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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5AFC1 it is the complementary color #4A503E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5AFC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5AFC1 shade: #BAAFBC, #CBC1CF, #DCD3E2, #EDE5F5 and #FEF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5AFC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5AFC1 shade: #B5AFC1, #A49DAE, #938B9B, #827988 and #716775

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5AFC1 shade: #B5AEC1, #BAAEC1, #BFAEC1, #C1AEBE and #C1AEB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5AFC1 shade: #B5AEC1, #AFAEC1 and #AEAEC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5AFC1 shade matches the following richer shades: #B5AEC1, #B1A3CC, #AD97D8, #A98CE4 and #A580EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5AFC1 shade: #B5AEC1, #B8BAB5, #BCC5AA, #C0D19E and #C4DD93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5AFC1 shade: #AEB2C1, #B0AEC1, #B5AEC1, #B9AEC1 and #BEAEC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5AFC1 shade: #89809D, #9F97AF, #B5AEC1, #CAC6D3 and #E0DDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5AFC1 shade: #B5AFC1, #C1AEB7 and #B0C1AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5AFC1 shade: #B5AFC1, #C1B5AE and #AEC1B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5AFC1 shade: #B5AFC1, #C1AEB7, #BBC1AE and #AEC1B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5AFC1 shade: #B5AFC1, #C1AEB1, #BBC1AE and #AEC1BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 9 / 0 / 24

HEX #B5AFC1

RGB 181 175 193

HSL 260, 0.13%, 0.72%

LAB 72.45, 5.57, -8.39

 

Complementary color

CMYK 7 / 0 / 23 / 69

HEX #4A503E

RGB 74 80 62

HSL 80, 0.13%, 0.28%

LAB 33.01, -6.12, 9.82

 

CMYK 1 / 7 / 0 / 26

HEX #BAAFBC

RGB 186 175 188

HSL 290.77, 0.09%, 0.71%

LAB 72.71, 6.32, -5.22

 

CMYK 2 / 7 / 0 / 19

HEX #CBC1CF

RGB 203 193 207

HSL 282.86, 0.13%, 0.78%

LAB 79.24, 6.05, -5.75

 

CMYK 3 / 7 / 0 / 11

HEX #DCD3E2

RGB 220 211 226

HSL 276, 0.21%, 0.86%

LAB 85.65, 5.8, -6.28

 

CMYK 3 / 7 / 0 / 4

HEX #EDE5F5

RGB 237 229 245

HSL 270, 0.44%, 0.93%

LAB 91.97, 5.57, -6.79

 

CMYK 0 / 3 / 0 / 0

HEX #FEF7FF

RGB 254 247 255

HSL 292.5, 1%, 0.98%

LAB 97.96, 3.73, -3.01

 

CMYK 6 / 9 / 0 / 24

HEX #B5AFC1

RGB 181 175 193

HSL 260, 0.13%, 0.72%

LAB 72.45, 5.57, -8.39

 

CMYK 6 / 10 / 0 / 32

HEX #A49DAE

RGB 164 157 174

HSL 264.71, 0.09%, 0.65%

LAB 65.8, 5.83, -7.91

 

CMYK 5 / 10 / 0 / 39

HEX #938B9B

RGB 147 139 155

HSL 270, 0.07%, 0.58%

LAB 59.01, 6.12, -7.42

 

CMYK 4 / 11 / 0 / 47

HEX #827988

RGB 130 121 136

HSL 276, 0.06%, 0.5%

LAB 52.06, 6.43, -6.91

 

CMYK 3 / 12 / 0 / 54

HEX #716775

RGB 113 103 117

HSL 282.86, 0.06%, 0.43%

LAB 44.94, 6.77, -6.39

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 4 / 10 / 0 / 24

HEX #BAAEC1

RGB 186 174 193

HSL 277.89, 0.13%, 0.72%

LAB 72.6, 7.82, -8.13

 

CMYK 1 / 10 / 0 / 24

HEX #BFAEC1

RGB 191 174 193

HSL 293.68, 0.13%, 0.72%

LAB 73.02, 9.55, -7.46

 

CMYK 0 / 10 / 2 / 24

HEX #C1AEBE

RGB 193 174 190

HSL 309.47, 0.13%, 0.72%

LAB 73.11, 9.68, -5.67

 

CMYK 0 / 10 / 4 / 24

HEX #C1AEB9

RGB 193 174 185

HSL 325.26, 0.13%, 0.72%

LAB 72.97, 8.76, -3.13

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 9 / 10 / 0 / 24

HEX #AFAEC1

RGB 175 174 193

HSL 243.16, 0.13%, 0.72%

LAB 71.72, 4.08, -9.54

 

CMYK 10 / 10 / 0 / 24

HEX #AEAEC1

RGB 174 174 193

HSL 240, 0.13%, 0.72%

LAB 71.64, 3.75, -9.67

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 13 / 20 / 0 / 20

HEX #B1A3CC

RGB 177 163 204

HSL 260.49, 0.29%, 0.72%

LAB 69.4, 13.12, -19.07

 

CMYK 20 / 30 / 0 / 15

HEX #AD97D8

RGB 173 151 216

HSL 260.31, 0.45%, 0.72%

LAB 66.5, 21.24, -30.18

 

CMYK 26 / 39 / 0 / 11

HEX #A98CE4

RGB 169 140 228

HSL 259.77, 0.62%, 0.72%

LAB 63.99, 29.1, -40.76

 

