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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5DC57 it is the complementary color #4A23A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5DC57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5DC57 shade: #BADC52, #CBEE65, #DCFF78, #EDFF8B and #FEFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5DC57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5DC57 shade: #B5DC57, #A4CA44, #93B831, #82A61E and #71940B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5DC57 shade: #B5DC56, #D9DC56, #DCBB56, #DC9756 and #DC7356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5DC57 shade: #B5DC56, #91DC56, #6CDC56, #56DC63 and #56DC88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5DC57 shade matches the following richer shades: #B5DC56, #BCED45 and #C3FD35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5DC57 shade: #B5DC56, #AECC66, #A7BB77, #A0AB87 and #9A9A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5DC57 shade: #DCBB56, #DADC56, #B6DC56, #92DC56 and #6EDC56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5DC57 shade: #8EB926, #A6D533, #B5DC56, #C4E378 and #D3EA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5DC57 shade: #B5DC57, #56DC97 and #CD56DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5DC57 shade: #B5DC57, #56B6DC and #DC56B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5DC57 shade: #B5DC57, #56DC97, #7C56DC and #DC569B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5DC57 shade: #B5DC57, #56DCBF, #7C56DC and #DC5673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 60 / 14

HEX #B5DC57

RGB 181 220 87

HSL 77.59, 0.66%, 0.6%

LAB 82.75, -32.05, 59.53

 

Complementary color

CMYK 56 / 79 / 0 / 34

HEX #4A23A8

RGB 74 35 168

HSL 257.59, 0.66%, 0.4%

LAB 28.07, 49.88, -64.27

 

CMYK 15 / 0 / 63 / 14

HEX #BADC52

RGB 186 220 82

HSL 74.78, 0.66%, 0.59%

LAB 83.04, -30.48, 62.02

 

CMYK 15 / 0 / 58 / 7

HEX #CBEE65

RGB 203 238 101

HSL 75.33, 0.8%, 0.66%

LAB 89.29, -30.84, 61.21

 

CMYK 14 / 0 / 53 / 0

HEX #DCFF78

RGB 220 255 120

HSL 75.56, 1%, 0.74%

LAB 95.2, -30.66, 59.93

 

CMYK 7 / 0 / 45 / 0

HEX #EDFF8B

RGB 237 255 139

HSL 69.31, 1%, 0.77%

LAB 96.57, -22.47, 53.16

 

CMYK 0 / 0 / 38 / 0

HEX #FEFF9E

RGB 254 255 158

HSL 60.62, 1%, 0.81%

LAB 98.06, -14.09, 46.22

 

CMYK 18 / 0 / 60 / 14

HEX #B5DC57

RGB 181 220 87

HSL 77.59, 0.66%, 0.6%

LAB 82.75, -32.05, 59.53

 

CMYK 19 / 0 / 66 / 21

HEX #A4CA44

RGB 164 202 68

HSL 77.01, 0.56%, 0.53%

LAB 76.41, -31.67, 60.21

 

CMYK 20 / 0 / 73 / 28

HEX #93B831

RGB 147 184 49

HSL 76.44, 0.58%, 0.46%

LAB 69.97, -31.16, 60.47

 

CMYK 22 / 0 / 82 / 35

HEX #82A61E

RGB 130 166 30

HSL 75.88, 0.69%, 0.38%

LAB 63.44, -30.47, 59.97

 

CMYK 24 / 0 / 93 / 42

HEX #71940B

RGB 113 148 11

HSL 75.33, 0.86%, 0.31%

LAB 56.8, -29.54, 58.11

 

CMYK 18 / 0 / 61 / 14

HEX #B5DC56

RGB 181 220 86

HSL 77.46, 0.66%, 0.6%

LAB 82.74, -32.12, 59.94

 

CMYK 1 / 0 / 61 / 14

HEX #D9DC56

RGB 217 220 86

HSL 61.34, 0.66%, 0.6%

LAB 85.31, -17.78, 63.47

 

