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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E210 it is the complementary color #4A1DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E210 shade: #BAE20B, #CBF41E, #DCFF31, #EDFF44 and #FEFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E210 shade: #B5E210, #A4D000, #93BE00, #82AC00 and #719A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E210 shade: #B3E010, #E0D510, #E09C10, #E06410 and #E02C10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E210 shade: #B3E010, #7BE010, #43E010, #10E014 and #10E04D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E210 shade matches the following richer shades: #B3E010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E210 shade: #B3E010, #A8CD23, #9DB936, #92A64A and #87935D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E210 shade: #E09B10, #E0D210, #B6E010, #7FE010 and #47E010

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E210 shade: #76930A, #95BA0D, #B3E010, #C5F029 and #D0F34F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E210 shade: #B5E210, #10E063 and #B610E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E210 shade: #B5E210, #10B6E0 and #E010B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E210 shade: #B5E210, #10E063, #3910E0 and #E0108D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E210 shade: #B5E210, #10E0A2, #3910E0 and #E0104E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 93 / 11

HEX #B5E210

RGB 181 226 16

HSL 72.86, 0.87%, 0.47%

LAB 84.1, -37.91, 81.01

 

Complementary color

CMYK 69 / 88 / 0 / 6

HEX #4A1DEF

RGB 74 29 239

HSL 252.86, 0.87%, 0.53%

LAB 35.14, 71.13, -94.03

 

CMYK 18 / 0 / 95 / 11

HEX #BAE20B

RGB 186 226 11

HSL 71.16, 0.91%, 0.46%

LAB 84.41, -36, 81.9

 

CMYK 17 / 0 / 88 / 4

HEX #CBF41E

RGB 203 244 30

HSL 71.5, 0.91%, 0.54%

LAB 90.55, -37.08, 84.79

 

CMYK 14 / 0 / 81 / 0

HEX #DCFF31

RGB 220 255 49

HSL 70.19, 1%, 0.6%

LAB 94.72, -34.86, 84.87

 

CMYK 7 / 0 / 73 / 0

HEX #EDFF44

RGB 237 255 68

HSL 65.78, 1%, 0.63%

LAB 95.97, -27.42, 81.2

 

CMYK 0 / 0 / 66 / 0

HEX #FEFF57

RGB 254 255 87

HSL 60.36, 1%, 0.67%

LAB 97.34, -19.71, 76.49

 

CMYK 20 / 0 / 93 / 11

HEX #B5E210

RGB 181 226 16

HSL 72.86, 0.87%, 0.47%

LAB 84.1, -37.91, 81.01

 

CMYK 21 / 0 / 100 / 18

HEX #A4D000

RGB 164 208 0

HSL 72.69, 1%, 0.41%

LAB 77.88, -36.74, 77.28

 

CMYK 23 / 0 / 100 / 25

HEX #93BE00

RGB 147 190 0

HSL 73.58, 1%, 0.37%

LAB 71.58, -35.37, 72.03

 

CMYK 24 / 0 / 100 / 33

HEX #82AC00

RGB 130 172 0

HSL 74.65, 1%, 0.34%

LAB 65.16, -33.99, 66.69

 

CMYK 27 / 0 / 100 / 40

HEX #719A00

RGB 113 154 0

HSL 75.97, 1%, 0.3%

LAB 58.62, -32.59, 61.24

 

CMYK 20 / 0 / 93 / 12

HEX #B3E010

RGB 179 224 16

HSL 72.98, 0.87%, 0.47%

LAB 83.41, -37.8, 80.42

 

CMYK 0 / 5 / 93 / 12

HEX #E0D510

RGB 224 213 16

HSL 56.83, 0.87%, 0.47%

LAB 83.69, -13.99, 82.06

 

CMYK 0 / 30 / 93 / 12

HEX #E09C10

RGB 224 156 16

HSL 40.38, 0.87%, 0.47%

LAB 69.23, 15.65, 71.29

 

CMYK 0 / 55 / 93 / 12

HEX #E06410

RGB 224 100 16

HSL 24.23, 0.87%, 0.47%

LAB 57.07, 44.74, 62.7

 

CMYK 0 / 80 / 93 / 12

HEX #E02C10

RGB 224 44 16

HSL 8.08, 0.87%, 0.47%

LAB 49.11, 66.21, 57.53

 

CMYK 20 / 0 / 93 / 12

HEX #B3E010

RGB 179 224 16

HSL 72.98, 0.87%, 0.47%

LAB 83.41, -37.8, 80.42

 

CMYK 45 / 0 / 93 / 12

HEX #7BE010

RGB 123 224 16

HSL 89.13, 0.87%, 0.47%

LAB 80.49, -57.82, 76.86

 

CMYK 70 / 0 / 93 / 12

HEX #43E010

RGB 67 224 16

HSL 105.29, 0.87%, 0.47%

LAB 78.78, -71.67, 74.75

 

CMYK 93 / 0 / 91 / 12

HEX #10E014

RGB 16 224 20

HSL 121.15, 0.87%, 0.47%

LAB 78.15, -77.17, 73.44

 

CMYK 93 / 0 / 66 / 12

HEX #10E04D

RGB 16 224 77

HSL 137.6, 0.87%, 0.47%

LAB 78.44, -73.54, 57.39

 

CMYK 20 / 0 / 93 / 12

HEX #B3E010

RGB 179 224 16

HSL 72.98, 0.87%, 0.47%

LAB 83.41, -37.8, 80.42

 

CMYK 20 / 0 / 93 / 12

HEX #B3E010

RGB 179 224 16

HSL 72.98, 0.87%, 0.47%

LAB 83.41, -37.8, 80.42

 