CMYK 31 / 46 / 0 / 6

HEX #A580EF

RGB 165 128 239

HSL 260, 0.78%, 0.72%

LAB 61.37, 37.48, -51.01

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 1 / 0 / 3 / 27

HEX #B8BAB5

RGB 184 186 181

HSL 84, 0.03%, 0.72%

LAB 75.23, -1.62, 2.28

 

CMYK 5 / 0 / 14 / 23

HEX #BCC5AA

RGB 188 197 170

HSL 80, 0.19%, 0.72%

LAB 78.18, -7.9, 12.5

 

CMYK 8 / 0 / 24 / 18

HEX #C0D19E

RGB 192 209 158

HSL 80, 0.36%, 0.72%

LAB 81.44, -14.48, 23.45

 

CMYK 11 / 0 / 33 / 13

HEX #C4DD93

RGB 196 221 147

HSL 80.27, 0.52%, 0.72%

LAB 84.77, -20.52, 33.65

 

CMYK 10 / 8 / 0 / 24

HEX #AEB2C1

RGB 174 178 193

HSL 227.37, 0.13%, 0.72%

LAB 72.69, 1.57, -8.1

 

CMYK 9 / 10 / 0 / 24

HEX #B0AEC1

RGB 176 174 193

HSL 246.32, 0.13%, 0.72%

LAB 71.79, 4.42, -9.42

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 4 / 10 / 0 / 24

HEX #B9AEC1

RGB 185 174 193

HSL 274.74, 0.13%, 0.72%

LAB 72.52, 7.48, -8.26

 

CMYK 2 / 10 / 0 / 24

HEX #BEAEC1

RGB 190 174 193

HSL 290.53, 0.13%, 0.72%

LAB 72.94, 9.2, -7.59

 

CMYK 13 / 18 / 0 / 38

HEX #89809D

RGB 137 128 157

HSL 258.62, 0.13%, 0.56%

LAB 55.27, 9.37, -14.26

 

CMYK 9 / 14 / 0 / 31

HEX #9F97AF

RGB 159 151 175

HSL 260, 0.13%, 0.64%

LAB 63.84, 7.67, -11.44

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 4 / 6 / 0 / 17

HEX #CAC6D3

RGB 202 198 211

HSL 258.46, 0.13%, 0.8%

LAB 80.54, 3.8, -5.99

 

CMYK 2 / 3 / 0 / 10

HEX #E0DDE5

RGB 224 221 229

HSL 262.5, 0.13%, 0.88%

LAB 88.55, 2.47, -3.56

 

CMYK 6 / 9 / 0 / 24

HEX #B5AFC1

RGB 181 175 193

HSL 260, 0.13%, 0.72%

LAB 72.45, 5.57, -8.39

 

CMYK 0 / 10 / 5 / 24

HEX #C1AEB7

RGB 193 174 183

HSL 331.58, 0.13%, 0.72%

LAB 72.91, 8.4, -2.11

 

CMYK 9 / 0 / 10 / 24

HEX #B0C1AE

RGB 176 193 174

HSL 113.68, 0.13%, 0.72%

LAB 76.33, -9.39, 7.58

 

CMYK 6 / 9 / 0 / 24

HEX #B5AFC1

RGB 181 175 193

HSL 260, 0.13%, 0.72%

LAB 72.45, 5.57, -8.39

 

CMYK 0 / 6 / 10 / 24

HEX #C1B5AE

RGB 193 181 174

HSL 22.11, 0.13%, 0.72%

LAB 74.47, 3.05, 5.08

 

CMYK 10 / 0 / 6 / 24

HEX #AEC1B5

RGB 174 193 181

HSL 142.11, 0.13%, 0.72%

LAB 76.36, -8.79, 3.82

 

CMYK 6 / 9 / 0 / 24

HEX #B5AFC1

RGB 181 175 193

HSL 260, 0.13%, 0.72%

LAB 72.45, 5.57, -8.39

 

CMYK 0 / 10 / 5 / 24

HEX #C1AEB7

RGB 193 174 183

HSL 331.58, 0.13%, 0.72%

LAB 72.91, 8.4, -2.11

 

CMYK 3 / 0 / 10 / 24

HEX #BBC1AE

RGB 187 193 174

HSL 78.95, 0.13%, 0.72%

LAB 77.14, -5.5, 8.85

 

CMYK 10 / 0 / 5 / 24

HEX #AEC1B8

RGB 174 193 184

HSL 151.58, 0.13%, 0.72%

LAB 76.44, -8.22, 2.31

 

CMYK 6 / 9 / 0 / 24

HEX #B5AFC1

RGB 181 175 193

HSL 260, 0.13%, 0.72%

LAB 72.45, 5.57, -8.39

 

CMYK 0 / 10 / 8 / 24

HEX #C1AEB1

RGB 193 174 177

HSL 350.53, 0.13%, 0.72%

LAB 72.75, 7.34, 0.95

 

CMYK 3 / 0 / 10 / 24

HEX #BBC1AE

RGB 187 193 174

HSL 78.95, 0.13%, 0.72%

LAB 77.14, -5.5, 8.85

 

CMYK 10 / 0 / 2 / 24

HEX #AEC1BE

RGB 174 193 190

HSL 170.53, 0.13%, 0.72%

LAB 76.59, -7.05, -0.71

 

Description

Color code: HEX #B5AFC1 | qconv.com Color code: HEX #B5AFC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 175 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 175 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 9 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 9% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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