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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E2CD it is the complementary color #4A1D32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E2CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E2CD shade: #BAE2C8, #CBF4DB, #DCFFEE, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E2CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E2CD shade: #B5E2CD, #A4D0BA, #93BEA7, #82AC94 and #719A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E2CD shade: #B6E2CD, #B6E2C1, #B6E2B6, #C2E2B6 and #CEE2B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E2CD shade: #B6E2CD, #B6E2DA, #B6DFE2, #B6D3E2 and #B6C7E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E2CD shade matches the following richer shades: #B6E2CD, #ADEBCE, #A5F3CF and #9DFBCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E2CD shade: #B6E2CD, #BEDACD, #C6D2CC, #CECACC and #D7C1CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E2CD shade: #B6E2B6, #B6E2C2, #B6E2CD, #B6E2D9 and #B6DFE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E2CD shade: #7ACBA5, #98D7B9, #B6E2CD, #D3EEE2 and #F1FAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E2CD shade: #B5E2CD, #B6C2E2 and #E2BCB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E2CD shade: #B5E2CD, #CDB6E2 and #E2CDB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E2CD shade: #B5E2CD, #B6C2E2, #E2B6CB and #E2D6B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E2CD shade: #B5E2CD, #B7B6E2, #E2B6CB and #E1E2B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

Complementary color

CMYK 0 / 61 / 32 / 71

HEX #4A1D32

RGB 74 29 50

HSL 332, 0.44%, 0.2%

LAB 18.21, 24.1, -3.44

 

CMYK 18 / 0 / 12 / 11

HEX #BAE2C8

RGB 186 226 200

HSL 141, 0.41%, 0.81%

LAB 86.51, -18.05, 8.41

 

CMYK 17 / 0 / 10 / 4

HEX #CBF4DB

RGB 203 244 219

HSL 143.41, 0.65%, 0.88%

LAB 92.8, -17.94, 7.67

 

CMYK 14 / 0 / 7 / 0

HEX #DCFFEE

RGB 220 255 238

HSL 150.86, 1%, 0.93%

LAB 97.19, -14.42, 4.34

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

CMYK 21 / 0 / 11 / 18

HEX #A4D0BA

RGB 164 208 186

HSL 150, 0.32%, 0.73%

LAB 79.93, -18.85, 6.2

 

CMYK 23 / 0 / 12 / 25

HEX #93BEA7

RGB 147 190 167

HSL 147.91, 0.25%, 0.66%

LAB 73.43, -19.01, 6.96

 

CMYK 24 / 0 / 14 / 33

HEX #82AC94

RGB 130 172 148

HSL 145.71, 0.2%, 0.59%

LAB 66.82, -19.19, 7.77

 

CMYK 27 / 0 / 16 / 40

HEX #719A81

RGB 113 154 129

HSL 143.41, 0.17%, 0.52%

LAB 60.08, -19.4, 8.64

 

CMYK 19 / 0 / 9 / 11

HEX #B6E2CD

RGB 182 226 205

HSL 151.36, 0.43%, 0.8%

LAB 86.38, -18.39, 5.56

 

CMYK 19 / 0 / 15 / 11

HEX #B6E2C1

RGB 182 226 193

HSL 135, 0.43%, 0.8%

LAB 86.1, -20.64, 11.47

 

CMYK 19 / 0 / 19 / 11

HEX #B6E2B6

RGB 182 226 182

HSL 120, 0.43%, 0.8%

LAB 85.86, -22.59, 16.9

 

CMYK 14 / 0 / 19 / 11

HEX #C2E2B6

RGB 194 226 182

HSL 103.64, 0.43%, 0.8%

LAB 86.62, -18.51, 18.07

 

CMYK 9 / 0 / 19 / 11

HEX #CEE2B6

RGB 206 226 182

HSL 87.27, 0.43%, 0.8%

LAB 87.43, -14.32, 19.32

 

CMYK 19 / 0 / 9 / 11

HEX #B6E2CD

RGB 182 226 205

HSL 151.36, 0.43%, 0.8%

LAB 86.38, -18.39, 5.56

 

CMYK 19 / 0 / 4 / 11

HEX #B6E2DA

RGB 182 226 218

HSL 169.09, 0.43%, 0.8%

LAB 86.7, -15.81, -0.81

 

CMYK 19 / 1 / 0 / 11

HEX #B6DFE2

RGB 182 223 226

HSL 184.09, 0.43%, 0.8%

LAB 86.11, -12.64, -5.9

 

CMYK 19 / 7 / 0 / 11

HEX #B6D3E2

RGB 182 211 226

HSL 200.45, 0.43%, 0.8%

LAB 82.93, -6.46, -10.62

 

CMYK 19 / 12 / 0 / 11

HEX #B6C7E2

RGB 182 199 226

HSL 216.82, 0.43%, 0.8%

LAB 79.77, -0.14, -15.34

 

CMYK 19 / 0 / 9 / 11

HEX #B6E2CD

RGB 182 226 205

HSL 151.36, 0.43%, 0.8%

LAB 86.38, -18.39, 5.56

 

CMYK 26 / 0 / 12 / 8

HEX #ADEBCE

RGB 173 235 206

HSL 151.94, 0.61%, 0.8%

LAB 88.33, -25.41, 7.78

 

CMYK 32 / 0 / 15 / 5

HEX #A5F3CF

RGB 165 243 207

HSL 152.31, 0.76%, 0.8%

LAB 90.14, -31.39, 9.8

 

