1%, 0.45%

LAB 84.99, -39.04, 83.16

 

CMYK 0 / 7 / 100 / 10

HEX #E5D600

RGB 229 214 0

HSL 56.07, 1%, 0.45%

LAB 84.36, -12.5, 84.23

 

CMYK 0 / 33 / 100 / 10

HEX #E59900

RGB 229 153 0

HSL 40.09, 1%, 0.45%

LAB 69.07, 19.24, 73.6

 

CMYK 0 / 60 / 100 / 10

HEX #E55B00

RGB 229 91 0

HSL 23.84, 1%, 0.45%

LAB 56.23, 50.62, 65.79

 

CMYK 0 / 87 / 100 / 10

HEX #E51D00

RGB 229 29 0

HSL 7.6, 1%, 0.45%

LAB 48.93, 70.67, 62.37

 

CMYK 21 / 0 / 100 / 10

HEX #B6E500

RGB 182 229 0

HSL 72.31, 1%, 0.45%

LAB 84.99, -39.04, 83.16

 

CMYK 48 / 0 / 100 / 10

HEX #78E500

RGB 120 229 0

HSL 88.56, 1%, 0.45%

LAB 81.86, -60.82, 79.39

 

CMYK 75 / 0 / 100 / 10

HEX #3AE500

RGB 58 229 0

HSL 104.8, 1%, 0.45%

LAB 80.14, -74.88, 77.31

 

CMYK 100 / 0 / 99 / 10

HEX #00E503

RGB 0 229 3

HSL 120.79, 1%, 0.45%

LAB 79.64, -79.41, 76.42

 

CMYK 100 / 0 / 72 / 10

HEX #00E541

RGB 0 229 65

HSL 137.03, 1%, 0.45%

LAB 79.85, -76.65, 63.45

 

CMYK 21 / 0 / 100 / 10

HEX #B6E500

RGB 182 229 0

HSL 72.31, 1%, 0.45%

LAB 84.99, -39.04, 83.16

 

CMYK 21 / 0 / 100 / 10

HEX #B6E500

RGB 182 229 0

HSL 72.31, 1%, 0.45%

LAB 84.99, -39.04, 83.16

 

CMYK 19 / 0 / 91 / 18

HEX #ABD212

RGB 171 210 18

HSL 72.19, 0.84%, 0.45%

LAB 78.92, -34.61, 76.4

 

CMYK 17 / 0 / 81 / 25

HEX #A0C025

RGB 160 192 37

HSL 72.39, 0.68%, 0.45%

LAB 73.09, -30.2, 67.4

 

CMYK 14 / 0 / 68 / 32

HEX #95AD37

RGB 149 173 55

HSL 72.2, 0.52%, 0.45%

LAB 66.94, -24.7, 55.26

 

CMYK 11 / 0 / 52 / 39

HEX #8A9B4A

RGB 138 155 74

HSL 72.59, 0.35%, 0.45%

LAB 61.08, -18.7, 40.01

 

CMYK 0 / 33 / 100 / 10

HEX #E59900

RGB 229 153 0

HSL 40.09, 1%, 0.45%

LAB 69.07, 19.24, 73.6

 

CMYK 0 / 7 / 100 / 10

HEX #E5D600

RGB 229 214 0

HSL 56.07, 1%, 0.45%

LAB 84.36, -12.5, 84.23

 

CMYK 20 / 0 / 100 / 10

HEX #B7E500

RGB 183 229 0

HSL 72.05, 1%, 0.45%

LAB 85.05, -38.64, 83.23

 

CMYK 47 / 0 / 100 / 10

HEX #7AE500

RGB 122 229 0

HSL 88.03, 1%, 0.45%

LAB 81.93, -60.21, 79.48

 

CMYK 73 / 0 / 100 / 10

HEX #3DE500

RGB 61 229 0

HSL 104.02, 1%, 0.45%

LAB 80.2, -74.42, 77.37

 

CMYK 21 / 0 / 100 / 43

HEX #749200

RGB 116 146 0

HSL 72.33, 1%, 0.29%

LAB 56.36, -27.54, 59.61

 

CMYK 21 / 0 / 100 / 26

HEX #95BC00

RGB 149 188 0

HSL 72.45, 1%, 0.37%

LAB 71.12, -33.64, 71.74

 

CMYK 21 / 0 / 100 / 10

HEX #B6E500

RGB 182 229 0

HSL 72.31, 1%, 0.45%

LAB 84.99, -39.04, 83.16

 

CMYK 20 / 0 / 94 / 0

HEX #CDFF0F

RGB 205 255 15

HSL 72.5, 1%, 0.53%

LAB 93.68, -41.42, 89.25

 

CMYK 16 / 0 / 78 / 0

HEX #D6FF39

RGB 214 255 57

HSL 72.42, 1%, 0.61%

LAB 94.36, -36.92, 82.36

 

CMYK 21 / 0 / 100 / 11

HEX #B5E400

RGB 181 228 0

HSL 72.37, 1%, 0.45%

LAB 84.64, -38.98, 82.87

 

CMYK 100 / 0 / 60 / 10

HEX #00E55B

RGB 0 229 91

HSL 143.84, 1%, 0.45%

LAB 80.06, -73.98, 53.31

 

CMYK 20 / 100 / 0 / 10

HEX #B700E5

RGB 183 0 229

HSL 287.95, 1%, 0.45%

LAB 46.61, 83.91, -68.98

 

CMYK 21 / 0 / 100 / 11

HEX #B5E400

RGB 181 228 0

HSL 72.37, 1%, 0.45%

LAB 84.64, -38.98, 82.87

 

CMYK 100 / 20 / 0 / 10

HEX #00B7E5

RGB 0 183 229

HSL 192.05, 1%, 0.45%

LAB 69.13, -22.48, -33.79

 

CMYK 0 / 100 / 20 / 10

HEX #E500B7

RGB 229 0 183

HSL 312.05, 1%, 0.45%

LAB 51.92, 84.59, -33.53

 

CMYK 21 / 0 / 100 / 11

HEX #B5E400

RGB 181 228 0

HSL 72.37, 1%, 0.45%

LAB 84.64, -38.98, 82.87

 

CMYK 100 / 0 / 60 / 10

HEX #00E55B

RGB 0 229 91

HSL 143.84, 1%, 0.45%

LAB 80.06, -73.98, 53.31

 

CMYK 80 / 100 / 0 / 10

HEX #2D00E5

RGB 45 0 229

HSL 251.79, 1%, 0.45%

LAB 29.95, 73.49, -97.03

 

CMYK 0 / 100 / 40 / 10

HEX #E50089

RGB 229 0 137

HSL 324.1, 1%, 0.45%

LAB 50.05, 79.8, -9.05

 

CMYK 21 / 0 / 100 / 11

HEX #B5E400

RGB 181 228 0

HSL 72.37, 1%, 0.45%

LAB 84.64, -38.98, 82.87

 

CMYK 100 / 0 / 30 / 10

HEX #00E5A0

RGB 0 229 160

HSL 161.92, 1%, 0.45%

LAB 81.06, -62.16, 20.89

 

CMYK 80 / 100 / 0 / 10

HEX #2D00E5

RGB 45 0 229

HSL 251.79, 1%, 0.45%

LAB 29.95, 73.49, -97.03

 

CMYK 0 / 100 / 70 / 10

HEX #E50044

RGB 229 0 68

HSL 342.18, 1%, 0.45%

LAB 48.35, 75.29, 30.81

 

Description

Color code: HEX #B5E400 | qconv.com Color code: HEX #B5E400 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 228 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 228 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 100 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 100% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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