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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E3A7 it is the complementary color #4A1C58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E3A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E3A7 shade: #BAE3A2, #CBF5B5, #DCFFC8, #EDFFDB and #FEFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E3A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E3A7 shade: #B5E3A7, #A4D194, #93BF81, #82AD6E and #719B5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E3A7 shade: #B4E3A6, #C5E3A6, #D5E3A6, #E3E0A6 and #E3D0A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E3A7 shade: #B4E3A6, #A6E3A8, #A6E3B9, #A6E3C9 and #A6E3D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E3A7 shade matches the following richer shades: #B4E3A6, #AFEC9C and #AAF693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E3A7 shade: #B4E3A6, #B9D9AF, #BED0B9, #C3C6C2 and #C8BDCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E3A7 shade: #D5E3A6, #C4E3A6, #B4E3A6, #A6E3A8 and #A6E3B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E3A7 shade: #7FCF67, #9AD986, #B4E3A6, #CEEDC5 and #E9F7E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E3A7 shade: #B5E3A7, #A6E3E1 and #E3A6CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E3A7 shade: #B5E3A7, #A6B4E3 and #E3A6B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E3A7 shade: #B5E3A7, #A6E3E1, #D5A6E3 and #E3A6A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E3A7 shade: #B5E3A7, #A6D3E3, #D5A6E3 and #E3B6A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 26 / 11

HEX #B5E3A7

RGB 181 227 167

HSL 106, 0.52%, 0.77%

LAB 85.78, -25.88, 24.57

 

Complementary color

CMYK 16 / 68 / 0 / 65

HEX #4A1C58

RGB 74 28 88

HSL 286, 0.52%, 0.23%

LAB 20.01, 32.15, -26.77

 

CMYK 18 / 0 / 29 / 11

HEX #BAE3A2

RGB 186 227 162

HSL 97.85, 0.54%, 0.76%

LAB 86, -24.92, 27.5

 

CMYK 17 / 0 / 26 / 4

HEX #CBF5B5

RGB 203 245 181

HSL 99.38, 0.76%, 0.84%

LAB 92.28, -24.82, 26.49

 

CMYK 14 / 0 / 22 / 0

HEX #DCFFC8

RGB 220 255 200

HSL 98.18, 1%, 0.89%

LAB 96.37, -20.89, 22.62

 

CMYK 7 / 0 / 14 / 0

HEX #EDFFDB

RGB 237 255 219

HSL 90, 1%, 0.93%

LAB 97.89, -12.08, 15.23

 

CMYK 0 / 0 / 7 / 0

HEX #FEFFEE

RGB 254 255 238

HSL 63.53, 1%, 0.97%

LAB 99.52, -3.21, 8

 

CMYK 20 / 0 / 26 / 11

HEX #B5E3A7

RGB 181 227 167

HSL 106, 0.52%, 0.77%

LAB 85.78, -25.88, 24.57

 

CMYK 22 / 0 / 29 / 18

HEX #A4D194

RGB 164 209 148

HSL 104.26, 0.4%, 0.7%

LAB 79.4, -26.03, 25.6

 

CMYK 23 / 0 / 32 / 25

HEX #93BF81

RGB 147 191 129

HSL 102.58, 0.33%, 0.63%

LAB 72.92, -26.19, 26.68

 

CMYK 25 / 0 / 36 / 32

HEX #82AD6E

RGB 130 173 110

HSL 100.95, 0.28%, 0.55%

LAB 66.34, -26.36, 27.83

 

CMYK 27 / 0 / 41 / 39

HEX #719B5B

RGB 113 155 91

HSL 99.38, 0.26%, 0.48%

LAB 59.62, -26.51, 29.04

 

CMYK 21 / 0 / 27 / 11

HEX #B4E3A6

RGB 180 227 166

HSL 106.23, 0.52%, 0.77%

LAB 85.7, -26.38, 24.97

 

CMYK 13 / 0 / 27 / 11

HEX #C5E3A6

RGB 197 227 166

HSL 89.51, 0.52%, 0.77%

LAB 86.78, -20.45, 26.62

 

