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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5AC0A it is the complementary color #4A53F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5AC0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5AC0A shade: #BAAC05, #CBBE18, #DCD02B, #EDE23E and #FEF451

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5AC0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5AC0A shade: #B5AC0A, #A49A00, #938800, #827600 and #716400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5AC0A shade: #B3AA09, #B37D09, #B34F09, #B32109 and #B30909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5AC0A shade: #B3AA09, #8EB309, #61B309, #33B309 and #09B30E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5AC0A shade matches the following richer shades: #B3AA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5AC0A shade: #B3AA09, #A49D19, #958F28, #858137 and #767446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5AC0A shade: #B34D09, #B37B09, #B3A809, #91B309 and #64B309

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5AC0A shade: #656005, #8C8507, #B3AA09, #DAD00B and #F3E81C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5AC0A shade: #B5AC0A, #09B320 and #6409B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5AC0A shade: #B5AC0A, #09B3A8 and #A809B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5AC0A shade: #B5AC0A, #09B320, #0915B3 and #B3099D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5AC0A shade: #B5AC0A, #09B353, #0915B3 and #B3096A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 94 / 29

HEX #B5AC0A

RGB 181 172 10

HSL 56.84, 0.9%, 0.37%

LAB 69, -11.94, 70.04

 

Complementary color

CMYK 70 / 66 / 0 / 4

HEX #4A53F5

RGB 74 83 245

HSL 236.84, 0.9%, 0.63%

LAB 44.57, 47.77, -81.84

 

CMYK 0 / 8 / 97 / 27

HEX #BAAC05

RGB 186 172 5

HSL 55.36, 0.95%, 0.37%

LAB 69.44, -9.78, 71.16

 

CMYK 0 / 6 / 88 / 20

HEX #CBBE18

RGB 203 190 24

HSL 55.64, 0.79%, 0.45%

LAB 75.82, -11.31, 73.99

 

CMYK 0 / 5 / 80 / 14

HEX #DCD02B

RGB 220 208 43

HSL 55.93, 0.72%, 0.52%

LAB 82.11, -12.62, 75.46

 

CMYK 0 / 5 / 74 / 7

HEX #EDE23E

RGB 237 226 62

HSL 56.23, 0.83%, 0.59%

LAB 88.33, -13.75, 75.94

 

CMYK 0 / 4 / 68 / 0

HEX #FEF451

RGB 254 244 81

HSL 56.53, 0.99%, 0.66%

LAB 94.47, -14.72, 75.8

 

CMYK 0 / 5 / 94 / 29

HEX #B5AC0A

RGB 181 172 10

HSL 56.84, 0.9%, 0.37%

LAB 69, -11.94, 70.04

 

CMYK 0 / 6 / 100 / 36

HEX #A49A00

RGB 164 154 0

HSL 56.34, 1%, 0.32%

LAB 62.51, -10.27, 65.87

 

CMYK 0 / 7 / 100 / 42

HEX #938800

RGB 147 136 0

HSL 55.51, 1%, 0.29%

LAB 55.9, -8.42, 60.38

 

CMYK 0 / 9 / 100 / 49

HEX #827600

RGB 130 118 0

HSL 54.46, 1%, 0.25%

LAB 49.13, -6.5, 54.78

 

CMYK 0 / 12 / 100 / 56

HEX #716400

RGB 113 100 0

HSL 53.1, 1%, 0.22%

LAB 42.19, -4.49, 49.03

 

CMYK 0 / 5 / 95 / 30

HEX #B3AA09

RGB 179 170 9

HSL 56.82, 0.9%, 0.37%

LAB 68.28, -11.8, 69.54

 

CMYK 0 / 30 / 95 / 30

HEX #B37D09

RGB 179 125 9

HSL 40.94, 0.9%, 0.37%

LAB 56.36, 12.58, 60.72

 

CMYK 0 / 56 / 95 / 30

HEX #B34F09

RGB 179 79 9

HSL 24.71, 0.9%, 0.37%

LAB 45.9, 37.53, 53.42

 

CMYK 0 / 82 / 95 / 30

HEX #B32109

RGB 179 33 9

HSL 8.47, 0.9%, 0.37%

LAB 39.06, 55.98, 49.08

 

CMYK 0 / 95 / 95 / 30

HEX #B30909

RGB 179 9 9

HSL 0, 0.9%, 0.37%

LAB 37.48, 60.49, 48.17

 

CMYK 0 / 5 / 95 / 30

HEX #B3AA09

RGB 179 170 9

HSL 56.82, 0.9%, 0.37%

LAB 68.28, -11.8, 69.54

 

CMYK 21 / 0 / 95 / 30

HEX #8EB309

RGB 142 179 9

HSL 73.06, 0.9%, 0.37%

LAB 68.03, -32.2, 68.12

 

CMYK 46 / 0 / 95 / 30

HEX #61B309

RGB 97 179 9

HSL 88.94, 0.9%, 0.37%

LAB 65.59, -48.95, 65.15

 

CMYK 72 / 0 / 95 / 30

HEX #33B309

RGB 51 179 9

HSL 105.18, 0.9%, 0.37%

LAB 64.13, -60.76, 63.35

 

CMYK 95 / 0 / 92 / 30

HEX #09B30E

RGB 9 179 14

HSL 121.76, 0.9%, 0.37%

LAB 63.61, -65.31, 62.03

 

CMYK 0 / 5 / 95 / 30

HEX #B3AA09

RGB 179 170 9

HSL 56.82, 0.9%, 0.37%

LAB 68.28, -11.8, 69.54

 

CMYK 0 / 5 / 95 / 30

HEX #B3AA09

RGB 179 170 9

HSL 56.82, 0.9%, 0.37%

LAB 68.28, -11.8, 69.54

 

