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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5A2D3 it is the complementary color #4A5D2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5A2D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5A2D3 shade: #BAA2CE, #CBB4E1, #DCC6F4, #EDD8FF and #FEEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5A2D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5A2D3 shade: #B5A2D3, #A490C0, #937EAD, #826C9A and #715A87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5A2D3 shade: #B4A1D2, #C1A1D2, #CFA1D2, #D2A1C9 and #D2A1BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5A2D3 shade: #B4A1D2, #A7A1D2 and #A1A1D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5A2D3 shade matches the following richer shades: #B4A1D2, #B296DE, #AF8BE9 and #AD7FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5A2D3 shade: #B4A1D2, #B7ACC7, #B9B7BC, #BCC2B1 and #BECDA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5A2D3 shade: #A1A8D2, #A7A1D2, #B4A1D2, #C1A1D2 and #CEA1D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5A2D3 shade: #8769B8, #9E85C5, #B4A1D2, #CABDE0 and #E1D9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5A2D3 shade: #B5A2D3, #D2A1B6 and #A2D2A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5A2D3 shade: #B5A2D3, #D2B4A1 and #A1D2B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5A2D3 shade: #B5A2D3, #D2A1B6, #BFD2A1 and #A1D2BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5A2D3 shade: #B5A2D3, #D2A1A7, #BFD2A1 and #A1D2CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 23 / 0 / 17

HEX #B5A2D3

RGB 181 162 211

HSL 263.27, 0.36%, 0.73%

LAB 69.73, 16.48, -22.4

 

Complementary color

CMYK 20 / 0 / 53 / 64

HEX #4A5D2C

RGB 74 93 44

HSL 83.27, 0.36%, 0.27%

LAB 36.87, -16.38, 25.61

 

CMYK 10 / 21 / 0 / 19

HEX #BAA2CE

RGB 186 162 206

HSL 272.73, 0.31%, 0.72%

LAB 69.99, 17.05, -19.2

 

CMYK 10 / 20 / 0 / 12

HEX #CBB4E1

RGB 203 180 225

HSL 270.67, 0.43%, 0.79%

LAB 76.54, 16.6, -19.52

 

CMYK 10 / 19 / 0 / 4

HEX #DCC6F4

RGB 220 198 244

HSL 268.7, 0.68%, 0.87%

LAB 82.99, 16.19, -19.84

 

CMYK 7 / 15 / 0 / 0

HEX #EDD8FF

RGB 237 216 255

HSL 272.31, 1%, 0.92%

LAB 89.08, 14.24, -16.34

 

CMYK 0 / 8 / 0 / 0

HEX #FEEAFF

RGB 254 234 255

HSL 297.14, 1%, 0.96%

LAB 94.8, 10.39, -7.67

 

CMYK 14 / 23 / 0 / 17

HEX #B5A2D3

RGB 181 162 211

HSL 263.27, 0.36%, 0.73%

LAB 69.73, 16.48, -22.4

 

CMYK 15 / 25 / 0 / 25

HEX #A490C0

RGB 164 144 192

HSL 265, 0.28%, 0.66%

LAB 63.05, 16.96, -22.16

 

CMYK 15 / 27 / 0 / 32

HEX #937EAD

RGB 147 126 173

HSL 266.81, 0.22%, 0.59%

LAB 56.23, 17.5, -21.94

 

CMYK 16 / 30 / 0 / 40

HEX #826C9A

RGB 130 108 154

HSL 268.7, 0.19%, 0.51%

LAB 49.26, 18.09, -21.74

 

CMYK 16 / 33 / 0 / 47

HEX #715A87

RGB 113 90 135

HSL 270.67, 0.2%, 0.44%

LAB 42.11, 18.75, -21.56

 

CMYK 14 / 23 / 0 / 18

HEX #B4A1D2

RGB 180 161 210

HSL 263.27, 0.35%, 0.73%

LAB 69.36, 16.5, -22.42

 

CMYK 8 / 23 / 0 / 18

HEX #C1A1D2

RGB 193 161 210

HSL 279.18, 0.35%, 0.73%

LAB 70.51, 20.72, -20.56

 

