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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5C54C it is the complementary color #4A3AB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5C54C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5C54C shade: #BAC547, #CBD75A, #DCE96D, #EDFB80 and #FEFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5C54C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5C54C shade: #B5C54C, #A4B339, #93A126, #828F13 and #717D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5C54C shade: #B6C64E, #C6B54E, #C6954E, #C6754E and #C6544E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5C54C shade: #B6C64E, #95C64E, #75C64E, #55C64E and #4EC667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5C54C shade matches the following richer shades: #B6C64E, #C4D93B, #D2EB28 and #E0FE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5C54C shade: #B6C64E, #A8B361, #9AA074, #8C8D87 and #7E7A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5C54C shade: #C6944E, #C6B44E, #B8C64E, #98C64E and #78C64E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5C54C shade: #85922F, #A1B139, #B6C64E, #C3D06D and #CFDA8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5C54C shade: #B5C54C, #4EC674 and #A44EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5C54C shade: #B5C54C, #4EB8C6 and #C64EB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5C54C shade: #B5C54C, #4EC674, #5C4EC6 and #C64EA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5C54C shade: #B5C54C, #4EC698, #5C4EC6 and #C64E7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 61 / 23

HEX #B5C54C

RGB 181 197 76

HSL 67.93, 0.51%, 0.54%

LAB 76.24, -21.87, 57.1

 

Complementary color

CMYK 59 / 68 / 0 / 30

HEX #4A3AB3

RGB 74 58 179

HSL 247.93, 0.51%, 0.46%

LAB 33.43, 41.04, -62.06

 

CMYK 6 / 0 / 64 / 23

HEX #BAC547

RGB 186 197 71

HSL 65.24, 0.52%, 0.53%

LAB 76.57, -20.15, 59.65

 

CMYK 6 / 0 / 58 / 16

HEX #CBD75A

RGB 203 215 90

HSL 65.76, 0.61%, 0.6%

LAB 82.93, -20.73, 58.87

 

CMYK 6 / 0 / 53 / 9

HEX #DCE96D

RGB 220 233 109

HSL 66.29, 0.74%, 0.67%

LAB 89.2, -21.2, 57.9

 

CMYK 6 / 0 / 49 / 2

HEX #EDFB80

RGB 237 251 128

HSL 66.83, 0.94%, 0.74%

LAB 95.4, -21.59, 56.84

 

CMYK 0 / 0 / 42 / 0

HEX #FEFF93

RGB 254 255 147

HSL 60.56, 1%, 0.79%

LAB 97.91, -15.21, 51.32

 

CMYK 8 / 0 / 61 / 23

HEX #B5C54C

RGB 181 197 76

HSL 67.93, 0.51%, 0.54%

LAB 76.24, -21.87, 57.1

 

CMYK 8 / 0 / 68 / 30

HEX #A4B339

RGB 164 179 57

HSL 67.38, 0.52%, 0.46%

LAB 69.77, -21.27, 57.71

 

CMYK 9 / 0 / 76 / 37

HEX #93A126

RGB 147 161 38

HSL 66.83, 0.62%, 0.39%

LAB 63.2, -20.5, 57.78

 

CMYK 9 / 0 / 87 / 44

HEX #828F13

RGB 130 143 19

HSL 66.29, 0.77%, 0.32%

LAB 56.52, -19.5, 56.81

 

CMYK 10 / 0 / 100 / 51

HEX #717D00

RGB 113 125 0

HSL 65.76, 1%, 0.25%

LAB 49.71, -18.28, 54.52

 

CMYK 8 / 0 / 61 / 22

HEX #B6C64E

RGB 182 198 78

HSL 68, 0.51%, 0.54%

LAB 76.61, -21.81, 56.66

 

CMYK 0 / 9 / 61 / 22

HEX #C6B54E

RGB 198 181 78

HSL 51.5, 0.51%, 0.54%

LAB 73.29, -6.49, 53.39

 

CMYK 0 / 25 / 61 / 22

HEX #C6954E

RGB 198 149 78

HSL 35.5, 0.51%, 0.54%

LAB 65, 10.63, 44

 

