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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E29D it is the complementary color #4A1D62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E29D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E29D shade: #BAE298, #CBF4AB, #DCFFBE, #EDFFD1 and #FEFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E29D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E29D shade: #B5E29D, #A4D08A, #93BE77, #82AC64 and #719A51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E29D shade: #B4E19C, #C7E19C, #D9E19C, #E1D69C and #E1C49C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E29D shade: #B4E19C, #A2E19C, #9CE1AA, #9CE1BC and #9CE1CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E29D shade matches the following richer shades: #B4E19C, #B1EB92 and #AEF688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E29D shade: #B4E19C, #B7D7A7, #BBCDB1, #BEC2BB and #C1B8C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E29D shade: #D9E19C, #C7E19C, #B4E19C, #A2E19C and #9CE1A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E29D shade: #84CE5D, #9CD87D, #B4E19C, #CCEBBC and #E4F4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E29D shade: #B5E29D, #9CE1D7 and #E19CD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E29D shade: #B5E29D, #9CB4E1 and #E19CB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E29D shade: #B5E29D, #9CE1D7, #C99CE1 and #E19CA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E29D shade: #B5E29D, #9CD7E1, #C99CE1 and #E1A79C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 31 / 11

HEX #B5E29D

RGB 181 226 157

HSL 99.13, 0.54%, 0.75%

LAB 85.33, -26.93, 29.11

 

Complementary color

CMYK 24 / 70 / 0 / 62

HEX #4A1D62

RGB 74 29 98

HSL 279.13, 0.54%, 0.25%

LAB 20.89, 34.01, -31.99

 

CMYK 18 / 0 / 33 / 11

HEX #BAE298

RGB 186 226 152

HSL 92.43, 0.56%, 0.74%

LAB 85.55, -25.89, 32.02

 

CMYK 17 / 0 / 30 / 4

HEX #CBF4AB

RGB 203 244 171

HSL 93.7, 0.77%, 0.81%

LAB 91.84, -25.81, 30.96

 

CMYK 14 / 0 / 25 / 0

HEX #DCFFBE

RGB 220 255 190

HSL 92.31, 1%, 0.87%

LAB 96.18, -22.4, 27.43

 

CMYK 7 / 0 / 18 / 0

HEX #EDFFD1

RGB 237 255 209

HSL 83.48, 1%, 0.91%

LAB 97.68, -13.65, 20.04

 

CMYK 0 / 0 / 11 / 0

HEX #FEFFE4

RGB 254 255 228

HSL 62.22, 1%, 0.95%

LAB 99.3, -4.83, 12.79

 

CMYK 20 / 0 / 31 / 11

HEX #B5E29D

RGB 181 226 157

HSL 99.13, 0.54%, 0.75%

LAB 85.33, -26.93, 29.11

 

CMYK 21 / 0 / 34 / 18

HEX #A4D08A

RGB 164 208 138

HSL 97.71, 0.43%, 0.68%

LAB 78.95, -27.06, 30.19

 

CMYK 23 / 0 / 37 / 25

HEX #93BE77

RGB 147 190 119

HSL 96.34, 0.35%, 0.61%

LAB 72.47, -27.18, 31.33

 

CMYK 24 / 0 / 42 / 33

HEX #82AC64

RGB 130 172 100

HSL 95, 0.3%, 0.53%

LAB 65.88, -27.29, 32.52

 

CMYK 27 / 0 / 47 / 40

HEX #719A51

RGB 113 154 81

HSL 93.7, 0.31%, 0.46%

LAB 59.17, -27.37, 33.74

 

CMYK 20 / 0 / 31 / 12

HEX #B4E19C

RGB 180 225 156

HSL 99.13, 0.53%, 0.75%

LAB 84.97, -26.95, 29.13

 

CMYK 12 / 0 / 31 / 12

HEX #C7E19C

RGB 199 225 156

HSL 82.61, 0.53%, 0.75%

LAB 86.2, -20.17, 31

 