CMYK 1 / 23 / 0 / 18

HEX #CFA1D2

RGB 207 161 210

HSL 296.33, 0.35%, 0.73%

LAB 71.83, 25.34, -18.43

 

CMYK 0 / 23 / 4 / 18

HEX #D2A1C9

RGB 210 161 201

HSL 311.02, 0.35%, 0.73%

LAB 71.83, 24.68, -13.45

 

CMYK 0 / 23 / 11 / 18

HEX #D2A1BB

RGB 210 161 187

HSL 328.16, 0.35%, 0.73%

LAB 71.4, 22.24, -6.36

 

CMYK 14 / 23 / 0 / 18

HEX #B4A1D2

RGB 180 161 210

HSL 263.27, 0.35%, 0.73%

LAB 69.36, 16.5, -22.42

 

CMYK 20 / 23 / 0 / 18

HEX #A7A1D2

RGB 167 161 210

HSL 247.35, 0.35%, 0.73%

LAB 68.28, 12.38, -24.16

 

CMYK 23 / 23 / 0 / 18

HEX #A1A1D2

RGB 161 161 210

HSL 240, 0.35%, 0.73%

LAB 67.81, 10.52, -24.92

 

CMYK 14 / 23 / 0 / 18

HEX #B4A1D2

RGB 180 161 210

HSL 263.27, 0.35%, 0.73%

LAB 69.36, 16.5, -22.42

 

CMYK 20 / 32 / 0 / 13

HEX #B296DE

RGB 178 150 222

HSL 263.33, 0.52%, 0.73%

LAB 66.94, 24.7, -32.78

 

CMYK 25 / 40 / 0 / 9

HEX #AF8BE9

RGB 175 139 233

HSL 262.98, 0.68%, 0.73%

LAB 64.53, 32.56, -42.63

 

CMYK 29 / 48 / 0 / 4

HEX #AD7FF4

RGB 173 127 244

HSL 263.59, 0.84%, 0.73%

LAB 62.16, 41.34, -52.46

 

CMYK 14 / 23 / 0 / 18

HEX #B4A1D2

RGB 180 161 210

HSL 263.27, 0.35%, 0.73%

LAB 69.36, 16.5, -22.42

 

CMYK 8 / 14 / 0 / 22

HEX #B7ACC7

RGB 183 172 199

HSL 264.44, 0.19%, 0.73%

LAB 72.02, 9.09, -12.31

 

CMYK 2 / 3 / 0 / 26

HEX #B9B7BC

RGB 185 183 188

HSL 264, 0.04%, 0.73%

LAB 74.71, 1.64, -2.29

 

CMYK 3 / 0 / 9 / 24

HEX #BCC2B1

RGB 188 194 177

HSL 81.18, 0.12%, 0.73%

LAB 77.55, -5.15, 7.83

 

CMYK 7 / 0 / 19 / 20

HEX #BECDA6

RGB 190 205 166

HSL 83.08, 0.28%, 0.73%

LAB 80.38, -11.95, 17.74

 

CMYK 23 / 20 / 0 / 18

HEX #A1A8D2

RGB 161 168 210

HSL 231.43, 0.35%, 0.73%

LAB 69.64, 6.61, -22.13

 

CMYK 20 / 23 / 0 / 18

HEX #A7A1D2

RGB 167 161 210

HSL 247.35, 0.35%, 0.73%

LAB 68.28, 12.38, -24.16

 

CMYK 14 / 23 / 0 / 18

HEX #B4A1D2

RGB 180 161 210

HSL 263.27, 0.35%, 0.73%

LAB 69.36, 16.5, -22.42

 

CMYK 8 / 23 / 0 / 18

HEX #C1A1D2

RGB 193 161 210

HSL 279.18, 0.35%, 0.73%

LAB 70.51, 20.72, -20.56

 

CMYK 2 / 23 / 0 / 18

HEX #CEA1D2

RGB 206 161 210

HSL 295.1, 0.35%, 0.73%

LAB 71.73, 25.01, -18.59

 

