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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5C63F it is the complementary color #4A39C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5C63F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5C63F shade: #BAC63A, #CBD84D, #DCEA60, #EDFC73 and #FEFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5C63F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5C63F shade: #B5C63F, #A4B42C, #93A219, #829006 and #717E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5C63F shade: #B5C63F, #C6B23F, #C68E3F, #C6693F and #C6453F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5C63F shade: #B5C63F, #90C63F, #6CC63F, #47C63F and #3FC65A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5C63F shade matches the following richer shades: #B5C63F, #C4DA2A and #D3EE16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5C63F shade: #B5C63F, #A5B153, #969D67, #87897B and #78758F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5C63F shade: #C68D3F, #C6B13F, #B6C63F, #92C63F and #6EC63F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5C63F shade: #7D8929, #9AA932, #B5C63F, #C1CF5E and #CDD97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5C63F shade: #B5C63F, #3FC669 and #9F3FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5C63F shade: #B5C63F, #3FB6C6 and #C63FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5C63F shade: #B5C63F, #3FC669, #4E3FC6 and #C63F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5C63F shade: #B5C63F, #3FC692, #4E3FC6 and #C63F72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

Complementary color

CMYK 61 / 70 / 0 / 25

HEX #4A39C0

RGB 74 57 192

HSL 247.56, 0.54%, 0.49%

LAB 34.37, 45.69, -68.19

 

CMYK 6 / 0 / 71 / 22

HEX #BAC63A

RGB 186 198 58

HSL 65.14, 0.55%, 0.5%

LAB 76.76, -21.4, 64.84

 

CMYK 6 / 0 / 64 / 15

HEX #CBD84D

RGB 203 216 77

HSL 65.61, 0.64%, 0.57%

LAB 83.1, -22.11, 64.46

 

CMYK 6 / 0 / 59 / 8

HEX #DCEA60

RGB 220 234 96

HSL 66.09, 0.77%, 0.65%

LAB 89.35, -22.69, 63.73

 

CMYK 6 / 0 / 54 / 1

HEX #EDFC73

RGB 237 252 115

HSL 66.57, 0.96%, 0.72%

LAB 95.52, -23.17, 62.82

 

CMYK 0 / 0 / 47 / 0

HEX #FEFF86

RGB 254 255 134

HSL 60.5, 1%, 0.76%

LAB 97.76, -16.41, 57.21

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 9 / 0 / 76 / 29

HEX #A4B42C

RGB 164 180 44

HSL 67.06, 0.61%, 0.44%

LAB 69.98, -22.45, 62.59

 

CMYK 9 / 0 / 85 / 36

HEX #93A219

RGB 147 162 25

HSL 66.57, 0.73%, 0.37%

LAB 63.44, -21.49, 61.73

 

CMYK 10 / 0 / 96 / 44

HEX #829006

RGB 130 144 6

HSL 66.09, 0.92%, 0.29%

LAB 56.79, -20.3, 59.41

 

CMYK 10 / 0 / 100 / 51

HEX #717E00

RGB 113 126 0

HSL 66.19, 1%, 0.25%

LAB 50.02, -18.8, 54.75

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 0 / 10 / 68 / 22

HEX #C6B23F

RGB 198 178 63

HSL 51.11, 0.54%, 0.51%

LAB 72.37, -5.86, 58.87

 

CMYK 0 / 28 / 68 / 22

HEX #C68E3F

RGB 198 142 63

HSL 35.11, 0.54%, 0.51%

LAB 63.1, 13.48, 49.14

 

CMYK 0 / 47 / 68 / 22

HEX #C6693F

RGB 198 105 63

HSL 18.67, 0.54%, 0.51%

LAB 54.52, 33.56, 39.61

 

CMYK 0 / 65 / 68 / 22

HEX #C6453F

RGB 198 69 63

HSL 2.67, 0.54%, 0.51%

LAB 47.78, 50.97, 31.7

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 27 / 0 / 68 / 22

HEX #90C63F

RGB 144 198 63

HSL 84, 0.54%, 0.51%

LAB 73.98, -37.88, 59.27

 

CMYK 45 / 0 / 68 / 22

HEX #6CC63F

RGB 108 198 63

HSL 100, 0.54%, 0.51%

LAB 72.19, -50.31, 56.84

 

CMYK 64 / 0 / 68 / 22

HEX #47C63F

RGB 71 198 63

HSL 116.44, 0.54%, 0.51%

LAB 70.93, -60.04, 55.13

 

CMYK 68 / 0 / 55 / 22

HEX #3FC65A

RGB 63 198 90

HSL 132, 0.54%, 0.51%

LAB 71, -58.57, 43.27

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 10 / 0 / 81 / 15

HEX #C4DA2A

RGB 196 218 42

HSL 67.5, 0.7%, 0.51%

LAB 82.94, -27.58, 75.71

 