CMYK 0 / 4 / 85 / 36

HEX #A49D19

RGB 164 157 25

HSL 56.98, 0.74%, 0.37%

LAB 63.41, -11.4, 62.27

 

CMYK 0 / 4 / 73 / 42

HEX #958F28

RGB 149 143 40

HSL 56.7, 0.58%, 0.37%

LAB 58.21, -10.13, 52.4

 

CMYK 0 / 3 / 59 / 48

HEX #858137

RGB 133 129 55

HSL 56.92, 0.41%, 0.37%

LAB 52.91, -8.76, 39.85

 

CMYK 0 / 2 / 41 / 54

HEX #767446

RGB 118 116 70

HSL 57.5, 0.26%, 0.37%

LAB 47.99, -6.68, 25.68

 

CMYK 0 / 57 / 95 / 30

HEX #B34D09

RGB 179 77 9

HSL 24, 0.9%, 0.37%

LAB 45.51, 38.53, 53.16

 

CMYK 0 / 31 / 95 / 30

HEX #B37B09

RGB 179 123 9

HSL 40.24, 0.9%, 0.37%

LAB 55.86, 13.69, 60.35

 

CMYK 0 / 6 / 95 / 30

HEX #B3A809

RGB 179 168 9

HSL 56.12, 0.9%, 0.37%

LAB 67.73, -10.76, 69.12

 

CMYK 19 / 0 / 95 / 30

HEX #91B309

RGB 145 179 9

HSL 72, 0.9%, 0.37%

LAB 68.23, -30.96, 68.36

 

CMYK 44 / 0 / 95 / 30

HEX #64B309

RGB 100 179 9

HSL 87.88, 0.9%, 0.37%

LAB 65.72, -47.97, 65.31

 

CMYK 0 / 5 / 95 / 60

HEX #656005

RGB 101 96 5

HSL 56.88, 0.91%, 0.21%

LAB 39.82, -7.94, 45.39

 

CMYK 0 / 5 / 95 / 45

HEX #8C8507

RGB 140 133 7

HSL 56.84, 0.9%, 0.29%

LAB 54.41, -9.92, 57.79

 

CMYK 0 / 5 / 95 / 30

HEX #B3AA09

RGB 179 170 9

HSL 56.82, 0.9%, 0.37%

LAB 68.28, -11.8, 69.54

 

CMYK 0 / 5 / 95 / 15

HEX #DAD00B

RGB 218 208 11

HSL 57.1, 0.9%, 0.45%

LAB 81.86, -14.11, 81

 

CMYK 0 / 5 / 88 / 5

HEX #F3E81C

RGB 243 232 28

HSL 56.93, 0.9%, 0.53%

LAB 90.25, -15.16, 86.12

 

CMYK 0 / 5 / 94 / 29

HEX #B5AC0A

RGB 181 172 10

HSL 56.84, 0.9%, 0.37%

LAB 69, -11.94, 70.04

 

CMYK 95 / 0 / 82 / 30

HEX #09B320

RGB 9 179 32

HSL 128.12, 0.9%, 0.37%

LAB 63.67, -64.54, 58.21

 

CMYK 44 / 95 / 0 / 30

HEX #6409B3

RGB 100 9 179

HSL 272.12, 0.9%, 0.37%

LAB 29.81, 63.35, -67.89

 

CMYK 0 / 5 / 94 / 29

HEX #B5AC0A

RGB 181 172 10

HSL 56.84, 0.9%, 0.37%

LAB 69, -11.94, 70.04

 

CMYK 95 / 0 / 6 / 30

HEX #09B3A8

RGB 9 179 168

HSL 176.12, 0.9%, 0.37%

LAB 65.85, -39.86, -5.16

 

CMYK 6 / 95 / 0 / 30

HEX #A809B3

RGB 168 9 179

HSL 296.12, 0.9%, 0.37%

LAB 40.86, 72.63, -49.43

 

CMYK 0 / 5 / 94 / 29

HEX #B5AC0A

RGB 181 172 10

HSL 56.84, 0.9%, 0.37%

LAB 69, -11.94, 70.04

 

CMYK 95 / 0 / 82 / 30

HEX #09B320

RGB 9 179 32

HSL 128.12, 0.9%, 0.37%

LAB 63.67, -64.54, 58.21

 

CMYK 95 / 88 / 0 / 30

HEX #0915B3

RGB 9 21 179

HSL 235.76, 0.9%, 0.37%

LAB 23.17, 54.93, -79.14

 

CMYK 0 / 95 / 12 / 30

HEX #B3099D

RGB 179 9 157

HSL 307.76, 0.9%, 0.37%

LAB 41.55, 71.32, -35.05

 

CMYK 0 / 5 / 94 / 29

HEX #B5AC0A

RGB 181 172 10

HSL 56.84, 0.9%, 0.37%

LAB 69, -11.94, 70.04

 

CMYK 95 / 0 / 54 / 30

HEX #09B353

RGB 9 179 83

HSL 146.12, 0.9%, 0.37%

LAB 64.1, -59.22, 38.12

 

CMYK 95 / 88 / 0 / 30

HEX #0915B3

RGB 9 21 179

HSL 235.76, 0.9%, 0.37%

LAB 23.17, 54.93, -79.14

 

CMYK 0 / 95 / 41 / 30

HEX #B3096A

RGB 179 9 106

HSL 325.76, 0.9%, 0.37%

LAB 39.28, 65.4, -7.07

 

Description

Color code: HEX #B5AC0A | qconv.com Color code: HEX #B5AC0A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 172 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 172 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 94 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 94% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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