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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E318 it is the complementary color #4A1CE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E318. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E318 shade: #BAE313, #CBF526, #DCFF39, #EDFF4C and #FEFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E318. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E318 shade: #B5E318, #A4D105, #93BF00, #82AD00 and #719B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E318 shade: #B4E218, #E2D918, #E2A318, #E26C18 and #E23618

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E318 shade: #B4E218, #7EE218, #47E218, #18E21F and #18E256

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E318 shade matches the following richer shades: #B4E218 and #BFF604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E318 shade: #B4E218, #A9CE2C, #9EBA40, #93A654 and #889169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E318 shade: #E2A218, #E2D818, #B6E218, #80E218 and #4AE218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E318 shade: #799710, #97BD14, #B4E218, #C2EA39 and #CEEE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E318 shade: #B5E318, #18E26C and #BD18E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E318 shade: #B5E318, #18B6E2 and #E218B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E318 shade: #B5E318, #18E26C, #4418E2 and #E2188E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E318 shade: #B5E318, #18E2A9, #4418E2 and #E21851

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 89 / 11

HEX #B5E318

RGB 181 227 24

HSL 73.6, 0.81%, 0.49%

LAB 84.39, -38.22, 80.18

 

Complementary color

CMYK 68 / 88 / 0 / 9

HEX #4A1CE7

RGB 74 28 231

HSL 253.6, 0.81%, 0.51%

LAB 34.1, 69.39, -91.21

 

CMYK 18 / 0 / 92 / 11

HEX #BAE313

RGB 186 227 19

HSL 71.83, 0.85%, 0.48%

LAB 84.7, -36.34, 81.26

 

CMYK 17 / 0 / 84 / 4

HEX #CBF526

RGB 203 245 38

HSL 72.17, 0.91%, 0.55%

LAB 90.84, -37.34, 83.56

 

CMYK 14 / 0 / 78 / 0

HEX #DCFF39

RGB 220 255 57

HSL 70.61, 1%, 0.61%

LAB 94.75, -34.58, 82.86

 

CMYK 7 / 0 / 70 / 0

HEX #EDFF4C

RGB 237 255 76

HSL 66.03, 1%, 0.65%

LAB 96.02, -27.06, 78.64

 

CMYK 0 / 0 / 63 / 0

HEX #FEFF5F

RGB 254 255 95

HSL 60.38, 1%, 0.69%

LAB 97.4, -19.27, 73.52

 

CMYK 20 / 0 / 89 / 11

HEX #B5E318

RGB 181 227 24

HSL 73.6, 0.81%, 0.49%

LAB 84.39, -38.22, 80.18

 

CMYK 22 / 0 / 98 / 18

HEX #A4D105

RGB 164 209 5

HSL 73.24, 0.95%, 0.42%

LAB 78.17, -37.13, 77.02

 

CMYK 23 / 0 / 100 / 25

HEX #93BF00

RGB 147 191 0

HSL 73.82, 1%, 0.37%

LAB 71.87, -35.82, 72.25

 

CMYK 25 / 0 / 100 / 32

HEX #82AD00

RGB 130 173 0

HSL 74.91, 1%, 0.34%

LAB 65.46, -34.44, 66.92

 

CMYK 27 / 0 / 100 / 39

HEX #719B00

RGB 113 155 0

HSL 76.26, 1%, 0.3%

LAB 58.93, -33.05, 61.48

 

CMYK 20 / 0 / 89 / 11

HEX #B4E218

RGB 180 226 24

HSL 73.66, 0.81%, 0.49%

LAB 84.05, -38.17, 79.88

 

CMYK 0 / 4 / 89 / 11

HEX #E2D918

RGB 226 217 24

HSL 57.33, 0.81%, 0.49%

LAB 84.93, -15, 81.98

 

CMYK 0 / 28 / 89 / 11

HEX #E2A318

RGB 226 163 24

HSL 41.29, 0.81%, 0.49%

LAB 71.17, 12.9, 71.32

 

CMYK 0 / 52 / 89 / 11

HEX #E26C18

RGB 226 108 24

HSL 24.95, 0.81%, 0.49%

LAB 58.94, 41.72, 62.04

 

CMYK 0 / 76 / 89 / 11

HEX #E23618

RGB 226 54 24

HSL 8.91, 0.81%, 0.49%

LAB 50.54, 64.08, 55.86

 

CMYK 20 / 0 / 89 / 11

HEX #B4E218

RGB 180 226 24

HSL 73.66, 0.81%, 0.49%

LAB 84.05, -38.17, 79.88

 

CMYK 44 / 0 / 89 / 11

HEX #7EE218

RGB 126 226 24

HSL 89.7, 0.81%, 0.49%

LAB 81.23, -57.46, 76.41

 

CMYK 69 / 0 / 89 / 11

HEX #47E218

RGB 71 226 24

HSL 106.04, 0.81%, 0.49%

LAB 79.5, -71.35, 74.25

 

CMYK 89 / 0 / 86 / 11

HEX #18E21F

RGB 24 226 31

HSL 122.08, 0.81%, 0.49%

LAB 78.86, -76.9, 72.17

 

CMYK 89 / 0 / 62 / 11

HEX #18E256

RGB 24 226 86

HSL 138.42, 0.81%, 0.49%

LAB 79.19, -72.72, 54.5

 

CMYK 20 / 0 / 89 / 11

HEX #B4E218

RGB 180 226 24

HSL 73.66, 0.81%, 0.49%

LAB 84.05, -38.17, 79.88

 

CMYK 22 / 0 / 98 / 4

HEX #BFF604

RGB 191 246 4

HSL 73.64, 0.97%, 0.49%

LAB 90.32, -42.98, 87.14

 