CMYK 37 / 0 / 18 / 2

HEX #9DFBCF

RGB 157 251 207

HSL 151.91, 0.92%, 0.8%

LAB 91.98, -37.33, 12.37

 

CMYK 19 / 0 / 9 / 11

HEX #B6E2CD

RGB 182 226 205

HSL 151.36, 0.43%, 0.8%

LAB 86.38, -18.39, 5.56

 

CMYK 13 / 0 / 6 / 15

HEX #BEDACD

RGB 190 218 205

HSL 152.14, 0.27%, 0.8%

LAB 84.74, -11.77, 3.26

 

CMYK 6 / 0 / 3 / 18

HEX #C6D2CC

RGB 198 210 204

HSL 150, 0.12%, 0.8%

LAB 83.16, -5.18, 1.56

 

CMYK 0 / 2 / 1 / 19

HEX #CECACC

RGB 206 202 204

HSL 330, 0.04%, 0.8%

LAB 81.69, 1.75, -0.51

 

CMYK 0 / 10 / 6 / 16

HEX #D7C1CB

RGB 215 193 203

HSL 332.73, 0.22%, 0.8%

LAB 80.12, 9.47, -2.18

 

CMYK 19 / 0 / 19 / 11

HEX #B6E2B6

RGB 182 226 182

HSL 120, 0.43%, 0.8%

LAB 85.86, -22.59, 16.9

 

CMYK 19 / 0 / 14 / 11

HEX #B6E2C2

RGB 182 226 194

HSL 136.36, 0.43%, 0.8%

LAB 86.12, -20.46, 10.98

 

CMYK 19 / 0 / 9 / 11

HEX #B6E2CD

RGB 182 226 205

HSL 151.36, 0.43%, 0.8%

LAB 86.38, -18.39, 5.56

 

CMYK 19 / 0 / 4 / 11

HEX #B6E2D9

RGB 182 226 217

HSL 167.73, 0.43%, 0.8%

LAB 86.68, -16.02, -0.32

 

CMYK 19 / 1 / 0 / 11

HEX #B6DFE2

RGB 182 223 226

HSL 184.09, 0.43%, 0.8%

LAB 86.11, -12.64, -5.9

 

CMYK 40 / 0 / 19 / 20

HEX #7ACBA5

RGB 122 203 165

HSL 151.85, 0.44%, 0.64%

LAB 75.8, -33.36, 11.25

 

CMYK 29 / 0 / 14 / 16

HEX #98D7B9

RGB 152 215 185

HSL 151.43, 0.44%, 0.72%

LAB 81.17, -26.25, 8.43

 

CMYK 19 / 0 / 9 / 11

HEX #B6E2CD

RGB 182 226 205

HSL 151.36, 0.43%, 0.8%

LAB 86.38, -18.39, 5.56

 

CMYK 11 / 0 / 5 / 7

HEX #D3EEE2

RGB 211 238 226

HSL 153.33, 0.44%, 0.88%

LAB 91.9, -11.08, 2.8

 

CMYK 4 / 0 / 2 / 2

HEX #F1FAF6

RGB 241 250 246

HSL 153.33, 0.47%, 0.96%

LAB 97.52, -3.67, 0.87

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

CMYK 19 / 14 / 0 / 11

HEX #B6C2E2

RGB 182 194 226

HSL 223.64, 0.43%, 0.8%

LAB 78.47, 2.54, -17.3

 

CMYK 0 / 17 / 19 / 11

HEX #E2BCB6

RGB 226 188 182

HSL 8.18, 0.43%, 0.8%

LAB 79.34, 12.66, 8.12

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

CMYK 9 / 19 / 0 / 11

HEX #CDB6E2

RGB 205 182 226

HSL 271.36, 0.43%, 0.8%

LAB 77.24, 16.37, -18.99

 

CMYK 0 / 9 / 19 / 11

HEX #E2CDB6

RGB 226 205 182

HSL 31.36, 0.43%, 0.8%

LAB 83.55, 3.68, 14.11

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

CMYK 19 / 14 / 0 / 11

HEX #B6C2E2

RGB 182 194 226

HSL 223.64, 0.43%, 0.8%

LAB 78.47, 2.54, -17.3

 

CMYK 0 / 19 / 10 / 11

HEX #E2B6CB

RGB 226 182 203

HSL 331.36, 0.43%, 0.8%

LAB 78.42, 19.21, -4.57

 

CMYK 0 / 5 / 19 / 11

HEX #E2D6B6

RGB 226 214 182

HSL 43.64, 0.43%, 0.8%

LAB 85.83, -0.99, 17.3

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

CMYK 19 / 19 / 0 / 11

HEX #B7B6E2

RGB 183 182 226

HSL 241.36, 0.43%, 0.8%

LAB 75.46, 9.36, -21.86

 

CMYK 0 / 19 / 10 / 11

HEX #E2B6CB

RGB 226 182 203

HSL 331.36, 0.43%, 0.8%

LAB 78.42, 19.21, -4.57

 

CMYK 0 / 0 / 19 / 11

HEX #E1E2B6

RGB 225 226 182

HSL 61.36, 0.43%, 0.8%

LAB 88.82, -7.49, 21.46

 

Description

Color code: HEX #B5E2CD | qconv.com Color code: HEX #B5E2CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 226 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 226 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 9 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 9% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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