CMYK 0 / 41 / 61 / 22

HEX #C6754E

RGB 198 117 78

HSL 19.5, 0.51%, 0.54%

LAB 57.35, 28.12, 34.88

 

CMYK 0 / 58 / 61 / 22

HEX #C6544E

RGB 198 84 78

HSL 3, 0.51%, 0.54%

LAB 50.57, 45.11, 26.41

 

CMYK 8 / 0 / 61 / 22

HEX #B6C64E

RGB 182 198 78

HSL 68, 0.51%, 0.54%

LAB 76.61, -21.81, 56.66

 

CMYK 25 / 0 / 61 / 22

HEX #95C64E

RGB 149 198 78

HSL 84.5, 0.51%, 0.54%

LAB 74.4, -34.84, 53.6

 

CMYK 41 / 0 / 61 / 22

HEX #75C64E

RGB 117 198 78

HSL 100.5, 0.51%, 0.54%

LAB 72.71, -46.12, 51.24

 

CMYK 57 / 0 / 61 / 22

HEX #55C64E

RGB 85 198 78

HSL 116.5, 0.51%, 0.54%

LAB 71.47, -55.31, 49.5

 

CMYK 61 / 0 / 48 / 22

HEX #4EC667

RGB 78 198 103

HSL 132.5, 0.51%, 0.54%

LAB 71.55, -53.68, 37.69

 

CMYK 8 / 0 / 61 / 22

HEX #B6C64E

RGB 182 198 78

HSL 68, 0.51%, 0.54%

LAB 76.61, -21.81, 56.66

 

CMYK 10 / 0 / 73 / 15

HEX #C4D93B

RGB 196 217 59

HSL 67.97, 0.68%, 0.54%

LAB 82.74, -26.42, 70.53

 

CMYK 11 / 0 / 83 / 8

HEX #D2EB28

RGB 210 235 40

HSL 67.69, 0.83%, 0.54%

LAB 88.58, -29.93, 81.41

 

CMYK 12 / 0 / 92 / 0

HEX #E0FE15

RGB 224 254 21

HSL 67.73, 0.99%, 0.54%

LAB 94.65, -33.45, 89.91

 

CMYK 8 / 0 / 61 / 22

HEX #B6C64E

RGB 182 198 78

HSL 68, 0.51%, 0.54%

LAB 76.61, -21.81, 56.66

 

CMYK 6 / 0 / 46 / 30

HEX #A8B361

RGB 168 179 97

HSL 68.05, 0.35%, 0.54%

LAB 70.47, -16.32, 40.37

 

CMYK 4 / 0 / 28 / 37

HEX #9AA074

RGB 154 160 116

HSL 68.18, 0.19%, 0.54%

LAB 64.38, -9.67, 22.28

 

CMYK 1 / 0 / 4 / 45

HEX #8C8D87

RGB 140 141 135

HSL 70, 0.03%, 0.54%

LAB 58.39, -1.52, 3.06

 

CMYK 18 / 21 / 0 / 40

HEX #7E7A9A

RGB 126 122 154

HSL 247.5, 0.14%, 0.54%

LAB 52.61, 8.45, -16.65

 

CMYK 0 / 25 / 61 / 22

HEX #C6944E

RGB 198 148 78

HSL 35, 0.51%, 0.54%

LAB 64.75, 11.18, 43.71

 

CMYK 0 / 9 / 61 / 22

HEX #C6B44E

RGB 198 180 78

HSL 51, 0.51%, 0.54%

LAB 73.02, -5.97, 53.09

 

CMYK 7 / 0 / 61 / 22

HEX #B8C64E

RGB 184 198 78

HSL 67, 0.51%, 0.54%

LAB 76.76, -20.99, 56.87

 

CMYK 23 / 0 / 61 / 22

HEX #98C64E

RGB 152 198 78

HSL 83, 0.51%, 0.54%

LAB 74.58, -33.7, 53.86

 