CMYK 27 / 43 / 0 / 28

HEX #8769B8

RGB 135 105 184

HSL 262.78, 0.36%, 0.57%

LAB 50.35, 28.69, -37.51

 

CMYK 20 / 32 / 0 / 23

HEX #9E85C5

RGB 158 133 197

HSL 263.44, 0.36%, 0.65%

LAB 59.96, 22.47, -29.78

 

CMYK 14 / 23 / 0 / 18

HEX #B4A1D2

RGB 180 161 210

HSL 263.27, 0.35%, 0.73%

LAB 69.36, 16.5, -22.42

 

CMYK 10 / 16 / 0 / 12

HEX #CABDE0

RGB 202 189 224

HSL 262.29, 0.36%, 0.81%

LAB 78.66, 11.19, -15.8

 

CMYK 5 / 8 / 0 / 7

HEX #E1D9ED

RGB 225 217 237

HSL 264, 0.36%, 0.89%

LAB 87.85, 6.38, -8.8

 

CMYK 14 / 23 / 0 / 17

HEX #B5A2D3

RGB 181 162 211

HSL 263.27, 0.36%, 0.73%

LAB 69.73, 16.48, -22.4

 

CMYK 0 / 23 / 13 / 18

HEX #D2A1B6

RGB 210 161 182

HSL 334.29, 0.35%, 0.73%

LAB 71.26, 21.4, -3.8

 

CMYK 23 / 0 / 23 / 18

HEX #A2D2A1

RGB 162 210 161

HSL 118.78, 0.35%, 0.73%

LAB 79.81, -25.08, 19.31

 

CMYK 14 / 23 / 0 / 17

HEX #B5A2D3

RGB 181 162 211

HSL 263.27, 0.36%, 0.73%

LAB 69.73, 16.48, -22.4

 

CMYK 0 / 14 / 23 / 18

HEX #D2B4A1

RGB 210 180 161

HSL 23.27, 0.35%, 0.73%

LAB 75.4, 7.86, 13.68

 

CMYK 23 / 0 / 14 / 18

HEX #A1D2B4

RGB 161 210 180

HSL 143.27, 0.35%, 0.73%

LAB 80.16, -21.97, 9.71

 

CMYK 14 / 23 / 0 / 17

HEX #B5A2D3

RGB 181 162 211

HSL 263.27, 0.36%, 0.73%

LAB 69.73, 16.48, -22.4

 

CMYK 0 / 23 / 13 / 18

HEX #D2A1B6

RGB 210 161 182

HSL 334.29, 0.35%, 0.73%

LAB 71.26, 21.4, -3.8

 

CMYK 9 / 0 / 23 / 18

HEX #BFD2A1

RGB 191 210 161

HSL 83.27, 0.35%, 0.73%

LAB 81.7, -14.9, 22.21

 

CMYK 23 / 0 / 10 / 18

HEX #A1D2BE

RGB 161 210 190

HSL 155.51, 0.35%, 0.73%

LAB 80.4, -20.01, 4.72

 

CMYK 14 / 23 / 0 / 17

HEX #B5A2D3

RGB 181 162 211

HSL 263.27, 0.36%, 0.73%

LAB 69.73, 16.48, -22.4

 

CMYK 0 / 23 / 20 / 18

HEX #D2A1A7

RGB 210 161 167

HSL 352.65, 0.35%, 0.73%

LAB 70.86, 19.02, 3.91

 

CMYK 9 / 0 / 23 / 18

HEX #BFD2A1

RGB 191 210 161

HSL 83.27, 0.35%, 0.73%

LAB 81.7, -14.9, 22.21

 

CMYK 23 / 0 / 2 / 18

HEX #A1D2CD

RGB 161 210 205

HSL 173.88, 0.35%, 0.73%

LAB 80.78, -16.89, -2.73

 

Description

Color code: HEX #B5A2D3 | qconv.com Color code: HEX #B5A2D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 162 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 162 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 23 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 23% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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