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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5C109 it is the complementary color #4A3EF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5C109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5C109 shade: #BAC104, #CBD317, #DCE52A, #EDF73D and #FEFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5C109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5C109 shade: #B5C109, #A4AF00, #939D00, #828B00 and #717900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5C109 shade: #B7C309, #C39D09, #C36B09, #C33909 and #C30909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5C109 shade: #B7C309, #85C309, #53C309, #21C309 and #09C324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5C109 shade matches the following richer shades: #B7C309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5C109 shade: #B7C309, #A8B21A, #9AA22A, #8C913B and #7D814B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5C109 shade: #C36909, #C39B09, #BAC309, #88C309 and #57C309

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5C109 shade: #6D7405, #929B07, #B7C309, #DCEA0B and #E8F52A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5C109 shade: #B5C109, #09C338 and #8209C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5C109 shade: #B5C109, #09BAC3 and #C309BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5C109 shade: #B5C109, #09C338, #1209C3 and #C30994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5C109 shade: #B5C109, #09C36F, #1209C3 and #C3095D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 95 / 24

HEX #B5C109

RGB 181 193 9

HSL 63.91, 0.91%, 0.4%

LAB 74.81, -22.53, 74.56

 

Complementary color

CMYK 70 / 75 / 0 / 4

HEX #4A3EF6

RGB 74 62 246

HSL 243.91, 0.91%, 0.6%

LAB 40.5, 59.6, -89.1

 

CMYK 4 / 0 / 98 / 24

HEX #BAC104

RGB 186 193 4

HSL 62.22, 0.96%, 0.39%

LAB 75.19, -20.45, 75.54

 

CMYK 4 / 0 / 89 / 17

HEX #CBD317

RGB 203 211 23

HSL 62.55, 0.8%, 0.46%

LAB 81.48, -21.79, 78.65

 

CMYK 4 / 0 / 82 / 10

HEX #DCE52A

RGB 220 229 42

HSL 62.89, 0.78%, 0.53%

LAB 87.69, -22.95, 80.49

 

CMYK 4 / 0 / 75 / 3

HEX #EDF73D

RGB 237 247 61

HSL 63.23, 0.92%, 0.6%

LAB 93.82, -23.95, 81.33

 

CMYK 0 / 0 / 69 / 0

HEX #FEFF50

RGB 254 255 80

HSL 60.34, 1%, 0.66%

LAB 97.3, -20.07, 78.95

 

CMYK 6 / 0 / 95 / 24

HEX #B5C109

RGB 181 193 9

HSL 63.91, 0.91%, 0.4%

LAB 74.81, -22.53, 74.56

 

CMYK 6 / 0 / 100 / 31

HEX #A4AF00

RGB 164 175 0

HSL 63.77, 1%, 0.34%

LAB 68.43, -21.07, 70.2

 

CMYK 6 / 0 / 100 / 38

HEX #939D00

RGB 147 157 0

HSL 63.82, 1%, 0.31%

LAB 61.93, -19.47, 64.79

 

CMYK 6 / 0 / 100 / 45

HEX #828B00

RGB 130 139 0

HSL 63.88, 1%, 0.27%

LAB 55.29, -17.84, 59.27

 

CMYK 7 / 0 / 100 / 53

HEX #717900

RGB 113 121 0

HSL 63.97, 1%, 0.24%

LAB 48.49, -16.16, 53.62

 

CMYK 6 / 0 / 95 / 24

HEX #B7C309

RGB 183 195 9

HSL 63.87, 0.91%, 0.4%

LAB 75.52, -22.66, 75.17

 

CMYK 0 / 19 / 95 / 24

HEX #C39D09

RGB 195 157 9

HSL 47.74, 0.91%, 0.4%

LAB 66.32, 2.24, 68.76

 

CMYK 0 / 45 / 95 / 24

HEX #C36B09

RGB 195 107 9

HSL 31.61, 0.91%, 0.4%

LAB 54.17, 29.48, 60.14

 

CMYK 0 / 71 / 95 / 24

HEX #C33909

RGB 195 57 9

HSL 15.48, 0.91%, 0.4%

LAB 45.01, 53.14, 54.23

 

CMYK 0 / 95 / 95 / 24

HEX #C30909

RGB 195 9 9

HSL 0, 0.91%, 0.4%

LAB 40.92, 64.64, 51.91

 

CMYK 6 / 0 / 95 / 24

HEX #B7C309

RGB 183 195 9

HSL 63.87, 0.91%, 0.4%

LAB 75.52, -22.66, 75.17

 

CMYK 32 / 0 / 95 / 24

HEX #85C309

RGB 133 195 9

HSL 80, 0.91%, 0.4%

LAB 72.25, -42.88, 71.22

 

CMYK 57 / 0 / 95 / 24

HEX #53C309

RGB 83 195 9

HSL 96.13, 0.91%, 0.4%

LAB 70.1, -58.94, 68.59

 

CMYK 83 / 0 / 95 / 24

HEX #21C309

RGB 33 195 9

HSL 112.26, 0.91%, 0.4%

LAB 69.02, -68.13, 67.26

 

CMYK 95 / 0 / 82 / 24

HEX #09C324

RGB 9 195 36

HSL 128.71, 0.91%, 0.4%

LAB 68.91, -68.85, 61.98

 

CMYK 6 / 0 / 95 / 24

HEX #B7C309

RGB 183 195 9

HSL 63.87, 0.91%, 0.4%

LAB 75.52, -22.66, 75.17

 

CMYK 6 / 0 / 95 / 24

HEX #B7C309

RGB 183 195 9

HSL 63.87, 0.91%, 0.4%

LAB 75.52, -22.66, 75.17

 