CMYK 20 / 0 / 89 / 11

HEX #B4E218

RGB 180 226 24

HSL 73.66, 0.81%, 0.49%

LAB 84.05, -38.17, 79.88

 

CMYK 18 / 0 / 79 / 19

HEX #A9CE2C

RGB 169 206 44

HSL 73.7, 0.65%, 0.49%

LAB 77.73, -32.83, 69.84

 

CMYK 15 / 0 / 66 / 27

HEX #9EBA40

RGB 158 186 64

HSL 73.77, 0.49%, 0.49%

LAB 71.39, -26.74, 56.45

 

CMYK 11 / 0 / 49 / 35

HEX #93A654

RGB 147 166 84

HSL 73.9, 0.33%, 0.49%

LAB 65.05, -19.6, 39.93

 

CMYK 6 / 0 / 28 / 43

HEX #889169

RGB 136 145 105

HSL 73.5, 0.16%, 0.49%

LAB 58.51, -10.38, 20.19

 

CMYK 0 / 28 / 89 / 11

HEX #E2A218

RGB 226 162 24

HSL 40.99, 0.81%, 0.49%

LAB 70.92, 13.43, 71.13

 

CMYK 0 / 4 / 89 / 11

HEX #E2D818

RGB 226 216 24

HSL 57.03, 0.81%, 0.49%

LAB 84.66, -14.51, 81.78

 

CMYK 19 / 0 / 89 / 11

HEX #B6E218

RGB 182 226 24

HSL 73.07, 0.81%, 0.49%

LAB 84.18, -37.38, 80.03

 

CMYK 43 / 0 / 89 / 11

HEX #80E218

RGB 128 226 24

HSL 89.11, 0.81%, 0.49%

LAB 81.32, -56.83, 76.51

 

CMYK 67 / 0 / 89 / 11

HEX #4AE218

RGB 74 226 24

HSL 105.15, 0.81%, 0.49%

LAB 79.57, -70.79, 74.33

 

CMYK 20 / 0 / 89 / 41

HEX #799710

RGB 121 151 16

HSL 73.33, 0.81%, 0.33%

LAB 58.26, -27.5, 58.63

 

CMYK 20 / 0 / 89 / 26

HEX #97BD14

RGB 151 189 20

HSL 73.49, 0.81%, 0.41%

LAB 71.57, -32.97, 69.63

 

CMYK 20 / 0 / 89 / 11

HEX #B4E218

RGB 180 226 24

HSL 73.66, 0.81%, 0.49%

LAB 84.05, -38.17, 79.88

 

CMYK 17 / 0 / 76 / 8

HEX #C2EA39

RGB 194 234 57

HSL 73.56, 0.81%, 0.57%

LAB 87.3, -35.23, 75.41

 

CMYK 13 / 0 / 61 / 7

HEX #CEEE5E

RGB 206 238 94

HSL 73.33, 0.81%, 0.65%

LAB 89.43, -30.22, 64.38

 

CMYK 20 / 0 / 89 / 11

HEX #B5E318

RGB 181 227 24

HSL 73.6, 0.81%, 0.49%

LAB 84.39, -38.22, 80.18

 

CMYK 89 / 0 / 52 / 11

HEX #18E26C

RGB 24 226 108

HSL 144.95, 0.81%, 0.49%

LAB 79.43, -69.83, 44.84

 

CMYK 16 / 89 / 0 / 11

HEX #BD18E2

RGB 189 24 226

HSL 289.01, 0.81%, 0.49%

LAB 48.21, 81.74, -64.63

 

CMYK 20 / 0 / 89 / 11

HEX #B5E318

RGB 181 227 24

HSL 73.6, 0.81%, 0.49%

LAB 84.39, -38.22, 80.18

 

CMYK 89 / 19 / 0 / 11

HEX #18B6E2

RGB 24 182 226

HSL 193.07, 0.81%, 0.49%

LAB 68.85, -22.2, -32.56

 

CMYK 0 / 89 / 19 / 11

HEX #E218B6

RGB 226 24 182

HSL 313.07, 0.81%, 0.49%

LAB 52.06, 81.74, -32.77

 

CMYK 20 / 0 / 89 / 11

HEX #B5E318

RGB 181 227 24

HSL 73.6, 0.81%, 0.49%

LAB 84.39, -38.22, 80.18

 

CMYK 89 / 0 / 52 / 11

HEX #18E26C

RGB 24 226 108

HSL 144.95, 0.81%, 0.49%

LAB 79.43, -69.83, 44.84

 

CMYK 70 / 89 / 0 / 11

HEX #4418E2

RGB 68 24 226

HSL 253.07, 0.81%, 0.49%

LAB 32.64, 68.91, -90.79

 

CMYK 0 / 89 / 37 / 11

HEX #E2188E

RGB 226 24 142

HSL 324.95, 0.81%, 0.49%

LAB 50.42, 77.37, -11.57

 

CMYK 20 / 0 / 89 / 11

HEX #B5E318

RGB 181 227 24

HSL 73.6, 0.81%, 0.49%

LAB 84.39, -38.22, 80.18

 

CMYK 89 / 0 / 25 / 11

HEX #18E2A9

RGB 24 226 169

HSL 163.07, 0.81%, 0.49%

LAB 80.43, -58.19, 15.33

 

CMYK 70 / 89 / 0 / 11

HEX #4418E2

RGB 68 24 226

HSL 253.07, 0.81%, 0.49%

LAB 32.64, 68.91, -90.79

 

CMYK 0 / 89 / 64 / 11

HEX #E21851

RGB 226 24 81

HSL 343.07, 0.81%, 0.49%

LAB 48.78, 72.82, 23.3

 

Description

Color code: HEX #B5E318 | qconv.com Color code: HEX #B5E318 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 227 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 227 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 89 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 89% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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