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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5C12C it is the complementary color #4A3ED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5C12C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5C12C shade: #BAC127, #CBD33A, #DCE54D, #EDF760 and #FEFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5C12C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5C12C shade: #B5C12C, #A4AF19, #939D06, #828B00 and #717900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5C12C shade: #B3BF2B, #BFA32B, #BF7B2B, #BF542B and #BF2C2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5C12C shade: #B3BF2B, #8BBF2B, #64BF2B, #3CBF2B and #2BBF43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5C12C shade matches the following richer shades: #B3BF2B, #C3D218 and #D3E505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5C12C shade: #B3BF2B, #A3AC3E, #939951, #848664 and #747377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5C12C shade: #BF7A2B, #BFA22B, #B5BF2B, #8EBF2B and #67BF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5C12C shade: #747C1C, #949E24, #B3BF2B, #C8D440 and #D2DB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5C12C shade: #B5C12C, #2BBF53 and #8E2BBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5C12C shade: #B5C12C, #2BB5BF and #BF2BB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5C12C shade: #B5C12C, #2BBF53, #352BBF and #BF2B98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5C12C shade: #B5C12C, #2BBF7F, #352BBF and #BF2B6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 77 / 24

HEX #B5C12C

RGB 181 193 44

HSL 64.83, 0.63%, 0.46%

LAB 74.92, -21.67, 67.61

 

Complementary color

CMYK 65 / 71 / 0 / 17

HEX #4A3ED3

RGB 74 62 211

HSL 244.83, 0.63%, 0.54%

LAB 37.12, 48.84, -74.73

 

CMYK 4 / 0 / 80 / 24

HEX #BAC127

RGB 186 193 39

HSL 62.73, 0.66%, 0.45%

LAB 75.28, -19.74, 69.51

 

CMYK 4 / 0 / 73 / 17

HEX #CBD33A

RGB 203 211 58

HSL 63.14, 0.63%, 0.53%

LAB 81.62, -20.69, 69.97

 

CMYK 4 / 0 / 66 / 10

HEX #DCE54D

RGB 220 229 77

HSL 63.55, 0.75%, 0.6%

LAB 87.87, -21.49, 69.78

 

CMYK 4 / 0 / 61 / 3

HEX #EDF760

RGB 237 247 96

HSL 63.97, 0.9%, 0.67%

LAB 94.04, -22.15, 69.19

 

CMYK 0 / 0 / 55 / 0

HEX #FEFF73

RGB 254 255 115

HSL 60.43, 1%, 0.73%

LAB 97.56, -17.95, 65.47

 

CMYK 6 / 0 / 77 / 24

HEX #B5C12C

RGB 181 193 44

HSL 64.83, 0.63%, 0.46%

LAB 74.92, -21.67, 67.61

 

CMYK 6 / 0 / 86 / 31

HEX #A4AF19

RGB 164 175 25

HSL 64.4, 0.75%, 0.39%

LAB 68.48, -20.64, 66.49

 

CMYK 6 / 0 / 96 / 38

HEX #939D06

RGB 147 157 6

HSL 63.97, 0.93%, 0.32%

LAB 61.94, -19.37, 63.94

 

CMYK 6 / 0 / 100 / 45

HEX #828B00

RGB 130 139 0

HSL 63.88, 1%, 0.27%

LAB 55.29, -17.84, 59.27

 

CMYK 7 / 0 / 100 / 53

HEX #717900

RGB 113 121 0

HSL 63.97, 1%, 0.24%

LAB 48.49, -16.16, 53.62

 

CMYK 6 / 0 / 77 / 25

HEX #B3BF2B

RGB 179 191 43

HSL 64.86, 0.63%, 0.46%

LAB 74.2, -21.57, 67.2

 

CMYK 0 / 15 / 77 / 25

HEX #BFA32B

RGB 191 163 43

HSL 48.65, 0.63%, 0.46%

LAB 67.61, -1.94, 61.56

 