CMYK 6 / 0 / 85 / 30

HEX #A8B21A

RGB 168 178 26

HSL 63.95, 0.75%, 0.4%

LAB 69.64, -20.38, 67.37

 

CMYK 5 / 0 / 74 / 36

HEX #9AA22A

RGB 154 162 42

HSL 64, 0.59%, 0.4%

LAB 64.06, -17.78, 57.42

 

CMYK 3 / 0 / 59 / 43

HEX #8C913B

RGB 140 145 59

HSL 63.49, 0.42%, 0.4%

LAB 58.17, -13.97, 43.98

 

CMYK 3 / 0 / 42 / 49

HEX #7D814B

RGB 125 129 75

HSL 64.44, 0.26%, 0.4%

LAB 52.47, -10.28, 28.73

 

CMYK 0 / 46 / 95 / 24

HEX #C36909

RGB 195 105 9

HSL 30.97, 0.91%, 0.4%

LAB 53.73, 30.55, 59.85

 

CMYK 0 / 21 / 95 / 24

HEX #C39B09

RGB 195 155 9

HSL 47.1, 0.91%, 0.4%

LAB 65.8, 3.31, 68.38

 

CMYK 5 / 0 / 95 / 24

HEX #BAC309

RGB 186 195 9

HSL 62.9, 0.91%, 0.4%

LAB 75.75, -21.38, 75.45

 

CMYK 30 / 0 / 95 / 24

HEX #88C309

RGB 136 195 9

HSL 79.03, 0.91%, 0.4%

LAB 72.42, -41.75, 71.42

 

CMYK 55 / 0 / 95 / 24

HEX #57C309

RGB 87 195 9

HSL 94.84, 0.91%, 0.4%

LAB 70.23, -57.88, 68.75

 

CMYK 6 / 0 / 96 / 55

HEX #6D7405

RGB 109 116 5

HSL 63.78, 0.92%, 0.24%

LAB 46.65, -15.23, 51.01

 

CMYK 6 / 0 / 95 / 39

HEX #929B07

RGB 146 155 7

HSL 63.65, 0.91%, 0.32%

LAB 61.28, -18.78, 63.27

 

CMYK 6 / 0 / 95 / 24

HEX #B7C309

RGB 183 195 9

HSL 63.87, 0.91%, 0.4%

LAB 75.52, -22.66, 75.17

 

CMYK 6 / 0 / 95 / 8

HEX #DCEA0B

RGB 220 234 11

HSL 63.77, 0.91%, 0.48%

LAB 88.96, -25.91, 86.41

 

CMYK 5 / 0 / 83 / 4

HEX #E8F52A

RGB 232 245 42

HSL 63.84, 0.91%, 0.56%

LAB 92.85, -25.64, 85.21

 

CMYK 6 / 0 / 95 / 24

HEX #B5C109

RGB 181 193 9

HSL 63.91, 0.91%, 0.4%

LAB 74.81, -22.53, 74.56

 

CMYK 95 / 0 / 71 / 24

HEX #09C338

RGB 9 195 56

HSL 135.16, 0.91%, 0.4%

LAB 69.02, -67.39, 55.55

 

CMYK 33 / 95 / 0 / 24

HEX #8209C3

RGB 130 9 195

HSL 279.03, 0.91%, 0.4%

LAB 35.75, 70.06, -67.43

 

CMYK 6 / 0 / 95 / 24

HEX #B5C109

RGB 181 193 9

HSL 63.91, 0.91%, 0.4%

LAB 74.81, -22.53, 74.56

 

CMYK 95 / 5 / 0 / 24

HEX #09BAC3

RGB 9 186 195

HSL 182.9, 0.91%, 0.4%

LAB 68.84, -34.88, -15.61

 

CMYK 0 / 95 / 5 / 24

HEX #C309BA

RGB 195 9 186

HSL 302.9, 0.91%, 0.4%

LAB 46.1, 78.22, -44.89

 

CMYK 6 / 0 / 95 / 24

HEX #B5C109

RGB 181 193 9

HSL 63.91, 0.91%, 0.4%

LAB 74.81, -22.53, 74.56

 

CMYK 95 / 0 / 71 / 24

HEX #09C338

RGB 9 195 56

HSL 135.16, 0.91%, 0.4%

LAB 69.02, -67.39, 55.55

 

CMYK 91 / 95 / 0 / 24

HEX #1209C3

RGB 18 9 195

HSL 242.9, 0.91%, 0.4%

LAB 24.53, 62.91, -86.37

 

CMYK 0 / 95 / 24 / 24

HEX #C30994

RGB 195 9 148

HSL 315.16, 0.91%, 0.4%

LAB 44.14, 73.26, -25.33

 

CMYK 6 / 0 / 95 / 24

HEX #B5C109

RGB 181 193 9

HSL 63.91, 0.91%, 0.4%

LAB 74.81, -22.53, 74.56

 

CMYK 95 / 0 / 43 / 24

HEX #09C36F

RGB 9 195 111

HSL 152.9, 0.91%, 0.4%

LAB 69.64, -59.84, 30.97

 

CMYK 91 / 95 / 0 / 24

HEX #1209C3

RGB 18 9 195

HSL 242.9, 0.91%, 0.4%

LAB 24.53, 62.91, -86.37

 

CMYK 0 / 95 / 52 / 24

HEX #C3095D

RGB 195 9 93

HSL 332.9, 0.91%, 0.4%

LAB 42.14, 67.97, 5.72

 

Description

Color code: HEX #B5C109 | qconv.com Color code: HEX #B5C109 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 193 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 193 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 95 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 95% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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