CMYK 39 / 0 / 61 / 22

HEX #78C64E

RGB 120 198 78

HSL 99, 0.51%, 0.54%

LAB 72.85, -45.14, 51.44

 

CMYK 9 / 0 / 68 / 43

HEX #85922F

RGB 133 146 47

HSL 67.88, 0.51%, 0.38%

LAB 57.8, -18.42, 48.75

 

CMYK 9 / 0 / 68 / 31

HEX #A1B139

RGB 161 177 57

HSL 68, 0.51%, 0.46%

LAB 68.98, -21.53, 56.83

 

CMYK 8 / 0 / 61 / 22

HEX #B6C64E

RGB 182 198 78

HSL 68, 0.51%, 0.54%

LAB 76.61, -21.81, 56.66

 

CMYK 6 / 0 / 48 / 18

HEX #C3D06D

RGB 195 208 109

HSL 67.88, 0.51%, 0.62%

LAB 80.64, -18.86, 47.32

 

CMYK 5 / 0 / 36 / 15

HEX #CFDA8C

RGB 207 218 140

HSL 68.46, 0.51%, 0.7%

LAB 84.64, -15.78, 37.18

 

CMYK 8 / 0 / 61 / 23

HEX #B5C54C

RGB 181 197 76

HSL 67.93, 0.51%, 0.54%

LAB 76.24, -21.87, 57.1

 

CMYK 61 / 0 / 41 / 22

HEX #4EC674

RGB 78 198 116

HSL 139, 0.51%, 0.54%

LAB 71.74, -51.58, 31.34

 

CMYK 17 / 61 / 0 / 22

HEX #A44EC6

RGB 164 78 198

HSL 283, 0.51%, 0.54%

LAB 48.78, 54.35, -47.88

 

CMYK 8 / 0 / 61 / 23

HEX #B5C54C

RGB 181 197 76

HSL 67.93, 0.51%, 0.54%

LAB 76.24, -21.87, 57.1

 

CMYK 61 / 7 / 0 / 22

HEX #4EB8C6

RGB 78 184 198

HSL 187, 0.51%, 0.54%

LAB 69.45, -26.11, -16.21

 

CMYK 0 / 61 / 7 / 22

HEX #C64EB8

RGB 198 78 184

HSL 307, 0.51%, 0.54%

LAB 52.86, 60.44, -33.03

 

CMYK 8 / 0 / 61 / 23

HEX #B5C54C

RGB 181 197 76

HSL 67.93, 0.51%, 0.54%

LAB 76.24, -21.87, 57.1

 

CMYK 61 / 0 / 41 / 22

HEX #4EC674

RGB 78 198 116

HSL 139, 0.51%, 0.54%

LAB 71.74, -51.58, 31.34

 

CMYK 54 / 61 / 0 / 22

HEX #5C4EC6

RGB 92 78 198

HSL 247, 0.51%, 0.54%

LAB 40.9, 38.28, -60.98

 

CMYK 0 / 61 / 19 / 22

HEX #C64EA0

RGB 198 78 160

HSL 319, 0.51%, 0.54%

LAB 51.83, 56.76, -20.59

 

CMYK 8 / 0 / 61 / 23

HEX #B5C54C

RGB 181 197 76

HSL 67.93, 0.51%, 0.54%

LAB 76.24, -21.87, 57.1

 

CMYK 61 / 0 / 23 / 22

HEX #4EC698

RGB 78 198 152

HSL 157, 0.51%, 0.54%

LAB 72.41, -44.47, 13.22

 

CMYK 54 / 61 / 0 / 22

HEX #5C4EC6

RGB 92 78 198

HSL 247, 0.51%, 0.54%

LAB 40.9, 38.28, -60.98

 

CMYK 0 / 61 / 37 / 22

HEX #C64E7C

RGB 198 78 124

HSL 337, 0.51%, 0.54%

LAB 50.58, 52.12, -1.04

 

Description

Color code: HEX #B5C54C | qconv.com Color code: HEX #B5C54C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 197 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 197 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 61 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 61% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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