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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5A5E54C it is the complementary color #4A5A1A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5A5E54C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5A5E54C shade: #BAA5E04C, #CBB7F34C, #DCC9FF4C, #EDDBFF4C and #FEEDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5A5E54C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5A5E54C shade: #B5A5E54C, #A493D24C, #9381BF4C, #826FAC4C and #715D994C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5A5E54C shade: #B4A4E5, #C6A4E5, #D7A4E5, #E5A4E1 and #E5A4CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5A5E54C shade: #B4A4E5 and #A4A4E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5A5E54C shade matches the following richer shades: #B4A4E5, #AF9BEE and #AB91F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5A5E54C shade: #B4A4E5, #B9AEDB, #BEB7D2, #C2C1C8 and #C7CABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5A5E54C shade: #A4B6E5, #A4A5E5, #B4A4E5, #C5A4E5 and #D7A4E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5A5E54C shade: #8064D2, #9A84DB, #B4A4E5, #CFC4EE and #E9E4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5A5E54C shade: #B5A5E5, #E5A4C8 and #AEE5A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5A5E54C shade: #B5A5E5, #E5B4A4 and #A4E5B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5A5E54C shade: #B5A5E5, #E5A4C8, #D4E5A4 and #A4E5C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5A5E54C shade: #B5A5E5, #E5A4B4, #D4E5A4 and #A4E5D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 8 / 0 / 3

HEX #B5A5E54C

RGBA 181 165 229 0.3

HSLA 255, 0.55%, 0.77%, 0.3

LABA 71.14, 18.81, -30.12, 0.3

 

Complementary color

CMYK 5 / 0 / 21 / 19

HEX #4A5A1A4C

RGBA 74 90 26 0.3

HSLA 75, 0.55%, 0.23%, 0.3

LABA 35.68, -16.56, 33.56, 0.3

 

CMYK 5 / 8 / 0 / 4

HEX #BAA5E04C

RGBA 186 165 224 0.3

HSLA 261.36, 0.49%, 0.76%, 0.3

LABA 71.37, 19.23, -26.99, 0.3

 

CMYK 5 / 7 / 0 / 1

HEX #CBB7F34C

RGBA 203 183 243 0.3

HSLA 260, 0.71%, 0.84%, 0.3

LABA 77.9, 18.74, -27.18, 0.3

 

CMYK 4 / 6 / 0 / 0

HEX #DCC9FF4C

RGBA 220 201 255 0.3

HSLA 261.11, 1%, 0.89%, 0.3

LABA 84.07, 16.82, -24.04, 0.3

 

CMYK 2 / 4 / 0 / 0

HEX #EDDBFF4C

RGBA 237 219 255 0.3

HSLA 270, 1%, 0.93%, 0.3

LABA 89.81, 12.67, -15.25, 0.3

 

CMYK 0 / 2 / 0 / 0

HEX #FEEDFF4C

RGBA 254 237 255 0.3

HSLA 296.67, 1%, 0.96%, 0.3

LABA 95.52, 8.85, -6.6, 0.3

 

CMYK 6 / 8 / 0 / 3

HEX #B5A5E54C

RGBA 181 165 229 0.3

HSLA 255, 0.55%, 0.77%, 0.3

LABA 71.14, 18.81, -30.12, 0.3

 

CMYK 7 / 9 / 0 / 5

HEX #A493D24C

RGBA 164 147 210 0.3

HSLA 256.19, 0.41%, 0.7%, 0.3

LABA 64.49, 19.36, -30.01, 0.3

 

CMYK 7 / 10 / 0 / 8

HEX #9381BF4C

RGBA 147 129 191 0.3

HSLA 257.42, 0.33%, 0.63%, 0.3

LABA 57.72, 19.96, -29.93, 0.3

 

CMYK 7 / 11 / 0 / 10

HEX #826FAC4C

RGBA 130 111 172 0.3

HSLA 258.69, 0.27%, 0.55%, 0.3

LABA 50.8, 20.64, -29.89, 0.3

 