CMYK 0 / 15 / 61 / 14

HEX #DCBB56

RGB 220 187 86

HSL 45.22, 0.66%, 0.6%

LAB 76.94, 0.23, 54.37

 

CMYK 0 / 31 / 61 / 14

HEX #DC9756

RGB 220 151 86

HSL 29.1, 0.66%, 0.6%

LAB 68.04, 19.4, 44.15

 

CMYK 0 / 48 / 61 / 14

HEX #DC7356

RGB 220 115 86

HSL 12.99, 0.66%, 0.6%

LAB 60.02, 38.46, 34.47

 

CMYK 18 / 0 / 61 / 14

HEX #B5DC56

RGB 181 220 86

HSL 77.46, 0.66%, 0.6%

LAB 82.74, -32.12, 59.94

 

CMYK 34 / 0 / 61 / 14

HEX #91DC56

RGB 145 220 86

HSL 93.58, 0.66%, 0.6%

LAB 80.67, -45.3, 57.07

 

CMYK 51 / 0 / 61 / 14

HEX #6CDC56

RGB 108 220 86

HSL 110.15, 0.66%, 0.6%

LAB 79.07, -56.74, 54.83

 

CMYK 61 / 0 / 55 / 14

HEX #56DC63

RGB 86 220 99

HSL 125.82, 0.66%, 0.6%

LAB 78.5, -60.64, 48.17

 

CMYK 61 / 0 / 38 / 14

HEX #56DC88

RGB 86 220 136

HSL 142.39, 0.66%, 0.6%

LAB 79.01, -55.02, 30.68

 

CMYK 18 / 0 / 61 / 14

HEX #B5DC56

RGB 181 220 86

HSL 77.46, 0.66%, 0.6%

LAB 82.74, -32.12, 59.94

 

CMYK 21 / 0 / 71 / 7

HEX #BCED45

RGB 188 237 69

HSL 77.5, 0.82%, 0.6%

LAB 87.82, -38.3, 71.89

 

CMYK 23 / 0 / 79 / 1

HEX #C3FD35

RGB 195 253 53

HSL 77.4, 0.98%, 0.6%

LAB 92.62, -43.44, 81.42

 

CMYK 18 / 0 / 61 / 14

HEX #B5DC56

RGB 181 220 86

HSL 77.46, 0.66%, 0.6%

LAB 82.74, -32.12, 59.94

 

CMYK 15 / 0 / 50 / 20

HEX #AECC66

RGB 174 204 102

HSL 77.65, 0.5%, 0.6%

LAB 77.96, -25.84, 47.1

 

CMYK 11 / 0 / 36 / 27

HEX #A7BB77

RGB 167 187 119

HSL 77.65, 0.33%, 0.6%

LAB 72.95, -18.2, 32.21

 

CMYK 6 / 0 / 21 / 33

HEX #A0AB87

RGB 160 171 135

HSL 78.33, 0.18%, 0.6%

LAB 68.28, -10.31, 17.28

 

CMYK 0 / 0 / 1 / 40

HEX #9A9A98

RGB 154 154 152

HSL 60, 0.01%, 0.6%

LAB 63.55, -0.38, 1.04

 

CMYK 0 / 15 / 61 / 14

HEX #DCBB56

RGB 220 187 86

HSL 45.22, 0.66%, 0.6%

LAB 76.94, 0.23, 54.37

 

CMYK 1 / 0 / 61 / 14

HEX #DADC56

RGB 218 220 86

HSL 60.9, 0.66%, 0.6%

LAB 85.38, -17.37, 63.57

 

CMYK 17 / 0 / 61 / 14

HEX #B6DC56

RGB 182 220 86

HSL 77.01, 0.66%, 0.6%

LAB 82.81, -31.74, 60.03

 

CMYK 34 / 0 / 61 / 14

HEX #92DC56

RGB 146 220 86

HSL 93.13, 0.66%, 0.6%

LAB 80.72, -44.96, 57.14

 