CMYK 6 / 0 / 27 / 11

HEX #D5E3A6

RGB 213 227 166

HSL 73.77, 0.52%, 0.77%

LAB 87.89, -14.66, 28.31

 

CMYK 0 / 1 / 27 / 11

HEX #E3E0A6

RGB 227 224 166

HSL 57.05, 0.52%, 0.77%

LAB 88.16, -7.95, 28.85

 

CMYK 0 / 8 / 27 / 11

HEX #E3D0A6

RGB 227 208 166

HSL 41.31, 0.52%, 0.77%

LAB 84.07, 0.24, 23.28

 

CMYK 21 / 0 / 27 / 11

HEX #B4E3A6

RGB 180 227 166

HSL 106.23, 0.52%, 0.77%

LAB 85.7, -26.38, 24.97

 

CMYK 27 / 0 / 26 / 11

HEX #A6E3A8

RGB 166 227 168

HSL 121.97, 0.52%, 0.77%

LAB 84.93, -30.72, 22.75

 

CMYK 27 / 0 / 19 / 11

HEX #A6E3B9

RGB 166 227 185

HSL 138.69, 0.52%, 0.77%

LAB 85.28, -27.72, 14.37

 

CMYK 27 / 0 / 11 / 11

HEX #A6E3C9

RGB 166 227 201

HSL 154.43, 0.52%, 0.77%

LAB 85.64, -24.64, 6.48

 

CMYK 27 / 0 / 4 / 11

HEX #A6E3D9

RGB 166 227 217

HSL 170.16, 0.52%, 0.77%

LAB 86.03, -21.34, -1.37

 

CMYK 21 / 0 / 27 / 11

HEX #B4E3A6

RGB 180 227 166

HSL 106.23, 0.52%, 0.77%

LAB 85.7, -26.38, 24.97

 

CMYK 26 / 0 / 34 / 7

HEX #AFEC9C

RGB 175 236 156

HSL 105.75, 0.68%, 0.77%

LAB 87.73, -33.83, 32.77

 

CMYK 31 / 0 / 40 / 4

HEX #AAF693

RGB 170 246 147

HSL 106.06, 0.85%, 0.77%

LAB 90.12, -41.27, 40.33

 

CMYK 21 / 0 / 27 / 11

HEX #B4E3A6

RGB 180 227 166

HSL 106.23, 0.52%, 0.77%

LAB 85.7, -26.38, 24.97

 

CMYK 15 / 0 / 19 / 15

HEX #B9D9AF

RGB 185 217 175

HSL 105.71, 0.36%, 0.77%

LAB 83.46, -18.31, 17.23

 

CMYK 9 / 0 / 11 / 18

HEX #BED0B9

RGB 190 208 185

HSL 106.96, 0.2%, 0.77%

LAB 81.6, -10.32, 9.36

 

CMYK 2 / 0 / 2 / 22

HEX #C3C6C2

RGB 195 198 194

HSL 105, 0.03%, 0.77%

LAB 79.55, -1.76, 1.63

 

CMYK 2 / 7 / 0 / 20

HEX #C8BDCC

RGB 200 189 204

HSL 284, 0.13%, 0.77%

LAB 77.9, 6.61, -6.15

 

CMYK 6 / 0 / 27 / 11

HEX #D5E3A6

RGB 213 227 166

HSL 73.77, 0.52%, 0.77%

LAB 87.89, -14.66, 28.31

 

CMYK 14 / 0 / 27 / 11

HEX #C4E3A6

RGB 196 227 166

HSL 90.49, 0.52%, 0.77%

LAB 86.72, -20.8, 26.52

 

CMYK 21 / 0 / 27 / 11

HEX #B4E3A6

RGB 180 227 166

HSL 106.23, 0.52%, 0.77%

LAB 85.7, -26.38, 24.97

 

CMYK 27 / 0 / 26 / 11

HEX #A6E3A8

RGB 166 227 168

HSL 121.97, 0.52%, 0.77%

LAB 84.93, -30.72, 22.75

 

