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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5CF0B it is the complementary color #4A30F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5CF0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5CF0B shade: #BACF06, #CBE119, #DCF32C, #EDFF3F and #FEFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5CF0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5CF0B shade: #B5CF0B, #A4BD00, #93AB00, #829900 and #718700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5CF0B shade: #B6D00B, #D0B50B, #D0800B, #D04B0B and #D0160B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5CF0B shade: #B6D00B, #81D00B, #4CD00B, #16D00B and #0BD035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5CF0B shade matches the following richer shades: #B6D00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5CF0B shade: #B6D00B, #A9BF1D, #9CAD2E, #8F9B40 and #828952

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5CF0B shade: #D07E0B, #D0B30B, #B9D00B, #85D00B and #50D00B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5CF0B shade: #728207, #94A909, #B6D00B, #D5F312 and #DCF539

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5CF0B shade: #B5CF0B, #0BD049 and #980BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5CF0B shade: #B5CF0B, #0BB9D0 and #D00BB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5CF0B shade: #B5CF0B, #0BD049, #220BD0 and #D00B92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5CF0B shade: #B5CF0B, #0BD085, #220BD0 and #D00B57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 95 / 19

HEX #B5CF0B

RGB 181 207 11

HSL 67.96, 0.9%, 0.43%

LAB 78.74, -29.24, 77.37

 

Complementary color

CMYK 70 / 80 / 0 / 4

HEX #4A30F4

RGB 74 48 244

HSL 247.96, 0.9%, 0.57%

LAB 38.02, 65.57, -92.07

 

CMYK 10 / 0 / 97 / 19

HEX #BACF06

RGB 186 207 6

HSL 66.27, 0.94%, 0.42%

LAB 79.09, -27.22, 78.27

 

CMYK 10 / 0 / 89 / 12

HEX #CBE119

RGB 203 225 25

HSL 66.6, 0.8%, 0.49%

LAB 85.31, -28.45, 81.38

 

CMYK 9 / 0 / 82 / 5

HEX #DCF32C

RGB 220 243 44

HSL 66.93, 0.89%, 0.56%

LAB 91.46, -29.51, 83.24

 

CMYK 7 / 0 / 75 / 0

HEX #EDFF3F

RGB 237 255 63

HSL 65.63, 1%, 0.62%

LAB 95.95, -27.63, 82.68

 

CMYK 0 / 0 / 68 / 0

HEX #FEFF52

RGB 254 255 82

HSL 60.35, 1%, 0.66%

LAB 97.31, -19.97, 78.26

 

CMYK 13 / 0 / 95 / 19

HEX #B5CF0B

RGB 181 207 11

HSL 67.96, 0.9%, 0.43%

LAB 78.74, -29.24, 77.37

 

CMYK 13 / 0 / 100 / 26

HEX #A4BD00

RGB 164 189 0

HSL 67.94, 1%, 0.37%

LAB 72.42, -27.91, 73.17

 

CMYK 14 / 0 / 100 / 33

HEX #93AB00

RGB 147 171 0

HSL 68.42, 1%, 0.34%

LAB 66, -26.43, 67.83

 

CMYK 15 / 0 / 100 / 40

HEX #829900

RGB 130 153 0

HSL 69.02, 1%, 0.3%

LAB 59.46, -24.93, 62.38

 

CMYK 16 / 0 / 100 / 47

HEX #718700

RGB 113 135 0

HSL 69.78, 1%, 0.26%

LAB 52.77, -23.41, 56.81

 

CMYK 13 / 0 / 95 / 18

HEX #B6D00B

RGB 182 208 11

HSL 67.92, 0.9%, 0.43%

LAB 79.09, -29.3, 77.67

 

CMYK 0 / 13 / 95 / 18

HEX #D0B50B

RGB 208 181 11

HSL 51.78, 0.9%, 0.43%

LAB 73.86, -4.68, 74.64

 

CMYK 0 / 38 / 95 / 18

HEX #D0800B

RGB 208 128 11

HSL 35.63, 0.9%, 0.43%

LAB 60.67, 23.74, 65.11

 

CMYK 0 / 64 / 95 / 18

HEX #D04B0B

RGB 208 75 11

HSL 19.49, 0.9%, 0.43%

LAB 50.06, 50.28, 58.02

 

CMYK 0 / 89 / 95 / 18

HEX #D0160B

RGB 208 22 11

HSL 3.35, 0.9%, 0.43%

LAB 44.24, 66.39, 54.57

 

CMYK 13 / 0 / 95 / 18

HEX #B6D00B

RGB 182 208 11

HSL 67.92, 0.9%, 0.43%

LAB 79.09, -29.3, 77.67

 

CMYK 38 / 0 / 95 / 18

HEX #81D00B

RGB 129 208 11

HSL 84.06, 0.9%, 0.43%

LAB 75.95, -49.69, 73.87

 

CMYK 63 / 0 / 95 / 18

HEX #4CD00B

RGB 76 208 11

HSL 100.2, 0.9%, 0.43%

LAB 73.98, -64.96, 71.45

 

CMYK 89 / 0 / 95 / 18

HEX #16D00B

RGB 22 208 11

HSL 116.65, 0.9%, 0.43%

LAB 73.09, -72.68, 70.36

 

CMYK 95 / 0 / 75 / 18

HEX #0BD035

RGB 11 208 53

HSL 132.79, 0.9%, 0.43%

LAB 73.18, -71.31, 60.87

 

CMYK 13 / 0 / 95 / 18

HEX #B6D00B

RGB 182 208 11

HSL 67.92, 0.9%, 0.43%

LAB 79.09, -29.3, 77.67

 

CMYK 13 / 0 / 95 / 18

HEX #B6D00B

RGB 182 208 11

HSL 67.92, 0.9%, 0.43%

LAB 79.09, -29.3, 77.67

 