CMYK 11 / 0 / 91 / 7

HEX #D3EE16

RGB 211 238 22

HSL 67.5, 0.86%, 0.51%

LAB 89.42, -31.31, 85.31

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 7 / 0 / 53 / 31

HEX #A5B153

RGB 165 177 83

HSL 67.66, 0.38%, 0.51%

LAB 69.52, -17.9, 46.05

 

CMYK 4 / 0 / 34 / 38

HEX #969D67

RGB 150 157 103

HSL 67.78, 0.22%, 0.51%

LAB 62.99, -11.46, 27.45

 

CMYK 1 / 0 / 10 / 46

HEX #87897B

RGB 135 137 123

HSL 68.57, 0.06%, 0.51%

LAB 56.56, -3.39, 7.25

 

CMYK 16 / 18 / 0 / 44

HEX #78758F

RGB 120 117 143

HSL 246.92, 0.1%, 0.51%

LAB 50.33, 6.77, -13.7

 

CMYK 0 / 29 / 68 / 22

HEX #C68D3F

RGB 198 141 63

HSL 34.67, 0.54%, 0.51%

LAB 62.86, 14.03, 48.87

 

CMYK 0 / 11 / 68 / 22

HEX #C6B13F

RGB 198 177 63

HSL 50.67, 0.54%, 0.51%

LAB 72.1, -5.34, 58.59

 

CMYK 8 / 0 / 68 / 22

HEX #B6C63F

RGB 182 198 63

HSL 67.11, 0.54%, 0.51%

LAB 76.49, -22.79, 62.63

 

CMYK 26 / 0 / 68 / 22

HEX #92C63F

RGB 146 198 63

HSL 83.11, 0.54%, 0.51%

LAB 74.1, -37.13, 59.42

 

CMYK 44 / 0 / 68 / 22

HEX #6EC63F

RGB 110 198 63

HSL 99.11, 0.54%, 0.51%

LAB 72.27, -49.69, 56.95

 

CMYK 9 / 0 / 70 / 46

HEX #7D8929

RGB 125 137 41

HSL 67.5, 0.54%, 0.35%

LAB 54.46, -17.63, 47.62

 

CMYK 9 / 0 / 70 / 34

HEX #9AA932

RGB 154 169 50

HSL 67.56, 0.54%, 0.43%

LAB 66.12, -20.91, 56.49

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 7 / 0 / 55 / 19

HEX #C1CF5E

RGB 193 207 94

HSL 67.43, 0.54%, 0.59%

LAB 80.05, -20.52, 53.64

 

CMYK 6 / 0 / 42 / 15

HEX #CDD97E

RGB 205 217 126

HSL 67.91, 0.54%, 0.67%

LAB 84.02, -17.65, 43.36

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 68 / 0 / 47 / 22

HEX #3FC669

RGB 63 198 105

HSL 138.67, 0.54%, 0.51%

LAB 71.19, -56.34, 36.16

 

CMYK 20 / 68 / 0 / 22

HEX #9F3FC6

RGB 159 63 198

HSL 282.67, 0.54%, 0.51%

LAB 45.64, 60.01, -52.95

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 68 / 8 / 0 / 22

HEX #3FB6C6

RGB 63 182 198

HSL 187.11, 0.54%, 0.51%

LAB 68.45, -27.53, -17.76

 

CMYK 0 / 68 / 8 / 22

HEX #C63FB6

RGB 198 63 182

HSL 307.11, 0.54%, 0.51%

LAB 50.61, 66.09, -35.38

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 68 / 0 / 47 / 22

HEX #3FC669

RGB 63 198 105

HSL 138.67, 0.54%, 0.51%

LAB 71.19, -56.34, 36.16

 

CMYK 61 / 68 / 0 / 22

HEX #4E3FC6

RGB 78 63 198

HSL 246.67, 0.54%, 0.51%

LAB 36.46, 44.73, -68.26

 

CMYK 0 / 68 / 22 / 22

HEX #C63F9B

RGB 198 63 155

HSL 319.11, 0.54%, 0.51%

LAB 49.41, 62.18, -21.35

 

CMYK 9 / 0 / 68 / 22

HEX #B5C63F

RGB 181 198 63

HSL 67.56, 0.54%, 0.51%

LAB 76.42, -23.2, 62.53

 

CMYK 68 / 0 / 26 / 22

HEX #3FC692

RGB 63 198 146

HSL 156.89, 0.54%, 0.51%

LAB 71.91, -48.48, 15.68

 

CMYK 61 / 68 / 0 / 22

HEX #4E3FC6

RGB 78 63 198

HSL 246.67, 0.54%, 0.51%

LAB 36.46, 44.73, -68.26

 

CMYK 0 / 68 / 42 / 22

HEX #C63F72

RGB 198 63 114

HSL 337.33, 0.54%, 0.51%

LAB 47.98, 57.34, 1.2

 

Description

Color code: HEX #B5C63F | qconv.com Color code: HEX #B5C63F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 198 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 198 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 68 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 68% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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