CMYK 50 / 0 / 61 / 14

HEX #6EDC56

RGB 110 220 86

HSL 109.25, 0.66%, 0.6%

LAB 79.14, -56.19, 54.93

 

CMYK 23 / 0 / 79 / 27

HEX #8EB926

RGB 142 185 38

HSL 77.55, 0.66%, 0.44%

LAB 69.89, -34.16, 63.8

 

CMYK 22 / 0 / 76 / 16

HEX #A6D533

RGB 166 213 51

HSL 77.41, 0.66%, 0.52%

LAB 79.58, -36.91, 69.4

 

CMYK 18 / 0 / 61 / 14

HEX #B5DC56

RGB 181 220 86

HSL 77.46, 0.66%, 0.6%

LAB 82.74, -32.12, 59.94

 

CMYK 14 / 0 / 47 / 11

HEX #C4E378

RGB 196 227 120

HSL 77.38, 0.66%, 0.68%

LAB 86.02, -26.59, 48.6

 

CMYK 10 / 0 / 34 / 8

HEX #D3EA9A

RGB 211 234 154

HSL 77.25, 0.66%, 0.76%

LAB 89.41, -20.43, 36.4

 

CMYK 18 / 0 / 60 / 14

HEX #B5DC57

RGB 181 220 87

HSL 77.59, 0.66%, 0.6%

LAB 82.75, -32.05, 59.53

 

CMYK 61 / 0 / 31 / 14

HEX #56DC97

RGB 86 220 151

HSL 149.1, 0.66%, 0.6%

LAB 79.27, -52.21, 23.29

 

CMYK 7 / 61 / 0 / 14

HEX #CD56DC

RGB 205 86 220

HSL 293.28, 0.66%, 0.6%

LAB 56.88, 64.94, -47.21

 

CMYK 18 / 0 / 60 / 14

HEX #B5DC57

RGB 181 220 87

HSL 77.59, 0.66%, 0.6%

LAB 82.75, -32.05, 59.53

 

CMYK 61 / 17 / 0 / 14

HEX #56B6DC

RGB 86 182 220

HSL 197.01, 0.66%, 0.6%

LAB 69.9, -17.11, -27.57

 

CMYK 0 / 61 / 17 / 14

HEX #DC56B6

RGB 220 86 182

HSL 317.01, 0.66%, 0.6%

LAB 57.32, 62.65, -24.69

 

CMYK 18 / 0 / 60 / 14

HEX #B5DC57

RGB 181 220 87

HSL 77.59, 0.66%, 0.6%

LAB 82.75, -32.05, 59.53

 

CMYK 61 / 0 / 31 / 14

HEX #56DC97

RGB 86 220 151

HSL 149.1, 0.66%, 0.6%

LAB 79.27, -52.21, 23.29

 

CMYK 44 / 61 / 0 / 14

HEX #7C56DC

RGB 124 86 220

HSL 257.01, 0.66%, 0.6%

LAB 47.12, 46.41, -63.4

 

CMYK 0 / 61 / 30 / 14

HEX #DC569B

RGB 220 86 155

HSL 329.1, 0.66%, 0.6%

LAB 56.33, 59.03, -10.52

 

CMYK 18 / 0 / 60 / 14

HEX #B5DC57

RGB 181 220 87

HSL 77.59, 0.66%, 0.6%

LAB 82.75, -32.05, 59.53

 

CMYK 61 / 0 / 13 / 14

HEX #56DCBF

RGB 86 220 191

HSL 167.01, 0.66%, 0.6%

LAB 80.14, -43.37, 3.41

 

CMYK 44 / 61 / 0 / 14

HEX #7C56DC

RGB 124 86 220

HSL 257.01, 0.66%, 0.6%

LAB 47.12, 46.41, -63.4

 

CMYK 0 / 61 / 48 / 14

HEX #DC5673

RGB 220 86 115

HSL 347.01, 0.66%, 0.6%

LAB 55.18, 54.72, 11.39

 

Description

Color code: HEX #B5DC57 | qconv.com Color code: HEX #B5DC57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 220 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 220 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 60% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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