CMYK 12 / 0 / 85 / 25

HEX #A9BF1D

RGB 169 191 29

HSL 68.15, 0.74%, 0.43%

LAB 73.41, -26.26, 69.88

 

CMYK 10 / 0 / 73 / 32

HEX #9CAD2E

RGB 156 173 46

HSL 68.03, 0.58%, 0.43%

LAB 67.39, -22.27, 59.25

 

CMYK 8 / 0 / 59 / 39

HEX #8F9B40

RGB 143 155 64

HSL 67.91, 0.42%, 0.43%

LAB 61.35, -17.5, 45.26

 

CMYK 5 / 0 / 40 / 46

HEX #828952

RGB 130 137 82

HSL 67.64, 0.25%, 0.43%

LAB 55.33, -11.66, 28.62

 

CMYK 0 / 39 / 95 / 18

HEX #D07E0B

RGB 208 126 11

HSL 35.03, 0.9%, 0.43%

LAB 60.21, 24.82, 64.78

 

CMYK 0 / 14 / 95 / 18

HEX #D0B30B

RGB 208 179 11

HSL 51.17, 0.9%, 0.43%

LAB 73.33, -3.64, 74.25

 

CMYK 11 / 0 / 95 / 18

HEX #B9D00B

RGB 185 208 11

HSL 67.01, 0.9%, 0.43%

LAB 79.3, -28.06, 77.93

 

CMYK 36 / 0 / 95 / 18

HEX #85D00B

RGB 133 208 11

HSL 82.84, 0.9%, 0.43%

LAB 76.14, -48.29, 74.1

 

CMYK 62 / 0 / 95 / 18

HEX #50D00B

RGB 80 208 11

HSL 98.98, 0.9%, 0.43%

LAB 74.09, -64.05, 71.59

 

CMYK 12 / 0 / 95 / 49

HEX #728207

RGB 114 130 7

HSL 67.8, 0.9%, 0.27%

LAB 51.33, -20.27, 54.45

 

CMYK 12 / 0 / 95 / 34

HEX #94A909

RGB 148 169 9

HSL 67.88, 0.9%, 0.35%

LAB 65.51, -24.89, 66.33

 

CMYK 13 / 0 / 95 / 18

HEX #B6D00B

RGB 182 208 11

HSL 67.92, 0.9%, 0.43%

LAB 79.09, -29.3, 77.67

 

CMYK 12 / 0 / 93 / 5

HEX #D5F312

RGB 213 243 18

HSL 68, 0.9%, 0.51%

LAB 90.91, -32.87, 87.02

 

CMYK 10 / 0 / 77 / 4

HEX #DCF539

RGB 220 245 57

HSL 67.98, 0.9%, 0.59%

LAB 92.05, -30, 80.41

 

CMYK 13 / 0 / 95 / 19

HEX #B5CF0B

RGB 181 207 11

HSL 67.96, 0.9%, 0.43%

LAB 78.74, -29.24, 77.37

 

CMYK 95 / 0 / 65 / 18

HEX #0BD049

RGB 11 208 73

HSL 138.88, 0.9%, 0.43%

LAB 73.33, -69.46, 53.41

 

CMYK 27 / 95 / 0 / 18

HEX #980BD0

RGB 152 11 208

HSL 282.94, 0.9%, 0.43%

LAB 40.36, 75.08, -67.34

 

CMYK 13 / 0 / 95 / 19

HEX #B5CF0B

RGB 181 207 11

HSL 67.96, 0.9%, 0.43%

LAB 78.74, -29.24, 77.37

 

CMYK 95 / 11 / 0 / 18

HEX #0BB9D0

RGB 11 185 208

HSL 187.01, 0.9%, 0.43%

LAB 68.98, -30.2, -22.52

 

CMYK 0 / 95 / 11 / 18

HEX #D00BB9

RGB 208 11 185

HSL 307.01, 0.9%, 0.43%

LAB 48.45, 80.2, -40.42

 

CMYK 13 / 0 / 95 / 19

HEX #B5CF0B

RGB 181 207 11

HSL 67.96, 0.9%, 0.43%

LAB 78.74, -29.24, 77.37

 

CMYK 95 / 0 / 65 / 18

HEX #0BD049

RGB 11 208 73

HSL 138.88, 0.9%, 0.43%

LAB 73.33, -69.46, 53.41

 

CMYK 84 / 95 / 0 / 18

HEX #220BD0

RGB 34 11 208

HSL 247.01, 0.9%, 0.43%

LAB 27.11, 66.15, -89.66

 

CMYK 0 / 95 / 30 / 18

HEX #D00B92

RGB 208 11 146

HSL 318.88, 0.9%, 0.43%

LAB 46.61, 75.48, -20.1

 

CMYK 13 / 0 / 95 / 19

HEX #B5CF0B

RGB 181 207 11

HSL 67.96, 0.9%, 0.43%

LAB 78.74, -29.24, 77.37

 

CMYK 95 / 0 / 36 / 18

HEX #0BD085

RGB 11 208 133

HSL 157.16, 0.9%, 0.43%

LAB 74.11, -60.02, 25.48

 

CMYK 84 / 95 / 0 / 18

HEX #220BD0

RGB 34 11 208

HSL 247.01, 0.9%, 0.43%

LAB 27.11, 66.15, -89.66

 

CMYK 0 / 95 / 58 / 18

HEX #D00B57

RGB 208 11 87

HSL 336.85, 0.9%, 0.43%

LAB 44.71, 70.41, 13.5

 

Description

Color code: HEX #B5CF0B | qconv.com Color code: HEX #B5CF0B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 207 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 207 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 95 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 95% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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