CMYK 4 / 0 / 31 / 12

HEX #D9E19C

RGB 217 225 156

HSL 66.96, 0.53%, 0.75%

LAB 87.49, -13.5, 32.94

 

CMYK 0 / 5 / 31 / 12

HEX #E1D69C

RGB 225 214 156

HSL 50.43, 0.53%, 0.75%

LAB 85.25, -4.91, 30.07

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 20 / 0 / 31 / 12

HEX #B4E19C

RGB 180 225 156

HSL 99.13, 0.53%, 0.75%

LAB 84.97, -26.95, 29.13

 

CMYK 28 / 0 / 31 / 12

HEX #A2E19C

RGB 162 225 156

HSL 114.78, 0.53%, 0.75%

LAB 83.93, -33.04, 27.55

 

CMYK 31 / 0 / 24 / 12

HEX #9CE1AA

RGB 156 225 170

HSL 132.17, 0.53%, 0.75%

LAB 83.87, -32.61, 20.16

 

CMYK 31 / 0 / 16 / 12

HEX #9CE1BC

RGB 156 225 188

HSL 147.83, 0.53%, 0.75%

LAB 84.25, -29.26, 11.27

 

CMYK 31 / 0 / 8 / 12

HEX #9CE1CF

RGB 156 225 207

HSL 164.35, 0.53%, 0.75%

LAB 84.7, -25.39, 1.9

 

CMYK 20 / 0 / 31 / 12

HEX #B4E19C

RGB 180 225 156

HSL 99.13, 0.53%, 0.75%

LAB 84.97, -26.95, 29.13

 

CMYK 25 / 0 / 38 / 8

HEX #B1EB92

RGB 177 235 146

HSL 99.1, 0.69%, 0.75%

LAB 87.41, -34.1, 37.39

 

CMYK 29 / 0 / 45 / 4

HEX #AEF688

RGB 174 246 136

HSL 99.27, 0.86%, 0.75%

LAB 90.18, -41.37, 45.8

 

CMYK 20 / 0 / 31 / 12

HEX #B4E19C

RGB 180 225 156

HSL 99.13, 0.53%, 0.75%

LAB 84.97, -26.95, 29.13

 

CMYK 15 / 0 / 22 / 16

HEX #B7D7A7

RGB 183 215 167

HSL 100, 0.38%, 0.75%

LAB 82.62, -19.33, 20.25

 

CMYK 9 / 0 / 14 / 20

HEX #BBCDB1

RGB 187 205 177

HSL 98.57, 0.22%, 0.75%

LAB 80.41, -11.21, 11.89

 

CMYK 2 / 0 / 4 / 24

HEX #BEC2BB

RGB 190 194 187

HSL 94.29, 0.05%, 0.75%

LAB 77.94, -2.67, 3.02

 

CMYK 3 / 7 / 0 / 22

HEX #C1B8C6

RGB 193 184 198

HSL 278.57, 0.11%, 0.75%

LAB 75.88, 5.76, -5.93

 

CMYK 4 / 0 / 31 / 12

HEX #D9E19C

RGB 217 225 156

HSL 66.96, 0.53%, 0.75%

LAB 87.49, -13.5, 32.94

 

CMYK 12 / 0 / 31 / 12

HEX #C7E19C

RGB 199 225 156

HSL 82.61, 0.53%, 0.75%

LAB 86.2, -20.17, 31

 

CMYK 20 / 0 / 31 / 12

HEX #B4E19C

RGB 180 225 156

HSL 99.13, 0.53%, 0.75%

LAB 84.97, -26.95, 29.13

 

CMYK 28 / 0 / 31 / 12

HEX #A2E19C

RGB 162 225 156

HSL 114.78, 0.53%, 0.75%

LAB 83.93, -33.04, 27.55

 

CMYK 31 / 0 / 25 / 12

HEX #9CE1A9

RGB 156 225 169

HSL 131.3, 0.53%, 0.75%

LAB 83.85, -32.79, 20.66

 