CMYK 8 / 12 / 0 / 12

HEX #715D994C

RGBA 113 93 153 0.3

HSLA 260, 0.24%, 0.48%, 0.3

LABA 43.71, 21.4, -29.88, 0.3

 

CMYK 21 / 28 / 0 / 10

HEX #B4A4E5

RGB 180 164 229

HSL 254.77, 0.56%, 0.77%

LAB 70.81, 19.07, -30.63

 

CMYK 14 / 28 / 0 / 10

HEX #C6A4E5

RGB 198 164 229

HSL 271.38, 0.56%, 0.77%

LAB 72.37, 24.61, -28.1

 

CMYK 6 / 28 / 0 / 10

HEX #D7A4E5

RGB 215 164 229

HSL 287.08, 0.56%, 0.77%

LAB 73.97, 29.98, -25.51

 

CMYK 0 / 28 / 2 / 10

HEX #E5A4E1

RGB 229 164 225

HSL 303.69, 0.56%, 0.77%

LAB 75.23, 33.72, -21.28

 

CMYK 0 / 28 / 10 / 10

HEX #E5A4CF

RGB 229 164 207

HSL 320.31, 0.56%, 0.77%

LAB 74.64, 30.57, -12.33

 

CMYK 21 / 28 / 0 / 10

HEX #B4A4E5

RGB 180 164 229

HSL 254.77, 0.56%, 0.77%

LAB 70.81, 19.07, -30.63

 

CMYK 28 / 28 / 0 / 10

HEX #A4A4E5

RGB 164 164 229

HSL 240, 0.56%, 0.77%

LAB 69.54, 14.31, -32.7

 

CMYK 21 / 28 / 0 / 10

HEX #B4A4E5

RGB 180 164 229

HSL 254.77, 0.56%, 0.77%

LAB 70.81, 19.07, -30.63

 

CMYK 26 / 35 / 0 / 7

HEX #AF9BEE

RGB 175 155 238

HSL 254.46, 0.71%, 0.77%

LAB 68.56, 24.75, -39.09

 

CMYK 31 / 42 / 0 / 3

HEX #AB91F8

RGB 171 145 248

HSL 255.15, 0.88%, 0.77%

LAB 66.28, 31.74, -48.16

 

CMYK 21 / 28 / 0 / 10

HEX #B4A4E5

RGB 180 164 229

HSL 254.77, 0.56%, 0.77%

LAB 70.81, 19.07, -30.63

 

CMYK 16 / 21 / 0 / 14

HEX #B9AEDB

RGB 185 174 219

HSL 254.67, 0.38%, 0.77%

LAB 73.35, 12.84, -21.24

 

CMYK 10 / 13 / 0 / 18

HEX #BEB7D2

RGB 190 183 210

HSL 255.56, 0.23%, 0.77%

LAB 75.74, 7.66, -12.69

 

CMYK 3 / 4 / 0 / 22

HEX #C2C1C8

RGB 194 193 200

HSL 248.57, 0.06%, 0.77%

LAB 78.33, 1.66, -3.39

 

CMYK 1 / 0 / 5 / 21

HEX #C7CABF

RGB 199 202 191

HSL 76.36, 0.09%, 0.77%

LAB 80.82, -3.01, 5.12

 

CMYK 28 / 21 / 0 / 10

HEX #A4B6E5

RGB 164 182 229

HSL 223.38, 0.56%, 0.77%

LAB 74.19, 4.31, -25.54

 

CMYK 28 / 28 / 0 / 10

HEX #A4A5E5

RGB 164 165 229

HSL 239.08, 0.56%, 0.77%

LAB 69.8, 13.75, -32.3

 

CMYK 21 / 28 / 0 / 10

HEX #B4A4E5

RGB 180 164 229

HSL 254.77, 0.56%, 0.77%

LAB 70.81, 19.07, -30.63

 

CMYK 14 / 28 / 0 / 10

HEX #C5A4E5

RGB 197 164 229

HSL 270.46, 0.56%, 0.77%

LAB 72.28, 24.3, -28.25

 