CMYK 0 / 36 / 77 / 25

HEX #BF7B2B

RGB 191 123 43

HSL 32.43, 0.63%, 0.46%

LAB 57.48, 19.91, 52.03

 

CMYK 0 / 56 / 77 / 25

HEX #BF542B

RGB 191 84 43

HSL 16.62, 0.63%, 0.46%

LAB 49, 40.59, 43.65

 

CMYK 0 / 77 / 77 / 25

HEX #BF2C2B

RGB 191 44 43

HSL 0.41, 0.63%, 0.46%

LAB 42.84, 57.15, 37.25

 

CMYK 6 / 0 / 77 / 25

HEX #B3BF2B

RGB 179 191 43

HSL 64.86, 0.63%, 0.46%

LAB 74.2, -21.57, 67.2

 

CMYK 27 / 0 / 77 / 25

HEX #8BBF2B

RGB 139 191 43

HSL 81.08, 0.63%, 0.46%

LAB 71.5, -37.82, 63.73

 

CMYK 48 / 0 / 77 / 25

HEX #64BF2B

RGB 100 191 43

HSL 96.89, 0.63%, 0.46%

LAB 69.57, -51.41, 61.22

 

CMYK 69 / 0 / 77 / 25

HEX #3CBF2B

RGB 60 191 43

HSL 113.11, 0.63%, 0.46%

LAB 68.31, -61.48, 59.58

 

CMYK 77 / 0 / 65 / 25

HEX #2BBF43

RGB 43 191 67

HSL 129.73, 0.63%, 0.46%

LAB 68.15, -62.2, 50.3

 

CMYK 6 / 0 / 77 / 25

HEX #B3BF2B

RGB 179 191 43

HSL 64.86, 0.63%, 0.46%

LAB 74.2, -21.57, 67.2

 

CMYK 7 / 0 / 89 / 18

HEX #C3D218

RGB 195 210 24

HSL 64.84, 0.79%, 0.46%

LAB 80.61, -24.65, 77.53

 

CMYK 8 / 0 / 98 / 10

HEX #D3E505

RGB 211 229 5

HSL 64.82, 0.96%, 0.46%

LAB 86.95, -27.31, 85.08

 

CMYK 6 / 0 / 77 / 25

HEX #B3BF2B

RGB 179 191 43

HSL 64.86, 0.63%, 0.46%

LAB 74.2, -21.57, 67.2

 

CMYK 5 / 0 / 64 / 33

HEX #A3AC3E

RGB 163 172 62

HSL 64.91, 0.47%, 0.46%

LAB 67.75, -17.85, 53.56

 

CMYK 4 / 0 / 47 / 40

HEX #939951

RGB 147 153 81

HSL 65, 0.31%, 0.46%

LAB 61.29, -13.18, 36.89

 

CMYK 1 / 0 / 25 / 47

HEX #848664

RGB 132 134 100

HSL 63.53, 0.15%, 0.46%

LAB 54.94, -6.72, 18.11

 

CMYK 3 / 3 / 0 / 53

HEX #747377

RGB 116 115 119

HSL 255, 0.02%, 0.46%

LAB 48.64, 1.2, -2.07

 

CMYK 0 / 36 / 77 / 25

HEX #BF7A2B

RGB 191 122 43

HSL 32.03, 0.63%, 0.46%

LAB 57.24, 20.46, 51.8

 

CMYK 0 / 15 / 77 / 25

HEX #BFA22B

RGB 191 162 43

HSL 48.24, 0.63%, 0.46%

LAB 67.35, -1.41, 61.32

 

CMYK 5 / 0 / 77 / 25

HEX #B5BF2B

RGB 181 191 43

HSL 64.05, 0.63%, 0.46%

LAB 74.36, -20.72, 67.4

 

CMYK 26 / 0 / 77 / 25

HEX #8EBF2B

RGB 142 191 43

HSL 79.86, 0.63%, 0.46%

LAB 71.68, -36.67, 63.96

 