CMYK 18 / 0 / 83 / 20

HEX #A8CD23

RGB 168 205 35

HSL 73.06, 0.71%, 0.47%

LAB 77.35, -33.1, 71.83

 

CMYK 15 / 0 / 71 / 27

HEX #9DB936

RGB 157 185 54

HSL 72.82, 0.55%, 0.47%

LAB 70.96, -27.29, 59.88

 

CMYK 12 / 0 / 55 / 35

HEX #92A64A

RGB 146 166 74

HSL 73.04, 0.38%, 0.47%

LAB 64.87, -20.99, 44.59

 

CMYK 8 / 0 / 37 / 42

HEX #87935D

RGB 135 147 93

HSL 73.33, 0.23%, 0.47%

LAB 58.8, -13.55, 27.18

 

CMYK 0 / 31 / 93 / 12

HEX #E09B10

RGB 224 155 16

HSL 40.1, 0.87%, 0.47%

LAB 68.99, 16.18, 71.11

 

CMYK 0 / 6 / 93 / 12

HEX #E0D210

RGB 224 210 16

HSL 55.96, 0.87%, 0.47%

LAB 82.9, -12.49, 81.46

 

CMYK 19 / 0 / 93 / 12

HEX #B6E010

RGB 182 224 16

HSL 72.12, 0.87%, 0.47%

LAB 83.6, -36.62, 80.65

 

CMYK 43 / 0 / 93 / 12

HEX #7FE010

RGB 127 224 16

HSL 87.98, 0.87%, 0.47%

LAB 80.66, -56.56, 77.07

 

CMYK 68 / 0 / 93 / 12

HEX #47E010

RGB 71 224 16

HSL 104.13, 0.87%, 0.47%

LAB 78.86, -70.94, 74.85

 

CMYK 20 / 0 / 93 / 42

HEX #76930A

RGB 118 147 10

HSL 72.7, 0.87%, 0.31%

LAB 56.82, -26.97, 58.43

 

CMYK 20 / 0 / 93 / 27

HEX #95BA0D

RGB 149 186 13

HSL 72.83, 0.87%, 0.39%

LAB 70.55, -32.53, 69.81

 

CMYK 20 / 0 / 93 / 12

HEX #B3E010

RGB 179 224 16

HSL 72.98, 0.87%, 0.47%

LAB 83.41, -37.8, 80.42

 

CMYK 18 / 0 / 83 / 6

HEX #C5F029

RGB 197 240 41

HSL 72.96, 0.87%, 0.55%

LAB 89.09, -37.36, 81.28

 

CMYK 14 / 0 / 67 / 5

HEX #D0F34F

RGB 208 243 79

HSL 72.8, 0.87%, 0.63%

LAB 90.81, -32.75, 71.75

 

CMYK 20 / 0 / 93 / 11

HEX #B5E210

RGB 181 226 16

HSL 72.86, 0.87%, 0.47%

LAB 84.1, -37.91, 81.01

 

CMYK 93 / 0 / 56 / 12

HEX #10E063

RGB 16 224 99

HSL 143.94, 0.87%, 0.47%

LAB 78.65, -70.89, 48.09

 

CMYK 19 / 93 / 0 / 12

HEX #B610E0

RGB 182 16 224

HSL 287.88, 0.87%, 0.47%

LAB 46.58, 81.46, -66.21

 

CMYK 20 / 0 / 93 / 11

HEX #B5E210

RGB 181 226 16

HSL 72.86, 0.87%, 0.47%

LAB 84.1, -37.91, 81.01

 

CMYK 93 / 19 / 0 / 12

HEX #10B6E0

RGB 16 182 224

HSL 192.12, 0.87%, 0.47%

LAB 68.71, -23.22, -31.69

 

CMYK 0 / 93 / 19 / 12

HEX #E010B6

RGB 224 16 182

HSL 312.12, 0.87%, 0.47%

LAB 51.38, 82.3, -33.86

 

CMYK 20 / 0 / 93 / 11

HEX #B5E210

RGB 181 226 16

HSL 72.86, 0.87%, 0.47%

LAB 84.1, -37.91, 81.01

 

CMYK 93 / 0 / 56 / 12

HEX #10E063

RGB 16 224 99

HSL 143.94, 0.87%, 0.47%

LAB 78.65, -70.89, 48.09

 

CMYK 75 / 93 / 0 / 12

HEX #3910E0

RGB 57 16 224

HSL 251.83, 0.87%, 0.47%

LAB 30.93, 69.86, -92.51

 

CMYK 0 / 93 / 37 / 12

HEX #E0108D

RGB 224 16 141

HSL 323.94, 0.87%, 0.47%

LAB 49.67, 77.82, -12.15

 

CMYK 20 / 0 / 93 / 11

HEX #B5E210

RGB 181 226 16

HSL 72.86, 0.87%, 0.47%

LAB 84.1, -37.91, 81.01

 

CMYK 93 / 0 / 28 / 12

HEX #10E0A2

RGB 16 224 162

HSL 162.12, 0.87%, 0.47%

LAB 79.63, -59.4, 17.88

 

CMYK 75 / 93 / 0 / 12

HEX #3910E0

RGB 57 16 224

HSL 251.83, 0.87%, 0.47%

LAB 30.93, 69.86, -92.51

 

CMYK 0 / 93 / 65 / 12

HEX #E0104E

RGB 224 16 78

HSL 342.12, 0.87%, 0.47%

LAB 47.97, 73.21, 24.01

 

Description

Color code: HEX #B5E210 | qconv.com Color code: HEX #B5E210 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 226 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 226 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 93 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 93% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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