CMYK 6 / 28 / 0 / 10

HEX #D7A4E5

RGB 215 164 229

HSL 287.08, 0.56%, 0.77%

LAB 73.97, 29.98, -25.51

 

CMYK 39 / 52 / 0 / 18

HEX #8064D2

RGB 128 100 210

HSL 255.27, 0.55%, 0.61%

LAB 49.93, 36.59, -53.16

 

CMYK 30 / 40 / 0 / 14

HEX #9A84DB

RGB 154 132 219

HSL 255.17, 0.55%, 0.69%

LAB 60.33, 27.21, -41.59

 

CMYK 21 / 28 / 0 / 10

HEX #B4A4E5

RGB 180 164 229

HSL 254.77, 0.56%, 0.77%

LAB 70.81, 19.07, -30.63

 

CMYK 13 / 18 / 0 / 7

HEX #CFC4EE

RGB 207 196 238

HSL 255.71, 0.55%, 0.85%

LAB 81.25, 11.9, -19.37

 

CMYK 6 / 8 / 0 / 3

HEX #E9E4F7

RGB 233 228 247

HSL 255.79, 0.54%, 0.93%

LAB 91.47, 5.15, -8.61

 

CMYK 21 / 28 / 0 / 10

HEX #B5A5E5

RGB 181 165 229

HSL 255, 0.55%, 0.77%

LAB 71.14, 18.81, -30.12

 

CMYK 0 / 28 / 13 / 10

HEX #E5A4C8

RGB 229 164 200

HSL 326.77, 0.56%, 0.77%

LAB 74.43, 29.41, -8.81

 

CMYK 24 / 0 / 28 / 10

HEX #AEE5A4

RGB 174 229 164

HSL 110.77, 0.56%, 0.77%

LAB 85.87, -29.67, 26.17

 

CMYK 21 / 28 / 0 / 10

HEX #B5A5E5

RGB 181 165 229

HSL 255, 0.55%, 0.77%

LAB 71.14, 18.81, -30.12

 

CMYK 0 / 21 / 28 / 10

HEX #E5B4A4

RGB 229 180 164

HSL 14.77, 0.56%, 0.77%

LAB 77.27, 15.48, 14.95

 

CMYK 28 / 0 / 21 / 10

HEX #A4E5B4

RGB 164 229 180

HSL 134.77, 0.56%, 0.77%

LAB 85.62, -30.21, 17.44

 

CMYK 21 / 28 / 0 / 10

HEX #B5A5E5

RGB 181 165 229

HSL 255, 0.55%, 0.77%

LAB 71.14, 18.81, -30.12

 

CMYK 0 / 28 / 13 / 10

HEX #E5A4C8

RGB 229 164 200

HSL 326.77, 0.56%, 0.77%

LAB 74.43, 29.41, -8.81

 

CMYK 7 / 0 / 28 / 10

HEX #D4E5A4

RGB 212 229 164

HSL 75.69, 0.56%, 0.77%

LAB 88.31, -16.29, 29.89

 

CMYK 28 / 0 / 16 / 10

HEX #A4E5C1

RGB 164 229 193

HSL 146.77, 0.56%, 0.77%

LAB 85.9, -27.78, 11.04

 

CMYK 21 / 28 / 0 / 10

HEX #B5A5E5

RGB 181 165 229

HSL 255, 0.55%, 0.77%

LAB 71.14, 18.81, -30.12

 

CMYK 0 / 28 / 21 / 10

HEX #E5A4B4

RGB 229 164 180

HSL 345.23, 0.56%, 0.77%

LAB 73.87, 26.3, 1.35

 

CMYK 7 / 0 / 28 / 10

HEX #D4E5A4

RGB 212 229 164

HSL 75.69, 0.56%, 0.77%

LAB 88.31, -16.29, 29.89

 

CMYK 28 / 0 / 7 / 10

HEX #A4E5D4

RGB 164 229 212

HSL 164.31, 0.56%, 0.77%

LAB 86.35, -23.96, 1.71

 

Description

Color code: HEX #B5A5E54C | qconv.com Color code: HEX #B5A5E54C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 165 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 165 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 8 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 8% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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