CMYK 46 / 0 / 77 / 25

HEX #67BF2B

RGB 103 191 43

HSL 95.68, 0.63%, 0.46%

LAB 69.7, -50.48, 61.39

 

CMYK 6 / 0 / 77 / 51

HEX #747C1C

RGB 116 124 28

HSL 65, 0.63%, 0.3%

LAB 49.75, -15.52, 47.76

 

CMYK 6 / 0 / 77 / 38

HEX #949E24

RGB 148 158 36

HSL 64.92, 0.63%, 0.38%

LAB 62.4, -18.62, 57.73

 

CMYK 6 / 0 / 77 / 25

HEX #B3BF2B

RGB 179 191 43

HSL 64.86, 0.63%, 0.46%

LAB 74.2, -21.57, 67.2

 

CMYK 6 / 0 / 70 / 17

HEX #C8D440

RGB 200 212 64

HSL 64.86, 0.63%, 0.54%

LAB 81.69, -22.13, 67.89

 

CMYK 4 / 0 / 55 / 14

HEX #D2DB62

RGB 210 219 98

HSL 64.46, 0.63%, 0.62%

LAB 84.61, -19.26, 57.37

 

CMYK 6 / 0 / 77 / 24

HEX #B5C12C

RGB 181 193 44

HSL 64.83, 0.63%, 0.46%

LAB 74.92, -21.67, 67.61

 

CMYK 77 / 0 / 57 / 25

HEX #2BBF53

RGB 43 191 83

HSL 136.22, 0.63%, 0.46%

LAB 68.31, -60.25, 43.29

 

CMYK 26 / 77 / 0 / 25

HEX #8E2BBF

RGB 142 43 191

HSL 280.14, 0.63%, 0.46%

LAB 39.98, 62.99, -58.12

 

CMYK 6 / 0 / 77 / 24

HEX #B5C12C

RGB 181 193 44

HSL 64.83, 0.63%, 0.46%

LAB 74.92, -21.67, 67.61

 

CMYK 77 / 5 / 0 / 25

HEX #2BB5BF

RGB 43 181 191

HSL 184.05, 0.63%, 0.46%

LAB 67.52, -31.62, -15.36

 

CMYK 0 / 77 / 5 / 25

HEX #BF2BB5

RGB 191 43 181

HSL 304.05, 0.63%, 0.46%

LAB 47.16, 70.79, -40.32

 

CMYK 6 / 0 / 77 / 24

HEX #B5C12C

RGB 181 193 44

HSL 64.83, 0.63%, 0.46%

LAB 74.92, -21.67, 67.61

 

CMYK 77 / 0 / 57 / 25

HEX #2BBF53

RGB 43 191 83

HSL 136.22, 0.63%, 0.46%

LAB 68.31, -60.25, 43.29

 

CMYK 72 / 77 / 0 / 25

HEX #352BBF

RGB 53 43 191

HSL 244.05, 0.63%, 0.46%

LAB 30.03, 50.59, -74.82

 

CMYK 0 / 77 / 20 / 25

HEX #BF2B98

RGB 191 43 152

HSL 315.81, 0.63%, 0.46%

LAB 45.73, 66.68, -25.33

 

CMYK 6 / 0 / 77 / 24

HEX #B5C12C

RGB 181 193 44

HSL 64.83, 0.63%, 0.46%

LAB 74.92, -21.67, 67.61

 

CMYK 77 / 0 / 34 / 25

HEX #2BBF7F

RGB 43 191 127

HSL 154.05, 0.63%, 0.46%

LAB 68.97, -52.63, 21.75

 

CMYK 72 / 77 / 0 / 25

HEX #352BBF

RGB 53 43 191

HSL 244.05, 0.63%, 0.46%

LAB 30.03, 50.59, -74.82

 

CMYK 0 / 77 / 44 / 25

HEX #BF2B6B

RGB 191 43 107

HSL 334.05, 0.63%, 0.46%

LAB 44.04, 61.58, -0.39

 

Description

Color code: HEX #B5C12C | qconv.com Color code: HEX #B5C12C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 193 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 193 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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