CMYK 27 / 0 / 19 / 11

HEX #A6E3B8

RGB 166 227 184

HSL 137.7, 0.52%, 0.77%

LAB 85.25, -27.9, 14.86

 

CMYK 39 / 0 / 50 / 19

HEX #7FCF67

RGB 127 207 103

HSL 106.15, 0.52%, 0.61%

LAB 76.14, -43.92, 43.79

 

CMYK 29 / 0 / 38 / 15

HEX #9AD986

RGB 154 217 134

HSL 105.54, 0.52%, 0.69%

LAB 80.86, -35.33, 34.65

 

CMYK 21 / 0 / 27 / 11

HEX #B4E3A6

RGB 180 227 166

HSL 106.23, 0.52%, 0.77%

LAB 85.7, -26.38, 24.97

 

CMYK 13 / 0 / 17 / 7

HEX #CEEDC5

RGB 206 237 197

HSL 106.5, 0.53%, 0.85%

LAB 90.65, -17.36, 16.04

 

CMYK 6 / 0 / 7 / 3

HEX #E9F7E5

RGB 233 247 229

HSL 106.67, 0.53%, 0.93%

LAB 95.79, -7.79, 7.06

 

CMYK 20 / 0 / 26 / 11

HEX #B5E3A7

RGB 181 227 167

HSL 106, 0.52%, 0.77%

LAB 85.78, -25.88, 24.57

 

CMYK 27 / 0 / 1 / 11

HEX #A6E3E1

RGB 166 227 225

HSL 178.03, 0.52%, 0.77%

LAB 86.25, -19.6, -5.27

 

CMYK 0 / 27 / 10 / 11

HEX #E3A6CC

RGB 227 166 204

HSL 322.62, 0.52%, 0.77%

LAB 74.8, 28.31, -10.47

 

CMYK 20 / 0 / 26 / 11

HEX #B5E3A7

RGB 181 227 167

HSL 106, 0.52%, 0.77%

LAB 85.78, -25.88, 24.57

 

CMYK 27 / 21 / 0 / 11

HEX #A6B4E3

RGB 166 180 227

HSL 226.23, 0.52%, 0.77%

LAB 73.74, 5.52, -25.14

 

CMYK 0 / 27 / 21 / 11

HEX #E3A6B4

RGB 227 166 180

HSL 346.23, 0.52%, 0.77%

LAB 74.12, 24.5, 1.7

 

CMYK 20 / 0 / 26 / 11

HEX #B5E3A7

RGB 181 227 167

HSL 106, 0.52%, 0.77%

LAB 85.78, -25.88, 24.57

 

CMYK 27 / 0 / 1 / 11

HEX #A6E3E1

RGB 166 227 225

HSL 178.03, 0.52%, 0.77%

LAB 86.25, -19.6, -5.27

 

CMYK 6 / 27 / 0 / 11

HEX #D5A6E3

RGB 213 166 227

HSL 286.23, 0.52%, 0.77%

LAB 74.17, 27.86, -24.14

 

CMYK 0 / 27 / 26 / 11

HEX #E3A6A8

RGB 227 166 168

HSL 358.03, 0.52%, 0.77%

LAB 73.82, 22.77, 7.85

 

CMYK 20 / 0 / 26 / 11

HEX #B5E3A7

RGB 181 227 167

HSL 106, 0.52%, 0.77%

LAB 85.78, -25.88, 24.57

 

CMYK 27 / 7 / 0 / 11

HEX #A6D3E3

RGB 166 211 227

HSL 195.74, 0.52%, 0.77%

LAB 81.97, -11.04, -12.69

 

CMYK 6 / 27 / 0 / 11

HEX #D5A6E3

RGB 213 166 227

HSL 286.23, 0.52%, 0.77%

LAB 74.17, 27.86, -24.14

 

CMYK 0 / 20 / 27 / 11

HEX #E3B6A6

RGB 227 182 166

HSL 15.74, 0.52%, 0.77%

LAB 77.6, 13.93, 14.3

 

Description

Color code: HEX #B5E3A7 | qconv.com Color code: HEX #B5E3A7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 227 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 227 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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