CMYK 36 / 0 / 55 / 19

HEX #84CE5D

RGB 132 206 93

HSL 99.29, 0.54%, 0.59%

LAB 75.97, -43.01, 48.38

 

CMYK 28 / 0 / 42 / 15

HEX #9CD87D

RGB 156 216 125

HSL 99.56, 0.54%, 0.67%

LAB 80.55, -35.42, 38.8

 

CMYK 20 / 0 / 31 / 12

HEX #B4E19C

RGB 180 225 156

HSL 99.13, 0.53%, 0.75%

LAB 84.97, -26.95, 29.13

 

CMYK 13 / 0 / 20 / 8

HEX #CCEBBC

RGB 204 235 188

HSL 99.57, 0.54%, 0.83%

LAB 89.81, -18.53, 19.49

 

CMYK 7 / 0 / 10 / 4

HEX #E4F4DC

RGB 228 244 220

HSL 100, 0.52%, 0.91%

LAB 94.47, -9.51, 9.76

 

CMYK 20 / 0 / 31 / 11

HEX #B5E29D

RGB 181 226 157

HSL 99.13, 0.54%, 0.75%

LAB 85.33, -26.93, 29.11

 

CMYK 31 / 0 / 4 / 12

HEX #9CE1D7

RGB 156 225 215

HSL 171.3, 0.53%, 0.75%

LAB 84.91, -23.66, -2.03

 

CMYK 0 / 31 / 8 / 12

HEX #E19CD0

RGB 225 156 208

HSL 314.78, 0.53%, 0.75%

LAB 72.45, 33.68, -16.21

 

CMYK 20 / 0 / 31 / 11

HEX #B5E29D

RGB 181 226 157

HSL 99.13, 0.54%, 0.75%

LAB 85.33, -26.93, 29.11

 

CMYK 31 / 20 / 0 / 12

HEX #9CB4E1

RGB 156 180 225

HSL 219.13, 0.53%, 0.75%

LAB 72.99, 2.11, -25.26

 

CMYK 0 / 31 / 20 / 12

HEX #E19CB4

RGB 225 156 180

HSL 339.13, 0.53%, 0.75%

LAB 71.61, 29.15, -2

 

CMYK 20 / 0 / 31 / 11

HEX #B5E29D

RGB 181 226 157

HSL 99.13, 0.54%, 0.75%

LAB 85.33, -26.93, 29.11

 

CMYK 31 / 0 / 4 / 12

HEX #9CE1D7

RGB 156 225 215

HSL 171.3, 0.53%, 0.75%

LAB 84.91, -23.66, -2.03

 

CMYK 11 / 31 / 0 / 12

HEX #C99CE1

RGB 201 156 225

HSL 279.13, 0.53%, 0.75%

LAB 70.62, 29.11, -28.58

 

CMYK 0 / 31 / 26 / 12

HEX #E19CA7

RGB 225 156 167

HSL 350.43, 0.53%, 0.75%

LAB 71.27, 27.25, 4.7

 

CMYK 20 / 0 / 31 / 11

HEX #B5E29D

RGB 181 226 157

HSL 99.13, 0.54%, 0.75%

LAB 85.33, -26.93, 29.11

 

CMYK 31 / 4 / 0 / 12

HEX #9CD7E1

RGB 156 215 225

HSL 188.7, 0.53%, 0.75%

LAB 82.44, -16.4, -10.99

 

CMYK 11 / 31 / 0 / 12

HEX #C99CE1

RGB 201 156 225

HSL 279.13, 0.53%, 0.75%

LAB 70.62, 29.11, -28.58

 

CMYK 0 / 26 / 31 / 12

HEX #E1A79C

RGB 225 167 156

HSL 9.57, 0.53%, 0.75%

LAB 73.57, 19.86, 14.05

 

Description

Color code: HEX #B5E29D | qconv.com Color code: HEX #B5E29D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 226 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 226 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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